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Color name
HEX #F08D47

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F08D47 it is the complementary color #0F72B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F08D47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F08D47 shade: #F58D42, #FF9F55, #FFB168, #FFC37B and #FFD58E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F08D47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F08D47 shade: #F08D47, #DF7B34, #CE6921, #BD570E and #AC4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F08D47 shade: #F08D47, #F05F47 and #F04747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F08D47 shade: #F08D47, #F0BA47, #F0E847, #CAF047 and #9CF047

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F08D47 shade matches the following richer shades: #F08D47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F08D47 shade: #F08D47, #DF8F57, #CF9267, #BF9577 and #AF9887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F08D47 shade: #F0475D, #F05D47, #F08A47, #F0B747 and #F0E447

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F08D47 shade: #D36111, #EC7520, #F08D47, #F3A46D and #F6BC93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F08D47 shade: #F08D47, #8AF047 and #4747F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F08D47 shade: #F08D47, #47F08A and #8A47F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F08D47 shade: #F08D47, #8AF047, #47ACF0 and #AC47F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F08D47 shade: #F08D47, #57F047, #47ACF0 and #DF47F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

Complementary color

CMYK 92 / 38 / 0 / 28

HEX #0F72B8

RGB 15 114 184

HSL 204.85, 0.85%, 0.39%

LAB 46.44, 0.25, -44.11

 

CMYK 0 / 42 / 73 / 4

HEX #F58D42

RGB 245 141 66

HSL 25.14, 0.9%, 0.61%

LAB 68.65, 33.77, 55.36

 

CMYK 0 / 38 / 67 / 0

HEX #FF9F55

RGB 255 159 85

HSL 26.12, 1%, 0.67%

LAB 74.01, 29.4, 52.59

 

CMYK 0 / 31 / 59 / 0

HEX #FFB168

RGB 255 177 104

HSL 29.01, 1%, 0.7%

LAB 78.29, 21.21, 48.26

 

CMYK 0 / 24 / 52 / 0

HEX #FFC37B

RGB 255 195 123

HSL 32.73, 1%, 0.74%

LAB 82.76, 13.29, 44.23

 

CMYK 0 / 16 / 44 / 0

HEX #FFD58E

RGB 255 213 142

HSL 37.7, 1%, 0.78%

LAB 87.39, 5.71, 40.51

 

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

CMYK 0 / 45 / 77 / 13

HEX #DF7B34

RGB 223 123 52

HSL 24.91, 0.73%, 0.54%

LAB 61.74, 33.68, 53.73

 

CMYK 0 / 49 / 84 / 19

HEX #CE6921

RGB 206 105 33

HSL 24.97, 0.72%, 0.47%

LAB 55.42, 35.53, 54.91

 

CMYK 0 / 54 / 93 / 26

HEX #BD570E

RGB 189 87 14

HSL 25.03, 0.86%, 0.4%

LAB 49.09, 37.54, 55.11

 

CMYK 0 / 60 / 100 / 33

HEX #AC4500

RGB 172 69 0

HSL 24.07, 1%, 0.34%

LAB 42.8, 39.61, 53.38

 

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

CMYK 0 / 60 / 70 / 6

HEX #F05F47

RGB 240 95 71

HSL 8.52, 0.85%, 0.61%

LAB 59.13, 54.48, 42.29

 

CMYK 0 / 70 / 70 / 6

HEX #F04747

RGB 240 71 71

HSL 0, 0.85%, 0.61%

LAB 55.57, 64.09, 38.18

 

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

CMYK 0 / 23 / 70 / 6

HEX #F0BA47

RGB 240 186 71

HSL 40.83, 0.85%, 0.61%

LAB 78.52, 8.31, 63.18

 

CMYK 0 / 3 / 70 / 6

HEX #F0E847

RGB 240 232 71

HSL 57.16, 0.85%, 0.61%

LAB 90.18, -15.07, 74.77

 

CMYK 16 / 0 / 70 / 6

HEX #CAF047

RGB 202 240 71

HSL 73.49, 0.85%, 0.61%

LAB 89.55, -34.16, 73.21

 

CMYK 35 / 0 / 70 / 6

HEX #9CF047

RGB 156 240 71

HSL 89.82, 0.85%, 0.61%

LAB 86.92, -51.03, 69.72

 

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

CMYK 0 / 36 / 61 / 13

HEX #DF8F57

RGB 223 143 87

HSL 24.71, 0.68%, 0.61%

LAB 66.54, 25, 41.94

 

CMYK 0 / 29 / 50 / 19

HEX #CF9267

RGB 207 146 103

HSL 24.81, 0.52%, 0.61%

LAB 65.59, 18.12, 31.89

 

