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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0A614 it is the complementary color #0F59EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0A614. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0A614 shade: #F5A60F, #FFB822, #FFCA35, #FFDC48 and #FFEE5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0A614. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0A614 shade: #F0A614, #DF9401, #CE8200, #BD7000 and #AC5E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0A614 shade: #F0A614, #F06A14, #F02F14 and #F01414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0A614 shade: #F0A614, #F0E114, #C3F014, #88F014 and #4CF014

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0A614 shade matches the following richer shades: #F0A614

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0A614 shade: #F0A614, #DB9F28, #C7983C, #B39250 and #9F8B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0A614 shade: #F02D14, #F06814, #F0A314, #F0DD14 and #C7F014

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0A614 shade: #A6720A, #CD8C0D, #F0A614, #F2B43A and #F4C361

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0A614 shade: #F0A614, #35F014 and #4B14F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0A614 shade: #F0A614, #14F0A3 and #A314F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0A614 shade: #F0A614, #35F014, #1461F0 and #CF14F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0A614 shade: #F0A614, #14F035, #1461F0 and #F014CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

Complementary color

CMYK 94 / 62 / 0 / 8

HEX #0F59EB

RGB 15 89 235

HSL 219.82, 0.88%, 0.49%

LAB 43.13, 36.27, -78.65

 

CMYK 0 / 32 / 94 / 4

HEX #F5A60F

RGB 245 166 15

HSL 39.39, 0.92%, 0.51%

LAB 74.01, 19.33, 75.99

 

CMYK 0 / 28 / 87 / 0

HEX #FFB822

RGB 255 184 34

HSL 40.72, 1%, 0.57%

LAB 79.42, 14.44, 76.87

 

CMYK 0 / 21 / 79 / 0

HEX #FFCA35

RGB 255 202 53

HSL 44.26, 1%, 0.6%

LAB 83.84, 5.61, 75.31

 

CMYK 0 / 14 / 72 / 0

HEX #FFDC48

RGB 255 220 72

HSL 48.52, 1%, 0.64%

LAB 88.41, -2.83, 73.12

 

CMYK 0 / 7 / 64 / 0

HEX #FFEE5B

RGB 255 238 91

HSL 53.78, 1%, 0.68%

LAB 93.09, -10.84, 70.6

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 0 / 34 / 100 / 13

HEX #DF9401

RGB 223 148 1

HSL 39.73, 0.99%, 0.44%

LAB 67.18, 19.34, 71.87

 

CMYK 0 / 37 / 100 / 19

HEX #CE8200

RGB 206 130 0

HSL 37.86, 1%, 0.4%

LAB 60.86, 21.68, 66.86

 

CMYK 0 / 41 / 100 / 26

HEX #BD7000

RGB 189 112 0

HSL 35.56, 1%, 0.37%

LAB 54.46, 24.1, 61.66

 

CMYK 0 / 45 / 100 / 33

HEX #AC5E00

RGB 172 94 0

HSL 32.79, 1%, 0.34%

LAB 47.98, 26.59, 56.41

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 0 / 56 / 92 / 6

HEX #F06A14

RGB 240 106 20

HSL 23.45, 0.88%, 0.51%

LAB 60.68, 47.94, 65.36

 

CMYK 0 / 80 / 92 / 6

HEX #F02F14

RGB 240 47 20

HSL 7.36, 0.88%, 0.51%

LAB 52.52, 70, 59.92

 

CMYK 0 / 92 / 92 / 6

HEX #F01414

RGB 240 20 20

HSL 0, 0.88%, 0.51%

LAB 50.78, 74.98, 58.82

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 0 / 6 / 92 / 6

HEX #F0E114

RGB 240 225 20

HSL 55.91, 0.88%, 0.51%

LAB 88.17, -13.1, 85.56

 

CMYK 19 / 0 / 92 / 6

HEX #C3F014

RGB 195 240 20

HSL 72.27, 0.88%, 0.51%

LAB 88.91, -38.61, 84.71

 

CMYK 43 / 0 / 92 / 6

HEX #88F014

RGB 136 240 20

HSL 88.36, 0.88%, 0.51%

LAB 85.81, -59.69, 80.92

 

CMYK 68 / 0 / 92 / 6

HEX #4CF014

RGB 76 240 20

HSL 104.73, 0.88%, 0.51%

LAB 83.92, -74.82, 78.59

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 0 / 27 / 82 / 14

HEX #DB9F28

RGB 219 159 40

HSL 39.89, 0.71%, 0.51%

LAB 69.48, 12.39, 65.33

 

