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Color name
HEX #F0B292

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0B292 it is the complementary color #0F4D6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0B292. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0B292 shade: #F5B28D, #FFC4A0, #FFD6B3, #FFE8C6 and #FFFAD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0B292. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0B292 shade: #F0B292, #DFA07F, #CE8E6C, #BD7C59 and #AC6A46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0B292 shade: #F0B293, #F09993 and #F09393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0B292 shade: #F0B293, #F0CC93, #F0E593, #E2F093 and #C9F093

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0B292 shade matches the following richer shades: #F0B293 and #FAAF89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0B292 shade: #F0B293, #E6B69D, #DCB9A7, #D2BCB0 and #C8BFBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0B292 shade: #F093A5, #F09993, #F0B293, #F0CB93 and #F0E393

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0B292 shade: #E67F4A, #EB996E, #F0B293, #F5CCB7 and #FAE6DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0B292 shade: #F0B292, #BEF093 and #9399F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0B292 shade: #F0B292, #93F0B2 and #B293F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0B292 shade: #F0B292, #BEF093, #93D1F0 and #C493F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0B292 shade: #F0B292, #A2F093, #93D1F0 and #E093F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 39 / 6

HEX #F0B292

RGB 240 178 146

HSL 20.43, 0.76%, 0.76%

LAB 77.54, 18.55, 25.19

 

Complementary color

CMYK 86 / 29 / 0 / 57

HEX #0F4D6D

RGB 15 77 109

HSL 200.43, 0.76%, 0.24%

LAB 30.67, -6.49, -23.8

 

CMYK 0 / 27 / 42 / 4

HEX #F5B28D

RGB 245 178 141

HSL 21.35, 0.84%, 0.76%

LAB 77.98, 19.95, 28.53

 

CMYK 0 / 23 / 37 / 0

HEX #FFC4A0

RGB 255 196 160

HSL 22.74, 1%, 0.81%

LAB 83.59, 16.45, 26.2

 

CMYK 0 / 16 / 30 / 0

HEX #FFD6B3

RGB 255 214 179

HSL 27.63, 1%, 0.85%

LAB 88.26, 9.38, 22.64

 

CMYK 0 / 9 / 22 / 0

HEX #FFE8C6

RGB 255 232 198

HSL 35.79, 1%, 0.89%

LAB 93.04, 2.67, 19.4

 

CMYK 0 / 2 / 15 / 0

HEX #FFFAD9

RGB 255 250 217

HSL 52.11, 1%, 0.93%

LAB 97.89, -3.67, 16.44

 

CMYK 0 / 26 / 39 / 6

HEX #F0B292

RGB 240 178 146

HSL 20.43, 0.76%, 0.76%

LAB 77.54, 18.55, 25.19

 

CMYK 0 / 28 / 43 / 13

HEX #DFA07F

RGB 223 160 127

HSL 20.63, 0.6%, 0.69%

LAB 71.12, 19.4, 26.47

 

CMYK 0 / 31 / 48 / 19

HEX #CE8E6C

RGB 206 142 108

HSL 20.82, 0.5%, 0.62%

LAB 64.6, 20.37, 27.86

 

CMYK 0 / 34 / 53 / 26

HEX #BD7C59

RGB 189 124 89

HSL 21, 0.43%, 0.55%

LAB 57.99, 21.48, 29.4

 

CMYK 0 / 38 / 59 / 33

HEX #AC6A46

RGB 172 106 70

HSL 21.18, 0.42%, 0.47%

LAB 51.29, 22.76, 31.1

 

CMYK 0 / 26 / 39 / 6

HEX #F0B293

RGB 240 178 147

HSL 20, 0.76%, 0.76%

LAB 77.56, 18.66, 24.68

 

CMYK 0 / 36 / 39 / 6

HEX #F09993

RGB 240 153 147

HSL 3.87, 0.76%, 0.76%

LAB 71.84, 31.89, 16.81

 

CMYK 0 / 39 / 39 / 6

HEX #F09393

RGB 240 147 147

HSL 0, 0.76%, 0.76%

LAB 70.52, 35.03, 14.98

 

CMYK 0 / 26 / 39 / 6

HEX #F0B293

RGB 240 178 147

HSL 20, 0.76%, 0.76%

LAB 77.56, 18.66, 24.68

 

CMYK 0 / 15 / 39 / 6

HEX #F0CC93

RGB 240 204 147

HSL 36.77, 0.76%, 0.76%

LAB 83.87, 5, 33.12

 

CMYK 0 / 5 / 39 / 6

HEX #F0E593

RGB 240 229 147

HSL 52.9, 0.76%, 0.76%

LAB 90.17, -7.78, 41.31

 

CMYK 6 / 0 / 39 / 6

HEX #E2F093

RGB 226 240 147

HSL 69.03, 0.76%, 0.76%

LAB 91.95, -18.58, 43.38

 

CMYK 16 / 0 / 39 / 6

HEX #C9F093

RGB 201 240 147

HSL 85.16, 0.76%, 0.76%

LAB 90.25, -27.83, 40.85

 

CMYK 0 / 26 / 39 / 6

HEX #F0B293

RGB 240 178 147

HSL 20, 0.76%, 0.76%

LAB 77.56, 18.66, 24.68

 

CMYK 0 / 30 / 45 / 2

HEX #FAAF89

RGB 250 175 137

HSL 20.18, 0.92%, 0.76%

LAB 77.75, 23.07, 30.45

 

CMYK 0 / 26 / 39 / 6

HEX #F0B293

RGB 240 178 147

HSL 20, 0.76%, 0.76%

LAB 77.56, 18.66, 24.68

 

