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Color name
HEX #F0B318

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0B318 it is the complementary color #0F4CE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0B318. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0B318 shade: #F5B313, #FFC526, #FFD739, #FFE94C and #FFFB5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0B318. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0B318 shade: #F0B318, #DFA105, #CE8F00, #BD7D00 and #AC6B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0B318 shade: #F0B318, #F07918, #F03F18 and #F01818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0B318 shade: #F0B318, #F0ED18, #B8F018, #7EF018 and #44F018

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0B318 shade matches the following richer shades: #F0B318

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0B318 shade: #F0B318, #DCAA2C, #C8A240, #B49954 and #A19168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0B318 shade: #F04018, #F07918, #F0B318, #F0EC18 and #BAF018

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0B318 shade: #AB7E0A, #D29A0D, #F0B318, #F2C03F and #F5CC66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0B318 shade: #F0B318, #2AF018 and #5D18F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0B318 shade: #F0B318, #18F0B3 and #B318F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0B318 shade: #F0B318, #2AF018, #1855F0 and #DE18F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0B318 shade: #F0B318, #18F047, #1855F0 and #F018C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 90 / 6

HEX #F0B318

RGB 240 179 24

HSL 43.06, 0.88%, 0.52%

LAB 76.58, 10.48, 76.12

 

Complementary color

CMYK 94 / 67 / 0 / 9

HEX #0F4CE7

RGB 15 76 231

HSL 223.06, 0.88%, 0.48%

LAB 39.65, 42.98, -82.11

 

CMYK 0 / 27 / 92 / 4

HEX #F5B313

RGB 245 179 19

HSL 42.48, 0.92%, 0.52%

LAB 77.1, 12.55, 77.62

 

CMYK 0 / 23 / 85 / 0

HEX #FFC526

RGB 255 197 38

HSL 43.96, 1%, 0.57%

LAB 82.56, 7.78, 78.42

 

CMYK 0 / 16 / 78 / 0

HEX #FFD739

RGB 255 215 57

HSL 47.88, 1%, 0.61%

LAB 87.07, -0.9, 76.96

 

CMYK 0 / 9 / 70 / 0

HEX #FFE94C

RGB 255 233 76

HSL 52.63, 1%, 0.65%

LAB 91.71, -9.15, 74.91

 

CMYK 0 / 2 / 63 / 0

HEX #FFFB5F

RGB 255 251 95

HSL 58.5, 1%, 0.69%

LAB 96.44, -16.95, 72.54

 

CMYK 0 / 25 / 90 / 6

HEX #F0B318

RGB 240 179 24

HSL 43.06, 0.88%, 0.52%

LAB 76.58, 10.48, 76.12

 

CMYK 0 / 28 / 98 / 13

HEX #DFA105

RGB 223 161 5

HSL 42.94, 0.96%, 0.45%

LAB 70.31, 12.43, 73.48

 

CMYK 0 / 31 / 100 / 19

HEX #CE8F00

RGB 206 143 0

HSL 41.65, 1%, 0.4%

LAB 63.97, 14.62, 68.91

 

CMYK 0 / 34 / 100 / 26

HEX #BD7D00

RGB 189 125 0

HSL 39.68, 1%, 0.37%

LAB 57.55, 16.95, 63.66

 

CMYK 0 / 38 / 100 / 33

HEX #AC6B00

RGB 172 107 0

HSL 37.33, 1%, 0.34%

LAB 51.02, 19.37, 58.34

 

CMYK 0 / 25 / 90 / 6

HEX #F0B318

RGB 240 179 24

HSL 43.06, 0.88%, 0.52%

LAB 76.58, 10.48, 76.12

 

CMYK 0 / 50 / 90 / 6

HEX #F07918

RGB 240 121 24

HSL 26.94, 0.88%, 0.52%

LAB 63.56, 40.71, 66.38

 

CMYK 0 / 74 / 90 / 6

HEX #F03F18

RGB 240 63 24

HSL 10.83, 0.88%, 0.52%

LAB 54.18, 65.44, 59.66

 

CMYK 0 / 90 / 90 / 6

HEX #F01818

RGB 240 24 24

HSL 0, 0.88%, 0.52%

LAB 50.97, 74.51, 57.45

 

CMYK 0 / 25 / 90 / 6

HEX #F0B318

RGB 240 179 24

HSL 43.06, 0.88%, 0.52%

LAB 76.58, 10.48, 76.12

 

CMYK 0 / 1 / 90 / 6

HEX #F0ED18

RGB 240 237 24

HSL 59.17, 0.88%, 0.52%

LAB 91.31, -18.91, 87.43

 

CMYK 23 / 0 / 90 / 6

HEX #B8F018

RGB 184 240 24

HSL 75.56, 0.88%, 0.52%

LAB 88.25, -42.79, 83.37

 

CMYK 48 / 0 / 90 / 6

HEX #7EF018

RGB 126 240 24

HSL 91.67, 0.88%, 0.52%

LAB 85.41, -62.66, 79.88

 

CMYK 72 / 0 / 90 / 6

HEX #44F018

RGB 68 240 24

HSL 107.78, 0.88%, 0.52%

LAB 83.76, -76.1, 77.84

 

CMYK 0 / 25 / 90 / 6

HEX #F0B318

RGB 240 179 24

HSL 43.06, 0.88%, 0.52%

LAB 76.58, 10.48, 76.12

 

CMYK 0 / 25 / 90 / 6

HEX #F0B318

RGB 240 179 24

HSL 43.06, 0.88%, 0.52%

LAB 76.58, 10.48, 76.12

 

