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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3F380 it is the complementary color #0C0C7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3F380. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3F380 shade: #F8F37B, #FFFF8E, #FFFFA1, #FFFFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3F380. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3F380 shade: #F3F380, #E2E16D, #D1CF5A, #C0BD47 and #AFAB34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3F380 shade: #F3F381, #F3D481, #F3B581, #F39681 and #F38181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3F380 shade: #F3F381, #D4F381, #B5F381, #96F381 and #81F389

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3F380 shade matches the following richer shades: #F3F381 and #FEFE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3F380 shade: #F3F381, #E8E88C, #DDDD97, #D1D1A2 and #C6C6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3F380 shade: #F3B681, #F3D481, #F3F381, #D4F381 and #B6F381

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3F380 shade: #ECEC35, #EFEF5B, #F3F381, #F6F6A6 and #FAFACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3F380 shade: #F3F380, #81F397 and #C581F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3F380 shade: #F3F380, #81F3F3 and #F381F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3F380 shade: #F3F380, #81F397, #8181F3 and #F381DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3F380 shade: #F3F380, #81F3BA, #8181F3 and #F381BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 47 / 5

HEX #F3F380

RGB 243 243 128

HSL 60, 0.83%, 0.73%

LAB 93.76, -15.4, 54.99

 

Complementary color

CMYK 91 / 91 / 0 / 50

HEX #0C0C7F

RGB 12 12 127

HSL 240, 0.83%, 0.27%

LAB 14.81, 42.76, -60.99

 

CMYK 0 / 2 / 50 / 3

HEX #F8F37B

RGB 248 243 123

HSL 57.6, 0.9%, 0.73%

LAB 94.09, -13.87, 57.79

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 47 / 5

HEX #F3F380

RGB 243 243 128

HSL 60, 0.83%, 0.73%

LAB 93.76, -15.4, 54.99

 

CMYK 0 / 0 / 52 / 11

HEX #E2E16D

RGB 226 225 109

HSL 59.49, 0.67%, 0.66%

LAB 87.54, -14.91, 56.09

 

CMYK 0 / 1 / 57 / 18

HEX #D1CF5A

RGB 209 207 90

HSL 58.99, 0.56%, 0.59%

LAB 81.25, -14.33, 57.12

 

CMYK 0 / 2 / 63 / 25

HEX #C0BD47

RGB 192 189 71

HSL 58.51, 0.49%, 0.52%

LAB 74.86, -13.62, 57.99

 

CMYK 0 / 2 / 70 / 31

HEX #AFAB34

RGB 175 171 52

HSL 58.05, 0.54%, 0.45%

LAB 68.38, -12.77, 58.53

 

CMYK 0 / 0 / 47 / 5

HEX #F3F381

RGB 243 243 129

HSL 60, 0.83%, 0.73%

LAB 93.77, -15.31, 54.54

 

CMYK 0 / 13 / 47 / 5

HEX #F3D481

RGB 243 212 129

HSL 43.68, 0.83%, 0.73%

LAB 85.87, 0.22, 44.86

 

CMYK 0 / 26 / 47 / 5

HEX #F3B581

RGB 243 181 129

HSL 27.37, 0.83%, 0.73%

LAB 78.28, 16.37, 35.21

 

CMYK 0 / 38 / 47 / 5

HEX #F39681

RGB 243 150 129

HSL 11.05, 0.83%, 0.73%

LAB 71.18, 32.71, 25.87

 

CMYK 0 / 47 / 47 / 5

HEX #F38181

RGB 243 129 129

HSL 0, 0.83%, 0.73%

LAB 66.78, 43.5, 19.91

 

CMYK 0 / 0 / 47 / 5

HEX #F3F381

RGB 243 243 129

HSL 60, 0.83%, 0.73%

LAB 93.77, -15.31, 54.54

 

CMYK 13 / 0 / 47 / 5

HEX #D4F381

RGB 212 243 129

HSL 76.32, 0.83%, 0.73%

LAB 91.54, -27.22, 51.32

 

CMYK 26 / 0 / 47 / 5

HEX #B5F381

RGB 181 243 129

HSL 92.63, 0.83%, 0.73%

LAB 89.63, -38.48, 48.54

 

CMYK 38 / 0 / 47 / 5

HEX #96F381

RGB 150 243 129

HSL 108.95, 0.83%, 0.73%

LAB 88.05, -48.69, 46.23

 

CMYK 47 / 0 / 44 / 5

HEX #81F389

RGB 129 243 137

HSL 124.21, 0.83%, 0.73%

LAB 87.28, -53.69, 41.21

 

CMYK 0 / 0 / 47 / 5

HEX #F3F381

RGB 243 243 129

HSL 60, 0.83%, 0.73%

LAB 93.77, -15.31, 54.54

 

CMYK 0 / 0 / 54 / 0

HEX #FEFE75

RGB 254 254 117

HSL 60, 0.99%, 0.73%

LAB 97.32, -17.32, 64.33

 

CMYK 0 / 0 / 47 / 5

HEX #F3F381

RGB 243 243 129

HSL 60, 0.83%, 0.73%

LAB 93.77, -15.31, 54.54

 

CMYK 0 / 0 / 40 / 9

HEX #E8E88C

RGB 232 232 140

HSL 60, 0.67%, 0.73%

LAB 90.21, -13.11, 44.7

 