CMYK 0 / 21 / 32 / 10

HEX #E6B69D

RGB 230 182 157

HSL 20.55, 0.59%, 0.76%

LAB 77.71, 13.88, 19.34

 

CMYK 0 / 16 / 24 / 14

HEX #DCB9A7

RGB 220 185 167

HSL 20.38, 0.43%, 0.76%

LAB 77.7, 9.83, 13.81

 

CMYK 0 / 10 / 16 / 18

HEX #D2BCB0

RGB 210 188 176

HSL 21.18, 0.27%, 0.76%

LAB 77.76, 5.85, 8.91

 

CMYK 0 / 5 / 7 / 22

HEX #C8BFBA

RGB 200 191 186

HSL 21.43, 0.11%, 0.76%

LAB 77.93, 2.28, 3.63

 

CMYK 0 / 39 / 31 / 6

HEX #F093A5

RGB 240 147 165

HSL 348.39, 0.76%, 0.76%

LAB 70.95, 37.19, 5.57

 

CMYK 0 / 36 / 39 / 6

HEX #F09993

RGB 240 153 147

HSL 3.87, 0.76%, 0.76%

LAB 71.84, 31.89, 16.81

 

CMYK 0 / 26 / 39 / 6

HEX #F0B293

RGB 240 178 147

HSL 20, 0.76%, 0.76%

LAB 77.56, 18.66, 24.68

 

CMYK 0 / 15 / 39 / 6

HEX #F0CB93

RGB 240 203 147

HSL 36.13, 0.76%, 0.76%

LAB 83.62, 5.52, 32.79

 

CMYK 0 / 5 / 39 / 6

HEX #F0E393

RGB 240 227 147

HSL 51.61, 0.76%, 0.76%

LAB 89.66, -6.77, 40.66

 

CMYK 0 / 45 / 68 / 10

HEX #E67F4A

RGB 230 127 74

HSL 20.38, 0.76%, 0.6%

LAB 63.75, 35.44, 45.6

 

CMYK 0 / 35 / 53 / 8

HEX #EB996E

RGB 235 153 110

HSL 20.64, 0.76%, 0.68%

LAB 70.57, 26.3, 35.16

 

CMYK 0 / 26 / 39 / 6

HEX #F0B293

RGB 240 178 147

HSL 20, 0.76%, 0.76%

LAB 77.56, 18.66, 24.68

 

CMYK 0 / 17 / 25 / 4

HEX #F5CCB7

RGB 245 204 183

HSL 20.32, 0.76%, 0.84%

LAB 85.01, 11.38, 15.87

 

CMYK 0 / 8 / 12 / 2

HEX #FAE6DB

RGB 250 230 219

HSL 21.29, 0.76%, 0.92%

LAB 92.59, 5.03, 7.8

 

CMYK 0 / 26 / 39 / 6

HEX #F0B292

RGB 240 178 146

HSL 20.43, 0.76%, 0.76%

LAB 77.54, 18.55, 25.19

 

CMYK 21 / 0 / 39 / 6

HEX #BEF093

RGB 190 240 147

HSL 92.26, 0.76%, 0.76%

LAB 89.57, -31.76, 39.84

 

CMYK 39 / 36 / 0 / 6

HEX #9399F0

RGB 147 153 240

HSL 236.13, 0.76%, 0.76%

LAB 65.96, 18.74, -44.4

 

CMYK 0 / 26 / 39 / 6

HEX #F0B292

RGB 240 178 146

HSL 20.43, 0.76%, 0.76%

LAB 77.54, 18.55, 25.19

 

CMYK 39 / 0 / 26 / 6

HEX #93F0B2

RGB 147 240 178

HSL 140, 0.76%, 0.76%

LAB 87.84, -40.69, 21.45

 

CMYK 26 / 39 / 0 / 6

HEX #B293F0

RGB 178 147 240

HSL 260, 0.76%, 0.76%

LAB 66.99, 30.58, -42.61

 

CMYK 0 / 26 / 39 / 6

HEX #F0B292

RGB 240 178 146

HSL 20.43, 0.76%, 0.76%

LAB 77.54, 18.55, 25.19

 

CMYK 21 / 0 / 39 / 6

HEX #BEF093

RGB 190 240 147

HSL 92.26, 0.76%, 0.76%

LAB 89.57, -31.76, 39.84

 

CMYK 39 / 13 / 0 / 6

HEX #93D1F0

RGB 147 209 240

HSL 200, 0.76%, 0.76%

LAB 80.79, -12.07, -21.5

 

CMYK 18 / 39 / 0 / 6

HEX #C493F0

RGB 196 147 240

HSL 271.61, 0.76%, 0.76%

LAB 68.67, 35.74, -39.86

 

CMYK 0 / 26 / 39 / 6

HEX #F0B292

RGB 240 178 146

HSL 20.43, 0.76%, 0.76%

LAB 77.54, 18.55, 25.19

 

CMYK 33 / 0 / 39 / 6

HEX #A2F093

RGB 162 240 147

HSL 110.32, 0.76%, 0.76%

LAB 88.02, -41.2, 37.53

 

CMYK 39 / 13 / 0 / 6

HEX #93D1F0

RGB 147 209 240

HSL 200, 0.76%, 0.76%

LAB 80.79, -12.07, -21.5

 

CMYK 7 / 39 / 0 / 6

HEX #E093F0

RGB 224 147 240

HSL 289.68, 0.76%, 0.76%

LAB 71.56, 44, -35.15

 

Description

Color code: HEX #F0B292 | qconv.com Color code: HEX #F0B292 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 178 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 178 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 39 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 39% 6% C M Y K

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Provide designers and agencies with accurate color values.

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