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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F08799 it is the complementary color #0F7866. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F08799. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F08799 shade: #F58794, #FF99A7, #FFABBA, #FFBDCD and #FFCFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F08799. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F08799 shade: #F08799, #DF7586, #CE6373, #BD5160 and #AC3F4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F08799 shade: #F0889A and #F08888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F08799 shade: #F0889A, #F088B6, #F088D2, #F088EE and #D688F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F08799 shade matches the following richer shades: #F0889A and #FB7E93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F08799 shade: #F0889A, #E593A1, #DA9EA8, #D0A9AF and #C5B3B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F08799 shade: #F088D3, #F088B7, #F0889B, #F09188 and #F0AD88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F08799 shade: #E73F5C, #EB647B, #F0889A, #F4ADB9 and #F9D2D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F08799 shade: #F08799, #EEF088 and #88C5F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F08799 shade: #F08799, #9BF088 and #889BF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F08799 shade: #F08799, #EEF088, #88F0DD and #8A88F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F08799 shade: #F08799, #CFF088, #88F0DD and #A988F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 36 / 6

HEX #F08799

RGB 240 135 153

HSL 349.71, 0.78%, 0.74%

LAB 68.13, 41.92, 8.25

 

Complementary color

CMYK 88 / 0 / 15 / 53

HEX #0F7866

RGB 15 120 102

HSL 169.71, 0.78%, 0.26%

LAB 44.93, -32.14, 2.05

 

CMYK 0 / 45 / 40 / 4

HEX #F58794

RGB 245 135 148

HSL 352.91, 0.85%, 0.75%

LAB 68.66, 43.13, 11.9

 

CMYK 0 / 40 / 35 / 0

HEX #FF99A7

RGB 255 153 167

HSL 351.76, 1%, 0.8%

LAB 74.08, 39.69, 9.2

 

CMYK 0 / 33 / 27 / 0

HEX #FFABBA

RGB 255 171 186

HSL 349.29, 1%, 0.84%

LAB 78.42, 32.77, 5.02

 

CMYK 0 / 26 / 20 / 0

HEX #FFBDCD

RGB 255 189 205

HSL 345.45, 1%, 0.87%

LAB 82.95, 26.02, 1.32

 

CMYK 0 / 19 / 12 / 0

HEX #FFCFE0

RGB 255 207 224

HSL 338.75, 1%, 0.91%

LAB 87.61, 19.51, -1.99

 

CMYK 0 / 44 / 36 / 6

HEX #F08799

RGB 240 135 153

HSL 349.71, 0.78%, 0.74%

LAB 68.13, 41.92, 8.25

 

CMYK 0 / 48 / 40 / 13

HEX #DF7586

RGB 223 117 134

HSL 350.38, 0.62%, 0.67%

LAB 61.77, 42.88, 9.68

 

CMYK 0 / 52 / 44 / 19

HEX #CE6373

RGB 206 99 115

HSL 351.03, 0.52%, 0.6%

LAB 55.36, 43.86, 11.33

 

CMYK 0 / 57 / 49 / 26

HEX #BD5160

RGB 189 81 96

HSL 351.67, 0.45%, 0.53%

LAB 48.94, 44.81, 13.29

 

CMYK 0 / 63 / 55 / 33

HEX #AC3F4D

RGB 172 63 77

HSL 352.29, 0.46%, 0.46%

LAB 42.55, 45.65, 15.67

 

CMYK 0 / 43 / 36 / 6

HEX #F0889A

RGB 240 136 154

HSL 349.62, 0.78%, 0.74%

LAB 68.36, 41.53, 8.02

 

CMYK 0 / 43 / 43 / 6

HEX #F08888

RGB 240 136 136

HSL 0, 0.78%, 0.74%

LAB 67.96, 39.54, 17.54

 

CMYK 0 / 43 / 36 / 6

HEX #F0889A

RGB 240 136 154

HSL 349.62, 0.78%, 0.74%

LAB 68.36, 41.53, 8.02

 

CMYK 0 / 43 / 24 / 6

HEX #F088B6

RGB 240 136 182

HSL 333.46, 0.78%, 0.74%

LAB 69.12, 45.12, -6.59

 

CMYK 0 / 43 / 13 / 6

HEX #F088D2

RGB 240 136 210

HSL 317.31, 0.78%, 0.74%

LAB 70.03, 49.29, -20.83

 

CMYK 0 / 43 / 1 / 6

HEX #F088EE

RGB 240 136 238

HSL 301.15, 0.78%, 0.74%

LAB 71.08, 53.97, -34.65

 

CMYK 11 / 43 / 0 / 6

HEX #D688F0

RGB 214 136 240

HSL 285, 0.78%, 0.74%

LAB 68.16, 46.85, -40.52

 

CMYK 0 / 43 / 36 / 6

HEX #F0889A

RGB 240 136 154

HSL 349.62, 0.78%, 0.74%

LAB 68.36, 41.53, 8.02

 

CMYK 0 / 50 / 41 / 2

HEX #FB7E93

RGB 251 126 147

HSL 349.92, 0.94%, 0.74%

LAB 67.68, 49.59, 11.19

 

CMYK 0 / 43 / 36 / 6

HEX #F0889A

RGB 240 136 154

HSL 349.62, 0.78%, 0.74%

LAB 68.36, 41.53, 8.02

 

