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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F04AFA it is the complementary color #0FB505. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F04AFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F04AFA shade: #F54AF5, #FF5CFF, #FF6EFF, #FF80FF and #FF92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F04AFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F04AFA shade: #F04AFA, #DF38E7, #CE26D4, #BD14C1 and #AC02AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F04AFA shade: #F04BFA, #FA4BD5, #FA4BA6, #FA4B77 and #FA4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F04AFA shade: #F04BFA, #C14BFA, #924BFA, #634BFA and #4B4BFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F04AFA shade matches the following richer shades: #F04BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F04AFA shade: #F04BFA, #E35AEB, #D669DC, #C978CD and #BB87BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F04AFA shade: #914BFA, #C04BFA, #EE4BFA, #FA4BD7 and #FA4BA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F04AFA shade: #E006ED, #ED23F9, #F04BFA, #F374FB and #F79CFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F04AFA shade: #F04AFA, #FA634B and #4BFAA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F04AFA shade: #F04AFA, #FAEE4B and #4BFAEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F04AFA shade: #F04AFA, #FA634B, #57FA4B and #4BE3FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F04AFA shade: #F04AFA, #FA974B, #57FA4B and #4BAEFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 70 / 0 / 2

HEX #F04AFA

RGB 240 74 250

HSL 296.59, 0.95%, 0.64%

LAB 61.93, 82.34, -55.64

 

Complementary color

CMYK 92 / 0 / 97 / 29

HEX #0FB505

RGB 15 181 5

HSL 116.59, 0.95%, 0.36%

LAB 64.29, -65.76, 63.78

 

CMYK 0 / 70 / 0 / 4

HEX #F54AF5

RGB 245 74 245

HSL 300, 0.9%, 0.63%

LAB 62.43, 82.58, -52.04

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 4 / 70 / 0 / 2

HEX #F04AFA

RGB 240 74 250

HSL 296.59, 0.95%, 0.64%

LAB 61.93, 82.34, -55.64

 

CMYK 3 / 76 / 0 / 9

HEX #DF38E7

RGB 223 56 231

HSL 297.26, 0.78%, 0.56%

LAB 56.37, 81.38, -54.06

 

CMYK 3 / 82 / 0 / 17

HEX #CE26D4

RGB 206 38 212

HSL 297.93, 0.7%, 0.49%

LAB 50.99, 79.68, -52.03

 

CMYK 2 / 90 / 0 / 24

HEX #BD14C1

RGB 189 20 193

HSL 298.61, 0.81%, 0.42%

LAB 45.87, 77, -49.42

 

CMYK 1 / 99 / 0 / 32

HEX #AC02AE

RGB 172 2 174

HSL 299.3, 0.98%, 0.35%

LAB 41.01, 73.24, -46.17

 

CMYK 4 / 70 / 0 / 2

HEX #F04BFA

RGB 240 75 250

HSL 296.57, 0.95%, 0.64%

LAB 62.05, 82.02, -55.46

 

CMYK 0 / 70 / 15 / 2

HEX #FA4BD5

RGB 250 75 213

HSL 312.69, 0.95%, 0.64%

LAB 61.79, 78.68, -35.08

 

CMYK 0 / 70 / 34 / 2

HEX #FA4BA6

RGB 250 75 166

HSL 328.8, 0.95%, 0.64%

LAB 59.99, 72.9, -10.94

 

CMYK 0 / 70 / 52 / 2

HEX #FA4B77

RGB 250 75 119

HSL 344.91, 0.95%, 0.64%

LAB 58.68, 68.56, 14.67

 

CMYK 0 / 70 / 70 / 2

HEX #FA4B4B

RGB 250 75 75

HSL 0, 0.95%, 0.64%

LAB 57.91, 65.89, 39.12

 

CMYK 4 / 70 / 0 / 2

HEX #F04BFA

RGB 240 75 250

HSL 296.57, 0.95%, 0.64%

LAB 62.05, 82.02, -55.46

 

CMYK 23 / 70 / 0 / 2

HEX #C14BFA

RGB 193 75 250

HSL 280.46, 0.95%, 0.64%

LAB 55.35, 72.57, -66.56

 

CMYK 42 / 70 / 0 / 2

HEX #924BFA

RGB 146 75 250

HSL 264.34, 0.95%, 0.64%

LAB 49.55, 63.93, -76.24

 

CMYK 60 / 70 / 0 / 2

HEX #634BFA

RGB 99 75 250

HSL 248.23, 0.95%, 0.64%

LAB 45.06, 56.8, -83.76

 

CMYK 70 / 70 / 0 / 2

HEX #4B4BFA

RGB 75 75 250

HSL 240, 0.95%, 0.64%

LAB 43.4, 54.04, -86.55

 

CMYK 4 / 70 / 0 / 2

HEX #F04BFA

RGB 240 75 250

HSL 296.57, 0.95%, 0.64%

LAB 62.05, 82.02, -55.46

 

CMYK 4 / 70 / 0 / 2

HEX #F04BFA

RGB 240 75 250

HSL 296.57, 0.95%, 0.64%

LAB 62.05, 82.02, -55.46

 

CMYK 3 / 62 / 0 / 8

HEX #E35AEB

RGB 227 90 235

HSL 296.69, 0.78%, 0.64%

LAB 61.34, 71.14, -48.36

 

