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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3ED0B it is the complementary color #0C12F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3ED0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3ED0B shade: #F8ED06, #FFFF19, #FFFF2C, #FFFF3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3ED0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3ED0B shade: #F3ED0B, #E2DB00, #D1C900, #C0B700 and #AFA500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3ED0B shade: #F3ED0B, #F3AE0B, #F3700B, #F3310B and #F30B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3ED0B shade: #F3ED0B, #BAF30B, #7CF30B, #3DF30B and #0BF317

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3ED0B shade matches the following richer shades: #F3ED0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3ED0B shade: #F3ED0B, #DED920, #CAC634, #B5B249 and #A19F5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3ED0B shade: #F3700B, #F3AD0B, #F3EB0B, #BDF30B and #7FF30B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3ED0B shade: #A4A007, #CCC709, #F3ED0B, #F5F032 and #F7F35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3ED0B shade: #F3ED0B, #0BF332 and #8E0BF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3ED0B shade: #F3ED0B, #0BF3EB and #EB0BF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3ED0B shade: #F3ED0B, #0BF332, #0B13F3 and #F30BCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3ED0B shade: #F3ED0B, #0BF377, #0B13F3 and #F30B87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 95 / 5

HEX #F3ED0B

RGB 243 237 11

HSL 58.45, 0.91%, 0.5%

LAB 91.53, -17.81, 89.12

 

Complementary color

CMYK 95 / 93 / 0 / 4

HEX #0C12F4

RGB 12 18 244

HSL 238.45, 0.91%, 0.5%

LAB 31.9, 73.55, -102.33

 

CMYK 0 / 4 / 98 / 3

HEX #F8ED06

RGB 248 237 6

HSL 57.27, 0.95%, 0.5%

LAB 91.93, -15.76, 89.98

 

CMYK 0 / 0 / 90 / 0

HEX #FFFF19

RGB 255 255 25

HSL 60, 1%, 0.55%

LAB 97.17, -21.33, 92.34

 

CMYK 0 / 0 / 83 / 0

HEX #FFFF2C

RGB 255 255 44

HSL 60, 1%, 0.59%

LAB 97.21, -20.96, 89.12

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 2 / 95 / 5

HEX #F3ED0B

RGB 243 237 11

HSL 58.45, 0.91%, 0.5%

LAB 91.53, -17.81, 89.12

 

CMYK 0 / 3 / 100 / 11

HEX #E2DB00

RGB 226 219 0

HSL 58.14, 1%, 0.44%

LAB 85.42, -16.26, 84.89

 

CMYK 0 / 4 / 100 / 18

HEX #D1C900

RGB 209 201 0

HSL 57.7, 1%, 0.41%

LAB 79.23, -14.58, 79.76

 

CMYK 0 / 5 / 100 / 25

HEX #C0B700

RGB 192 183 0

HSL 57.19, 1%, 0.38%

LAB 72.94, -12.86, 74.54

 

CMYK 0 / 6 / 100 / 31

HEX #AFA500

RGB 175 165 0

HSL 56.57, 1%, 0.34%

LAB 66.54, -11.1, 69.23

 

CMYK 0 / 2 / 95 / 5

HEX #F3ED0B

RGB 243 237 11

HSL 58.45, 0.91%, 0.5%

LAB 91.53, -17.81, 89.12

 

CMYK 0 / 28 / 95 / 5

HEX #F3AE0B

RGB 243 174 11

HSL 42.16, 0.91%, 0.5%

LAB 75.67, 14.23, 77.58

 

CMYK 0 / 54 / 95 / 5

HEX #F3700B

RGB 243 112 11

HSL 26.12, 0.91%, 0.5%

LAB 62.23, 46.11, 68.5

 

CMYK 0 / 80 / 95 / 5

HEX #F3310B

RGB 243 49 11

HSL 9.83, 0.91%, 0.5%

LAB 53.25, 70.24, 63.21

 

CMYK 0 / 95 / 95 / 5

HEX #F30B0B

RGB 243 11 11

HSL 0, 0.91%, 0.5%

LAB 51.06, 76.51, 62.09

 

CMYK 0 / 2 / 95 / 5

HEX #F3ED0B

RGB 243 237 11

HSL 58.45, 0.91%, 0.5%

LAB 91.53, -17.81, 89.12

 

CMYK 23 / 0 / 95 / 5

HEX #BAF30B

RGB 186 243 11

HSL 74.74, 0.91%, 0.5%

LAB 89.19, -43.52, 85.61

 

CMYK 49 / 0 / 95 / 5

HEX #7CF30B

RGB 124 243 11

HSL 90.78, 0.91%, 0.5%

LAB 86.21, -64.55, 81.99

 

CMYK 75 / 0 / 95 / 5

HEX #3DF30B

RGB 61 243 11

HSL 107.07, 0.91%, 0.5%

LAB 84.54, -78.32, 79.95

 

CMYK 95 / 0 / 91 / 5

HEX #0BF317

RGB 11 243 23

HSL 123.1, 0.91%, 0.5%

LAB 84.09, -82.34, 78.01

 

CMYK 0 / 2 / 95 / 5

HEX #F3ED0B

RGB 243 237 11

HSL 58.45, 0.91%, 0.5%

LAB 91.53, -17.81, 89.12

 

CMYK 0 / 2 / 95 / 5

HEX #F3ED0B

RGB 243 237 11

HSL 58.45, 0.91%, 0.5%

LAB 91.53, -17.81, 89.12

 

CMYK 0 / 2 / 86 / 13

HEX #DED920

RGB 222 217 32

HSL 58.42, 0.75%, 0.5%

LAB 84.62, -16.54, 80.18

 