CMYK 0 / 24 / 70 / 22

HEX #C7983C

RGB 199 152 60

HSL 39.71, 0.55%, 0.51%

LAB 65.69, 8.3, 53.27

 

CMYK 0 / 18 / 55 / 30

HEX #B39250

RGB 179 146 80

HSL 40, 0.39%, 0.51%

LAB 62.27, 4.25, 39.27

 

CMYK 0 / 13 / 37 / 38

HEX #9F8B64

RGB 159 139 100

HSL 39.66, 0.24%, 0.51%

LAB 58.75, 1.68, 23.65

 

CMYK 0 / 81 / 92 / 6

HEX #F02D14

RGB 240 45 20

HSL 6.82, 0.88%, 0.51%

LAB 52.35, 70.49, 59.81

 

CMYK 0 / 57 / 92 / 6

HEX #F06814

RGB 240 104 20

HSL 22.91, 0.88%, 0.51%

LAB 60.32, 48.88, 65.11

 

CMYK 0 / 32 / 92 / 6

HEX #F0A314

RGB 240 163 20

HSL 39, 0.88%, 0.51%

LAB 72.74, 18.85, 73.99

 

CMYK 0 / 8 / 92 / 6

HEX #F0DD14

RGB 240 221 20

HSL 54.82, 0.88%, 0.51%

LAB 87.14, -11.12, 84.77

 

CMYK 17 / 0 / 92 / 6

HEX #C7F014

RGB 199 240 20

HSL 71.18, 0.88%, 0.51%

LAB 89.16, -37.04, 85.02

 

CMYK 0 / 31 / 94 / 35

HEX #A6720A

RGB 166 114 10

HSL 40, 0.89%, 0.35%

LAB 52.02, 12.86, 56.67

 

CMYK 0 / 32 / 94 / 20

HEX #CD8C0D

RGB 205 140 13

HSL 39.69, 0.88%, 0.43%

LAB 63.15, 15.95, 66.37

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 0 / 26 / 76 / 5

HEX #F2B43A

RGB 242 180 58

HSL 39.78, 0.88%, 0.59%

LAB 77.18, 11.73, 67.01

 

CMYK 0 / 20 / 60 / 4

HEX #F4C361

RGB 244 195 97

HSL 40, 0.87%, 0.67%

LAB 81.36, 6.82, 54.91

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 78 / 0 / 92 / 6

HEX #35F014

RGB 53 240 20

HSL 111, 0.88%, 0.51%

LAB 83.51, -78.37, 78.08

 

CMYK 69 / 92 / 0 / 6

HEX #4B14F0

RGB 75 20 240

HSL 255, 0.88%, 0.51%

LAB 34.57, 73.74, -95.53

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 92 / 0 / 32 / 6

HEX #14F0A3

RGB 20 240 163

HSL 159, 0.88%, 0.51%

LAB 84.54, -64.84, 24.14

 

CMYK 32 / 92 / 0 / 6

HEX #A314F0

RGB 163 20 240

HSL 279, 0.88%, 0.51%

LAB 45.05, 81.33, -77.89

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 78 / 0 / 92 / 6

HEX #35F014

RGB 53 240 20

HSL 111, 0.88%, 0.51%

LAB 83.51, -78.37, 78.08

 

CMYK 92 / 60 / 0 / 6

HEX #1461F0

RGB 20 97 240

HSL 219, 0.88%, 0.51%

LAB 45.62, 33.23, -77.38

 

CMYK 14 / 92 / 0 / 6

HEX #CF14F0

RGB 207 20 240

HSL 291, 0.88%, 0.51%

LAB 51.9, 87.28, -66.44

 

CMYK 0 / 31 / 92 / 6

HEX #F0A614

RGB 240 166 20

HSL 39.82, 0.88%, 0.51%

LAB 73.45, 17.27, 74.51

 

CMYK 92 / 0 / 78 / 6

HEX #14F035

RGB 20 240 53

HSL 129, 0.88%, 0.51%

LAB 83.3, -79.84, 70.78

 

CMYK 92 / 60 / 0 / 6

HEX #1461F0

RGB 20 97 240

HSL 219, 0.88%, 0.51%

LAB 45.62, 33.23, -77.38

 

CMYK 0 / 92 / 14 / 6

HEX #F014CF

RGB 240 20 207

HSL 309, 0.88%, 0.51%

LAB 55.61, 87.96, -41.47

 

Description

Color code: HEX #F0A614 | qconv.com Color code: HEX #F0A614 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 166 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 166 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 92 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 92% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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