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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F03DDC it is the complementary color #0FC223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F03DDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F03DDC shade: #F53DD7, #FF4FEA, #FF61FD, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F03DDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F03DDC shade: #F03DDC, #DF2BC9, #CE19B6, #BD07A3 and #AC0090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F03DDC shade: #F03CDC, #F03CAB, #F03C7B, #F03C4A and #F03C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F03DDC shade: #F03CDC, #D33CF0, #A33CF0, #723CF0 and #423CF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F03DDC shade matches the following richer shades: #F03CDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F03DDC shade: #F03CDC, #DF4DCF, #CE5EC2, #BD6FB4 and #AC80A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F03DDC shade: #A23CF0, #D23CF0, #F03CDE, #F03CAE and #F03C7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F03DDC shade: #CB0FB6, #ED16D5, #F03CDC, #F362E3 and #F689E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F03DDC shade: #F03DDC, #F0723C and #3CF0BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F03DDC shade: #F03DDC, #DEF03C and #3CDEF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F03DDC shade: #F03DDC, #F0723C, #3CF04E and #3CBAF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F03DDC shade: #F03DDC, #F0A83C, #3CF04E and #3C84F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 8 / 6

HEX #F03DDC

RGB 240 61 220

HSL 306.7, 0.86%, 0.59%

LAB 59, 81.74, -43.52

 

Complementary color

CMYK 92 / 0 / 82 / 24

HEX #0FC223

RGB 15 194 35

HSL 126.7, 0.86%, 0.41%

LAB 68.61, -68.34, 61.98

 

CMYK 0 / 75 / 12 / 4

HEX #F53DD7

RGB 245 61 215

HSL 309.78, 0.9%, 0.6%

LAB 59.58, 82.1, -39.73

 

CMYK 0 / 69 / 8 / 0

HEX #FF4FEA

RGB 255 79 234

HSL 307.16, 1%, 0.65%

LAB 63.99, 81.45, -43.35

 

CMYK 0 / 62 / 1 / 0

HEX #FF61FD

RGB 255 97 253

HSL 300.76, 1%, 0.69%

LAB 67.2, 77.88, -48.8

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 75 / 8 / 6

HEX #F03DDC

RGB 240 61 220

HSL 306.7, 0.86%, 0.59%

LAB 59, 81.74, -43.52

 

CMYK 0 / 81 / 10 / 13

HEX #DF2BC9

RGB 223 43 201

HSL 307.33, 0.74%, 0.52%

LAB 53.64, 80.2, -41.34

 

CMYK 0 / 88 / 12 / 19

HEX #CE19B6

RGB 206 25 182

HSL 307.96, 0.78%, 0.45%

LAB 48.5, 77.75, -38.61

 

CMYK 0 / 96 / 14 / 26

HEX #BD07A3

RGB 189 7 163

HSL 308.57, 0.93%, 0.38%

LAB 43.68, 74.17, -35.18

 

CMYK 0 / 100 / 16 / 33

HEX #AC0090

RGB 172 0 144

HSL 309.77, 1%, 0.34%

LAB 39.21, 69.22, -30.92

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDC

RGB 240 60 220

HSL 306.67, 0.86%, 0.59%

LAB 58.9, 82.02, -43.67

 

CMYK 0 / 75 / 29 / 6

HEX #F03CAB

RGB 240 60 171

HSL 323, 0.86%, 0.59%

LAB 56.78, 75.71, -18.86

 

CMYK 0 / 75 / 49 / 6

HEX #F03C7B

RGB 240 60 123

HSL 339, 0.86%, 0.59%

LAB 55.26, 71, 7.23

 

CMYK 0 / 75 / 69 / 6

HEX #F03C4A

RGB 240 60 74

HSL 355.33, 0.86%, 0.59%

LAB 54.29, 67.88, 34.96

 

CMYK 0 / 75 / 75 / 6

HEX #F03C3C

RGB 240 60 60

HSL 0, 0.86%, 0.59%

LAB 54.12, 67.3, 42.66

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDC

RGB 240 60 220

HSL 306.67, 0.86%, 0.59%

LAB 58.9, 82.02, -43.67

 

CMYK 12 / 75 / 0 / 6

HEX #D33CF0

RGB 211 60 240

HSL 290.33, 0.86%, 0.59%

LAB 55.45, 79.41, -60.68

 

CMYK 32 / 75 / 0 / 6

HEX #A33CF0

RGB 163 60 240

HSL 274.33, 0.86%, 0.59%

LAB 48.65, 70.8, -72.02

 

CMYK 53 / 75 / 0 / 6

HEX #723CF0

RGB 114 60 240

HSL 258, 0.86%, 0.59%

LAB 42.91, 63.33, -81.63

 

CMYK 73 / 75 / 0 / 6

HEX #423CF0

RGB 66 60 240

HSL 242, 0.86%, 0.59%

LAB 39.04, 58.12, -88.15

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDC

RGB 240 60 220

HSL 306.67, 0.86%, 0.59%

LAB 58.9, 82.02, -43.67

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDC

RGB 240 60 220

HSL 306.67, 0.86%, 0.59%

LAB 58.9, 82.02, -43.67

 

