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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0A442 it is the complementary color #0F5BBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0A442. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0A442 shade: #F5A43D, #FFB650, #FFC863, #FFDA76 and #FFEC89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0A442. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0A442 shade: #F0A442, #DF922F, #CE801C, #BD6E09 and #AC5C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0A442 shade: #EFA342, #EF7542, #EF4642 and #EF4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0A442 shade: #EFA342, #EFD242, #DDEF42, #AFEF42 and #80EF42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0A442 shade matches the following richer shades: #EFA342

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0A442 shade: #EFA342, #DFA152, #CE9F63, #BE9D73 and #AD9B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0A442 shade: #EF4542, #EF7342, #EFA142, #EFCF42 and #E1EF42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0A442 shade: #CE7B10, #EC911C, #EFA342, #F2B668 and #F5C88E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0A442 shade: #F0A442, #6DEF42 and #5C42EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0A442 shade: #F0A442, #42EFA1 and #A142EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0A442 shade: #F0A442, #6DEF42, #4290EF and #C442EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0A442 shade: #F0A442, #42EF4A, #4290EF and #EF42E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 73 / 6

HEX #F0A442

RGB 240 164 66

HSL 33.79, 0.85%, 0.6%

LAB 73.2, 19.67, 59.85

 

Complementary color

CMYK 92 / 52 / 0 / 26

HEX #0F5BBD

RGB 15 91 189

HSL 213.79, 0.85%, 0.4%

LAB 40.01, 17, -57.34

 

CMYK 0 / 33 / 75 / 4

HEX #F5A43D

RGB 245 164 61

HSL 33.59, 0.9%, 0.6%

LAB 73.74, 21.54, 62.65

 

CMYK 0 / 29 / 69 / 0

HEX #FFB650

RGB 255 182 80

HSL 34.97, 1%, 0.66%

LAB 79.21, 17.13, 60.56

 

CMYK 0 / 22 / 61 / 0

HEX #FFC863

RGB 255 200 99

HSL 38.85, 1%, 0.69%

LAB 83.69, 8.89, 56.92

 

CMYK 0 / 15 / 54 / 0

HEX #FFDA76

RGB 255 218 118

HSL 43.8, 1%, 0.73%

LAB 88.31, 1.02, 53.41

 

CMYK 0 / 7 / 46 / 0

HEX #FFEC89

RGB 255 236 137

HSL 50.34, 1%, 0.77%

LAB 93.04, -6.42, 50.08

 

CMYK 0 / 32 / 73 / 6

HEX #F0A442

RGB 240 164 66

HSL 33.79, 0.85%, 0.6%

LAB 73.2, 19.67, 59.85

 

CMYK 0 / 35 / 79 / 13

HEX #DF922F

RGB 223 146 47

HSL 33.75, 0.73%, 0.53%

LAB 66.86, 21.31, 60.69

 

CMYK 0 / 38 / 86 / 19

HEX #CE801C

RGB 206 128 28

HSL 33.71, 0.76%, 0.46%

LAB 60.47, 23.18, 60.85

 

CMYK 0 / 42 / 95 / 26

HEX #BD6E09

RGB 189 110 9

HSL 33.67, 0.91%, 0.39%

LAB 54.02, 25.3, 59.65

 

CMYK 0 / 47 / 100 / 33

HEX #AC5C00

RGB 172 92 0

HSL 32.09, 1%, 0.34%

LAB 47.53, 27.68, 56.13

 

CMYK 0 / 32 / 72 / 6

HEX #EFA342

RGB 239 163 66

HSL 33.64, 0.84%, 0.6%

LAB 72.85, 19.78, 59.45

 

CMYK 0 / 51 / 72 / 6

HEX #EF7542

RGB 239 117 66

HSL 17.69, 0.84%, 0.6%

LAB 62.9, 43.58, 49.03

 

CMYK 0 / 71 / 72 / 6

HEX #EF4642

RGB 239 70 66

HSL 1.39, 0.84%, 0.6%

LAB 55.2, 63.92, 40.5

 

CMYK 0 / 72 / 72 / 6

HEX #EF4242

RGB 239 66 66

HSL 0, 0.84%, 0.6%

LAB 54.7, 65.3, 39.94

 

CMYK 0 / 32 / 72 / 6

HEX #EFA342

RGB 239 163 66

HSL 33.64, 0.84%, 0.6%

LAB 72.85, 19.78, 59.45

 

CMYK 0 / 12 / 72 / 6

HEX #EFD242

RGB 239 210 66

HSL 49.94, 0.84%, 0.6%

LAB 84.4, -4.73, 70.91

 

CMYK 8 / 0 / 72 / 6

HEX #DDEF42

RGB 221 239 66

HSL 66.24, 0.84%, 0.6%

LAB 90.55, -26.41, 76.3

 

CMYK 27 / 0 / 72 / 6

HEX #AFEF42

RGB 175 239 66

HSL 82.2, 0.84%, 0.6%

LAB 87.6, -44.2, 72.44

 

CMYK 46 / 0 / 72 / 6

HEX #80EF42

RGB 128 239 66

HSL 98.5, 0.84%, 0.6%

LAB 85.36, -59.87, 69.48

 

CMYK 0 / 32 / 72 / 6

HEX #EFA342

RGB 239 163 66

HSL 33.64, 0.84%, 0.6%

LAB 72.85, 19.78, 59.45

 

CMYK 0 / 32 / 72 / 6

HEX #EFA342

RGB 239 163 66

HSL 33.64, 0.84%, 0.6%

LAB 72.85, 19.78, 59.45

 

