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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3BF4F it is the complementary color #0C40B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3BF4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3BF4F shade: #F8BF4A, #FFD15D, #FFE370, #FFF583 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3BF4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3BF4F shade: #F3BF4F, #E2AD3C, #D19B29, #C08916 and #AF7703

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3BF4F shade: #F2BE4E, #F2924E, #F2664E and #F24E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3BF4F shade: #F2BE4E, #F2EA4E, #CEF24E, #A1F24E and #75F24E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3BF4F shade matches the following richer shades: #F2BE4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3BF4F shade: #F2BE4E, #E3B95D, #D4B36D, #C4AD7C and #B5A88B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3BF4F shade: #F2644E, #F2904E, #F2BC4E, #F2E74E and #D1F24E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3BF4F shade: #DF9D0F, #F0B027, #F2BE4E, #F5CC75 and #F8DA9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3BF4F shade: #F3BF4F, #64F24E and #7A4EF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3BF4F shade: #F3BF4F, #4EF2BC and #BC4EF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3BF4F shade: #F3BF4F, #64F24E, #4E85F2 and #DC4EF2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3BF4F shade: #F3BF4F, #4EF269, #4E85F2 and #F24ED7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 67 / 5

HEX #F3BF4F

RGB 243 191 79

HSL 40.98, 0.87%, 0.63%

LAB 80.11, 7.38, 61.57

 

Complementary color

CMYK 93 / 64 / 0 / 31

HEX #0C40B0

RGB 12 64 176

HSL 220.98, 0.87%, 0.37%

LAB 31.53, 29.75, -63.5

 

CMYK 0 / 23 / 70 / 3

HEX #F8BF4A

RGB 248 191 74

HSL 40.34, 0.93%, 0.63%

LAB 80.58, 9.22, 64.31

 

CMYK 0 / 18 / 64 / 0

HEX #FFD15D

RGB 255 209 93

HSL 42.96, 1%, 0.68%

LAB 85.83, 3.87, 62.01

 

CMYK 0 / 11 / 56 / 0

HEX #FFE370

RGB 255 227 112

HSL 48.25, 1%, 0.72%

LAB 90.49, -3.99, 58.75

 

CMYK 0 / 4 / 49 / 0

HEX #FFF583

RGB 255 245 131

HSL 55.16, 1%, 0.76%

LAB 95.25, -11.41, 55.6

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 21 / 67 / 5

HEX #F3BF4F

RGB 243 191 79

HSL 40.98, 0.87%, 0.63%

LAB 80.11, 7.38, 61.57

 

CMYK 0 / 23 / 73 / 11

HEX #E2AD3C

RGB 226 173 60

HSL 40.84, 0.74%, 0.56%

LAB 73.79, 8.69, 62.4

 

CMYK 0 / 26 / 80 / 18

HEX #D19B29

RGB 209 155 41

HSL 40.71, 0.67%, 0.49%

LAB 67.4, 10.22, 62.74

 

CMYK 0 / 29 / 89 / 25

HEX #C08916

RGB 192 137 22

HSL 40.59, 0.79%, 0.42%

LAB 60.92, 11.99, 62.15

 

CMYK 0 / 32 / 98 / 31

HEX #AF7703

RGB 175 119 3

HSL 40.47, 0.97%, 0.35%

LAB 54.36, 14.04, 60.15

 

CMYK 0 / 21 / 68 / 5

HEX #F2BE4E

RGB 242 190 78

HSL 40.98, 0.86%, 0.63%

LAB 79.76, 7.43, 61.59

 

CMYK 0 / 40 / 68 / 5

HEX #F2924E

RGB 242 146 78

HSL 24.88, 0.86%, 0.63%

LAB 69.46, 30.57, 50.45

 

CMYK 0 / 58 / 68 / 5

HEX #F2664E

RGB 242 102 78

HSL 8.78, 0.86%, 0.63%

LAB 60.72, 52.39, 40.45

 

CMYK 0 / 68 / 68 / 5

HEX #F24E4E

RGB 242 78 78

HSL 0, 0.86%, 0.63%

LAB 56.95, 62.46, 35.96

 

CMYK 0 / 21 / 68 / 5

HEX #F2BE4E

RGB 242 190 78

HSL 40.98, 0.86%, 0.63%

LAB 79.76, 7.43, 61.59

 

CMYK 0 / 3 / 68 / 5

HEX #F2EA4E

RGB 242 234 78

HSL 57.07, 0.86%, 0.63%

LAB 90.9, -14.89, 73.02

 

CMYK 15 / 0 / 68 / 5

HEX #CEF24E

RGB 206 242 78

HSL 73.17, 0.86%, 0.63%

LAB 90.4, -33.12, 71.66

 

CMYK 33 / 0 / 68 / 5

HEX #A1F24E

RGB 161 242 78

HSL 89.63, 0.86%, 0.63%

LAB 87.79, -49.69, 68.15

 

CMYK 52 / 0 / 68 / 5

HEX #75F24E

RGB 117 242 78

HSL 105.73, 0.86%, 0.63%

LAB 85.92, -63.19, 65.62

 

CMYK 0 / 21 / 68 / 5

HEX #F2BE4E

RGB 242 190 78

HSL 40.98, 0.86%, 0.63%

LAB 79.76, 7.43, 61.59

 

CMYK 0 / 21 / 68 / 5

HEX #F2BE4E

RGB 242 190 78

HSL 40.98, 0.86%, 0.63%

LAB 79.76, 7.43, 61.59

 

CMYK 0 / 19 / 59 / 11

HEX #E3B95D

RGB 227 185 93

HSL 41.19, 0.71%, 0.63%

LAB 77.17, 4.7, 51.55

 

