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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0AFA7 it is the complementary color #0F5058. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0AFA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0AFA7 shade: #F5AFA2, #FFC1B5, #FFD3C8, #FFE5DB and #FFF7EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0AFA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0AFA7 shade: #F0AFA7, #DF9D94, #CE8B81, #BD796E and #AC675B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0AFA7 shade: #F0AFA7 and #F0A7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0AFA7 shade: #F0AFA7, #F0C3A7, #F0D6A7, #F0EAA7 and #E2F0A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0AFA7 shade matches the following richer shades: #F0AFA7 and #F8A99F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0AFA7 shade: #F0AFA7, #E7B6B0, #DFBCB8, #D7C3C0 and #CFC9C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0AFA7 shade: #F0A7C7, #F0A7B3, #F0AFA7, #F0C2A7 and #F0D5A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0AFA7 shade: #E46F61, #EA8F84, #F0AFA7, #F6CFCB and #FCEFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0AFA7 shade: #F0AFA7, #DAF0A7 and #A7BDF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0AFA7 shade: #F0AFA7, #A7F0AF and #AFA7F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0AFA7 shade: #F0AFA7, #DAF0A7, #A7E8F0 and #BDA7F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0AFA7 shade: #F0AFA7, #C4F0A7, #A7E8F0 and #D3A7F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 30 / 6

HEX #F0AFA7

RGB 240 175 167

HSL 6.58, 0.71%, 0.8%

LAB 77.27, 22.67, 13.48

 

Complementary color

CMYK 83 / 9 / 0 / 65

HEX #0F5058

RGB 15 80 88

HSL 186.58, 0.71%, 0.2%

LAB 30.74, -16.32, -10.36

 

CMYK 0 / 29 / 34 / 4

HEX #F5AFA2

RGB 245 175 162

HSL 9.4, 0.81%, 0.8%

LAB 77.69, 23.92, 16.85

 

CMYK 0 / 24 / 29 / 0

HEX #FFC1B5

RGB 255 193 181

HSL 9.73, 1%, 0.85%

LAB 83.3, 20.58, 14.67

 

CMYK 0 / 17 / 22 / 0

HEX #FFD3C8

RGB 255 211 200

HSL 12, 1%, 0.89%

LAB 87.98, 13.78, 11.22

 

CMYK 0 / 10 / 14 / 0

HEX #FFE5DB

RGB 255 229 219

HSL 16.67, 1%, 0.93%

LAB 92.76, 7.3, 8.1

 

CMYK 0 / 3 / 7 / 0

HEX #FFF7EE

RGB 255 247 238

HSL 31.76, 1%, 0.97%

LAB 97.61, 1.15, 5.26

 

CMYK 0 / 27 / 30 / 6

HEX #F0AFA7

RGB 240 175 167

HSL 6.58, 0.71%, 0.8%

LAB 77.27, 22.67, 13.48

 

CMYK 0 / 30 / 34 / 13

HEX #DF9D94

RGB 223 157 148

HSL 7.2, 0.54%, 0.73%

LAB 70.83, 23.45, 14.57

 

CMYK 0 / 33 / 37 / 19

HEX #CE8B81

RGB 206 139 129

HSL 7.79, 0.44%, 0.66%

LAB 64.3, 24.31, 15.76

 

CMYK 0 / 36 / 42 / 26

HEX #BD796E

RGB 189 121 110

HSL 8.35, 0.37%, 0.59%

LAB 57.67, 25.27, 17.09

 

CMYK 0 / 40 / 47 / 33

HEX #AC675B

RGB 172 103 91

HSL 8.89, 0.33%, 0.52%

LAB 50.95, 26.35, 18.6

 

CMYK 0 / 27 / 30 / 6

HEX #F0AFA7

RGB 240 175 167

HSL 6.58, 0.71%, 0.8%

LAB 77.27, 22.67, 13.48

 

CMYK 0 / 30 / 30 / 6

HEX #F0A7A7

RGB 240 167 167

HSL 0, 0.71%, 0.8%

LAB 75.42, 26.92, 10.87

 

CMYK 0 / 27 / 30 / 6

HEX #F0AFA7

RGB 240 175 167

HSL 6.58, 0.71%, 0.8%

LAB 77.27, 22.67, 13.48

 

CMYK 0 / 19 / 30 / 6

HEX #F0C3A7

RGB 240 195 167

HSL 23.01, 0.71%, 0.8%

LAB 82.03, 12.1, 20.13

 

CMYK 0 / 11 / 30 / 6

HEX #F0D6A7

RGB 240 214 167

HSL 38.63, 0.71%, 0.8%

LAB 86.71, 2.2, 26.55

 

CMYK 0 / 3 / 30 / 6

HEX #F0EAA7

RGB 240 234 167

HSL 55.07, 0.71%, 0.8%

LAB 91.76, -7.97, 33.34

 

CMYK 6 / 0 / 30 / 6

HEX #E2F0A7

RGB 226 240 167

HSL 71.51, 0.71%, 0.8%

LAB 92.26, -16.17, 33.82

 

CMYK 0 / 27 / 30 / 6

HEX #F0AFA7

RGB 240 175 167

HSL 6.58, 0.71%, 0.8%

LAB 77.27, 22.67, 13.48

 

CMYK 0 / 32 / 36 / 3

HEX #F8A99F

RGB 248 169 159

HSL 6.74, 0.86%, 0.8%

LAB 76.58, 27.85, 16.98

 

CMYK 0 / 27 / 30 / 6

HEX #F0AFA7

RGB 240 175 167

HSL 6.58, 0.71%, 0.8%

LAB 77.27, 22.67, 13.48

 

CMYK 0 / 21 / 24 / 9

HEX #E7B6B0

RGB 231 182 176

HSL 6.55, 0.53%, 0.8%

LAB 78.22, 16.82, 9.82

 