CMYK 0 / 28 / 63 / 13

HEX #DFA152

RGB 223 161 82

HSL 33.62, 0.69%, 0.6%

LAB 70.72, 15.02, 49.32

 

CMYK 0 / 23 / 52 / 19

HEX #CE9F63

RGB 206 159 99

HSL 33.64, 0.52%, 0.6%

LAB 68.62, 10.28, 37.82

 

CMYK 0 / 17 / 39 / 25

HEX #BE9D73

RGB 190 157 115

HSL 33.6, 0.37%, 0.6%

LAB 66.75, 6.38, 26.55

 

CMYK 0 / 10 / 24 / 32

HEX #AD9B84

RGB 173 155 132

HSL 33.66, 0.2%, 0.6%

LAB 64.96, 2.89, 14.48

 

CMYK 0 / 71 / 72 / 6

HEX #EF4542

RGB 239 69 66

HSL 1.04, 0.84%, 0.6%

LAB 55.07, 64.27, 40.36

 

CMYK 0 / 52 / 72 / 6

HEX #EF7342

RGB 239 115 66

HSL 16.99, 0.84%, 0.6%

LAB 62.51, 44.56, 48.61

 

CMYK 0 / 33 / 72 / 6

HEX #EFA142

RGB 239 161 66

HSL 32.95, 0.84%, 0.6%

LAB 72.38, 20.83, 58.98

 

CMYK 0 / 13 / 72 / 6

HEX #EFCF42

RGB 239 207 66

HSL 48.9, 0.84%, 0.6%

LAB 83.64, -3.2, 70.17

 

CMYK 6 / 0 / 72 / 6

HEX #E1EF42

RGB 225 239 66

HSL 64.86, 0.84%, 0.6%

LAB 90.84, -24.8, 76.68

 

CMYK 0 / 40 / 92 / 19

HEX #CE7B10

RGB 206 123 16

HSL 33.79, 0.86%, 0.44%

LAB 59.27, 25.65, 63.05

 

CMYK 0 / 39 / 88 / 7

HEX #EC911C

RGB 236 145 28

HSL 33.75, 0.85%, 0.52%

LAB 68.14, 26.8, 68.56

 

CMYK 0 / 32 / 72 / 6

HEX #EFA342

RGB 239 163 66

HSL 33.64, 0.84%, 0.6%

LAB 72.85, 19.78, 59.45

 

CMYK 0 / 25 / 57 / 5

HEX #F2B668

RGB 242 182 104

HSL 33.91, 0.84%, 0.68%

LAB 78.07, 13.3, 47.66

 

CMYK 0 / 18 / 42 / 4

HEX #F5C88E

RGB 245 200 142

HSL 33.79, 0.84%, 0.76%

LAB 83.27, 8.5, 35

 

CMYK 0 / 32 / 73 / 6

HEX #F0A442

RGB 240 164 66

HSL 33.79, 0.85%, 0.6%

LAB 73.2, 19.67, 59.85

 

CMYK 54 / 0 / 72 / 6

HEX #6DEF42

RGB 109 239 66

HSL 105.09, 0.84%, 0.6%

LAB 84.68, -65.11, 68.57

 

CMYK 62 / 72 / 0 / 6

HEX #5C42EF

RGB 92 66 239

HSL 249.02, 0.84%, 0.6%

LAB 41.85, 57.37, -82.88

 

CMYK 0 / 32 / 73 / 6

HEX #F0A442

RGB 240 164 66

HSL 33.79, 0.85%, 0.6%

LAB 73.2, 19.67, 59.85

 

CMYK 72 / 0 / 33 / 6

HEX #42EFA1

RGB 66 239 161

HSL 152.95, 0.84%, 0.6%

LAB 84.72, -60.88, 25.49

 

CMYK 33 / 72 / 0 / 6

HEX #A142EF

RGB 161 66 239

HSL 272.95, 0.84%, 0.6%

LAB 49.14, 67.89, -70.67

 

CMYK 0 / 32 / 73 / 6

HEX #F0A442

RGB 240 164 66

HSL 33.79, 0.85%, 0.6%

LAB 73.2, 19.67, 59.85

 

CMYK 54 / 0 / 72 / 6

HEX #6DEF42

RGB 109 239 66

HSL 105.09, 0.84%, 0.6%

LAB 84.68, -65.11, 68.57

 

CMYK 72 / 40 / 0 / 6

HEX #4290EF

RGB 66 144 239

HSL 212.95, 0.84%, 0.6%

LAB 59.28, 7.4, -54.69

 

CMYK 18 / 72 / 0 / 6

HEX #C442EF

RGB 196 66 239

HSL 285.09, 0.84%, 0.6%

LAB 53.88, 74.39, -62.77

 

CMYK 0 / 32 / 73 / 6

HEX #F0A442

RGB 240 164 66

HSL 33.79, 0.85%, 0.6%

LAB 73.2, 19.67, 59.85

 

CMYK 72 / 0 / 69 / 6

HEX #42EF4A

RGB 66 239 74

HSL 122.77, 0.84%, 0.6%

LAB 83.64, -73.36, 64.31

 

CMYK 72 / 40 / 0 / 6

HEX #4290EF

RGB 66 144 239

HSL 212.95, 0.84%, 0.6%

LAB 59.28, 7.4, -54.69

 

CMYK 0 / 72 / 3 / 6

HEX #EF42E7

RGB 239 66 231

HSL 302.77, 0.84%, 0.6%

LAB 59.9, 81.68, -48.29

 

Description

Color code: HEX #F0A442 | qconv.com Color code: HEX #F0A442 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 164 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 164 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 73 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 73% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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