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Color name
HEX #F00E3F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F00E3F it is the complementary color #0FF1C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F00E3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F00E3F shade: #F50E3A, #FF204D, #FF3260, #FF4473 and #FF5686

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F00E3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F00E3F shade: #F00E3F, #DF002C, #CE0019, #BD0006 and #AC0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F00E3F shade: #F00E3F and #F00E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F00E3F shade: #F00E3F, #F00E7C, #F00EB9, #EB0EF0 and #AD0EF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F00E3F shade matches the following richer shades: #F00E3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F00E3F shade: #F00E3F, #DC224A, #C73756, #B34B62 and #9E606D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F00E3F shade: #F00EBC, #F00E7F, #F00E42, #F0150E and #F0520E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F00E3F shade: #A2092A, #C90B35, #F00E3F, #F3355E and #F55C7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F00E3F shade: #F00E3F, #F0E90E and #0E9DF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F00E3F shade: #F00E3F, #42F00E and #0E42F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F00E3F shade: #F00E3F, #F0E90E, #0EF0BC and #0E15F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F00E3F shade: #F00E3F, #B4F00E, #0EF0BC and #4A0EF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 74 / 6

HEX #F00E3F

RGB 240 14 63

HSL 346.99, 0.89%, 0.5%

LAB 50.92, 76.61, 37.38

 

Complementary color

CMYK 94 / 0 / 20 / 5

HEX #0FF1C0

RGB 15 241 192

HSL 166.99, 0.89%, 0.5%

LAB 85.41, -58.82, 10.34

 

CMYK 0 / 94 / 76 / 4

HEX #F50E3A

RGB 245 14 58

HSL 348.57, 0.92%, 0.51%

LAB 51.87, 77.64, 41.61

 

CMYK 0 / 87 / 70 / 0

HEX #FF204D

RGB 255 32 77

HSL 347.89, 1%, 0.56%

LAB 54.9, 78.54, 34.61

 

CMYK 0 / 80 / 62 / 0

HEX #FF3260

RGB 255 50 96

HSL 346.54, 1%, 0.6%

LAB 56.47, 75.85, 25.4

 

CMYK 0 / 73 / 55 / 0

HEX #FF4473

RGB 255 68 115

HSL 344.92, 1%, 0.63%

LAB 58.63, 72.01, 17.08

 

CMYK 0 / 66 / 47 / 0

HEX #FF5686

RGB 255 86 134

HSL 342.96, 1%, 0.67%

LAB 61.34, 67.21, 9.75

 

CMYK 0 / 94 / 74 / 6

HEX #F00E3F

RGB 240 14 63

HSL 346.99, 0.89%, 0.5%

LAB 50.92, 76.61, 37.38

 

CMYK 0 / 100 / 80 / 13

HEX #DF002C

RGB 223 0 44

HSL 348.16, 1%, 0.44%

LAB 46.8, 73.05, 42.82

 

CMYK 0 / 100 / 88 / 19

HEX #CE0019

RGB 206 0 25

HSL 352.72, 1%, 0.4%

LAB 43.05, 68.49, 48.05

 

CMYK 0 / 100 / 97 / 26

HEX #BD0006

RGB 189 0 6

HSL 358.1, 1%, 0.37%

LAB 39.3, 64.02, 51.39

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 0 / 94 / 74 / 6

HEX #F00E3F

RGB 240 14 63

HSL 346.99, 0.89%, 0.5%

LAB 50.92, 76.61, 37.38

 

CMYK 0 / 94 / 94 / 6

HEX #F00E0E

RGB 240 14 14

HSL 0, 0.89%, 0.5%

LAB 50.54, 75.54, 60.65

 

CMYK 0 / 94 / 74 / 6

HEX #F00E3F

RGB 240 14 63

HSL 346.99, 0.89%, 0.5%

LAB 50.92, 76.61, 37.38

 

CMYK 0 / 94 / 48 / 6

HEX #F00E7C

RGB 240 14 124

HSL 330.8, 0.89%, 0.5%

LAB 52.17, 80.02, 2.18

 

CMYK 0 / 94 / 23 / 6

HEX #F00EB9

RGB 240 14 185

HSL 314.6, 0.89%, 0.5%

LAB 54.39, 85.86, -30.69

 

CMYK 2 / 94 / 0 / 6

HEX #EB0EF0

RGB 235 14 240

HSL 298.67, 0.89%, 0.5%

LAB 56.35, 92.15, -59.03

 

CMYK 28 / 94 / 0 / 6

HEX #AD0EF0

RGB 173 14 240

HSL 282.21, 0.89%, 0.5%

LAB 46.3, 83.32, -75.79

 

CMYK 0 / 94 / 74 / 6

HEX #F00E3F

RGB 240 14 63

HSL 346.99, 0.89%, 0.5%

LAB 50.92, 76.61, 37.38

 

CMYK 0 / 94 / 74 / 6

HEX #F00E3F

RGB 240 14 63

HSL 346.99, 0.89%, 0.5%

LAB 50.92, 76.61, 37.38

 

CMYK 0 / 85 / 66 / 14

HEX #DC224A

RGB 220 34 74

HSL 347.1, 0.73%, 0.5%

LAB 48.08, 69.18, 26.43

 

CMYK 0 / 72 / 57 / 22

HEX #C73756

RGB 199 55 86

HSL 347.08, 0.57%, 0.5%

LAB 46.37, 58.2, 16.11

 

