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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F028E9 it is the complementary color #0FD716. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F028E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F028E9 shade: #F528E4, #FF3AF7, #FF4CFF, #FF5EFF and #FF70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F028E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F028E9 shade: #F028E9, #DF16D6, #CE04C3, #BD00B0 and #AC009D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F028E9 shade: #F028E9, #F028B3, #F0287D, #F02847 and #F02828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F028E9 shade: #F028E9, #C128F0, #8B28F0, #5528F0 and #2828F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F028E9 shade matches the following richer shades: #F028E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F028E9 shade: #F028E9, #DD3AD7, #CA4DC6, #B860B5 and #A572A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F028E9 shade: #8C28F0, #C128F0, #F028E9, #F028B4 and #F0287E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F028E9 shade: #B90CB3, #DF0FD8, #F028E9, #F24EED and #F575F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F028E9 shade: #F028E9, #F05728 and #28F0A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F028E9 shade: #F028E9, #E9F028 and #28E9F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F028E9 shade: #F028E9, #F05728, #28F02F and #28C1F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F028E9 shade: #F028E9, #F09228, #28F02F and #2885F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

Complementary color

CMYK 93 / 0 / 90 / 16

HEX #0FD716

RGB 15 215 22

HSL 122.1, 0.87%, 0.45%

LAB 75.3, -74.72, 70.71

 

CMYK 0 / 84 / 7 / 4

HEX #F528E4

RGB 245 40 228

HSL 304.98, 0.91%, 0.56%

LAB 58.54, 88.75, -48.71

 

CMYK 0 / 77 / 3 / 0

HEX #FF3AF7

RGB 255 58 247

HSL 302.44, 1%, 0.61%

LAB 62.51, 89.42, -52.92

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

CMYK 0 / 90 / 4 / 13

HEX #DF16D6

RGB 223 22 214

HSL 302.69, 0.82%, 0.48%

LAB 53.08, 85.66, -49.68

 

CMYK 0 / 98 / 5 / 19

HEX #CE04C3

RGB 206 4 195

HSL 303.27, 0.96%, 0.41%

LAB 48.45, 81.78, -46.29

 

CMYK 0 / 100 / 7 / 26

HEX #BD00B0

RGB 189 0 176

HSL 304.13, 1%, 0.37%

LAB 44.17, 76.58, -42.14

 

CMYK 0 / 100 / 9 / 33

HEX #AC009D

RGB 172 0 157

HSL 305.23, 1%, 0.34%

LAB 39.92, 70.97, -37.71

 

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

CMYK 0 / 83 / 25 / 6

HEX #F028B3

RGB 240 40 179

HSL 318.3, 0.87%, 0.55%

LAB 55.38, 81.55, -25.67

 

CMYK 0 / 83 / 48 / 6

HEX #F0287D

RGB 240 40 125

HSL 334.5, 0.87%, 0.55%

LAB 53.52, 76.28, 3.53

 

CMYK 0 / 83 / 70 / 6

HEX #F02847

RGB 240 40 71

HSL 350.7, 0.87%, 0.55%

LAB 52.4, 72.99, 34.42

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

CMYK 20 / 83 / 0 / 6

HEX #C128F0

RGB 193 40 240

HSL 285.9, 0.87%, 0.55%

LAB 50.86, 81.7, -68.23

 

CMYK 42 / 83 / 0 / 6

HEX #8B28F0

RGB 139 40 240

HSL 269.7, 0.87%, 0.55%

LAB 43.21, 74.02, -81.04

 

CMYK 65 / 83 / 0 / 6

HEX #5528F0

RGB 85 40 240

HSL 253.5, 0.87%, 0.55%

LAB 37.37, 68.5, -90.86

 

CMYK 83 / 83 / 0 / 6

HEX #2828F0

RGB 40 40 240

HSL 240, 0.87%, 0.55%

LAB 34.52, 65.95, -95.68

 

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

CMYK 0 / 74 / 3 / 13

HEX #DD3AD7

RGB 221 58 215

HSL 302.21, 0.71%, 0.55%

LAB 55.38, 77.91, -46.6

 

CMYK 0 / 62 / 2 / 21

HEX #CA4DC6

RGB 202 77 198

HSL 301.92, 0.54%, 0.55%

LAB 53.96, 64.18, -39.33

 

