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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F001D6 it is the complementary color #0FFE29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F001D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F001D6 shade: #F501D1, #FF13E4, #FF25F7, #FF37FF and #FF49FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F001D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F001D6 shade: #F001D6, #DF00C3, #CE00B0, #BD009D and #AC008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F001D6 shade: #EE01D4, #EE0194, #EE0154, #EE0114 and #EE0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F001D6 shade: #EE01D4, #C801EE, #8801EE, #4801EE and #0801EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F001D6 shade matches the following richer shades: #EE01D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F001D6 shade: #EE01D4, #DB14C5, #C727B6, #B43BA7 and #A04E97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F001D6 shade: #8701EE, #C601EE, #EE01D6, #EE0197 and #EE0158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F001D6 shade: #9C008B, #C500B0, #EE01D4, #FD1BE5 and #FE44E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F001D6 shade: #F001D6, #EE4801 and #01EEA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F001D6 shade: #F001D6, #D6EE01 and #01D6EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F001D6 shade: #F001D6, #EE4801, #01EE18 and #01A7EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F001D6 shade: #F001D6, #EE8F01, #01EE18 and #0160EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 11 / 6

HEX #F001D6

RGB 240 1 214

HSL 306.53, 0.99%, 0.47%

LAB 55.48, 90.28, -45.67

 

Complementary color

CMYK 94 / 0 / 84 / 0

HEX #0FFE29

RGB 15 254 41

HSL 126.53, 0.99%, 0.53%

LAB 87.56, -84.47, 77.77

 

CMYK 0 / 100 / 15 / 4

HEX #F501D1

RGB 245 1 209

HSL 308.85, 0.99%, 0.48%

LAB 56.13, 90.51, -41.74

 

CMYK 0 / 93 / 11 / 0

HEX #FF13E4

RGB 255 19 228

HSL 306.86, 1%, 0.54%

LAB 59.28, 93.39, -47.43

 

CMYK 0 / 85 / 3 / 0

HEX #FF25F7

RGB 255 37 247

HSL 302.2, 1%, 0.57%

LAB 61.04, 93.69, -55.25

 

CMYK 0 / 78 / 0 / 0

HEX #FF37FF

RGB 255 55 255

HSL 300, 1%, 0.61%

LAB 62.69, 91.31, -57.06

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 100 / 11 / 6

HEX #F001D6

RGB 240 1 214

HSL 306.53, 0.99%, 0.47%

LAB 55.48, 90.28, -45.67

 

CMYK 0 / 100 / 13 / 13

HEX #DF00C3

RGB 223 0 195

HSL 307.53, 1%, 0.44%

LAB 51.41, 84.99, -41.39

 

CMYK 0 / 100 / 15 / 19

HEX #CE00B0

RGB 206 0 176

HSL 308.74, 1%, 0.4%

LAB 47.31, 79.56, -36.96

 

CMYK 0 / 100 / 17 / 26

HEX #BD009D

RGB 189 0 157

HSL 310.16, 1%, 0.37%

LAB 43.14, 74.05, -32.41

 

CMYK 0 / 100 / 20 / 33

HEX #AC008A

RGB 172 0 138

HSL 311.86, 1%, 0.34%

LAB 38.91, 68.45, -27.72

 

CMYK 0 / 100 / 11 / 7

HEX #EE01D4

RGB 238 1 212

HSL 306.58, 0.99%, 0.47%

LAB 55.02, 89.69, -45.28

 

CMYK 0 / 100 / 38 / 7

HEX #EE0194

RGB 238 1 148

HSL 322.78, 0.99%, 0.47%

LAB 52.22, 82.57, -12.24

 

CMYK 0 / 100 / 65 / 7

HEX #EE0154

RGB 238 1 84

HSL 338.99, 0.99%, 0.47%

LAB 50.5, 78.03, 24.18

 

CMYK 0 / 100 / 92 / 7

HEX #EE0114

RGB 238 1 20

HSL 355.19, 0.99%, 0.47%

LAB 49.8, 76.12, 58.01

 

CMYK 0 / 100 / 100 / 7

HEX #EE0101

RGB 238 1 1

HSL 0, 0.99%, 0.47%

LAB 49.74, 75.96, 63.53

 

CMYK 0 / 100 / 11 / 7

HEX #EE01D4

RGB 238 1 212

HSL 306.58, 0.99%, 0.47%

LAB 55.02, 89.69, -45.28

 

CMYK 16 / 100 / 0 / 7

HEX #C801EE

RGB 200 1 238

HSL 290.38, 0.99%, 0.47%

LAB 50.07, 87.61, -68.34

 

CMYK 43 / 100 / 0 / 7

HEX #8801EE

RGB 136 1 238

HSL 274.18, 0.99%, 0.47%

LAB 40.29, 80.24, -84.72

 

CMYK 70 / 100 / 0 / 7

HEX #4801EE

RGB 72 1 238

HSL 257.97, 0.99%, 0.47%

LAB 33.08, 76.21, -96.9

 

CMYK 97 / 100 / 0 / 7

HEX #0801EE

RGB 8 1 238

HSL 241.77, 0.99%, 0.47%

LAB 30.03, 75.04, -102.07

 

CMYK 0 / 100 / 11 / 7

HEX #EE01D4

RGB 238 1 212

HSL 306.58, 0.99%, 0.47%

LAB 55.02, 89.69, -45.28

 

CMYK 0 / 100 / 11 / 7

HEX #EE01D4

RGB 238 1 212

HSL 306.58, 0.99%, 0.47%

LAB 55.02, 89.69, -45.28

 