CMYK 0 / 16 / 49 / 17

HEX #D4B36D

RGB 212 179 109

HSL 40.78, 0.54%, 0.63%

LAB 74.41, 2.97, 39.99

 

CMYK 0 / 12 / 37 / 23

HEX #C4AD7C

RGB 196 173 124

HSL 40.83, 0.38%, 0.63%

LAB 71.61, 1.23, 28.25

 

CMYK 0 / 7 / 23 / 29

HEX #B5A88B

RGB 181 168 139

HSL 41.43, 0.22%, 0.63%

LAB 69.25, -0.03, 16.7

 

CMYK 0 / 59 / 68 / 5

HEX #F2644E

RGB 242 100 78

HSL 8.05, 0.86%, 0.63%

LAB 60.37, 53.29, 40.04

 

CMYK 0 / 40 / 68 / 5

HEX #F2904E

RGB 242 144 78

HSL 24.15, 0.86%, 0.63%

LAB 69.02, 31.61, 49.96

 

CMYK 0 / 22 / 68 / 5

HEX #F2BC4E

RGB 242 188 78

HSL 40.24, 0.86%, 0.63%

LAB 79.27, 8.47, 61.08

 

CMYK 0 / 5 / 68 / 5

HEX #F2E74E

RGB 242 231 78

HSL 55.98, 0.86%, 0.63%

LAB 90.13, -13.41, 72.24

 

CMYK 14 / 0 / 68 / 5

HEX #D1F24E

RGB 209 242 78

HSL 72.07, 0.86%, 0.63%

LAB 90.6, -31.95, 71.92

 

CMYK 0 / 30 / 93 / 13

HEX #DF9D0F

RGB 223 157 15

HSL 40.96, 0.87%, 0.47%

LAB 69.35, 14.67, 71.49

 

CMYK 0 / 27 / 84 / 6

HEX #F0B027

RGB 240 176 39

HSL 40.9, 0.87%, 0.55%

LAB 75.9, 12.37, 72.02

 

CMYK 0 / 21 / 68 / 5

HEX #F2BE4E

RGB 242 190 78

HSL 40.98, 0.86%, 0.63%

LAB 79.76, 7.43, 61.59

 

CMYK 0 / 17 / 52 / 4

HEX #F5CC75

RGB 245 204 117

HSL 40.78, 0.86%, 0.71%

LAB 83.9, 4.08, 48.38

 

CMYK 0 / 12 / 38 / 3

HEX #F8DA9B

RGB 248 218 155

HSL 40.65, 0.87%, 0.79%

LAB 88.19, 1.78, 34.84

 

CMYK 0 / 21 / 67 / 5

HEX #F3BF4F

RGB 243 191 79

HSL 40.98, 0.87%, 0.63%

LAB 80.11, 7.38, 61.57

 

CMYK 59 / 0 / 68 / 5

HEX #64F24E

RGB 100 242 78

HSL 111.95, 0.86%, 0.63%

LAB 85.38, -67.43, 64.89

 

CMYK 50 / 68 / 0 / 5

HEX #7A4EF2

RGB 122 78 242

HSL 256.1, 0.86%, 0.63%

LAB 46.97, 56.35, -76.07

 

CMYK 0 / 21 / 67 / 5

HEX #F3BF4F

RGB 243 191 79

HSL 40.98, 0.87%, 0.63%

LAB 80.11, 7.38, 61.57

 

CMYK 68 / 0 / 22 / 5

HEX #4EF2BC

RGB 78 242 188

HSL 160.24, 0.86%, 0.63%

LAB 86.38, -54.6, 13.9

 

CMYK 22 / 68 / 0 / 5

HEX #BC4EF2

RGB 188 78 242

HSL 280.24, 0.86%, 0.63%

LAB 54.61, 68.76, -63.34

 

CMYK 0 / 21 / 67 / 5

HEX #F3BF4F

RGB 243 191 79

HSL 40.98, 0.87%, 0.63%

LAB 80.11, 7.38, 61.57

 

CMYK 59 / 0 / 68 / 5

HEX #64F24E

RGB 100 242 78

HSL 111.95, 0.86%, 0.63%

LAB 85.38, -67.43, 64.89

 

CMYK 68 / 45 / 0 / 5

HEX #4E85F2

RGB 78 133 242

HSL 219.88, 0.86%, 0.63%

LAB 56.89, 16.76, -60.16

 

CMYK 9 / 68 / 0 / 5

HEX #DC4EF2

RGB 220 78 242

HSL 291.95, 0.86%, 0.63%

LAB 59.04, 75.44, -55.98

 

CMYK 0 / 21 / 67 / 5

HEX #F3BF4F

RGB 243 191 79

HSL 40.98, 0.87%, 0.63%

LAB 80.11, 7.38, 61.57

 

CMYK 68 / 0 / 57 / 5

HEX #4EF269

RGB 78 242 105

HSL 129.88, 0.86%, 0.63%

LAB 85.07, -69.11, 53.18

 

CMYK 68 / 45 / 0 / 5

HEX #4E85F2

RGB 78 133 242

HSL 219.88, 0.86%, 0.63%

LAB 56.89, 16.76, -60.16

 

CMYK 0 / 68 / 11 / 5

HEX #F24ED7

RGB 242 78 215

HSL 309.88, 0.86%, 0.63%

LAB 60.99, 76.07, -37.56

 

Description

Color code: HEX #F3BF4F | qconv.com Color code: HEX #F3BF4F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 191 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 191 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 67 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 67% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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