CMYK 0 / 65 / 7 / 13

HEX #DF4DCF

RGB 223 77 207

HSL 306.58, 0.7%, 0.59%

LAB 57.56, 70.74, -38.6

 

CMYK 0 / 54 / 6 / 19

HEX #CE5EC2

RGB 206 94 194

HSL 306.43, 0.53%, 0.59%

LAB 57.1, 57.09, -32.09

 

CMYK 0 / 41 / 5 / 26

HEX #BD6FB4

RGB 189 111 180

HSL 306.92, 0.37%, 0.59%

LAB 57.54, 41.08, -23.55

 

CMYK 0 / 26 / 3 / 33

HEX #AC80A7

RGB 172 128 167

HSL 306.82, 0.21%, 0.59%

LAB 58.97, 23.61, -14.09

 

CMYK 33 / 75 / 0 / 6

HEX #A23CF0

RGB 162 60 240

HSL 274, 0.86%, 0.59%

LAB 48.52, 70.63, -72.24

 

CMYK 13 / 75 / 0 / 6

HEX #D23CF0

RGB 210 60 240

HSL 290, 0.86%, 0.59%

LAB 55.3, 79.22, -60.93

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 0 / 75 / 28 / 6

HEX #F03CAE

RGB 240 60 174

HSL 322, 0.86%, 0.59%

LAB 56.89, 76.06, -20.43

 

CMYK 0 / 75 / 48 / 6

HEX #F03C7E

RGB 240 60 126

HSL 338, 0.86%, 0.59%

LAB 55.34, 71.25, 5.55

 

CMYK 0 / 93 / 10 / 20

HEX #CB0FB6

RGB 203 15 182

HSL 306.7, 0.86%, 0.43%

LAB 47.52, 78.51, -40.2

 

CMYK 0 / 91 / 10 / 7

HEX #ED16D5

RGB 237 22 213

HSL 306.7, 0.86%, 0.51%

LAB 55.46, 87.97, -45.17

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDC

RGB 240 60 220

HSL 306.67, 0.86%, 0.59%

LAB 58.9, 82.02, -43.67

 

CMYK 0 / 60 / 7 / 5

HEX #F362E3

RGB 243 98 227

HSL 306.62, 0.86%, 0.67%

LAB 64.43, 70.46, -38.89

 

CMYK 0 / 44 / 5 / 4

HEX #F689E9

RGB 246 137 233

HSL 307.16, 0.86%, 0.75%

LAB 71.8, 54.37, -30.73

 

CMYK 0 / 75 / 8 / 6

HEX #F03DDC

RGB 240 61 220

HSL 306.7, 0.86%, 0.59%

LAB 59, 81.74, -43.52

 

CMYK 0 / 53 / 75 / 6

HEX #F0723C

RGB 240 114 60

HSL 18, 0.86%, 0.59%

LAB 62.41, 45.17, 51.49

 

CMYK 75 / 0 / 23 / 6

HEX #3CF0BA

RGB 60 240 186

HSL 162, 0.86%, 0.59%

LAB 85.42, -56.64, 13.53

 

CMYK 0 / 75 / 8 / 6

HEX #F03DDC

RGB 240 61 220

HSL 306.7, 0.86%, 0.59%

LAB 59, 81.74, -43.52

 

CMYK 8 / 0 / 75 / 6

HEX #DEF03C

RGB 222 240 60

HSL 66, 0.86%, 0.59%

LAB 90.86, -26.74, 78.5

 

CMYK 75 / 8 / 0 / 6

HEX #3CDEF0

RGB 60 222 240

HSL 186, 0.86%, 0.59%

LAB 81.56, -34.58, -20.6

 

CMYK 0 / 75 / 8 / 6

HEX #F03DDC

RGB 240 61 220

HSL 306.7, 0.86%, 0.59%

LAB 59, 81.74, -43.52

 

CMYK 0 / 53 / 75 / 6

HEX #F0723C

RGB 240 114 60

HSL 18, 0.86%, 0.59%

LAB 62.41, 45.17, 51.49

 

CMYK 75 / 0 / 68 / 6

HEX #3CF04E

RGB 60 240 78

HSL 126, 0.86%, 0.59%

LAB 83.88, -74.19, 63.02

 

CMYK 75 / 23 / 0 / 6

HEX #3CBAF0

RGB 60 186 240

HSL 198, 0.86%, 0.59%

LAB 71.13, -16.64, -36.62

 

CMYK 0 / 75 / 8 / 6

HEX #F03DDC

RGB 240 61 220

HSL 306.7, 0.86%, 0.59%

LAB 59, 81.74, -43.52

 

CMYK 0 / 30 / 75 / 6

HEX #F0A83C

RGB 240 168 60

HSL 36, 0.86%, 0.59%

LAB 74.1, 17.29, 63.21

 

CMYK 75 / 0 / 68 / 6

HEX #3CF04E

RGB 60 240 78

HSL 126, 0.86%, 0.59%

LAB 83.88, -74.19, 63.02

 

CMYK 75 / 45 / 0 / 6

HEX #3C84F0

RGB 60 132 240

HSL 216, 0.86%, 0.59%

LAB 55.84, 14.26, -60.77

 

Description

Color code: HEX #F03DDC | qconv.com Color code: HEX #F03DDC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 61 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 61 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 8 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 8% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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