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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F09D3B it is the complementary color #0F62C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F09D3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F09D3B shade: #F59D36, #FFAF49, #FFC15C, #FFD36F and #FFE582

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F09D3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F09D3B shade: #F09D3B, #DF8B28, #CE7915, #BD6702 and #AC5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F09D3B shade: #F09D3C, #F06D3C, #F03C3C and #F03C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F09D3B shade: #F09D3C, #F0CE3C, #E1F03C, #B1F03C and #80F03C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F09D3B shade matches the following richer shades: #F09D3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F09D3B shade: #F09D3C, #DF9C4D, #CE9B5E, #BD996F and #AC9880

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F09D3B shade: #F03C3C, #F06C3C, #F09C3C, #F0CC3C and #E4F03C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F09D3B shade: #CB740F, #ED8A16, #F09D3C, #F3B162 and #F6C489

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F09D3B shade: #F09D3B, #6CF03C and #543CF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F09D3B shade: #F09D3B, #3CF09C and #9C3CF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F09D3B shade: #F09D3B, #6CF03C, #3C90F0 and #C03CF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F09D3B shade: #F09D3B, #3CF042, #3C90F0 and #F03CEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 75 / 6

HEX #F09D3B

RGB 240 157 59

HSL 32.49, 0.86%, 0.59%

LAB 71.52, 23.06, 61.1

 

Complementary color

CMYK 92 / 50 / 0 / 23

HEX #0F62C4

RGB 15 98 196

HSL 212.49, 0.86%, 0.41%

LAB 42.49, 15.21, -57.39

 

CMYK 0 / 36 / 78 / 4

HEX #F59D36

RGB 245 157 54

HSL 32.36, 0.91%, 0.59%

LAB 72.09, 24.95, 63.84

 

CMYK 0 / 31 / 71 / 0

HEX #FFAF49

RGB 255 175 73

HSL 33.63, 1%, 0.64%

LAB 77.52, 20.44, 61.83

 

CMYK 0 / 24 / 64 / 0

HEX #FFC15C

RGB 255 193 92

HSL 37.18, 1%, 0.68%

LAB 81.93, 12.07, 58.16

 

CMYK 0 / 17 / 56 / 0

HEX #FFD36F

RGB 255 211 111

HSL 41.67, 1%, 0.72%

LAB 86.5, 4.06, 54.58

 

CMYK 0 / 10 / 49 / 0

HEX #FFE582

RGB 255 229 130

HSL 47.52, 1%, 0.75%

LAB 91.19, -3.55, 51.17

 

CMYK 0 / 35 / 75 / 6

HEX #F09D3B

RGB 240 157 59

HSL 32.49, 0.86%, 0.59%

LAB 71.52, 23.06, 61.1

 

CMYK 0 / 38 / 82 / 13

HEX #DF8B28

RGB 223 139 40

HSL 32.46, 0.74%, 0.52%

LAB 65.21, 24.82, 61.77

 

CMYK 0 / 41 / 90 / 19

HEX #CE7915

RGB 206 121 21

HSL 32.43, 0.81%, 0.45%

LAB 58.84, 26.8, 61.54

 

CMYK 0 / 46 / 99 / 26

HEX #BD6702

RGB 189 103 2

HSL 32.41, 0.98%, 0.37%

LAB 52.42, 29.01, 59.97

 

CMYK 0 / 51 / 100 / 33

HEX #AC5500

RGB 172 85 0

HSL 29.65, 1%, 0.34%

LAB 46, 31.45, 55.21

 

CMYK 0 / 35 / 75 / 6

HEX #F09D3C

RGB 240 157 60

HSL 32.33, 0.86%, 0.59%

LAB 71.53, 23.1, 60.69

 

CMYK 0 / 55 / 75 / 6

HEX #F06D3C

RGB 240 109 60

HSL 16.33, 0.86%, 0.59%

LAB 61.47, 47.57, 50.51

 

CMYK 0 / 75 / 75 / 6

HEX #F03C3C

RGB 240 60 60

HSL 0, 0.86%, 0.59%

LAB 54.12, 67.3, 42.66

 

CMYK 0 / 75 / 75 / 6

HEX #F03C3C

RGB 240 60 60

HSL 0, 0.86%, 0.59%

LAB 54.12, 67.3, 42.66

 

CMYK 0 / 35 / 75 / 6

HEX #F09D3C

RGB 240 157 60

HSL 32.33, 0.86%, 0.59%

LAB 71.53, 23.1, 60.69

 

CMYK 0 / 14 / 75 / 6

HEX #F0CE3C

RGB 240 206 60

HSL 48.67, 0.86%, 0.59%

LAB 83.44, -2.52, 72.13

 

CMYK 6 / 0 / 75 / 6

HEX #E1F03C

RGB 225 240 60

HSL 65, 0.86%, 0.59%

LAB 91.08, -25.53, 78.78

 

CMYK 26 / 0 / 75 / 6

HEX #B1F03C

RGB 177 240 60

HSL 81, 0.86%, 0.59%

LAB 87.97, -44.21, 74.75

 

CMYK 47 / 0 / 75 / 6

HEX #80F03C

RGB 128 240 60

HSL 97.33, 0.86%, 0.59%

LAB 85.62, -60.61, 71.69

 

CMYK 0 / 35 / 75 / 6

HEX #F09D3C

RGB 240 157 60

HSL 32.33, 0.86%, 0.59%

LAB 71.53, 23.1, 60.69

 

CMYK 0 / 35 / 75 / 6

HEX #F09D3C

RGB 240 157 60

HSL 32.33, 0.86%, 0.59%

LAB 71.53, 23.1, 60.69

 

