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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F00E1C it is the complementary color #0FF1E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F00E1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F00E1C shade: #F50E17, #FF202A, #FF323D, #FF4450 and #FF5663

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F00E1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F00E1C shade: #F00E1C, #DF0009, #CE0000, #BD0000 and #AC0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F00E1C shade: #F00E1C and #F00E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F00E1C shade: #F00E1C, #F00E59, #F00E96, #F00ED3 and #D10EF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F00E1C shade matches the following richer shades: #F00E1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F00E1C shade: #F00E1C, #DC222E, #C73740, #B34B52 and #9E6064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F00E1C shade: #F00E96, #F00E59, #F00E1D, #F03B0E and #F0770E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F00E1C shade: #A20913, #C90B17, #F00E1C, #F33540 and #F55C65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F00E1C shade: #F00E1C, #D2F00E and #0E77F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F00E1C shade: #F00E1C, #1DF00E and #0E1DF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F00E1C shade: #F00E1C, #D2F00E, #0EF0E1 and #2C0EF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F00E1C shade: #F00E1C, #8EF00E, #0EF0E1 and #700EF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 88 / 6

HEX #F00E1C

RGB 240 14 28

HSL 356.28, 0.89%, 0.5%

LAB 50.6, 75.71, 55.52

 

Complementary color

CMYK 94 / 0 / 6 / 5

HEX #0FF1E3

RGB 15 241 227

HSL 176.28, 0.89%, 0.5%

LAB 86.28, -49.7, -6.72

 

CMYK 0 / 94 / 91 / 4

HEX #F50E17

RGB 245 14 23

HSL 357.66, 0.92%, 0.51%

LAB 51.6, 76.87, 58.74

 

CMYK 0 / 87 / 84 / 0

HEX #FF202A

RGB 255 32 42

HSL 357.31, 1%, 0.56%

LAB 54.51, 77.43, 53.45

 

CMYK 0 / 80 / 76 / 0

HEX #FF323D

RGB 255 50 61

HSL 356.78, 1%, 0.6%

LAB 55.97, 74.3, 44.94

 

CMYK 0 / 73 / 69 / 0

HEX #FF4450

RGB 255 68 80

HSL 356.15, 1%, 0.63%

LAB 58.01, 69.97, 36.64

 

CMYK 0 / 66 / 61 / 0

HEX #FF5663

RGB 255 86 99

HSL 355.38, 1%, 0.67%

LAB 60.62, 64.63, 29.04

 

CMYK 0 / 94 / 88 / 6

HEX #F00E1C

RGB 240 14 28

HSL 356.28, 0.89%, 0.5%

LAB 50.6, 75.71, 55.52

 

CMYK 0 / 100 / 96 / 13

HEX #DF0009

RGB 223 0 9

HSL 357.58, 1%, 0.44%

LAB 46.59, 72.46, 58.08

 

CMYK 0 / 100 / 100 / 19

HEX #CE0000

RGB 206 0 0

HSL 0, 1%, 0.4%

LAB 42.95, 68.21, 57.23

 

CMYK 0 / 100 / 100 / 26

HEX #BD0000

RGB 189 0 0

HSL 0, 1%, 0.37%

LAB 39.27, 63.96, 53.67

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 0 / 94 / 88 / 6

HEX #F00E1C

RGB 240 14 28

HSL 356.28, 0.89%, 0.5%

LAB 50.6, 75.71, 55.52

 

CMYK 0 / 94 / 94 / 6

HEX #F00E0E

RGB 240 14 14

HSL 0, 0.89%, 0.5%

LAB 50.54, 75.54, 60.65

 

CMYK 0 / 94 / 88 / 6

HEX #F00E1C

RGB 240 14 28

HSL 356.28, 0.89%, 0.5%

LAB 50.6, 75.71, 55.52

 

CMYK 0 / 94 / 63 / 6

HEX #F00E59

RGB 240 14 89

HSL 340.09, 0.89%, 0.5%

LAB 51.34, 77.76, 22.31

 

CMYK 0 / 94 / 38 / 6

HEX #F00E96

RGB 240 14 150

HSL 323.89, 0.89%, 0.5%

LAB 52.99, 82.23, -12.22

 

CMYK 0 / 94 / 12 / 6

HEX #F00ED3

RGB 240 14 211

HSL 307.7, 0.89%, 0.5%

LAB 55.63, 89.02, -43.73

 

CMYK 13 / 94 / 0 / 6

HEX #D10EF0

RGB 209 14 240

HSL 291.77, 0.89%, 0.5%

LAB 52.02, 88.2, -66.23

 

CMYK 0 / 94 / 88 / 6

HEX #F00E1C

RGB 240 14 28

HSL 356.28, 0.89%, 0.5%

LAB 50.6, 75.71, 55.52

 

CMYK 0 / 94 / 88 / 6

HEX #F00E1C

RGB 240 14 28

HSL 356.28, 0.89%, 0.5%

LAB 50.6, 75.71, 55.52

 

CMYK 0 / 85 / 79 / 14

HEX #DC222E

RGB 220 34 46

HSL 356.13, 0.73%, 0.5%

LAB 47.7, 68.06, 42.41

 

CMYK 0 / 72 / 68 / 22

HEX #C73740

RGB 199 55 64

HSL 356.25, 0.57%, 0.5%

LAB 45.97, 56.83, 28.95

 

