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Color name
HEX #F098A0

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F098A0 it is the complementary color #0F675F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F098A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F098A0 shade: #F5989B, #FFAAAE, #FFBCC1, #FFCED4 and #FFE0E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F098A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F098A0 shade: #F098A0, #DF868D, #CE747A, #BD6267 and #AC5054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F098A0 shade: #F098A0 and #F09898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F098A0 shade: #F098A0, #F098B8, #F098CF, #F098E7 and #E198F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F098A0 shade matches the following richer shades: #F098A0 and #F98E98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F098A0 shade: #F098A0, #E6A1A8, #DDABAF, #D3B4B7 and #CABEBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F098A0 shade: #F098D0, #F098B8, #F098A1, #F0A798 and #F0BE98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F098A0 shade: #E6505D, #EB747F, #F098A0, #F5BCC1 and #FAE0E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F098A0 shade: #F098A0, #E7F098 and #98C4F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F098A0 shade: #F098A0, #A1F098 and #98A1F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F098A0 shade: #F098A0, #E7F098, #98F0E7 and #A198F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F098A0 shade: #F098A0, #CDF098, #98F0E7 and #BB98F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 33 / 6

HEX #F098A0

RGB 240 152 160

HSL 354.55, 0.75%, 0.77%

LAB 71.91, 33.95, 9.72

 

Complementary color

CMYK 85 / 0 / 8 / 60

HEX #0F675F

RGB 15 103 95

HSL 174.55, 0.75%, 0.23%

LAB 38.95, -26.14, -2.47

 

CMYK 0 / 38 / 37 / 4

HEX #F5989B

RGB 245 152 155

HSL 358.06, 0.82%, 0.78%

LAB 72.39, 35.18, 13.25

 

CMYK 0 / 33 / 32 / 0

HEX #FFAAAE

RGB 255 170 174

HSL 357.18, 1%, 0.83%

LAB 77.91, 31.74, 10.82

 

CMYK 0 / 26 / 24 / 0

HEX #FFBCC1

RGB 255 188 193

HSL 355.52, 1%, 0.87%

LAB 82.42, 24.82, 7

 

CMYK 0 / 19 / 17 / 0

HEX #FFCED4

RGB 255 206 212

HSL 352.65, 1%, 0.9%

LAB 87.07, 18.16, 3.58

 

CMYK 0 / 12 / 9 / 0

HEX #FFE0E7

RGB 255 224 231

HSL 346.45, 1%, 0.94%

LAB 91.84, 11.79, 0.5

 

CMYK 0 / 37 / 33 / 6

HEX #F098A0

RGB 240 152 160

HSL 354.55, 0.75%, 0.77%

LAB 71.91, 33.95, 9.72

 

CMYK 0 / 40 / 37 / 13

HEX #DF868D

RGB 223 134 141

HSL 355.28, 0.58%, 0.7%

LAB 65.48, 34.87, 10.95

 

CMYK 0 / 44 / 41 / 19

HEX #CE747A

RGB 206 116 122

HSL 356, 0.48%, 0.63%

LAB 58.99, 35.87, 12.34

 

CMYK 0 / 48 / 46 / 26

HEX #BD6267

RGB 189 98 103

HSL 356.7, 0.41%, 0.56%

LAB 52.44, 36.93, 13.95

 

CMYK 0 / 53 / 51 / 33

HEX #AC5054

RGB 172 80 84

HSL 357.39, 0.37%, 0.49%

LAB 45.84, 38.03, 15.84

 

CMYK 0 / 37 / 33 / 6

HEX #F098A0

RGB 240 152 160

HSL 354.55, 0.75%, 0.77%

LAB 71.91, 33.95, 9.72

 

CMYK 0 / 37 / 37 / 6

HEX #F09898

RGB 240 152 152

HSL 0, 0.75%, 0.77%

LAB 71.72, 32.99, 13.89

 

CMYK 0 / 37 / 33 / 6

HEX #F098A0

RGB 240 152 160

HSL 354.55, 0.75%, 0.77%

LAB 71.91, 33.95, 9.72

 

CMYK 0 / 37 / 23 / 6

HEX #F098B8

RGB 240 152 184

HSL 338.18, 0.75%, 0.77%

LAB 72.52, 37.14, -2.68

 

CMYK 0 / 37 / 14 / 6

HEX #F098CF

RGB 240 152 207

HSL 322.5, 0.75%, 0.77%

LAB 73.21, 40.6, -14.36

 

CMYK 0 / 37 / 4 / 6

HEX #F098E7

RGB 240 152 231

HSL 306.14, 0.75%, 0.77%

LAB 74.03, 44.61, -26.28

 

CMYK 6 / 37 / 0 / 6

HEX #E198F0

RGB 225 152 240

HSL 289.77, 0.75%, 0.77%

LAB 72.73, 41.66, -33.33

 

CMYK 0 / 37 / 33 / 6

HEX #F098A0

RGB 240 152 160

HSL 354.55, 0.75%, 0.77%

LAB 71.91, 33.95, 9.72

 

CMYK 0 / 43 / 39 / 2

HEX #F98E98

RGB 249 142 152

HSL 354.39, 0.9%, 0.77%

LAB 70.7, 41.45, 12.61

 

CMYK 0 / 37 / 33 / 6

HEX #F098A0

RGB 240 152 160

HSL 354.55, 0.75%, 0.77%

LAB 71.91, 33.95, 9.72

 

CMYK 0 / 30 / 27 / 10

HEX #E6A1A8

RGB 230 161 168

HSL 353.91, 0.58%, 0.77%

LAB 72.98, 26.55, 6.69

 