CMYK 0 / 23 / 80 / 14

HEX #DCAA2C

RGB 220 170 44

HSL 42.95, 0.72%, 0.52%

LAB 72.33, 7.08, 66.59

 

CMYK 0 / 19 / 68 / 22

HEX #C8A240

RGB 200 162 64

HSL 43.24, 0.55%, 0.52%

LAB 68.38, 3.55, 54.37

 

CMYK 0 / 15 / 53 / 29

HEX #B49954

RGB 180 153 84

HSL 43.13, 0.39%, 0.52%

LAB 64.26, 1.2, 39.64

 

CMYK 0 / 10 / 35 / 37

HEX #A19168

RGB 161 145 104

HSL 43.16, 0.23%, 0.52%

LAB 60.63, -0.31, 23.96

 

CMYK 0 / 73 / 90 / 6

HEX #F04018

RGB 240 64 24

HSL 11.11, 0.88%, 0.52%

LAB 54.3, 65.11, 59.74

 

CMYK 0 / 50 / 90 / 6

HEX #F07918

RGB 240 121 24

HSL 26.94, 0.88%, 0.52%

LAB 63.56, 40.71, 66.38

 

CMYK 0 / 25 / 90 / 6

HEX #F0B318

RGB 240 179 24

HSL 43.06, 0.88%, 0.52%

LAB 76.58, 10.48, 76.12

 

CMYK 0 / 2 / 90 / 6

HEX #F0EC18

RGB 240 236 24

HSL 58.89, 0.88%, 0.52%

LAB 91.04, -18.42, 87.23

 

CMYK 23 / 0 / 90 / 6

HEX #BAF018

RGB 186 240 24

HSL 75, 0.88%, 0.52%

LAB 88.36, -42.03, 83.51

 

CMYK 0 / 26 / 94 / 33

HEX #AB7E0A

RGB 171 126 10

HSL 43.23, 0.89%, 0.35%

LAB 55.69, 8.39, 59.64

 

CMYK 0 / 27 / 94 / 18

HEX #D29A0D

RGB 210 154 13

HSL 42.94, 0.88%, 0.44%

LAB 67.16, 10.57, 69.54

 

CMYK 0 / 25 / 90 / 6

HEX #F0B318

RGB 240 179 24

HSL 43.06, 0.88%, 0.52%

LAB 76.58, 10.48, 76.12

 

CMYK 0 / 21 / 74 / 5

HEX #F2C03F

RGB 242 192 63

HSL 43.24, 0.87%, 0.6%

LAB 80.14, 5.66, 67.99

 

CMYK 0 / 17 / 58 / 4

HEX #F5CC66

RGB 245 204 102

HSL 42.8, 0.88%, 0.68%

LAB 83.73, 2.92, 55.33

 

CMYK 0 / 25 / 90 / 6

HEX #F0B318

RGB 240 179 24

HSL 43.06, 0.88%, 0.52%

LAB 76.58, 10.48, 76.12

 

CMYK 83 / 0 / 90 / 6

HEX #2AF018

RGB 42 240 24

HSL 115, 0.88%, 0.52%

LAB 83.38, -79.51, 77.36

 

CMYK 61 / 90 / 0 / 6

HEX #5D18F0

RGB 93 24 240

HSL 259.17, 0.88%, 0.52%

LAB 36.5, 73.89, -92.28

 

CMYK 0 / 25 / 90 / 6

HEX #F0B318

RGB 240 179 24

HSL 43.06, 0.88%, 0.52%

LAB 76.58, 10.48, 76.12

 

CMYK 90 / 0 / 25 / 6

HEX #18F0B3

RGB 24 240 179

HSL 163.06, 0.88%, 0.52%

LAB 84.88, -61.15, 16.35

 

CMYK 25 / 90 / 0 / 6

HEX #B318F0

RGB 179 24 240

HSL 283.06, 0.88%, 0.52%

LAB 47.66, 82.77, -73.53

 

CMYK 0 / 25 / 90 / 6

HEX #F0B318

RGB 240 179 24

HSL 43.06, 0.88%, 0.52%

LAB 76.58, 10.48, 76.12

 

CMYK 83 / 0 / 90 / 6

HEX #2AF018

RGB 42 240 24

HSL 115, 0.88%, 0.52%

LAB 83.38, -79.51, 77.36

 

CMYK 90 / 65 / 0 / 6

HEX #1855F0

RGB 24 85 240

HSL 223.06, 0.88%, 0.52%

LAB 42.74, 40.98, -82.1

 

CMYK 8 / 90 / 0 / 6

HEX #DE18F0

RGB 222 24 240

HSL 295, 0.88%, 0.52%

LAB 54.53, 89.08, -62.08

 

CMYK 0 / 25 / 90 / 6

HEX #F0B318

RGB 240 179 24

HSL 43.06, 0.88%, 0.52%

LAB 76.58, 10.48, 76.12

 

CMYK 90 / 0 / 70 / 6

HEX #18F047

RGB 24 240 71

HSL 133.06, 0.88%, 0.52%

LAB 83.43, -78.3, 65.03

 

CMYK 90 / 65 / 0 / 6

HEX #1855F0

RGB 24 85 240

HSL 223.06, 0.88%, 0.52%

LAB 42.74, 40.98, -82.1

 

CMYK 0 / 90 / 20 / 6

HEX #F018C1

RGB 240 24 193

HSL 313.06, 0.88%, 0.52%

LAB 55.1, 85.77, -34.22

 

Description

Color code: HEX #F0B318 | qconv.com Color code: HEX #F0B318 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 179 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 179 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 90 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 90% 6% C M Y K

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