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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F069AF it is the complementary color #0F9650. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F069AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F069AF shade: #F569AA, #FF7BBD, #FF8DD0, #FF9FE3 and #FFB1F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F069AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F069AF shade: #F069AF, #DF579C, #CE4589, #BD3376 and #AC2163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F069AF shade: #F06AAF, #F06A8B and #F06A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F069AF shade: #F06AAF, #F06AD3, #E86AF0, #C46AF0 and #A06AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F069AF shade matches the following richer shades: #F06AAF and #FD5DB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F069AF shade: #F06AAF, #E377AF, #D584AE, #C892AE and #BB9FAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F069AF shade: #E76AF0, #F06AD5, #F06AB1, #F06A8E and #F06A6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F069AF shade: #E81F87, #EC449B, #F06AAF, #F490C3 and #F7B5D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F069AF shade: #F069AF, #F0C36A and #6AE7F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F069AF shade: #F069AF, #B1F06A and #6AB1F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F069AF shade: #F069AF, #F0C36A, #6AF0A8 and #6A97F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F069AF shade: #F069AF, #F0EB6A, #6AF0A8 and #6A6EF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 27 / 6

HEX #F069AF

RGB 240 105 175

HSL 328.89, 0.82%, 0.68%

LAB 63.11, 59.16, -11.59

 

Complementary color

CMYK 90 / 0 / 47 / 41

HEX #0F9650

RGB 15 150 80

HSL 148.89, 0.82%, 0.32%

LAB 54.55, -49.46, 27.73

 

CMYK 0 / 57 / 31 / 4

HEX #F569AA

RGB 245 105 170

HSL 332.14, 0.88%, 0.69%

LAB 63.69, 60.05, -7.8

 

CMYK 0 / 52 / 26 / 0

HEX #FF7BBD

RGB 255 123 189

HSL 330, 1%, 0.74%

LAB 68.82, 57.28, -10.74

 

CMYK 0 / 45 / 18 / 0

HEX #FF8DD0

RGB 255 141 208

HSL 324.74, 1%, 0.78%

LAB 72.8, 51.21, -15.35

 

CMYK 0 / 38 / 11 / 0

HEX #FF9FE3

RGB 255 159 227

HSL 317.5, 1%, 0.81%

LAB 77.04, 45.05, -19.35

 

CMYK 0 / 31 / 4 / 0

HEX #FFB1F6

RGB 255 177 246

HSL 306.92, 1%, 0.85%

LAB 81.49, 38.93, -22.87

 

CMYK 0 / 56 / 27 / 6

HEX #F069AF

RGB 240 105 175

HSL 328.89, 0.82%, 0.68%

LAB 63.11, 59.16, -11.59

 

CMYK 0 / 61 / 30 / 13

HEX #DF579C

RGB 223 87 156

HSL 329.56, 0.68%, 0.61%

LAB 56.98, 59.62, -10.07

 

CMYK 0 / 67 / 33 / 19

HEX #CE4589

RGB 206 69 137

HSL 330.22, 0.58%, 0.54%

LAB 50.9, 59.82, -8.22

 

CMYK 0 / 73 / 38 / 26

HEX #BD3376

RGB 189 51 118

HSL 330.87, 0.58%, 0.47%

LAB 44.93, 59.58, -5.91

 

CMYK 0 / 81 / 42 / 33

HEX #AC2163

RGB 172 33 99

HSL 331.51, 0.68%, 0.4%

LAB 39.17, 58.64, -2.94

 

CMYK 0 / 56 / 27 / 6

HEX #F06AAF

RGB 240 106 175

HSL 329.1, 0.82%, 0.68%

LAB 63.28, 58.71, -11.33

 

CMYK 0 / 56 / 42 / 6

HEX #F06A8B

RGB 240 106 139

HSL 345.22, 0.82%, 0.68%

LAB 62.25, 54.56, 7.82

 

CMYK 0 / 56 / 56 / 6

HEX #F06A6A

RGB 240 106 106

HSL 0, 0.82%, 0.68%

LAB 61.55, 51.63, 25.8

 

CMYK 0 / 56 / 27 / 6

HEX #F06AAF

RGB 240 106 175

HSL 329.1, 0.82%, 0.68%

LAB 63.28, 58.71, -11.33

 

CMYK 0 / 56 / 12 / 6

HEX #F06AD3

RGB 240 106 211

HSL 312.99, 0.82%, 0.68%

LAB 64.59, 63.76, -29.72

 

CMYK 3 / 56 / 0 / 6

HEX #E86AF0

RGB 232 106 240

HSL 296.42, 0.82%, 0.68%

LAB 64.77, 66.39, -45.69

 

CMYK 18 / 56 / 0 / 6

HEX #C46AF0

RGB 196 106 240

HSL 280.3, 0.82%, 0.68%

LAB 60.19, 57.35, -53.23

 

CMYK 33 / 56 / 0 / 6

HEX #A06AF0

RGB 160 106 240

HSL 264.18, 0.82%, 0.68%

LAB 56.16, 48.64, -59.9

 

CMYK 0 / 56 / 27 / 6

HEX #F06AAF

RGB 240 106 175

HSL 329.1, 0.82%, 0.68%

LAB 63.28, 58.71, -11.33

 

CMYK 0 / 63 / 30 / 1

HEX #FD5DB0

RGB 253 93 176

HSL 328.88, 0.98%, 0.68%

LAB 63.22, 68.17, -11.81

 

CMYK 0 / 56 / 27 / 6

HEX #F06AAF

RGB 240 106 175

HSL 329.1, 0.82%, 0.68%

LAB 63.28, 58.71, -11.33

 

