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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F097AB it is the complementary color #0F6854. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F097AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F097AB shade: #F597A6, #FFA9B9, #FFBBCC, #FFCDDF and #FFDFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F097AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F097AB shade: #F097AB, #DF8598, #CE7385, #BD6172 and #AC4F5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F097AB shade: #F098AC and #F09898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F097AB shade: #F098AC, #F098C3, #F098DB, #ED98F0 and #D598F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F097AB shade matches the following richer shades: #F098AC and #F98EA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F097AB shade: #F098AC, #E6A1B1, #DDABB6, #D3B4BB and #CABEC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F097AB shade: #F098DB, #F098C4, #F098AC, #F09B98 and #F0B298

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F097AB shade: #E65071, #EB748E, #F098AC, #F5BCC9 and #FAE0E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F097AB shade: #F097AB, #F0ED98 and #98D0F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F097AB shade: #F097AB, #ACF098 and #98ACF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F097AB shade: #F097AB, #F0ED98, #98F0DB and #989BF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F097AB shade: #F097AB, #D8F098, #98F0DB and #AF98F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 29 / 6

HEX #F097AB

RGB 240 151 171

HSL 346.52, 0.75%, 0.77%

LAB 71.96, 35.88, 3.7

 

Complementary color

CMYK 86 / 0 / 19 / 59

HEX #0F6854

RGB 15 104 84

HSL 166.52, 0.75%, 0.23%

LAB 38.97, -29.91, 4.28

 

CMYK 0 / 38 / 32 / 4

HEX #F597A6

RGB 245 151 166

HSL 350.43, 0.82%, 0.78%

LAB 72.43, 37.03, 7.23

 

CMYK 0 / 34 / 27 / 0

HEX #FFA9B9

RGB 255 169 185

HSL 348.84, 1%, 0.83%

LAB 77.96, 33.68, 4.89

 

CMYK 0 / 27 / 20 / 0

HEX #FFBBCC

RGB 255 187 204

HSL 345, 1%, 0.87%

LAB 82.46, 26.92, 1.15

 

CMYK 0 / 20 / 13 / 0

HEX #FFCDDF

RGB 255 205 223

HSL 338.4, 1%, 0.9%

LAB 87.12, 20.4, -2.18

 

CMYK 0 / 13 / 5 / 0

HEX #FFDFF2

RGB 255 223 242

HSL 324.38, 1%, 0.94%

LAB 91.88, 14.15, -5.18

 

CMYK 0 / 37 / 29 / 6

HEX #F097AB

RGB 240 151 171

HSL 346.52, 0.75%, 0.77%

LAB 71.96, 35.88, 3.7

 

CMYK 0 / 40 / 32 / 13

HEX #DF8598

RGB 223 133 152

HSL 347.33, 0.58%, 0.7%

LAB 65.54, 36.75, 4.81

 

CMYK 0 / 44 / 35 / 19

HEX #CE7385

RGB 206 115 133

HSL 348.13, 0.48%, 0.63%

LAB 59.05, 37.68, 6.06

 

CMYK 0 / 49 / 40 / 26

HEX #BD6172

RGB 189 97 114

HSL 348.91, 0.41%, 0.56%

LAB 52.49, 38.65, 7.51

 

CMYK 0 / 54 / 45 / 33

HEX #AC4F5F

RGB 172 79 95

HSL 349.68, 0.37%, 0.49%

LAB 45.89, 39.64, 9.23

 

CMYK 0 / 37 / 28 / 6

HEX #F098AC

RGB 240 152 172

HSL 346.36, 0.75%, 0.77%

LAB 72.2, 35.49, 3.5

 

CMYK 0 / 37 / 37 / 6

HEX #F09898

RGB 240 152 152

HSL 0, 0.75%, 0.77%

LAB 71.72, 32.99, 13.89

 

CMYK 0 / 37 / 28 / 6

HEX #F098AC

RGB 240 152 172

HSL 346.36, 0.75%, 0.77%

LAB 72.2, 35.49, 3.5

 

CMYK 0 / 37 / 19 / 6

HEX #F098C3

RGB 240 152 195

HSL 330.68, 0.75%, 0.77%

LAB 72.84, 38.75, -8.29

 

CMYK 0 / 37 / 9 / 6

HEX #F098DB

RGB 240 152 219

HSL 314.32, 0.75%, 0.77%

LAB 73.61, 42.56, -20.35

 

CMYK 1 / 37 / 0 / 6

HEX #ED98F0

RGB 237 152 240

HSL 297.95, 0.75%, 0.77%

LAB 74.03, 45.29, -31.21

 

CMYK 11 / 37 / 0 / 6

HEX #D598F0

RGB 213 152 240

HSL 281.59, 0.75%, 0.77%

LAB 71.48, 38.05, -35.36

 

CMYK 0 / 37 / 28 / 6

HEX #F098AC

RGB 240 152 172

HSL 346.36, 0.75%, 0.77%

LAB 72.2, 35.49, 3.5

 

CMYK 0 / 43 / 33 / 2

HEX #F98EA6

RGB 249 142 166

HSL 346.54, 0.9%, 0.77%

LAB 71.04, 43.07, 5.29

 

CMYK 0 / 37 / 28 / 6

HEX #F098AC

RGB 240 152 172

HSL 346.36, 0.75%, 0.77%

LAB 72.2, 35.49, 3.5

 

CMYK 0 / 30 / 23 / 10

HEX #E6A1B1

RGB 230 161 177

HSL 346.09, 0.58%, 0.77%

LAB 73.21, 27.82, 2.06

 

