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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3BBB0 it is the complementary color #0C444F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3BBB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3BBB0 shade: #F8BBAB, #FFCDBE, #FFDFD1, #FFF1E4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3BBB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3BBB0 shade: #F3BBB0, #E2A99D, #D1978A, #C08577 and #AF7364

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3BBB0 shade: #F3BAAF and #F3AFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3BBB0 shade: #F3BAAF, #F3CCAF, #F3DEAF, #F3F1AF and #E2F3AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3BBB0 shade matches the following richer shades: #F3BAAF and #FAB5A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3BBB0 shade: #F3BAAF, #EBBFB6, #E4C4BD, #DCC9C5 and #D5CECC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3BBB0 shade: #F3AFC9, #F3AFB7, #F3B9AF, #F3CBAF and #F3DDAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3BBB0 shade: #E87C67, #ED9B8B, #F3BAAF, #F8D9D3 and #FDF8F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3BBB0 shade: #F3BBB0, #DBF3AF and #AFC0F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3BBB0 shade: #F3BBB0, #AFF3B9 and #B9AFF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3BBB0 shade: #F3BBB0, #DBF3AF, #AFE8F3 and #C6AFF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3BBB0 shade: #F3BBB0, #C6F3AF, #AFE8F3 and #DBAFF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 28 / 5

HEX #F3BBB0

RGB 243 187 176

HSL 9.85, 0.74%, 0.82%

LAB 80.59, 18.62, 13.35

 

Complementary color

CMYK 85 / 14 / 0 / 69

HEX #0C444F

RGB 12 68 79

HSL 189.85, 0.74%, 0.18%

LAB 26.09, -13.04, -11.64

 

CMYK 0 / 25 / 31 / 3

HEX #F8BBAB

RGB 248 187 171

HSL 12.47, 0.85%, 0.82%

LAB 80.98, 19.84, 16.66

 

CMYK 0 / 20 / 25 / 0

HEX #FFCDBE

RGB 255 205 190

HSL 13.85, 1%, 0.87%

LAB 86.33, 15.5, 14.16

 

CMYK 0 / 13 / 18 / 0

HEX #FFDFD1

RGB 255 223 209

HSL 18.26, 1%, 0.91%

LAB 91.07, 8.87, 10.9

 

CMYK 0 / 5 / 11 / 0

HEX #FFF1E4

RGB 255 241 228

HSL 28.89, 1%, 0.95%

LAB 95.9, 2.57, 7.95

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 0 / 23 / 28 / 5

HEX #F3BBB0

RGB 243 187 176

HSL 9.85, 0.74%, 0.82%

LAB 80.59, 18.62, 13.35

 

CMYK 0 / 25 / 31 / 11

HEX #E2A99D

RGB 226 169 157

HSL 10.43, 0.54%, 0.75%

LAB 74.18, 19.3, 14.36

 

CMYK 0 / 28 / 34 / 18

HEX #D1978A

RGB 209 151 138

HSL 10.99, 0.44%, 0.68%

LAB 67.67, 20.04, 15.46

 

CMYK 0 / 31 / 38 / 25

HEX #C08577

RGB 192 133 119

HSL 11.51, 0.37%, 0.61%

LAB 61.06, 20.89, 16.67

 

CMYK 0 / 34 / 43 / 31

HEX #AF7364

RGB 175 115 100

HSL 12, 0.32%, 0.54%

LAB 54.34, 21.85, 18.02

 

CMYK 0 / 23 / 28 / 5

HEX #F3BAAF

RGB 243 186 175

HSL 9.71, 0.74%, 0.82%

LAB 80.33, 19.02, 13.52

 

CMYK 0 / 28 / 28 / 5

HEX #F3AFAF

RGB 243 175 175

HSL 0, 0.74%, 0.82%

LAB 77.76, 24.84, 9.88

 

CMYK 0 / 23 / 28 / 5

HEX #F3BAAF

RGB 243 186 175

HSL 9.71, 0.74%, 0.82%

LAB 80.33, 19.02, 13.52

 

CMYK 0 / 16 / 28 / 5

HEX #F3CCAF

RGB 243 204 175

HSL 25.59, 0.74%, 0.82%

LAB 84.66, 9.55, 19.58

 

CMYK 0 / 9 / 28 / 5

HEX #F3DEAF

RGB 243 222 175

HSL 41.47, 0.74%, 0.82%

LAB 89.11, 0.24, 25.71

 

CMYK 0 / 1 / 28 / 5

HEX #F3F1AF

RGB 243 241 175

HSL 58.24, 0.74%, 0.82%

LAB 93.91, -9.35, 32.21

 

CMYK 7 / 0 / 28 / 5

HEX #E2F3AF

RGB 226 243 175

HSL 75, 0.74%, 0.82%

LAB 93.17, -16.58, 31.01

 

CMYK 0 / 23 / 28 / 5

HEX #F3BAAF

RGB 243 186 175

HSL 9.71, 0.74%, 0.82%

LAB 80.33, 19.02, 13.52

 

CMYK 0 / 28 / 33 / 2

HEX #FAB5A7

RGB 250 181 167

HSL 10.12, 0.89%, 0.82%

LAB 79.71, 23.25, 17.05

 

CMYK 0 / 23 / 28 / 5

HEX #F3BAAF

RGB 243 186 175

HSL 9.71, 0.74%, 0.82%

LAB 80.33, 19.02, 13.52

 

CMYK 0 / 19 / 23 / 8

HEX #EBBFB6

RGB 235 191 182

HSL 10.19, 0.57%, 0.82%

LAB 80.91, 14.38, 10.47

 

