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Color name
HEX #F3DE95

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3DE95 it is the complementary color #0C216A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3DE95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3DE95 shade: #F8DE90, #FFF0A3, #FFFFB6, #FFFFC9 and #FFFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3DE95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3DE95 shade: #F3DE95, #E2CC82, #D1BA6F, #C0A85C and #AF9649

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3DE95 shade: #F3DE95, #F3C595, #F3AB95 and #F39595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3DE95 shade: #F3DE95, #EEF395, #D5F395, #BCF395 and #A3F395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3DE95 shade matches the following richer shades: #F3DE95 and #FCE38B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3DE95 shade: #F3DE95, #E9D99E, #E0D3A8, #D6CEB1 and #CDC9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3DE95 shade: #F3AB95, #F3C495, #F3DD95, #F0F395 and #D7F395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3DE95 shade: #EBC74B, #EFD270, #F3DE95, #F7E9BA and #FBF5DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3DE95 shade: #F3DE95, #98F395 and #B795F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3DE95 shade: #F3DE95, #95F3DD and #DD95F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3DE95 shade: #F3DE95, #98F395, #95ABF3 and #F095F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3DE95 shade: #F3DE95, #95F3AE, #95ABF3 and #F395DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 39 / 5

HEX #F3DE95

RGB 243 222 149

HSL 46.6, 0.8%, 0.77%

LAB 88.67, -2.86, 38.43

 

Complementary color

CMYK 89 / 69 / 0 / 58

HEX #0C216A

RGB 12 33 106

HSL 226.6, 0.8%, 0.23%

LAB 16.54, 22.83, -44.58

 

CMYK 0 / 10 / 42 / 3

HEX #F8DE90

RGB 248 222 144

HSL 45, 0.88%, 0.77%

LAB 89.02, -1.44, 41.47

 

CMYK 0 / 6 / 36 / 0

HEX #FFF0A3

RGB 255 240 163

HSL 50.22, 1%, 0.82%

LAB 94.41, -5.77, 39.07

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 9 / 39 / 5

HEX #F3DE95

RGB 243 222 149

HSL 46.6, 0.8%, 0.77%

LAB 88.67, -2.86, 38.43

 

CMYK 0 / 10 / 42 / 11

HEX #E2CC82

RGB 226 204 130

HSL 46.25, 0.62%, 0.7%

LAB 82.36, -2.36, 39.61

 

CMYK 0 / 11 / 47 / 18

HEX #D1BA6F

RGB 209 186 111

HSL 45.92, 0.52%, 0.63%

LAB 75.96, -1.77, 40.85

 

CMYK 0 / 13 / 52 / 25

HEX #C0A85C

RGB 192 168 92

HSL 45.6, 0.44%, 0.56%

LAB 69.46, -1.07, 42.12

 

CMYK 0 / 14 / 58 / 31

HEX #AF9649

RGB 175 150 73

HSL 45.29, 0.41%, 0.49%

LAB 62.85, -0.24, 43.38

 

CMYK 0 / 9 / 39 / 5

HEX #F3DE95

RGB 243 222 149

HSL 46.6, 0.8%, 0.77%

LAB 88.67, -2.86, 38.43

 

CMYK 0 / 19 / 39 / 5

HEX #F3C595

RGB 243 197 149

HSL 30.64, 0.8%, 0.77%

LAB 82.46, 10.04, 30.26

 

CMYK 0 / 30 / 39 / 5

HEX #F3AB95

RGB 243 171 149

HSL 14.04, 0.8%, 0.77%

LAB 76.28, 23.75, 21.91

 

CMYK 0 / 39 / 39 / 5

HEX #F39595

RGB 243 149 149

HSL 0, 0.8%, 0.77%

LAB 71.36, 35.32, 15.1

 

CMYK 0 / 9 / 39 / 5

HEX #F3DE95

RGB 243 222 149

HSL 46.6, 0.8%, 0.77%

LAB 88.67, -2.86, 38.43

 

CMYK 2 / 0 / 39 / 5

HEX #EEF395

RGB 238 243 149

HSL 63.19, 0.8%, 0.77%

LAB 93.64, -15.27, 44.74

 

CMYK 12 / 0 / 39 / 5

HEX #D5F395

RGB 213 243 149

HSL 79.15, 0.8%, 0.77%

LAB 91.87, -24.64, 42.11

 

CMYK 23 / 0 / 39 / 5

HEX #BCF395

RGB 188 243 149

HSL 95.11, 0.8%, 0.77%

LAB 90.3, -33.59, 39.78

 

CMYK 33 / 0 / 39 / 5

HEX #A3F395

RGB 163 243 149

HSL 111.06, 0.8%, 0.77%

LAB 88.95, -41.92, 37.76

 

CMYK 0 / 9 / 39 / 5

HEX #F3DE95

RGB 243 222 149

HSL 46.6, 0.8%, 0.77%

LAB 88.67, -2.86, 38.43

 

CMYK 0 / 10 / 45 / 1

HEX #FCE38B

RGB 252 227 139

HSL 46.73, 0.95%, 0.77%

LAB 90.55, -2.9, 45.96

 

CMYK 0 / 9 / 39 / 5

HEX #F3DE95

RGB 243 222 149

HSL 46.6, 0.8%, 0.77%

LAB 88.67, -2.86, 38.43

 

CMYK 0 / 7 / 32 / 9

HEX #E9D99E

RGB 233 217 158

HSL 47.2, 0.63%, 0.77%

LAB 86.71, -3.13, 31.1

 