CMYK 3 / 52 / 0 / 14

HEX #D669DC

RGB 214 105 220

HSL 296.87, 0.62%, 0.64%

LAB 61.28, 58.62, -40.2

 

CMYK 2 / 41 / 0 / 20

HEX #C978CD

RGB 201 120 205

HSL 297.18, 0.46%, 0.64%

LAB 61.88, 44.63, -30.96

 

CMYK 2 / 29 / 0 / 25

HEX #BB87BE

RGB 187 135 190

HSL 296.73, 0.3%, 0.64%

LAB 63.02, 29.19, -20.88

 

CMYK 42 / 70 / 0 / 2

HEX #914BFA

RGB 145 75 250

HSL 264, 0.95%, 0.64%

LAB 49.44, 63.76, -76.42

 

CMYK 23 / 70 / 0 / 2

HEX #C04BFA

RGB 192 75 250

HSL 280.11, 0.95%, 0.64%

LAB 55.22, 72.38, -66.78

 

CMYK 5 / 70 / 0 / 2

HEX #EE4BFA

RGB 238 75 250

HSL 295.89, 0.95%, 0.64%

LAB 61.75, 81.61, -55.95

 

CMYK 0 / 70 / 14 / 2

HEX #FA4BD7

RGB 250 75 215

HSL 312, 0.95%, 0.64%

LAB 61.88, 78.95, -36.07

 

CMYK 0 / 70 / 32 / 2

HEX #FA4BA9

RGB 250 75 169

HSL 327.77, 0.95%, 0.64%

LAB 60.09, 73.23, -12.52

 

CMYK 5 / 97 / 0 / 7

HEX #E006ED

RGB 224 6 237

HSL 296.62, 0.95%, 0.48%

LAB 54.12, 90.56, -61.03

 

CMYK 5 / 86 / 0 / 2

HEX #ED23F9

RGB 237 35 249

HSL 296.64, 0.95%, 0.56%

LAB 58.08, 91.26, -61.27

 

CMYK 4 / 70 / 0 / 2

HEX #F04BFA

RGB 240 75 250

HSL 296.57, 0.95%, 0.64%

LAB 62.05, 82.02, -55.46

 

CMYK 3 / 54 / 0 / 2

HEX #F374FB

RGB 243 116 251

HSL 296.44, 0.94%, 0.72%

LAB 68.4, 66.62, -45.94

 

CMYK 2 / 38 / 0 / 1

HEX #F79CFC

RGB 247 156 252

HSL 296.88, 0.94%, 0.8%

LAB 76.42, 48.41, -33.94

 

CMYK 4 / 70 / 0 / 2

HEX #F04AFA

RGB 240 74 250

HSL 296.59, 0.95%, 0.64%

LAB 61.93, 82.34, -55.64

 

CMYK 0 / 60 / 70 / 2

HEX #FA634B

RGB 250 99 75

HSL 8.23, 0.95%, 0.64%

LAB 61.44, 56.34, 43.23

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAA9

RGB 75 250 169

HSL 152.23, 0.95%, 0.64%

LAB 88.32, -62.14, 26.34

 

CMYK 4 / 70 / 0 / 2

HEX #F04AFA

RGB 240 74 250

HSL 296.59, 0.95%, 0.64%

LAB 61.93, 82.34, -55.64

 

CMYK 0 / 5 / 70 / 2

HEX #FAEE4B

RGB 250 238 75

HSL 55.89, 0.95%, 0.64%

LAB 92.57, -13.71, 75.96

 

CMYK 70 / 0 / 5 / 2

HEX #4BFAEE

RGB 75 250 238

HSL 175.89, 0.95%, 0.64%

LAB 89.88, -46.07, -7.07

 

CMYK 4 / 70 / 0 / 2

HEX #F04AFA

RGB 240 74 250

HSL 296.59, 0.95%, 0.64%

LAB 61.93, 82.34, -55.64

 

CMYK 0 / 60 / 70 / 2

HEX #FA634B

RGB 250 99 75

HSL 8.23, 0.95%, 0.64%

LAB 61.44, 56.34, 43.23

 

CMYK 65 / 0 / 70 / 2

HEX #57FA4B

RGB 87 250 75

HSL 115.89, 0.95%, 0.64%

LAB 87.44, -73.09, 68.04

 

CMYK 70 / 9 / 0 / 2

HEX #4BE3FA

RGB 75 227 250

HSL 187.89, 0.95%, 0.64%

LAB 83.62, -32.26, -22.75

 

CMYK 4 / 70 / 0 / 2

HEX #F04AFA

RGB 240 74 250

HSL 296.59, 0.95%, 0.64%

LAB 61.93, 82.34, -55.64

 

CMYK 0 / 40 / 70 / 2

HEX #FA974B

RGB 250 151 75

HSL 26.06, 0.95%, 0.64%

LAB 71.53, 31.02, 54.44

 

CMYK 65 / 0 / 70 / 2

HEX #57FA4B

RGB 87 250 75

HSL 115.89, 0.95%, 0.64%

LAB 87.44, -73.09, 68.04

 

CMYK 70 / 30 / 0 / 2

HEX #4BAEFA

RGB 75 174 250

HSL 206.06, 0.95%, 0.64%

LAB 68.51, -4.89, -46.1

 

Description

Color code: HEX #F04AFA | qconv.com Color code: HEX #F04AFA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 74 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 74 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 70 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 70% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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