CMYK 0 / 58 / 54 / 30

HEX #B34B52

RGB 179 75 82

HSL 355.96, 0.41%, 0.5%

LAB 45.94, 42.91, 17.38

 

CMYK 0 / 39 / 37 / 38

HEX #9E6064

RGB 158 96 100

HSL 356.13, 0.24%, 0.5%

LAB 47.69, 25.72, 8.47

 

CMYK 0 / 94 / 38 / 6

HEX #F00E96

RGB 240 14 150

HSL 323.89, 0.89%, 0.5%

LAB 52.99, 82.23, -12.22

 

CMYK 0 / 94 / 63 / 6

HEX #F00E59

RGB 240 14 89

HSL 340.09, 0.89%, 0.5%

LAB 51.34, 77.76, 22.31

 

CMYK 0 / 94 / 88 / 6

HEX #F00E1D

RGB 240 14 29

HSL 356.02, 0.89%, 0.5%

LAB 50.6, 75.73, 55.09

 

CMYK 0 / 75 / 94 / 6

HEX #F03B0E

RGB 240 59 14

HSL 11.95, 0.89%, 0.5%

LAB 53.69, 66.58, 62.41

 

CMYK 0 / 50 / 94 / 6

HEX #F0770E

RGB 240 119 14

HSL 27.88, 0.89%, 0.5%

LAB 63.14, 41.57, 68.34

 

CMYK 0 / 94 / 88 / 36

HEX #A20913

RGB 162 9 19

HSL 356.08, 0.89%, 0.34%

LAB 33.82, 56.14, 39.63

 

CMYK 0 / 95 / 89 / 21

HEX #C90B17

RGB 201 11 23

HSL 356.21, 0.9%, 0.42%

LAB 42.34, 66.16, 47.97

 

CMYK 0 / 94 / 88 / 6

HEX #F00E1C

RGB 240 14 28

HSL 356.28, 0.89%, 0.5%

LAB 50.6, 75.71, 55.52

 

CMYK 0 / 78 / 74 / 5

HEX #F33540

RGB 243 53 64

HSL 356.53, 0.89%, 0.58%

LAB 54, 70.35, 40.46

 

CMYK 0 / 62 / 59 / 4

HEX #F55C65

RGB 245 92 101

HSL 356.47, 0.88%, 0.66%

LAB 59.89, 59.17, 26.63

 

CMYK 0 / 94 / 88 / 6

HEX #F00E1C

RGB 240 14 28

HSL 356.28, 0.89%, 0.5%

LAB 50.6, 75.71, 55.52

 

CMYK 13 / 0 / 94 / 6

HEX #D2F00E

RGB 210 240 14

HSL 67.96, 0.89%, 0.5%

LAB 89.88, -32.74, 86.54

 

CMYK 94 / 50 / 0 / 6

HEX #0E77F0

RGB 14 119 240

HSL 212.12, 0.89%, 0.5%

LAB 51.36, 19, -68.04

 

CMYK 0 / 94 / 88 / 6

HEX #F00E1C

RGB 240 14 28

HSL 356.28, 0.89%, 0.5%

LAB 50.6, 75.71, 55.52

 

CMYK 88 / 0 / 94 / 6

HEX #1DF00E

RGB 29 240 14

HSL 116.02, 0.89%, 0.5%

LAB 83.24, -80.84, 78.44

 

CMYK 94 / 88 / 0 / 6

HEX #0E1DF0

RGB 14 29 240

HSL 236.02, 0.89%, 0.5%

LAB 32.4, 69.45, -99.24

 

CMYK 0 / 94 / 88 / 6

HEX #F00E1C

RGB 240 14 28

HSL 356.28, 0.89%, 0.5%

LAB 50.6, 75.71, 55.52

 

CMYK 13 / 0 / 94 / 6

HEX #D2F00E

RGB 210 240 14

HSL 67.96, 0.89%, 0.5%

LAB 89.88, -32.74, 86.54

 

CMYK 94 / 0 / 6 / 6

HEX #0EF0E1

RGB 14 240 225

HSL 176.02, 0.89%, 0.5%

LAB 85.93, -49.86, -6.19

 

CMYK 82 / 94 / 0 / 6

HEX #2C0EF0

RGB 44 14 240

HSL 247.96, 0.89%, 0.5%

LAB 32.13, 73.86, -99.67

 

CMYK 0 / 94 / 88 / 6

HEX #F00E1C

RGB 240 14 28

HSL 356.28, 0.89%, 0.5%

LAB 50.6, 75.71, 55.52

 

CMYK 41 / 0 / 94 / 6

HEX #8EF00E

RGB 142 240 14

HSL 86.02, 0.89%, 0.5%

LAB 86.06, -57.88, 81.9

 

CMYK 94 / 0 / 6 / 6

HEX #0EF0E1

RGB 14 240 225

HSL 176.02, 0.89%, 0.5%

LAB 85.93, -49.86, -6.19

 

CMYK 53 / 94 / 0 / 6

HEX #700EF0

RGB 112 14 240

HSL 266.02, 0.89%, 0.5%

LAB 37.93, 77.15, -89.85

 

Description

Color code: HEX #F00E1C | qconv.com Color code: HEX #F00E1C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 14 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 14 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 88 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 88% 6% C M Y K

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Provide designers and agencies with accurate color values.

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