CMYK 0 / 48 / 2 / 28

HEX #B860B5

RGB 184 96 181

HSL 302.05, 0.38%, 0.55%

LAB 53.91, 47.54, -29.79

 

CMYK 0 / 31 / 1 / 35

HEX #A572A4

RGB 165 114 164

HSL 301.18, 0.22%, 0.55%

LAB 54.78, 28.55, -18.8

 

CMYK 42 / 83 / 0 / 6

HEX #8C28F0

RGB 140 40 240

HSL 270, 0.87%, 0.55%

LAB 43.34, 74.14, -80.82

 

CMYK 20 / 83 / 0 / 6

HEX #C128F0

RGB 193 40 240

HSL 285.9, 0.87%, 0.55%

LAB 50.86, 81.7, -68.23

 

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

CMYK 0 / 83 / 25 / 6

HEX #F028B4

RGB 240 40 180

HSL 318, 0.87%, 0.55%

LAB 55.42, 81.66, -26.19

 

CMYK 0 / 83 / 48 / 6

HEX #F0287E

RGB 240 40 126

HSL 334.2, 0.87%, 0.55%

LAB 53.55, 76.36, 2.96

 

CMYK 0 / 94 / 3 / 27

HEX #B90CB3

RGB 185 12 179

HSL 302.08, 0.88%, 0.39%

LAB 43.99, 75.2, -44.24

 

CMYK 0 / 93 / 3 / 13

HEX #DF0FD8

RGB 223 15 216

HSL 302.02, 0.87%, 0.47%

LAB 52.94, 86.69, -51.05

 

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

CMYK 0 / 68 / 2 / 5

HEX #F24EED

RGB 242 78 237

HSL 301.83, 0.86%, 0.63%

LAB 62.03, 79.37, -48.25

 

CMYK 0 / 52 / 2 / 4

HEX #F575F0

RGB 245 117 240

HSL 302.34, 0.86%, 0.71%

LAB 68.33, 64.8, -39.98

 

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

CMYK 0 / 64 / 83 / 6

HEX #F05728

RGB 240 87 40

HSL 14.1, 0.87%, 0.55%

LAB 57.55, 56.79, 56

 

CMYK 83 / 0 / 31 / 6

HEX #28F0A6

RGB 40 240 166

HSL 157.8, 0.87%, 0.55%

LAB 84.75, -63, 22.91

 

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

CMYK 3 / 0 / 83 / 6

HEX #E9F028

RGB 233 240 40

HSL 62.1, 0.87%, 0.55%

LAB 91.59, -22.92, 84.62

 

CMYK 83 / 3 / 0 / 6

HEX #28E9F0

RGB 40 233 240

HSL 182.1, 0.87%, 0.55%

LAB 84.49, -41.34, -16.21

 

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

CMYK 0 / 64 / 83 / 6

HEX #F05728

RGB 240 87 40

HSL 14.1, 0.87%, 0.55%

LAB 57.55, 56.79, 56

 

CMYK 83 / 0 / 80 / 6

HEX #28F02F

RGB 40 240 47

HSL 122.1, 0.87%, 0.55%

LAB 83.43, -78.77, 72.62

 

CMYK 83 / 20 / 0 / 6

HEX #28C1F0

RGB 40 193 240

HSL 194.1, 0.87%, 0.55%

LAB 72.81, -22.15, -34.03

 

CMYK 0 / 83 / 3 / 6

HEX #F028E9

RGB 240 40 233

HSL 302.1, 0.87%, 0.55%

LAB 57.97, 88.54, -52.48

 

CMYK 0 / 39 / 83 / 6

HEX #F09228

RGB 240 146 40

HSL 31.8, 0.87%, 0.55%

LAB 68.92, 28.21, 65.82

 

CMYK 83 / 0 / 80 / 6

HEX #28F02F

RGB 40 240 47

HSL 122.1, 0.87%, 0.55%

LAB 83.43, -78.77, 72.62

 

CMYK 83 / 45 / 0 / 6

HEX #2885F0

RGB 40 133 240

HSL 212.1, 0.87%, 0.55%

LAB 55.6, 11.69, -61.18

 

Description

Color code: HEX #F028E9 | qconv.com Color code: HEX #F028E9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 40 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 40 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 3 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 3% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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