CMYK 0 / 48 / 23 / 11

HEX #E377AF

RGB 227 119 175

HSL 328.89, 0.66%, 0.68%

LAB 63.85, 48.41, -10.67

 

CMYK 0 / 38 / 18 / 16

HEX #D584AE

RGB 213 132 174

HSL 328.89, 0.49%, 0.68%

LAB 64.73, 36.86, -8.98

 

CMYK 0 / 27 / 13 / 22

HEX #C892AE

RGB 200 146 174

HSL 328.89, 0.33%, 0.68%

LAB 66.44, 24.71, -6.59

 

CMYK 0 / 15 / 7 / 27

HEX #BB9FAD

RGB 187 159 173

HSL 330, 0.17%, 0.68%

LAB 68.3, 12.69, -3.43

 

CMYK 4 / 56 / 0 / 6

HEX #E76AF0

RGB 231 106 240

HSL 295.97, 0.82%, 0.68%

LAB 64.63, 66.14, -45.91

 

CMYK 0 / 56 / 11 / 6

HEX #F06AD5

RGB 240 106 213

HSL 312.09, 0.82%, 0.68%

LAB 64.67, 64.07, -30.72

 

CMYK 0 / 56 / 26 / 6

HEX #F06AB1

RGB 240 106 177

HSL 328.21, 0.82%, 0.68%

LAB 63.35, 58.96, -12.37

 

CMYK 0 / 56 / 41 / 6

HEX #F06A8E

RGB 240 106 142

HSL 343.88, 0.82%, 0.68%

LAB 62.33, 54.87, 6.2

 

CMYK 0 / 56 / 56 / 6

HEX #F06A6A

RGB 240 106 106

HSL 0, 0.82%, 0.68%

LAB 61.55, 51.63, 25.8

 

CMYK 0 / 87 / 42 / 9

HEX #E81F87

RGB 232 31 135

HSL 328.96, 0.81%, 0.52%

LAB 51.71, 76.96, -5.32

 

CMYK 0 / 71 / 34 / 7

HEX #EC449B

RGB 236 68 155

HSL 328.93, 0.82%, 0.6%

LAB 56.42, 70.41, -10.11

 

CMYK 0 / 56 / 27 / 6

HEX #F06AAF

RGB 240 106 175

HSL 329.1, 0.82%, 0.68%

LAB 63.28, 58.71, -11.33

 

CMYK 0 / 41 / 20 / 4

HEX #F490C3

RGB 244 144 195

HSL 329.4, 0.82%, 0.76%

LAB 71.64, 44.23, -10.04

 

CMYK 0 / 27 / 13 / 3

HEX #F7B5D7

RGB 247 181 215

HSL 329.09, 0.8%, 0.84%

LAB 80.59, 28.99, -7.63

 

CMYK 0 / 56 / 27 / 6

HEX #F069AF

RGB 240 105 175

HSL 328.89, 0.82%, 0.68%

LAB 63.11, 59.16, -11.59

 

CMYK 0 / 19 / 56 / 6

HEX #F0C36A

RGB 240 195 106

HSL 39.85, 0.82%, 0.68%

LAB 81.07, 5.82, 50.2

 

CMYK 56 / 4 / 0 / 6

HEX #6AE7F0

RGB 106 231 240

HSL 184.03, 0.82%, 0.68%

LAB 85.25, -32.15, -14.93

 

CMYK 0 / 56 / 27 / 6

HEX #F069AF

RGB 240 105 175

HSL 328.89, 0.82%, 0.68%

LAB 63.11, 59.16, -11.59

 

CMYK 26 / 0 / 56 / 6

HEX #B1F06A

RGB 177 240 106

HSL 88.21, 0.82%, 0.68%

LAB 88.31, -40.95, 57.48

 

CMYK 56 / 26 / 0 / 6

HEX #6AB1F0

RGB 106 177 240

HSL 208.21, 0.82%, 0.68%

LAB 70.04, -4.47, -38.2

 

CMYK 0 / 56 / 27 / 6

HEX #F069AF

RGB 240 105 175

HSL 328.89, 0.82%, 0.68%

LAB 63.11, 59.16, -11.59

 

CMYK 0 / 19 / 56 / 6

HEX #F0C36A

RGB 240 195 106

HSL 39.85, 0.82%, 0.68%

LAB 81.07, 5.82, 50.2

 

CMYK 56 / 0 / 30 / 6

HEX #6AF0A8

RGB 106 240 168

HSL 147.76, 0.82%, 0.68%

LAB 86.11, -52.85, 23.96

 

CMYK 56 / 37 / 0 / 6

HEX #6A97F0

RGB 106 151 240

HSL 219.85, 0.82%, 0.68%

LAB 62.92, 10.33, -49.37

 

CMYK 0 / 56 / 27 / 6

HEX #F069AF

RGB 240 105 175

HSL 328.89, 0.82%, 0.68%

LAB 63.11, 59.16, -11.59

 

CMYK 0 / 2 / 56 / 6

HEX #F0EB6A

RGB 240 235 106

HSL 57.76, 0.82%, 0.68%

LAB 91.23, -14.45, 61.94

 

CMYK 56 / 0 / 30 / 6

HEX #6AF0A8

RGB 106 240 168

HSL 147.76, 0.82%, 0.68%

LAB 86.11, -52.85, 23.96

 

CMYK 56 / 54 / 0 / 6

HEX #6A6EF0

RGB 106 110 240

HSL 238.21, 0.82%, 0.68%

LAB 52.41, 34.83, -66.18

 

Description

Color code: HEX #F069AF | qconv.com Color code: HEX #F069AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 105 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 105 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 27 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 27% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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