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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F014C4 it is the complementary color #0FEB3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F014C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F014C4 shade: #F514BF, #FF26D2, #FF38E5, #FF4AF8 and #FF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F014C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F014C4 shade: #F014C4, #DF02B1, #CE009E, #BD008B and #AC0078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F014C4 shade: #F014C4, #F01488, #F0144D and #F01414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F014C4 shade: #F014C4, #E014F0, #A514F0, #6A14F0 and #2E14F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F014C4 shade matches the following richer shades: #F014C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F014C4 shade: #F014C4, #DB28B7, #C73CAB, #B3509F and #9F6493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F014C4 shade: #A614F0, #E114F0, #F014C4, #F01489 and #F0144E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F014C4 shade: #A60A87, #CD0DA7, #F014C4, #F23ACD and #F461D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F014C4 shade: #F014C4, #F06C14 and #14F0C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F014C4 shade: #F014C4, #C4F014 and #14C4F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F014C4 shade: #F014C4, #F06C14, #14F040 and #1498F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F014C4 shade: #F014C4, #F0AE14, #14F040 and #1456F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 18 / 6

HEX #F014C4

RGB 240 20 196

HSL 312, 0.88%, 0.51%

LAB 55.08, 86.59, -35.98

 

Complementary color

CMYK 94 / 0 / 75 / 8

HEX #0FEB3B

RGB 15 235 59

HSL 132, 0.88%, 0.49%

LAB 81.75, -78.29, 67.42

 

CMYK 0 / 92 / 22 / 4

HEX #F514BF

RGB 245 20 191

HSL 314.4, 0.92%, 0.52%

LAB 55.76, 86.94, -31.97

 

CMYK 0 / 85 / 18 / 0

HEX #FF26D2

RGB 255 38 210

HSL 312.44, 1%, 0.57%

LAB 59.25, 88.65, -37.28

 

CMYK 0 / 78 / 10 / 0

HEX #FF38E5

RGB 255 56 229

HSL 307.84, 1%, 0.61%

LAB 61.43, 87.38, -44.58

 

CMYK 0 / 71 / 3 / 0

HEX #FF4AF8

RGB 255 74 248

HSL 302.32, 1%, 0.65%

LAB 64.11, 85.13, -50.94

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 92 / 18 / 6

HEX #F014C4

RGB 240 20 196

HSL 312, 0.88%, 0.51%

LAB 55.08, 86.59, -35.98

 

CMYK 0 / 99 / 21 / 13

HEX #DF02B1

RGB 223 2 177

HSL 312.49, 0.98%, 0.44%

LAB 50.58, 82.63, -32.2

 

CMYK 0 / 100 / 23 / 19

HEX #CE009E

RGB 206 0 158

HSL 313.98, 1%, 0.4%

LAB 46.43, 77.37, -27.63

 

CMYK 0 / 100 / 26 / 26

HEX #BD008B

RGB 189 0 139

HSL 315.87, 1%, 0.37%

LAB 42.28, 71.88, -22.83

 

CMYK 0 / 100 / 30 / 33

HEX #AC0078

RGB 172 0 120

HSL 318.14, 1%, 0.34%

LAB 38.07, 66.33, -17.85

 

CMYK 0 / 92 / 18 / 6

HEX #F014C4

RGB 240 20 196

HSL 312, 0.88%, 0.51%

LAB 55.08, 86.59, -35.98

 

CMYK 0 / 92 / 43 / 6

HEX #F01488

RGB 240 20 136

HSL 328.36, 0.88%, 0.51%

LAB 52.73, 80.38, -4.23

 

CMYK 0 / 92 / 68 / 6

HEX #F0144D

RGB 240 20 77

HSL 344.45, 0.88%, 0.51%

LAB 51.34, 76.55, 29.57

 

CMYK 0 / 92 / 92 / 6

HEX #F01414

RGB 240 20 20

HSL 0, 0.88%, 0.51%

LAB 50.78, 74.98, 58.82

 

CMYK 0 / 92 / 18 / 6

HEX #F014C4

RGB 240 20 196

HSL 312, 0.88%, 0.51%

LAB 55.08, 86.59, -35.98

 

CMYK 7 / 92 / 0 / 6

HEX #E014F0

RGB 224 20 240

HSL 295.64, 0.88%, 0.51%

LAB 54.7, 89.86, -61.79

 

CMYK 31 / 92 / 0 / 6

HEX #A514F0

RGB 165 20 240

HSL 279.55, 0.88%, 0.51%

LAB 45.35, 81.57, -77.39

 

CMYK 56 / 92 / 0 / 6

HEX #6A14F0

RGB 106 20 240

HSL 263.45, 0.88%, 0.51%

LAB 37.58, 75.67, -90.45

 

CMYK 81 / 92 / 0 / 6

HEX #2E14F0

RGB 46 20 240

HSL 247.09, 0.88%, 0.51%

LAB 32.64, 72.64, -98.81

 

CMYK 0 / 92 / 18 / 6

HEX #F014C4

RGB 240 20 196

HSL 312, 0.88%, 0.51%

LAB 55.08, 86.59, -35.98

 

CMYK 0 / 92 / 18 / 6

HEX #F014C4

RGB 240 20 196

HSL 312, 0.88%, 0.51%

LAB 55.08, 86.59, -35.98

 

CMYK 0 / 82 / 16 / 14

HEX #DB28B7

RGB 219 40 183

HSL 312.07, 0.71%, 0.51%

LAB 51.83, 77.63, -33.8

 