CMYK 0 / 58 / 45 / 30

HEX #B34B62

RGB 179 75 98

HSL 346.73, 0.41%, 0.5%

LAB 46.31, 44.41, 8.15

 

CMYK 0 / 39 / 31 / 38

HEX #9E606D

RGB 158 96 109

HSL 347.42, 0.24%, 0.5%

LAB 47.93, 26.92, 3.4

 

CMYK 0 / 94 / 22 / 6

HEX #F00EBC

RGB 240 14 188

HSL 313.81, 0.89%, 0.5%

LAB 54.52, 86.21, -32.23

 

CMYK 0 / 94 / 47 / 6

HEX #F00E7F

RGB 240 14 127

HSL 330, 0.89%, 0.5%

LAB 52.25, 80.25, 0.49

 

CMYK 0 / 94 / 73 / 6

HEX #F00E42

RGB 240 14 66

HSL 346.19, 0.89%, 0.5%

LAB 50.96, 76.72, 35.66

 

CMYK 0 / 91 / 94 / 6

HEX #F0150E

RGB 240 21 14

HSL 1.86, 0.89%, 0.5%

LAB 50.8, 74.79, 60.79

 

CMYK 0 / 66 / 94 / 6

HEX #F0520E

RGB 240 82 14

HSL 18.05, 0.89%, 0.5%

LAB 56.68, 58.39, 64.2

 

CMYK 0 / 94 / 74 / 36

HEX #A2092A

RGB 162 9 42

HSL 347.06, 0.89%, 0.34%

LAB 34.07, 56.84, 26.4

 

CMYK 0 / 95 / 74 / 21

HEX #C90B35

RGB 201 11 53

HSL 346.74, 0.9%, 0.42%

LAB 42.63, 66.99, 31.68

 

CMYK 0 / 94 / 74 / 6

HEX #F00E3F

RGB 240 14 63

HSL 346.99, 0.89%, 0.5%

LAB 50.92, 76.61, 37.38

 

CMYK 0 / 78 / 61 / 5

HEX #F3355E

RGB 243 53 94

HSL 347.05, 0.89%, 0.58%

LAB 54.46, 71.79, 23.52

 

CMYK 0 / 62 / 49 / 4

HEX #F55C7D

RGB 245 92 125

HSL 347.06, 0.88%, 0.66%

LAB 60.38, 61.01, 13.39

 

CMYK 0 / 94 / 74 / 6

HEX #F00E3F

RGB 240 14 63

HSL 346.99, 0.89%, 0.5%

LAB 50.92, 76.61, 37.38

 

CMYK 0 / 3 / 94 / 6

HEX #F0E90E

RGB 240 233 14

HSL 58.14, 0.89%, 0.5%

LAB 90.25, -17.09, 87.8

 

CMYK 94 / 35 / 0 / 6

HEX #0E9DF0

RGB 14 157 240

HSL 202.04, 0.89%, 0.5%

LAB 62.08, -4, -50.86

 

CMYK 0 / 94 / 74 / 6

HEX #F00E3F

RGB 240 14 63

HSL 346.99, 0.89%, 0.5%

LAB 50.92, 76.61, 37.38

 

CMYK 73 / 0 / 94 / 6

HEX #42F00E

RGB 66 240 14

HSL 106.19, 0.89%, 0.5%

LAB 83.71, -76.65, 79.02

 

CMYK 94 / 73 / 0 / 6

HEX #0E42F0

RGB 14 66 240

HSL 226.19, 0.89%, 0.5%

LAB 38.34, 52.14, -89.36

 

CMYK 0 / 94 / 74 / 6

HEX #F00E3F

RGB 240 14 63

HSL 346.99, 0.89%, 0.5%

LAB 50.92, 76.61, 37.38

 

CMYK 0 / 3 / 94 / 6

HEX #F0E90E

RGB 240 233 14

HSL 58.14, 0.89%, 0.5%

LAB 90.25, -17.09, 87.8

 

CMYK 94 / 0 / 22 / 6

HEX #0EF0BC

RGB 14 240 188

HSL 166.19, 0.89%, 0.5%

LAB 85.02, -59.43, 11.86

 

CMYK 94 / 91 / 0 / 6

HEX #0E15F0

RGB 14 21 240

HSL 238.14, 0.89%, 0.5%

LAB 31.63, 71.81, -100.53

 

CMYK 0 / 94 / 74 / 6

HEX #F00E3F

RGB 240 14 63

HSL 346.99, 0.89%, 0.5%

LAB 50.92, 76.61, 37.38

 

CMYK 25 / 0 / 94 / 6

HEX #B4F00E

RGB 180 240 14

HSL 75.93, 0.89%, 0.5%

LAB 88, -44.46, 84.26

 

CMYK 94 / 0 / 22 / 6

HEX #0EF0BC

RGB 14 240 188

HSL 166.19, 0.89%, 0.5%

LAB 85.02, -59.43, 11.86

 

CMYK 69 / 94 / 0 / 6

HEX #4A0EF0

RGB 74 14 240

HSL 255.93, 0.89%, 0.5%

LAB 34.11, 74.86, -96.31

 

Description

Color code: HEX #F00E3F | qconv.com Color code: HEX #F00E3F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 14 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 14 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 74% 6% C M Y K

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Provide designers and agencies with accurate color values.

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