CMYK 0 / 91 / 10 / 14

HEX #DB14C5

RGB 219 20 197

HSL 306.63, 0.83%, 0.47%

LAB 51.37, 82.86, -42.66

 

CMYK 0 / 80 / 9 / 22

HEX #C727B6

RGB 199 39 182

HSL 306.38, 0.67%, 0.47%

LAB 48.22, 73.61, -39.13

 

CMYK 0 / 67 / 7 / 29

HEX #B43BA7

RGB 180 59 167

HSL 306.45, 0.51%, 0.47%

LAB 46.47, 60.86, -33.26

 

CMYK 0 / 51 / 6 / 37

HEX #A04E97

RGB 160 78 151

HSL 306.59, 0.34%, 0.47%

LAB 45.85, 44.12, -24.94

 

CMYK 43 / 100 / 0 / 7

HEX #8701EE

RGB 135 1 238

HSL 273.92, 0.99%, 0.47%

LAB 40.16, 80.15, -84.95

 

CMYK 17 / 100 / 0 / 7

HEX #C601EE

RGB 198 1 238

HSL 289.87, 0.99%, 0.47%

LAB 49.74, 87.34, -68.89

 

CMYK 0 / 100 / 10 / 7

HEX #EE01D6

RGB 238 1 214

HSL 306.08, 0.99%, 0.47%

LAB 55.13, 89.94, -46.26

 

CMYK 0 / 100 / 37 / 7

HEX #EE0197

RGB 238 1 151

HSL 322.03, 0.99%, 0.47%

LAB 52.32, 82.85, -13.87

 

CMYK 0 / 100 / 63 / 7

HEX #EE0158

RGB 238 1 88

HSL 337.97, 0.99%, 0.47%

LAB 50.57, 78.23, 21.83

 

CMYK 0 / 100 / 11 / 39

HEX #9C008B

RGB 156 0 139

HSL 306.54, 1%, 0.31%

LAB 35.85, 65.58, -33.36

 

CMYK 0 / 100 / 11 / 23

HEX #C500B0

RGB 197 0 176

HSL 306.4, 1%, 0.39%

LAB 45.64, 77.97, -39.71

 

CMYK 0 / 100 / 11 / 7

HEX #EE01D4

RGB 238 1 212

HSL 306.58, 0.99%, 0.47%

LAB 55.02, 89.69, -45.28

 

CMYK 0 / 89 / 9 / 1

HEX #FD1BE5

RGB 253 27 229

HSL 306.37, 0.98%, 0.55%

LAB 59.27, 92.31, -48.02

 

CMYK 0 / 73 / 8 / 0

HEX #FE44E9

RGB 254 68 233

HSL 306.77, 0.99%, 0.63%

LAB 62.58, 84.52, -45.02

 

CMYK 0 / 100 / 11 / 6

HEX #F001D6

RGB 240 1 214

HSL 306.53, 0.99%, 0.47%

LAB 55.48, 90.28, -45.67

 

CMYK 0 / 70 / 100 / 7

HEX #EE4801

RGB 238 72 1

HSL 17.97, 0.99%, 0.47%

LAB 54.88, 61.47, 65.73

 

CMYK 100 / 0 / 30 / 7

HEX #01EEA7

RGB 1 238 167

HSL 162.03, 0.99%, 0.47%

LAB 83.94, -63.84, 21.24

 

CMYK 0 / 100 / 11 / 6

HEX #F001D6

RGB 240 1 214

HSL 306.53, 0.99%, 0.47%

LAB 55.48, 90.28, -45.67

 

CMYK 10 / 0 / 100 / 7

HEX #D6EE01

RGB 214 238 1

HSL 66.08, 0.99%, 0.47%

LAB 89.6, -30.33, 87.48

 

CMYK 100 / 10 / 0 / 7

HEX #01D6EE

RGB 1 214 238

HSL 186.08, 0.99%, 0.47%

LAB 78.62, -34.75, -24.06

 

CMYK 0 / 100 / 11 / 6

HEX #F001D6

RGB 240 1 214

HSL 306.53, 0.99%, 0.47%

LAB 55.48, 90.28, -45.67

 

CMYK 0 / 70 / 100 / 7

HEX #EE4801

RGB 238 72 1

HSL 17.97, 0.99%, 0.47%

LAB 54.88, 61.47, 65.73

 

CMYK 100 / 0 / 90 / 7

HEX #01EE18

RGB 1 238 24

HSL 125.82, 0.99%, 0.47%

LAB 82.5, -81.31, 76.51

 

CMYK 100 / 30 / 0 / 7

HEX #01A7EE

RGB 1 167 238

HSL 197.97, 0.99%, 0.47%

LAB 64.82, -10.72, -45.44

 

CMYK 0 / 100 / 11 / 6

HEX #F001D6

RGB 240 1 214

HSL 306.53, 0.99%, 0.47%

LAB 55.48, 90.28, -45.67

 

CMYK 0 / 40 / 100 / 7

HEX #EE8F01

RGB 238 143 1

HSL 35.95, 0.99%, 0.47%

LAB 67.89, 28.35, 73.24

 

CMYK 100 / 0 / 90 / 7

HEX #01EE18

RGB 1 238 24

HSL 125.82, 0.99%, 0.47%

LAB 82.5, -81.31, 76.51

 

CMYK 100 / 60 / 0 / 7

HEX #0160EE

RGB 1 96 238

HSL 215.95, 0.99%, 0.47%

LAB 45, 32.59, -77.27

 

Description

Color code: HEX #F001D6 | qconv.com Color code: HEX #F001D6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 1 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 1 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 11 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 11% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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