CMYK 0 / 70 / 14 / 22

HEX #C73CAB

RGB 199 60 171

HSL 312.09, 0.55%, 0.51%

LAB 49.87, 65.77, -30.08

 

CMYK 0 / 55 / 11 / 30

HEX #B3509F

RGB 179 80 159

HSL 312.12, 0.39%, 0.51%

LAB 49.28, 50.18, -24.16

 

CMYK 0 / 37 / 8 / 38

HEX #9F6493

RGB 159 100 147

HSL 312.2, 0.24%, 0.51%

LAB 50.21, 31.19, -15.88

 

CMYK 31 / 92 / 0 / 6

HEX #A614F0

RGB 166 20 240

HSL 279.82, 0.88%, 0.51%

LAB 45.49, 81.7, -77.14

 

CMYK 6 / 92 / 0 / 6

HEX #E114F0

RGB 225 20 240

HSL 295.91, 0.88%, 0.51%

LAB 54.86, 90.02, -61.51

 

CMYK 0 / 92 / 18 / 6

HEX #F014C4

RGB 240 20 196

HSL 312, 0.88%, 0.51%

LAB 55.08, 86.59, -35.98

 

CMYK 0 / 92 / 43 / 6

HEX #F01489

RGB 240 20 137

HSL 328.09, 0.88%, 0.51%

LAB 52.76, 80.47, -4.79

 

CMYK 0 / 92 / 68 / 6

HEX #F0144E

RGB 240 20 78

HSL 344.18, 0.88%, 0.51%

LAB 51.35, 76.6, 28.99

 

CMYK 0 / 94 / 19 / 35

HEX #A60A87

RGB 166 10 135

HSL 311.92, 0.89%, 0.35%

LAB 37.97, 65.78, -27.42

 

CMYK 0 / 94 / 19 / 20

HEX #CD0DA7

RGB 205 13 167

HSL 311.88, 0.88%, 0.43%

LAB 47.05, 77.14, -32.05

 

CMYK 0 / 92 / 18 / 6

HEX #F014C4

RGB 240 20 196

HSL 312, 0.88%, 0.51%

LAB 55.08, 86.59, -35.98

 

CMYK 0 / 76 / 15 / 5

HEX #F23ACD

RGB 242 58 205

HSL 312.07, 0.88%, 0.59%

LAB 58.33, 80.94, -36.03

 

CMYK 0 / 60 / 12 / 4

HEX #F461D7

RGB 244 97 215

HSL 311.84, 0.87%, 0.67%

LAB 63.91, 69.3, -32.98

 

CMYK 0 / 92 / 18 / 6

HEX #F014C4

RGB 240 20 196

HSL 312, 0.88%, 0.51%

LAB 55.08, 86.59, -35.98

 

CMYK 0 / 55 / 92 / 6

HEX #F06C14

RGB 240 108 20

HSL 24, 0.88%, 0.51%

LAB 61.05, 46.99, 65.62

 

CMYK 92 / 0 / 18 / 6

HEX #14F0C4

RGB 20 240 196

HSL 168, 0.88%, 0.51%

LAB 85.23, -57.27, 7.99

 

CMYK 0 / 92 / 18 / 6

HEX #F014C4

RGB 240 20 196

HSL 312, 0.88%, 0.51%

LAB 55.08, 86.59, -35.98

 

CMYK 18 / 0 / 92 / 6

HEX #C4F014

RGB 196 240 20

HSL 72, 0.88%, 0.51%

LAB 88.97, -38.22, 84.79

 

CMYK 92 / 18 / 0 / 6

HEX #14C4F0

RGB 20 196 240

HSL 192, 0.88%, 0.51%

LAB 73.49, -24.8, -32.99

 

CMYK 0 / 92 / 18 / 6

HEX #F014C4

RGB 240 20 196

HSL 312, 0.88%, 0.51%

LAB 55.08, 86.59, -35.98

 

CMYK 0 / 55 / 92 / 6

HEX #F06C14

RGB 240 108 20

HSL 24, 0.88%, 0.51%

LAB 61.05, 46.99, 65.62

 

CMYK 92 / 0 / 73 / 6

HEX #14F040

RGB 20 240 64

HSL 132, 0.88%, 0.51%

LAB 83.36, -79.08, 67.39

 

CMYK 92 / 37 / 0 / 6

HEX #1498F0

RGB 20 152 240

HSL 204, 0.88%, 0.51%

LAB 60.69, -0.89, -53.06

 

CMYK 0 / 92 / 18 / 6

HEX #F014C4

RGB 240 20 196

HSL 312, 0.88%, 0.51%

LAB 55.08, 86.59, -35.98

 

CMYK 0 / 28 / 92 / 6

HEX #F0AE14

RGB 240 174 20

HSL 42, 0.88%, 0.51%

LAB 75.36, 13.05, 75.92

 

CMYK 92 / 0 / 73 / 6

HEX #14F040

RGB 20 240 64

HSL 132, 0.88%, 0.51%

LAB 83.36, -79.08, 67.39

 

CMYK 92 / 64 / 0 / 6

HEX #1456F0

RGB 20 86 240

HSL 222, 0.88%, 0.51%

LAB 42.91, 40.2, -81.83

 

Description

Color code: HEX #F014C4 | qconv.com Color code: HEX #F014C4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 20 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 20 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 18 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 18% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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