CMYK 0 / 36 / 30 / 10

HEX #E593A1

RGB 229 147 161

HSL 349.76, 0.61%, 0.74%

LAB 69.54, 32.7, 5.61

 

CMYK 0 / 28 / 23 / 15

HEX #DA9EA8

RGB 218 158 168

HSL 350, 0.45%, 0.74%

LAB 71, 23.75, 3.67

 

CMYK 0 / 19 / 16 / 18

HEX #D0A9AF

RGB 208 169 175

HSL 350.77, 0.29%, 0.74%

LAB 72.81, 15.18, 2.31

 

CMYK 0 / 9 / 8 / 23

HEX #C5B3B6

RGB 197 179 182

HSL 350, 0.13%, 0.74%

LAB 74.5, 6.94, 0.8

 

CMYK 0 / 43 / 12 / 6

HEX #F088D3

RGB 240 136 211

HSL 316.73, 0.78%, 0.74%

LAB 70.06, 49.45, -21.33

 

CMYK 0 / 43 / 24 / 6

HEX #F088B7

RGB 240 136 183

HSL 332.88, 0.78%, 0.74%

LAB 69.15, 45.26, -7.1

 

CMYK 0 / 43 / 35 / 6

HEX #F0889B

RGB 240 136 155

HSL 349.04, 0.78%, 0.74%

LAB 68.39, 41.64, 7.49

 

CMYK 0 / 40 / 43 / 6

HEX #F09188

RGB 240 145 136

HSL 5.19, 0.78%, 0.74%

LAB 69.86, 34.89, 20.16

 

CMYK 0 / 28 / 43 / 6

HEX #F0AD88

RGB 240 173 136

HSL 21.35, 0.78%, 0.74%

LAB 76.19, 20.12, 28.71

 

CMYK 0 / 73 / 60 / 9

HEX #E73F5C

RGB 231 63 92

HSL 349.64, 0.78%, 0.58%

LAB 53.29, 65.29, 22.77

 

CMYK 0 / 57 / 48 / 8

HEX #EB647B

RGB 235 100 123

HSL 349.78, 0.77%, 0.66%

LAB 60.07, 54.11, 13.9

 

CMYK 0 / 43 / 36 / 6

HEX #F0889A

RGB 240 136 154

HSL 349.62, 0.78%, 0.74%

LAB 68.36, 41.53, 8.02

 

CMYK 0 / 29 / 24 / 4

HEX #F4ADB9

RGB 244 173 185

HSL 349.86, 0.76%, 0.82%

LAB 77.65, 27.64, 4.3

 

CMYK 0 / 16 / 13 / 2

HEX #F9D2D9

RGB 249 210 217

HSL 349.23, 0.76%, 0.9%

LAB 87.6, 14.73, 1.63

 

CMYK 0 / 44 / 36 / 6

HEX #F08799

RGB 240 135 153

HSL 349.71, 0.78%, 0.74%

LAB 68.13, 41.92, 8.25

 

CMYK 1 / 0 / 43 / 6

HEX #EEF088

RGB 238 240 136

HSL 61.15, 0.78%, 0.74%

LAB 92.7, -15.13, 49.83

 

CMYK 43 / 18 / 0 / 6

HEX #88C5F0

RGB 136 197 240

HSL 204.81, 0.78%, 0.74%

LAB 76.96, -8.54, -27.4

 

CMYK 0 / 44 / 36 / 6

HEX #F08799

RGB 240 135 153

HSL 349.71, 0.78%, 0.74%

LAB 68.13, 41.92, 8.25

 

CMYK 35 / 0 / 43 / 6

HEX #9BF088

RGB 155 240 136

HSL 109.04, 0.78%, 0.74%

LAB 87.52, -44.95, 42.23

 

CMYK 43 / 35 / 0 / 6

HEX #889BF0

RGB 136 155 240

HSL 229.04, 0.78%, 0.74%

LAB 65.72, 14.8, -44.83

 

CMYK 0 / 44 / 36 / 6

HEX #F08799

RGB 240 135 153

HSL 349.71, 0.78%, 0.74%

LAB 68.13, 41.92, 8.25

 

CMYK 1 / 0 / 43 / 6

HEX #EEF088

RGB 238 240 136

HSL 61.15, 0.78%, 0.74%

LAB 92.7, -15.13, 49.83

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 43 / 43 / 0 / 6

HEX #8A88F0

RGB 138 136 240

HSL 241.15, 0.78%, 0.74%

LAB 61.05, 26.33, -52.21

 

CMYK 0 / 44 / 36 / 6

HEX #F08799

RGB 240 135 153

HSL 349.71, 0.78%, 0.74%

LAB 68.13, 41.92, 8.25

 

CMYK 14 / 0 / 43 / 6

HEX #CFF088

RGB 207 240 136

HSL 79.04, 0.78%, 0.74%

LAB 90.49, -26.92, 46.61

 

CMYK 43 / 0 / 8 / 6

HEX #88F0DD

RGB 136 240 221

HSL 169.04, 0.78%, 0.74%

LAB 88.34, -34.7, -0.26

 

CMYK 30 / 43 / 0 / 6

HEX #A988F0

RGB 169 136 240

HSL 259.04, 0.78%, 0.74%

LAB 63.62, 34.28, -47.98

 

Description

Color code: HEX #F08799 | qconv.com Color code: HEX #F08799 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 135 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 135 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 36 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 36% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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