CMYK 0 / 22 / 38 / 25

HEX #BF9577

RGB 191 149 119

HSL 25, 0.36%, 0.61%

LAB 64.89, 11.65, 21.88

 

CMYK 0 / 13 / 23 / 31

HEX #AF9887

RGB 175 152 135

HSL 25.5, 0.2%, 0.61%

LAB 64.42, 5.78, 12.08

 

CMYK 0 / 70 / 61 / 6

HEX #F0475D

RGB 240 71 93

HSL 352.19, 0.85%, 0.61%

LAB 55.91, 65.25, 25.91

 

CMYK 0 / 61 / 70 / 6

HEX #F05D47

RGB 240 93 71

HSL 7.81, 0.85%, 0.61%

LAB 58.8, 55.35, 41.92

 

CMYK 0 / 43 / 70 / 6

HEX #F08A47

RGB 240 138 71

HSL 23.79, 0.85%, 0.61%

LAB 67.39, 33.56, 51.49

 

CMYK 0 / 24 / 70 / 6

HEX #F0B747

RGB 240 183 71

HSL 39.76, 0.85%, 0.61%

LAB 77.78, 9.89, 62.43

 

CMYK 0 / 5 / 70 / 6

HEX #F0E447

RGB 240 228 71

HSL 55.74, 0.85%, 0.61%

LAB 89.14, -13.1, 73.76

 

CMYK 0 / 54 / 92 / 17

HEX #D36111

RGB 211 97 17

HSL 24.74, 0.85%, 0.45%

LAB 54.49, 41.23, 59.72

 

CMYK 0 / 50 / 86 / 7

HEX #EC7520

RGB 236 117 32

HSL 25, 0.84%, 0.53%

LAB 62.22, 41.3, 62.71

 

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

CMYK 0 / 33 / 55 / 5

HEX #F3A46D

RGB 243 164 109

HSL 24.63, 0.85%, 0.69%

LAB 74, 23.59, 40.2

 

CMYK 0 / 24 / 40 / 4

HEX #F6BC93

RGB 246 188 147

HSL 24.85, 0.85%, 0.77%

LAB 80.55, 15.71, 28.81

 

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

CMYK 43 / 0 / 70 / 6

HEX #8AF047

RGB 138 240 71

HSL 96.21, 0.85%, 0.61%

LAB 86.1, -56.89, 68.62

 

CMYK 70 / 70 / 0 / 6

HEX #4747F0

RGB 71 71 240

HSL 240, 0.85%, 0.61%

LAB 41.43, 52.68, -84.18

 

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

CMYK 70 / 0 / 43 / 6

HEX #47F08A

RGB 71 240 138

HSL 143.79, 0.85%, 0.61%

LAB 84.74, -64.76, 37.12

 

CMYK 43 / 70 / 0 / 6

HEX #8A47F0

RGB 138 71 240

HSL 263.79, 0.85%, 0.61%

LAB 47.24, 61.94, -74.45

 

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

CMYK 43 / 0 / 70 / 6

HEX #8AF047

RGB 138 240 71

HSL 96.21, 0.85%, 0.61%

LAB 86.1, -56.89, 68.62

 

CMYK 70 / 28 / 0 / 6

HEX #47ACF0

RGB 71 172 240

HSL 204.14, 0.85%, 0.61%

LAB 67.38, -7.69, -42.44

 

CMYK 28 / 70 / 0 / 6

HEX #AC47F0

RGB 172 71 240

HSL 275.86, 0.85%, 0.61%

LAB 51.35, 68.08, -67.59

 

CMYK 0 / 41 / 70 / 6

HEX #F08D47

RGB 240 141 71

HSL 24.85, 0.85%, 0.61%

LAB 68.04, 32, 52.19

 

CMYK 64 / 0 / 70 / 6

HEX #57F047

RGB 87 240 71

HSL 114.32, 0.85%, 0.61%

LAB 84.38, -70.15, 66.31

 

CMYK 70 / 28 / 0 / 6

HEX #47ACF0

RGB 71 172 240

HSL 204.14, 0.85%, 0.61%

LAB 67.38, -7.69, -42.44

 

CMYK 7 / 70 / 0 / 6

HEX #DF47F0

RGB 223 71 240

HSL 293.96, 0.85%, 0.61%

LAB 58.5, 78.21, -55.71

 

Description

Color code: HEX #F08D47 | qconv.com Color code: HEX #F08D47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 141 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 141 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 70 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 70% 6% C M Y K

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Provide designers and agencies with accurate color values.

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