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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3F95C it is the complementary color #0C06A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3F95C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3F95C shade: #F8F957, #FFFF6A, #FFFF7D, #FFFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3F95C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3F95C shade: #F3F95C, #E2E749, #D1D536, #C0C323 and #AFB110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3F95C shade: #F3F95C, #F9D45C, #F9AA5C, #F9805C and #F95C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3F95C shade: #F3F95C, #C8F95C, #9EF95C, #74F95C and #5CF96E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3F95C shade matches the following richer shades: #F3F95C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3F95C shade: #F3F95C, #E6EB6A, #D9DD77, #CDD085 and #C0C293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3F95C shade: #F9AA5C, #F9D45C, #F3F95C, #CAF95C and #A0F95C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3F95C shade: #EDF60C, #F0F734, #F3F95C, #F6FA84 and #F8FBAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3F95C shade: #F3F95C, #5CF981 and #BF5CF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3F95C shade: #F3F95C, #5CF3F9 and #F95CF3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3F95C shade: #F3F95C, #5CF981, #615CF9 and #F95CD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3F95C shade: #F3F95C, #5CF9B0, #615CF9 and #F95CA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 63 / 2

HEX #F3F95C

RGB 243 249 92

HSL 62.29, 0.93%, 0.67%

LAB 94.98, -20.96, 71.9

 

Complementary color

CMYK 93 / 96 / 0 / 36

HEX #0C06A3

RGB 12 6 163

HSL 242.29, 0.93%, 0.33%

LAB 19.44, 55.07, -75.69

 

CMYK 0 / 0 / 65 / 2

HEX #F8F957

RGB 248 249 87

HSL 60.37, 0.93%, 0.66%

LAB 95.33, -19.25, 74.3

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 2 / 0 / 63 / 2

HEX #F3F95C

RGB 243 249 92

HSL 62.29, 0.93%, 0.67%

LAB 94.98, -20.96, 71.9

 

CMYK 2 / 0 / 68 / 9

HEX #E2E749

RGB 226 231 73

HSL 61.9, 0.77%, 0.6%

LAB 88.83, -20.22, 72.36

 

CMYK 2 / 0 / 75 / 16

HEX #D1D536

RGB 209 213 54

HSL 61.51, 0.65%, 0.52%

LAB 82.6, -19.35, 72.36

 

CMYK 2 / 0 / 82 / 24

HEX #C0C323

RGB 192 195 35

HSL 61.13, 0.7%, 0.45%

LAB 76.29, -18.3, 71.61

 

CMYK 1 / 0 / 91 / 31

HEX #AFB110

RGB 175 177 16

HSL 60.75, 0.83%, 0.38%

LAB 69.89, -17.05, 69.68

 

CMYK 2 / 0 / 63 / 2

HEX #F3F95C

RGB 243 249 92

HSL 62.29, 0.93%, 0.67%

LAB 94.98, -20.96, 71.9

 

CMYK 0 / 15 / 63 / 2

HEX #F9D45C

RGB 249 212 92

HSL 45.86, 0.93%, 0.67%

LAB 86.01, -0.2, 62.47

 

CMYK 0 / 32 / 63 / 2

HEX #F9AA5C

RGB 249 170 92

HSL 29.81, 0.93%, 0.67%

LAB 75.86, 21.64, 51.13

 

CMYK 0 / 49 / 63 / 2

HEX #F9805C

RGB 249 128 92

HSL 13.76, 0.93%, 0.67%

LAB 66.79, 43.31, 40.43

 

CMYK 0 / 63 / 63 / 2

HEX #F95C5C

RGB 249 92 92

HSL 0, 0.93%, 0.67%

LAB 60.4, 59.9, 32.54

 

CMYK 2 / 0 / 63 / 2

HEX #F3F95C

RGB 243 249 92

HSL 62.29, 0.93%, 0.67%

LAB 94.98, -20.96, 71.9

 

CMYK 20 / 0 / 63 / 2

HEX #C8F95C

RGB 200 249 92

HSL 78.73, 0.93%, 0.67%

LAB 92.04, -37.68, 67.9

 

CMYK 37 / 0 / 63 / 2

HEX #9EF95C

RGB 158 249 92

HSL 94.78, 0.93%, 0.67%

LAB 89.76, -52.5, 64.77

 

CMYK 53 / 0 / 63 / 2

HEX #74F95C

RGB 116 249 92

HSL 110.83, 0.93%, 0.67%

LAB 88.08, -64.77, 62.45

 

CMYK 63 / 0 / 56 / 2

HEX #5CF96E

RGB 92 249 110

HSL 126.88, 0.93%, 0.67%

LAB 87.56, -68.27, 53.96

 

CMYK 2 / 0 / 63 / 2

HEX #F3F95C

RGB 243 249 92

HSL 62.29, 0.93%, 0.67%

LAB 94.98, -20.96, 71.9

 

CMYK 2 / 0 / 63 / 2

HEX #F3F95C

RGB 243 249 92

HSL 62.29, 0.93%, 0.67%

LAB 94.98, -20.96, 71.9

 

CMYK 2 / 0 / 55 / 8

HEX #E6EB6A

RGB 230 235 106

HSL 62.33, 0.76%, 0.67%

LAB 90.45, -18.45, 60.86

 

CMYK 2 / 0 / 46 / 13

HEX #D9DD77

RGB 217 221 119

HSL 62.35, 0.6%, 0.67%

LAB 85.9, -15.63, 49.29

 