CMYK 0 / 2 / 74 / 21

HEX #CAC634

RGB 202 198 52

HSL 58.4, 0.59%, 0.5%

LAB 77.99, -14.93, 68.52

 

CMYK 0 / 2 / 60 / 29

HEX #B5B249

RGB 181 178 73

HSL 58.33, 0.43%, 0.5%

LAB 70.97, -12.51, 52.67

 

CMYK 0 / 1 / 42 / 37

HEX #A19F5D

RGB 161 159 93

HSL 58.24, 0.27%, 0.5%

LAB 64.29, -9.21, 34.63

 

CMYK 0 / 54 / 95 / 5

HEX #F3700B

RGB 243 112 11

HSL 26.12, 0.91%, 0.5%

LAB 62.23, 46.11, 68.5

 

CMYK 0 / 29 / 95 / 5

HEX #F3AD0B

RGB 243 173 11

HSL 41.9, 0.91%, 0.5%

LAB 75.43, 14.75, 77.41

 

CMYK 0 / 3 / 95 / 5

HEX #F3EB0B

RGB 243 235 11

HSL 57.93, 0.91%, 0.5%

LAB 91.01, -16.84, 88.73

 

CMYK 22 / 0 / 95 / 5

HEX #BDF30B

RGB 189 243 11

HSL 73.97, 0.91%, 0.5%

LAB 89.37, -42.37, 85.82

 

CMYK 48 / 0 / 95 / 5

HEX #7FF30B

RGB 127 243 11

HSL 90, 0.91%, 0.5%

LAB 86.32, -63.68, 82.13

 

CMYK 0 / 2 / 96 / 36

HEX #A4A007

RGB 164 160 7

HSL 58.47, 0.92%, 0.34%

LAB 64.2, -13.32, 66.14

 

CMYK 0 / 2 / 96 / 20

HEX #CCC709

RGB 204 199 9

HSL 58.46, 0.92%, 0.42%

LAB 78.29, -15.64, 77.99

 

CMYK 0 / 2 / 95 / 5

HEX #F3ED0B

RGB 243 237 11

HSL 58.45, 0.91%, 0.5%

LAB 91.53, -17.81, 89.12

 

CMYK 0 / 2 / 80 / 4

HEX #F5F032

RGB 245 240 50

HSL 58.46, 0.91%, 0.58%

LAB 92.56, -17.7, 83.46

 

CMYK 0 / 2 / 64 / 3

HEX #F7F35A

RGB 247 243 90

HSL 58.47, 0.91%, 0.66%

LAB 93.72, -16.59, 71.46

 

CMYK 0 / 2 / 95 / 5

HEX #F3ED0B

RGB 243 237 11

HSL 58.45, 0.91%, 0.5%

LAB 91.53, -17.81, 89.12

 

CMYK 95 / 0 / 79 / 5

HEX #0BF332

RGB 11 243 50

HSL 130.09, 0.91%, 0.5%

LAB 84.17, -81.21, 72.44

 

CMYK 42 / 95 / 0 / 5

HEX #8E0BF3

RGB 142 11 243

HSL 273.88, 0.91%, 0.5%

LAB 41.94, 80.77, -84.8

 

CMYK 0 / 2 / 95 / 5

HEX #F3ED0B

RGB 243 237 11

HSL 58.45, 0.91%, 0.5%

LAB 91.53, -17.81, 89.12

 

CMYK 95 / 0 / 3 / 5

HEX #0BF3EB

RGB 11 243 235

HSL 177.93, 0.91%, 0.5%

LAB 87.08, -48.41, -9.73

 

CMYK 3 / 95 / 0 / 5

HEX #EB0BF3

RGB 235 11 243

HSL 297.93, 0.91%, 0.5%

LAB 56.46, 92.8, -60.54

 

CMYK 0 / 2 / 95 / 5

HEX #F3ED0B

RGB 243 237 11

HSL 58.45, 0.91%, 0.5%

LAB 91.53, -17.81, 89.12

 

CMYK 95 / 0 / 79 / 5

HEX #0BF332

RGB 11 243 50

HSL 130.09, 0.91%, 0.5%

LAB 84.17, -81.21, 72.44

 

CMYK 95 / 92 / 0 / 5

HEX #0B13F3

RGB 11 19 243

HSL 237.93, 0.91%, 0.5%

LAB 31.83, 73.05, -101.9

 

CMYK 0 / 95 / 16 / 5

HEX #F30BCC

RGB 243 11 204

HSL 310.09, 0.91%, 0.5%

LAB 55.74, 88.9, -39.51

 

CMYK 0 / 2 / 95 / 5

HEX #F3ED0B

RGB 243 237 11

HSL 58.45, 0.91%, 0.5%

LAB 91.53, -17.81, 89.12

 

CMYK 95 / 0 / 51 / 5

HEX #0BF377

RGB 11 243 119

HSL 147.93, 0.91%, 0.5%

LAB 84.74, -74.09, 46.17

 

CMYK 95 / 92 / 0 / 5

HEX #0B13F3

RGB 11 19 243

HSL 237.93, 0.91%, 0.5%

LAB 31.83, 73.05, -101.9

 

CMYK 0 / 95 / 44 / 5

HEX #F30B87

RGB 243 11 135

HSL 327.93, 0.91%, 0.5%

LAB 53, 81.78, -3.18

 

Description

Color code: HEX #F3ED0B | qconv.com Color code: HEX #F3ED0B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 237 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 237 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 95 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 95% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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