CMYK 0 / 6 / 25 / 12

HEX #E0D3A8

RGB 224 211 168

HSL 46.07, 0.47%, 0.77%

LAB 84.62, -2.17, 22.95

 

CMYK 0 / 4 / 17 / 16

HEX #D6CEB1

RGB 214 206 177

HSL 47.03, 0.31%, 0.77%

LAB 82.71, -2, 15.43

 

CMYK 0 / 2 / 9 / 20

HEX #CDC9BB

RGB 205 201 187

HSL 46.67, 0.15%, 0.77%

LAB 80.93, -1.05, 7.48

 

CMYK 0 / 30 / 39 / 5

HEX #F3AB95

RGB 243 171 149

HSL 14.04, 0.8%, 0.77%

LAB 76.28, 23.75, 21.91

 

CMYK 0 / 19 / 39 / 5

HEX #F3C495

RGB 243 196 149

HSL 30, 0.8%, 0.77%

LAB 82.22, 10.57, 29.93

 

CMYK 0 / 9 / 39 / 5

HEX #F3DD95

RGB 243 221 149

HSL 45.96, 0.8%, 0.77%

LAB 88.42, -2.35, 38.1

 

CMYK 1 / 0 / 39 / 5

HEX #F0F395

RGB 240 243 149

HSL 61.91, 0.8%, 0.77%

LAB 93.8, -14.5, 44.96

 

CMYK 12 / 0 / 39 / 5

HEX #D7F395

RGB 215 243 149

HSL 77.87, 0.8%, 0.77%

LAB 92.01, -23.9, 42.31

 

CMYK 0 / 15 / 68 / 8

HEX #EBC74B

RGB 235 199 75

HSL 46.5, 0.8%, 0.61%

LAB 81.3, -0.35, 64.24

 

CMYK 0 / 12 / 53 / 6

HEX #EFD270

RGB 239 210 112

HSL 46.3, 0.8%, 0.69%

LAB 84.8, -1.86, 51.73

 

CMYK 0 / 9 / 39 / 5

HEX #F3DE95

RGB 243 222 149

HSL 46.6, 0.8%, 0.77%

LAB 88.67, -2.86, 38.43

 

CMYK 0 / 6 / 25 / 3

HEX #F7E9BA

RGB 247 233 186

HSL 46.23, 0.79%, 0.85%

LAB 92.4, -2.41, 24.6

 

CMYK 0 / 2 / 11 / 2

HEX #FBF5DF

RGB 251 245 223

HSL 47.14, 0.78%, 0.93%

LAB 96.47, -1.63, 11.3

 

CMYK 0 / 9 / 39 / 5

HEX #F3DE95

RGB 243 222 149

HSL 46.6, 0.8%, 0.77%

LAB 88.67, -2.86, 38.43

 

CMYK 37 / 0 / 39 / 5

HEX #98F395

RGB 152 243 149

HSL 118.09, 0.8%, 0.77%

LAB 88.42, -45.33, 36.97

 

CMYK 25 / 39 / 0 / 5

HEX #B795F3

RGB 183 149 243

HSL 261.7, 0.8%, 0.77%

LAB 68.05, 31.59, -42.57

 

CMYK 0 / 9 / 39 / 5

HEX #F3DE95

RGB 243 222 149

HSL 46.6, 0.8%, 0.77%

LAB 88.67, -2.86, 38.43

 

CMYK 39 / 0 / 9 / 5

HEX #95F3DD

RGB 149 243 221

HSL 165.96, 0.8%, 0.77%

LAB 89.73, -32.84, 1.82

 

CMYK 9 / 39 / 0 / 5

HEX #DD95F3

RGB 221 149 243

HSL 285.96, 0.8%, 0.77%

LAB 71.78, 42.64, -36.46

 

CMYK 0 / 9 / 39 / 5

HEX #F3DE95

RGB 243 222 149

HSL 46.6, 0.8%, 0.77%

LAB 88.67, -2.86, 38.43

 

CMYK 37 / 0 / 39 / 5

HEX #98F395

RGB 152 243 149

HSL 118.09, 0.8%, 0.77%

LAB 88.42, -45.33, 36.97

 

CMYK 39 / 30 / 0 / 5

HEX #95ABF3

RGB 149 171 243

HSL 225.96, 0.8%, 0.77%

LAB 70.86, 9.83, -38.37

 

CMYK 1 / 39 / 0 / 5

HEX #F095F3

RGB 240 149 243

HSL 298.09, 0.8%, 0.77%

LAB 73.86, 48.29, -33.08

 

CMYK 0 / 9 / 39 / 5

HEX #F3DE95

RGB 243 222 149

HSL 46.6, 0.8%, 0.77%

LAB 88.67, -2.86, 38.43

 

CMYK 39 / 0 / 28 / 5

HEX #95F3AE

RGB 149 243 174

HSL 135.96, 0.8%, 0.77%

LAB 88.71, -42.17, 24.71

 

CMYK 39 / 30 / 0 / 5

HEX #95ABF3

RGB 149 171 243

HSL 225.96, 0.8%, 0.77%

LAB 70.86, 9.83, -38.37

 

CMYK 0 / 39 / 10 / 5

HEX #F395DA

RGB 243 149 218

HSL 315.96, 0.8%, 0.77%

LAB 73.29, 44.9, -20.25

 

Description

Color code: HEX #F3DE95 | qconv.com Color code: HEX #F3DE95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 222 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 222 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 39 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 39% 5% C M Y K

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Provide designers and agencies with accurate color values.

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