CMYK 0 / 23 / 18 / 13

HEX #DDABB6

RGB 221 171 182

HSL 346.8, 0.42%, 0.77%

LAB 74.75, 19.94, 1.43

 

CMYK 0 / 15 / 11 / 17

HEX #D3B4BB

RGB 211 180 187

HSL 346.45, 0.26%, 0.77%

LAB 76.12, 12.28, 0.58

 

CMYK 0 / 6 / 4 / 21

HEX #CABEC1

RGB 202 190 193

HSL 345, 0.1%, 0.77%

LAB 78.01, 4.75, -0

 

CMYK 0 / 37 / 9 / 6

HEX #F098DB

RGB 240 152 219

HSL 314.32, 0.75%, 0.77%

LAB 73.61, 42.56, -20.35

 

CMYK 0 / 37 / 18 / 6

HEX #F098C4

RGB 240 152 196

HSL 330, 0.75%, 0.77%

LAB 72.87, 38.9, -8.8

 

CMYK 0 / 37 / 28 / 6

HEX #F098AC

RGB 240 152 172

HSL 346.36, 0.75%, 0.77%

LAB 72.2, 35.49, 3.5

 

CMYK 0 / 35 / 37 / 6

HEX #F09B98

RGB 240 155 152

HSL 2.05, 0.75%, 0.77%

LAB 72.39, 31.41, 14.82

 

CMYK 0 / 26 / 37 / 6

HEX #F0B298

RGB 240 178 152

HSL 17.73, 0.75%, 0.77%

LAB 77.66, 19.24, 22.12

 

CMYK 0 / 65 / 51 / 10

HEX #E65071

RGB 230 80 113

HSL 346.8, 0.75%, 0.61%

LAB 55.84, 60.24, 13.73

 

CMYK 0 / 51 / 40 / 8

HEX #EB748E

RGB 235 116 142

HSL 346.89, 0.75%, 0.69%

LAB 63.43, 48.44, 7.69

 

CMYK 0 / 37 / 28 / 6

HEX #F098AC

RGB 240 152 172

HSL 346.36, 0.75%, 0.77%

LAB 72.2, 35.49, 3.5

 

CMYK 0 / 23 / 18 / 4

HEX #F5BCC9

RGB 245 188 201

HSL 346.32, 0.74%, 0.85%

LAB 81.62, 22.4, 1.41

 

CMYK 0 / 10 / 8 / 2

HEX #FAE0E6

RGB 250 224 230

HSL 346.15, 0.72%, 0.93%

LAB 91.39, 9.9, 0.32

 

CMYK 0 / 37 / 29 / 6

HEX #F097AB

RGB 240 151 171

HSL 346.52, 0.75%, 0.77%

LAB 71.96, 35.88, 3.7

 

CMYK 0 / 1 / 37 / 6

HEX #F0ED98

RGB 240 237 152

HSL 57.95, 0.75%, 0.77%

LAB 92.29, -11.22, 41.56

 

CMYK 37 / 13 / 0 / 6

HEX #98D0F0

RGB 152 208 240

HSL 201.82, 0.75%, 0.77%

LAB 80.78, -10.25, -21.49

 

CMYK 0 / 37 / 29 / 6

HEX #F097AB

RGB 240 151 171

HSL 346.52, 0.75%, 0.77%

LAB 71.96, 35.88, 3.7

 

CMYK 28 / 0 / 37 / 6

HEX #ACF098

RGB 172 240 152

HSL 106.36, 0.75%, 0.77%

LAB 88.62, -37.23, 35.92

 

CMYK 37 / 28 / 0 / 6

HEX #98ACF0

RGB 152 172 240

HSL 226.36, 0.75%, 0.77%

LAB 71.19, 9.27, -36.2

 

CMYK 0 / 37 / 29 / 6

HEX #F097AB

RGB 240 151 171

HSL 346.52, 0.75%, 0.77%

LAB 71.96, 35.88, 3.7

 

CMYK 0 / 1 / 37 / 6

HEX #F0ED98

RGB 240 237 152

HSL 57.95, 0.75%, 0.77%

LAB 92.29, -11.22, 41.56

 

CMYK 37 / 0 / 9 / 6

HEX #98F0DB

RGB 152 240 219

HSL 165.68, 0.75%, 0.77%

LAB 88.97, -31.09, 1.79

 

CMYK 37 / 35 / 0 / 6

HEX #989BF0

RGB 152 155 240

HSL 237.95, 0.75%, 0.77%

LAB 66.83, 18.9, -43.01

 

CMYK 0 / 37 / 29 / 6

HEX #F097AB

RGB 240 151 171

HSL 346.52, 0.75%, 0.77%

LAB 71.96, 35.88, 3.7

 

CMYK 10 / 0 / 37 / 6

HEX #D8F098

RGB 216 240 152

HSL 76.36, 0.75%, 0.77%

LAB 91.32, -21.73, 39.96

 

CMYK 37 / 0 / 9 / 6

HEX #98F0DB

RGB 152 240 219

HSL 165.68, 0.75%, 0.77%

LAB 88.97, -31.09, 1.79

 

CMYK 27 / 37 / 0 / 6

HEX #AF98F0

RGB 175 152 240

HSL 255.68, 0.75%, 0.77%

LAB 67.92, 26.93, -41.18

 

Description

Color code: HEX #F097AB | qconv.com Color code: HEX #F097AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 151 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 151 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 29 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 29% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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