CMYK 0 / 23 / 21 / 13

HEX #DDABAF

RGB 221 171 175

HSL 355.2, 0.42%, 0.77%

LAB 74.57, 18.87, 5

 

CMYK 0 / 15 / 13 / 17

HEX #D3B4B7

RGB 211 180 183

HSL 354.19, 0.26%, 0.77%

LAB 76.01, 11.62, 2.61

 

CMYK 0 / 6 / 5 / 21

HEX #CABEBF

RGB 202 190 191

HSL 355, 0.1%, 0.77%

LAB 77.96, 4.39, 1

 

CMYK 0 / 37 / 13 / 6

HEX #F098D0

RGB 240 152 208

HSL 321.82, 0.75%, 0.77%

LAB 73.24, 40.76, -14.86

 

CMYK 0 / 37 / 23 / 6

HEX #F098B8

RGB 240 152 184

HSL 338.18, 0.75%, 0.77%

LAB 72.52, 37.14, -2.68

 

CMYK 0 / 37 / 33 / 6

HEX #F098A1

RGB 240 152 161

HSL 353.86, 0.75%, 0.77%

LAB 71.93, 34.07, 9.2

 

CMYK 0 / 30 / 37 / 6

HEX #F0A798

RGB 240 167 152

HSL 10.23, 0.75%, 0.77%

LAB 75.1, 25.07, 18.59

 

CMYK 0 / 21 / 37 / 6

HEX #F0BE98

RGB 240 190 152

HSL 25.91, 0.75%, 0.77%

LAB 80.53, 12.89, 26.03

 

CMYK 0 / 65 / 60 / 10

HEX #E6505D

RGB 230 80 93

HSL 354.8, 0.75%, 0.61%

LAB 55.43, 58.75, 24.96

 

CMYK 0 / 51 / 46 / 8

HEX #EB747F

RGB 235 116 127

HSL 354.45, 0.75%, 0.69%

LAB 63.08, 46.9, 15.77

 

CMYK 0 / 37 / 33 / 6

HEX #F098A0

RGB 240 152 160

HSL 354.55, 0.75%, 0.77%

LAB 71.91, 33.95, 9.72

 

CMYK 0 / 23 / 21 / 4

HEX #F5BCC1

RGB 245 188 193

HSL 354.74, 0.74%, 0.85%

LAB 81.42, 21.21, 5.42

 

CMYK 0 / 10 / 10 / 2

HEX #FAE0E2

RGB 250 224 226

HSL 355.38, 0.72%, 0.93%

LAB 91.29, 9.24, 2.27

 

CMYK 0 / 37 / 33 / 6

HEX #F098A0

RGB 240 152 160

HSL 354.55, 0.75%, 0.77%

LAB 71.91, 33.95, 9.72

 

CMYK 4 / 0 / 37 / 6

HEX #E7F098

RGB 231 240 152

HSL 66.14, 0.75%, 0.77%

LAB 92.39, -16.12, 41.55

 

CMYK 37 / 18 / 0 / 6

HEX #98C4F0

RGB 152 196 240

HSL 210, 0.75%, 0.77%

LAB 77.55, -3.9, -26.42

 

CMYK 0 / 37 / 33 / 6

HEX #F098A0

RGB 240 152 160

HSL 354.55, 0.75%, 0.77%

LAB 71.91, 33.95, 9.72

 

CMYK 33 / 0 / 37 / 6

HEX #A1F098

RGB 161 240 152

HSL 113.86, 0.75%, 0.77%

LAB 88.05, -40.79, 35.06

 

CMYK 37 / 33 / 0 / 6

HEX #98A1F0

RGB 152 161 240

HSL 233.86, 0.75%, 0.77%

LAB 68.36, 15.48, -40.63

 

CMYK 0 / 37 / 33 / 6

HEX #F098A0

RGB 240 152 160

HSL 354.55, 0.75%, 0.77%

LAB 71.91, 33.95, 9.72

 

CMYK 4 / 0 / 37 / 6

HEX #E7F098

RGB 231 240 152

HSL 66.14, 0.75%, 0.77%

LAB 92.39, -16.12, 41.55

 

CMYK 37 / 0 / 4 / 6

HEX #98F0E7

RGB 152 240 231

HSL 173.86, 0.75%, 0.77%

LAB 89.28, -28.41, -4.03

 

CMYK 33 / 37 / 0 / 6

HEX #A198F0

RGB 161 152 240

HSL 246.14, 0.75%, 0.77%

LAB 66.77, 23.03, -43.07

 

CMYK 0 / 37 / 33 / 6

HEX #F098A0

RGB 240 152 160

HSL 354.55, 0.75%, 0.77%

LAB 71.91, 33.95, 9.72

 

CMYK 15 / 0 / 37 / 6

HEX #CDF098

RGB 205 240 152

HSL 83.86, 0.75%, 0.77%

LAB 90.58, -25.76, 38.86

 

CMYK 37 / 0 / 4 / 6

HEX #98F0E7

RGB 152 240 231

HSL 173.86, 0.75%, 0.77%

LAB 89.28, -28.41, -4.03

 

CMYK 22 / 37 / 0 / 6

HEX #BB98F0

RGB 187 152 240

HSL 263.86, 0.75%, 0.77%

LAB 68.98, 30.36, -39.45

 

Description

Color code: HEX #F098A0 | qconv.com Color code: HEX #F098A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 152 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 152 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 33 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 33% 6% C M Y K

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Provide designers and agencies with accurate color values.

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