CMYK 0 / 0 / 32 / 13

HEX #DDDD97

RGB 221 221 151

HSL 60, 0.51%, 0.73%

LAB 86.66, -10.61, 34.45

 

CMYK 0 / 0 / 22 / 18

HEX #D1D1A2

RGB 209 209 162

HSL 60, 0.34%, 0.73%

LAB 82.79, -7.6, 23.39

 

CMYK 0 / 0 / 13 / 22

HEX #C6C6AD

RGB 198 198 173

HSL 60, 0.18%, 0.73%

LAB 79.28, -4.31, 12.54

 

CMYK 0 / 25 / 47 / 5

HEX #F3B681

RGB 243 182 129

HSL 27.89, 0.83%, 0.73%

LAB 78.52, 15.85, 35.52

 

CMYK 0 / 13 / 47 / 5

HEX #F3D481

RGB 243 212 129

HSL 43.68, 0.83%, 0.73%

LAB 85.87, 0.22, 44.86

 

CMYK 0 / 0 / 47 / 5

HEX #F3F381

RGB 243 243 129

HSL 60, 0.83%, 0.73%

LAB 93.77, -15.31, 54.54

 

CMYK 13 / 0 / 47 / 5

HEX #D4F381

RGB 212 243 129

HSL 76.32, 0.83%, 0.73%

LAB 91.54, -27.22, 51.32

 

CMYK 25 / 0 / 47 / 5

HEX #B6F381

RGB 182 243 129

HSL 92.11, 0.83%, 0.73%

LAB 89.69, -38.13, 48.62

 

CMYK 0 / 0 / 78 / 7

HEX #ECEC35

RGB 236 236 53

HSL 60, 0.83%, 0.57%

LAB 90.82, -19.38, 80.87

 

CMYK 0 / 0 / 62 / 6

HEX #EFEF5B

RGB 239 239 91

HSL 60, 0.82%, 0.65%

LAB 92.06, -17.82, 69.13

 

CMYK 0 / 0 / 47 / 5

HEX #F3F381

RGB 243 243 129

HSL 60, 0.83%, 0.73%

LAB 93.77, -15.31, 54.54

 

CMYK 0 / 0 / 33 / 4

HEX #F6F6A6

RGB 246 246 166

HSL 60, 0.82%, 0.81%

LAB 95.27, -11.8, 38.57

 

CMYK 0 / 0 / 18 / 2

HEX #FAFACC

RGB 250 250 204

HSL 60, 0.82%, 0.89%

LAB 97.25, -7.35, 22.12

 

CMYK 0 / 0 / 47 / 5

HEX #F3F380

RGB 243 243 128

HSL 60, 0.83%, 0.73%

LAB 93.76, -15.4, 54.99

 

CMYK 47 / 0 / 38 / 5

HEX #81F397

RGB 129 243 151

HSL 131.58, 0.83%, 0.73%

LAB 87.49, -51.55, 34.56

 

CMYK 19 / 47 / 0 / 5

HEX #C581F3

RGB 197 129 243

HSL 275.79, 0.83%, 0.73%

LAB 65, 46.42, -47.27

 

CMYK 0 / 0 / 47 / 5

HEX #F3F380

RGB 243 243 128

HSL 60, 0.83%, 0.73%

LAB 93.76, -15.4, 54.99

 

CMYK 47 / 0 / 0 / 5

HEX #81F3F3

RGB 129 243 243

HSL 180, 0.83%, 0.73%

LAB 89.51, -32.42, -10.07

 

CMYK 0 / 47 / 0 / 5

HEX #F381F3

RGB 243 129 243

HSL 300, 0.83%, 0.73%

LAB 70.33, 59.13, -38.52

 

CMYK 0 / 0 / 47 / 5

HEX #F3F380

RGB 243 243 128

HSL 60, 0.83%, 0.73%

LAB 93.76, -15.4, 54.99

 

CMYK 47 / 0 / 38 / 5

HEX #81F397

RGB 129 243 151

HSL 131.58, 0.83%, 0.73%

LAB 87.49, -51.55, 34.56

 

CMYK 47 / 47 / 0 / 5

HEX #8181F3

RGB 129 129 243

HSL 240, 0.83%, 0.73%

LAB 58.82, 29.19, -57.45

 

CMYK 0 / 47 / 9 / 5

HEX #F381DC

RGB 243 129 220

HSL 312.11, 0.83%, 0.73%

LAB 69.41, 55.28, -27.28

 

CMYK 0 / 0 / 47 / 5

HEX #F3F380

RGB 243 243 128

HSL 60, 0.83%, 0.73%

LAB 93.76, -15.4, 54.99

 

CMYK 47 / 0 / 23 / 5

HEX #81F3BA

RGB 129 243 186

HSL 150, 0.83%, 0.73%

LAB 88.12, -45.25, 17.6

 

CMYK 47 / 47 / 0 / 5

HEX #8181F3

RGB 129 129 243

HSL 240, 0.83%, 0.73%

LAB 58.82, 29.19, -57.45

 

CMYK 0 / 47 / 23 / 5

HEX #F381BA

RGB 243 129 186

HSL 330, 0.83%, 0.73%

LAB 68.24, 50.17, -10.1

 

Description

Color code: HEX #F3F380 | qconv.com Color code: HEX #F3F380 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 243 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 243 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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