CMYK 0 / 16 / 17 / 13

HEX #DFBCB8

RGB 223 188 184

HSL 6.15, 0.38%, 0.8%

LAB 79.11, 11.86, 6.67

 

CMYK 0 / 9 / 11 / 16

HEX #D7C3C0

RGB 215 195 192

HSL 7.83, 0.22%, 0.8%

LAB 80.34, 6.53, 4.05

 

CMYK 0 / 3 / 3 / 19

HEX #CFC9C8

RGB 207 201 200

HSL 8.57, 0.07%, 0.8%

LAB 81.41, 1.9, 1.23

HEX #CFC9C8

CMYK 0 / 30 / 17 / 6

HEX #F0A7C7

RGB 240 167 199

HSL 333.7, 0.71%, 0.8%

LAB 76.24, 31.46, -5.45

 

CMYK 0 / 30 / 25 / 6

HEX #F0A7B3

RGB 240 167 179

HSL 350.14, 0.71%, 0.8%

LAB 75.71, 28.53, 4.72

 

CMYK 0 / 27 / 30 / 6

HEX #F0AFA7

RGB 240 175 167

HSL 6.58, 0.71%, 0.8%

LAB 77.27, 22.67, 13.48

 

CMYK 0 / 19 / 30 / 6

HEX #F0C2A7

RGB 240 194 167

HSL 22.19, 0.71%, 0.8%

LAB 81.78, 12.62, 19.79

 

CMYK 0 / 11 / 30 / 6

HEX #F0D5A7

RGB 240 213 167

HSL 37.81, 0.71%, 0.8%

LAB 86.46, 2.71, 26.21

 

CMYK 0 / 51 / 57 / 11

HEX #E46F61

RGB 228 111 97

HSL 6.41, 0.71%, 0.64%

LAB 60.54, 44.28, 29.24

 

CMYK 0 / 39 / 44 / 8

HEX #EA8F84

RGB 234 143 132

HSL 6.47, 0.71%, 0.72%

LAB 68.61, 33.26, 20.55

 

CMYK 0 / 27 / 30 / 6

HEX #F0AFA7

RGB 240 175 167

HSL 6.58, 0.71%, 0.8%

LAB 77.27, 22.67, 13.48

 

CMYK 0 / 16 / 17 / 4

HEX #F6CFCB

RGB 246 207 203

HSL 5.58, 0.7%, 0.88%

LAB 86.27, 13.06, 7.08

 

CMYK 0 / 5 / 6 / 1

HEX #FCEFEE

RGB 252 239 238

HSL 4.29, 0.7%, 0.96%

LAB 95.41, 4.2, 2.04

 

CMYK 0 / 27 / 30 / 6

HEX #F0AFA7

RGB 240 175 167

HSL 6.58, 0.71%, 0.8%

LAB 77.27, 22.67, 13.48

 

CMYK 9 / 0 / 30 / 6

HEX #DAF0A7

RGB 218 240 167

HSL 78.08, 0.71%, 0.8%

LAB 91.69, -19.09, 32.97

 

CMYK 30 / 21 / 0 / 6

HEX #A7BDF0

RGB 167 189 240

HSL 221.92, 0.71%, 0.8%

LAB 76.62, 4.03, -27.75

 

CMYK 0 / 27 / 30 / 6

HEX #F0AFA7

RGB 240 175 167

HSL 6.58, 0.71%, 0.8%

LAB 77.27, 22.67, 13.48

 

CMYK 30 / 0 / 27 / 6

HEX #A7F0AF

RGB 167 240 175

HSL 126.58, 0.71%, 0.8%

LAB 88.75, -35.26, 24.39

 

CMYK 27 / 30 / 0 / 6

HEX #AFA7F0

RGB 175 167 240

HSL 246.58, 0.71%, 0.8%

LAB 71.58, 18.5, -35.47

 

CMYK 0 / 27 / 30 / 6

HEX #F0AFA7

RGB 240 175 167

HSL 6.58, 0.71%, 0.8%

LAB 77.27, 22.67, 13.48

 

CMYK 9 / 0 / 30 / 6

HEX #DAF0A7

RGB 218 240 167

HSL 78.08, 0.71%, 0.8%

LAB 91.69, -19.09, 32.97

 

CMYK 30 / 3 / 0 / 6

HEX #A7E8F0

RGB 167 232 240

HSL 186.58, 0.71%, 0.8%

LAB 88.07, -18.44, -10.45

 

CMYK 21 / 30 / 0 / 6

HEX #BDA7F0

RGB 189 167 240

HSL 258.08, 0.71%, 0.8%

LAB 72.73, 22.62, -33.61

 

CMYK 0 / 27 / 30 / 6

HEX #F0AFA7

RGB 240 175 167

HSL 6.58, 0.71%, 0.8%

LAB 77.27, 22.67, 13.48

 

CMYK 18 / 0 / 30 / 6

HEX #C4F0A7

RGB 196 240 167

HSL 96.16, 0.71%, 0.8%

LAB 90.25, -26.92, 30.78

 

CMYK 30 / 3 / 0 / 6

HEX #A7E8F0

RGB 167 232 240

HSL 186.58, 0.71%, 0.8%

LAB 88.07, -18.44, -10.45

 

CMYK 12 / 30 / 0 / 6

HEX #D3A7F0

RGB 211 167 240

HSL 276.16, 0.71%, 0.8%

LAB 74.68, 29.31, -30.43

 

Description

Color code: HEX #F0AFA7 | qconv.com Color code: HEX #F0AFA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 175 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 175 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 30 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 30% 6% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - キャバ歴10年のMinami厳選!関西の...
Link: http://www.caba-heart.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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