CMYK 0 / 30 / 65 / 13

HEX #DF9C4D

RGB 223 156 77

HSL 32.47, 0.7%, 0.59%

LAB 69.47, 17.38, 50.31

 

CMYK 0 / 25 / 54 / 19

HEX #CE9B5E

RGB 206 155 94

HSL 32.68, 0.53%, 0.59%

LAB 67.56, 12.01, 39.1

 

CMYK 0 / 19 / 41 / 26

HEX #BD996F

RGB 189 153 111

HSL 32.31, 0.37%, 0.59%

LAB 65.55, 7.7, 27.13

 

CMYK 0 / 12 / 26 / 33

HEX #AC9880

RGB 172 152 128

HSL 32.73, 0.21%, 0.59%

LAB 63.99, 3.56, 15.35

 

CMYK 0 / 75 / 75 / 6

HEX #F03C3C

RGB 240 60 60

HSL 0, 0.86%, 0.59%

LAB 54.12, 67.3, 42.66

 

CMYK 0 / 55 / 75 / 6

HEX #F06C3C

RGB 240 108 60

HSL 16, 0.86%, 0.59%

LAB 61.29, 48.05, 50.32

 

CMYK 0 / 35 / 75 / 6

HEX #F09C3C

RGB 240 156 60

HSL 32, 0.86%, 0.59%

LAB 71.3, 23.63, 60.47

 

CMYK 0 / 15 / 75 / 6

HEX #F0CC3C

RGB 240 204 60

HSL 48, 0.86%, 0.59%

LAB 82.93, -1.5, 71.65

 

CMYK 5 / 0 / 75 / 6

HEX #E4F03C

RGB 228 240 60

HSL 64, 0.86%, 0.59%

LAB 91.3, -24.31, 79.06

 

CMYK 0 / 43 / 93 / 20

HEX #CB740F

RGB 203 116 15

HSL 32.23, 0.86%, 0.43%

LAB 57.29, 28.12, 61.65

 

CMYK 0 / 42 / 91 / 7

HEX #ED8A16

RGB 237 138 22

HSL 32.37, 0.86%, 0.51%

LAB 66.7, 30.78, 68.99

 

CMYK 0 / 35 / 75 / 6

HEX #F09D3C

RGB 240 157 60

HSL 32.33, 0.86%, 0.59%

LAB 71.53, 23.1, 60.69

 

CMYK 0 / 27 / 60 / 5

HEX #F3B162

RGB 243 177 98

HSL 32.69, 0.86%, 0.67%

LAB 76.91, 15.91, 49.26

 

CMYK 0 / 20 / 44 / 4

HEX #F6C489

RGB 246 196 137

HSL 32.48, 0.86%, 0.75%

LAB 82.31, 10.47, 36.35

 

CMYK 0 / 35 / 75 / 6

HEX #F09D3B

RGB 240 157 59

HSL 32.49, 0.86%, 0.59%

LAB 71.52, 23.06, 61.1

 

CMYK 55 / 0 / 75 / 6

HEX #6CF03C

RGB 108 240 60

HSL 104, 0.86%, 0.59%

LAB 84.91, -66.11, 70.76

 

CMYK 65 / 75 / 0 / 6

HEX #543CF0

RGB 84 60 240

HSL 248, 0.86%, 0.59%

LAB 40.26, 59.78, -86.09

 

CMYK 0 / 35 / 75 / 6

HEX #F09D3B

RGB 240 157 59

HSL 32.49, 0.86%, 0.59%

LAB 71.52, 23.06, 61.1

 

CMYK 75 / 0 / 35 / 6

HEX #3CF09C

RGB 60 240 156

HSL 152, 0.86%, 0.59%

LAB 84.83, -63, 28.18

 

CMYK 35 / 75 / 0 / 6

HEX #9C3CF0

RGB 156 60 240

HSL 272, 0.86%, 0.59%

LAB 47.74, 69.63, -73.54

 

CMYK 0 / 35 / 75 / 6

HEX #F09D3B

RGB 240 157 59

HSL 32.49, 0.86%, 0.59%

LAB 71.52, 23.06, 61.1

 

CMYK 55 / 0 / 75 / 6

HEX #6CF03C

RGB 108 240 60

HSL 104, 0.86%, 0.59%

LAB 84.91, -66.11, 70.76

 

CMYK 75 / 40 / 0 / 6

HEX #3C90F0

RGB 60 144 240

HSL 212, 0.86%, 0.59%

LAB 59.16, 7.01, -55.46

 

CMYK 20 / 75 / 0 / 6

HEX #C03CF0

RGB 192 60 240

HSL 284, 0.86%, 0.59%

LAB 52.65, 75.89, -65.34

 

CMYK 0 / 35 / 75 / 6

HEX #F09D3B

RGB 240 157 59

HSL 32.49, 0.86%, 0.59%

LAB 71.52, 23.06, 61.1

 

CMYK 75 / 0 / 73 / 6

HEX #3CF042

RGB 60 240 66

HSL 122, 0.86%, 0.59%

LAB 83.8, -75.19, 67.29

 

CMYK 75 / 40 / 0 / 6

HEX #3C90F0

RGB 60 144 240

HSL 212, 0.86%, 0.59%

LAB 59.16, 7.01, -55.46

 

CMYK 0 / 75 / 3 / 6

HEX #F03CEA

RGB 240 60 234

HSL 302, 0.86%, 0.59%

LAB 59.61, 84.07, -50.42

 

Description

Color code: HEX #F09D3B | qconv.com Color code: HEX #F09D3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 157 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 157 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 75 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 75% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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