CMYK 0 / 14 / 17 / 11

HEX #E4C4BD

RGB 228 196 189

HSL 10.77, 0.42%, 0.82%

LAB 81.65, 10.21, 7.69

 

CMYK 0 / 9 / 10 / 14

HEX #DCC9C5

RGB 220 201 197

HSL 10.43, 0.25%, 0.82%

LAB 82.39, 5.97, 4.39

 

CMYK 0 / 3 / 4 / 16

HEX #D5CECC

RGB 213 206 204

HSL 13.33, 0.1%, 0.82%

LAB 83.26, 2.06, 1.84

 

CMYK 0 / 28 / 17 / 5

HEX #F3AFC9

RGB 243 175 201

HSL 337.06, 0.74%, 0.82%

LAB 78.42, 28.58, -3.29

 

CMYK 0 / 28 / 25 / 5

HEX #F3AFB7

RGB 243 175 183

HSL 352.94, 0.74%, 0.82%

LAB 77.95, 25.94, 5.81

 

CMYK 0 / 24 / 28 / 5

HEX #F3B9AF

RGB 243 185 175

HSL 8.82, 0.74%, 0.82%

LAB 80.09, 19.55, 13.19

 

CMYK 0 / 16 / 28 / 5

HEX #F3CBAF

RGB 243 203 175

HSL 24.71, 0.74%, 0.82%

LAB 84.41, 10.08, 19.24

 

CMYK 0 / 9 / 28 / 5

HEX #F3DDAF

RGB 243 221 175

HSL 40.59, 0.74%, 0.82%

LAB 88.86, 0.75, 25.37

 

CMYK 0 / 47 / 56 / 9

HEX #E87C67

RGB 232 124 103

HSL 9.77, 0.74%, 0.66%

LAB 63.8, 39.7, 30.2

 

CMYK 0 / 35 / 41 / 7

HEX #ED9B8B

RGB 237 155 139

HSL 9.8, 0.73%, 0.74%

LAB 71.77, 28.81, 21.06

 

CMYK 0 / 23 / 28 / 5

HEX #F3BAAF

RGB 243 186 175

HSL 9.71, 0.74%, 0.82%

LAB 80.33, 19.02, 13.52

 

CMYK 0 / 13 / 15 / 3

HEX #F8D9D3

RGB 248 217 211

HSL 9.73, 0.73%, 0.9%

LAB 89.06, 9.78, 6.89

 

CMYK 0 / 2 / 3 / 1

HEX #FDF8F6

RGB 253 248 246

HSL 17.14, 0.64%, 0.98%

LAB 97.9, 1.32, 1.54

 

CMYK 0 / 23 / 28 / 5

HEX #F3BBB0

RGB 243 187 176

HSL 9.85, 0.74%, 0.82%

LAB 80.59, 18.62, 13.35

 

CMYK 10 / 0 / 28 / 5

HEX #DBF3AF

RGB 219 243 175

HSL 81.18, 0.74%, 0.82%

LAB 92.69, -19.11, 30.27

 

CMYK 28 / 21 / 0 / 5

HEX #AFC0F3

RGB 175 192 243

HSL 225, 0.74%, 0.82%

LAB 78.04, 5.43, -27.14

 

CMYK 0 / 23 / 28 / 5

HEX #F3BBB0

RGB 243 187 176

HSL 9.85, 0.74%, 0.82%

LAB 80.59, 18.62, 13.35

 

CMYK 28 / 0 / 24 / 5

HEX #AFF3B9

RGB 175 243 185

HSL 128.82, 0.74%, 0.82%

LAB 90.19, -32.44, 21.31

 

CMYK 24 / 28 / 0 / 5

HEX #B9AFF3

RGB 185 175 243

HSL 248.82, 0.74%, 0.82%

LAB 74.47, 17.69, -32.56

 

CMYK 0 / 23 / 28 / 5

HEX #F3BBB0

RGB 243 187 176

HSL 9.85, 0.74%, 0.82%

LAB 80.59, 18.62, 13.35

 

CMYK 10 / 0 / 28 / 5

HEX #DBF3AF

RGB 219 243 175

HSL 81.18, 0.74%, 0.82%

LAB 92.69, -19.11, 30.27

 

CMYK 28 / 5 / 0 / 5

HEX #AFE8F3

RGB 175 232 243

HSL 189.71, 0.74%, 0.82%

LAB 88.59, -15.53, -11.21

 

CMYK 19 / 28 / 0 / 5

HEX #C6AFF3

RGB 198 175 243

HSL 260.29, 0.74%, 0.82%

LAB 75.54, 21.59, -30.84

 

CMYK 0 / 23 / 28 / 5

HEX #F3BBB0

RGB 243 187 176

HSL 9.85, 0.74%, 0.82%

LAB 80.59, 18.62, 13.35

 

CMYK 19 / 0 / 28 / 5

HEX #C6F3AF

RGB 198 243 175

HSL 99.71, 0.74%, 0.82%

LAB 91.33, -26.48, 28.19

 

CMYK 28 / 5 / 0 / 5

HEX #AFE8F3

RGB 175 232 243

HSL 189.71, 0.74%, 0.82%

LAB 88.59, -15.53, -11.21

 

CMYK 10 / 28 / 0 / 5

HEX #DBAFF3

RGB 219 175 243

HSL 278.82, 0.74%, 0.82%

LAB 77.39, 28.06, -27.82

 

Description

Color code: HEX #F3BBB0 | qconv.com Color code: HEX #F3BBB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 187 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 187 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 28 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 28% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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