CMYK 1 / 0 / 36 / 18

HEX #CDD085

RGB 205 208 133

HSL 62.4, 0.44%, 0.67%

LAB 81.72, -12.36, 36.92

 

CMYK 1 / 0 / 24 / 24

HEX #C0C293

RGB 192 194 147

HSL 62.55, 0.28%, 0.67%

LAB 77.22, -8.4, 23.48

 

CMYK 0 / 32 / 63 / 2

HEX #F9AA5C

RGB 249 170 92

HSL 29.81, 0.93%, 0.67%

LAB 75.86, 21.64, 51.13

 

CMYK 0 / 15 / 63 / 2

HEX #F9D45C

RGB 249 212 92

HSL 45.86, 0.93%, 0.67%

LAB 86.01, -0.2, 62.47

 

CMYK 2 / 0 / 63 / 2

HEX #F3F95C

RGB 243 249 92

HSL 62.29, 0.93%, 0.67%

LAB 94.98, -20.96, 71.9

 

CMYK 19 / 0 / 63 / 2

HEX #CAF95C

RGB 202 249 92

HSL 77.96, 0.93%, 0.67%

LAB 92.17, -36.93, 68.07

 

CMYK 36 / 0 / 63 / 2

HEX #A0F95C

RGB 160 249 92

HSL 94.01, 0.93%, 0.67%

LAB 89.86, -51.84, 64.9

 

CMYK 4 / 0 / 95 / 4

HEX #EDF60C

RGB 237 246 12

HSL 62.31, 0.93%, 0.51%

LAB 93.43, -24.59, 90.26

 

CMYK 3 / 0 / 79 / 3

HEX #F0F734

RGB 240 247 52

HSL 62.15, 0.92%, 0.59%

LAB 94.01, -23.04, 84.06

 

CMYK 2 / 0 / 63 / 2

HEX #F3F95C

RGB 243 249 92

HSL 62.29, 0.93%, 0.67%

LAB 94.98, -20.96, 71.9

 

CMYK 2 / 0 / 47 / 2

HEX #F6FA84

RGB 246 250 132

HSL 62.03, 0.92%, 0.75%

LAB 95.84, -17.28, 55.69

 

CMYK 1 / 0 / 31 / 2

HEX #F8FBAC

RGB 248 251 172

HSL 62.28, 0.91%, 0.83%

LAB 96.79, -12.8, 37.61

 

CMYK 2 / 0 / 63 / 2

HEX #F3F95C

RGB 243 249 92

HSL 62.29, 0.93%, 0.67%

LAB 94.98, -20.96, 71.9

 

CMYK 63 / 0 / 48 / 2

HEX #5CF981

RGB 92 249 129

HSL 134.14, 0.93%, 0.67%

LAB 87.78, -65.74, 45.46

 

CMYK 23 / 63 / 0 / 2

HEX #BF5CF9

RGB 191 92 249

HSL 277.83, 0.93%, 0.67%

LAB 57.63, 64.72, -62.36

 

CMYK 2 / 0 / 63 / 2

HEX #F3F95C

RGB 243 249 92

HSL 62.29, 0.93%, 0.67%

LAB 94.98, -20.96, 71.9

 

CMYK 63 / 2 / 0 / 2

HEX #5CF3F9

RGB 92 243 249

HSL 182.29, 0.93%, 0.67%

LAB 88.55, -37.65, -14.75

 

CMYK 0 / 63 / 2 / 2

HEX #F95CF3

RGB 249 92 243

HSL 302.29, 0.93%, 0.67%

LAB 65.17, 76.81, -46.55

 

CMYK 2 / 0 / 63 / 2

HEX #F3F95C

RGB 243 249 92

HSL 62.29, 0.93%, 0.67%

LAB 94.98, -20.96, 71.9

 

CMYK 63 / 0 / 48 / 2

HEX #5CF981

RGB 92 249 129

HSL 134.14, 0.93%, 0.67%

LAB 87.78, -65.74, 45.46

 

CMYK 61 / 63 / 0 / 2

HEX #615CF9

RGB 97 92 249

HSL 241.91, 0.93%, 0.67%

LAB 48.3, 46.8, -77.9

 

CMYK 0 / 63 / 15 / 2

HEX #F95CD4

RGB 249 92 212

HSL 314.14, 0.93%, 0.67%

LAB 63.79, 72.16, -31.42

 

CMYK 2 / 0 / 63 / 2

HEX #F3F95C

RGB 243 249 92

HSL 62.29, 0.93%, 0.67%

LAB 94.98, -20.96, 71.9

 

CMYK 63 / 0 / 29 / 2

HEX #5CF9B0

RGB 92 249 176

HSL 152.1, 0.93%, 0.67%

LAB 88.52, -57.62, 23.12

 

CMYK 61 / 63 / 0 / 2

HEX #615CF9

RGB 97 92 249

HSL 241.91, 0.93%, 0.67%

LAB 48.3, 46.8, -77.9

 

CMYK 0 / 63 / 34 / 2

HEX #F95CA5

RGB 249 92 165

HSL 332.1, 0.93%, 0.67%

LAB 62.09, 66.17, -7.23

 

Description

Color code: HEX #F3F95C | qconv.com Color code: HEX #F3F95C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 249 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 249 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 63 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 63% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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