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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0C560 it is the complementary color #0F3A9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0C560. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0C560 shade: #F5C55B, #FFD76E, #FFE981, #FFFB94 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0C560. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0C560 shade: #F0C560, #DFB34D, #CEA13A, #BD8F27 and #AC7D14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0C560 shade: #F0C560, #F09E60, #F07760 and #F06060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0C560 shade: #F0C560, #F0EC60, #CDF060, #A6F060 and #80F060

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0C560 shade matches the following richer shades: #F0C560 and #FECA52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0C560 shade: #F0C560, #E2BF6E, #D4B97C, #C6B48A and #B8AE98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0C560 shade: #F07860, #F09E60, #F0C560, #F0EB60 and #CEF060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0C560 shade: #E8A915, #ECB73A, #F0C560, #F3D386 and #F7E0AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0C560 shade: #F0C560, #6EF060 and #8B60F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0C560 shade: #F0C560, #60F0C5 and #C560F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0C560 shade: #F0C560, #6EF060, #608BF0 and #E160F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0C560 shade: #F0C560, #60F07D, #608BF0 and #F060D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

Complementary color

CMYK 91 / 64 / 0 / 38

HEX #0F3A9F

RGB 15 58 159

HSL 222.08, 0.83%, 0.34%

LAB 28.46, 27.19, -58.32

 

CMYK 0 / 20 / 63 / 4

HEX #F5C55B

RGB 245 197 91

HSL 41.3, 0.89%, 0.66%

LAB 81.89, 5.8, 58.28

 

CMYK 0 / 16 / 57 / 0

HEX #FFD76E

RGB 255 215 110

HSL 43.45, 1%, 0.72%

LAB 87.48, 1.94, 56.19

 

CMYK 0 / 9 / 49 / 0

HEX #FFE981

RGB 255 233 129

HSL 49.52, 1%, 0.75%

LAB 92.19, -5.64, 52.85

 

CMYK 0 / 2 / 42 / 0

HEX #FFFB94

RGB 255 251 148

HSL 57.76, 1%, 0.79%

LAB 96.98, -12.78, 49.7

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 0 / 20 / 65 / 13

HEX #DFB34D

RGB 223 179 77

HSL 41.92, 0.7%, 0.59%

LAB 75.12, 5.13, 56.51

 

CMYK 0 / 22 / 72 / 19

HEX #CEA13A

RGB 206 161 58

HSL 41.76, 0.6%, 0.52%

LAB 68.69, 6.38, 57.43

 

CMYK 0 / 24 / 79 / 26

HEX #BD8F27

RGB 189 143 39

HSL 41.6, 0.66%, 0.45%

LAB 62.18, 7.85, 57.91

 

CMYK 0 / 27 / 88 / 33

HEX #AC7D14

RGB 172 125 20

HSL 41.45, 0.79%, 0.38%

LAB 55.57, 9.59, 57.44

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 0 / 34 / 60 / 6

HEX #F09E60

RGB 240 158 96

HSL 25.83, 0.83%, 0.66%

LAB 72.11, 24.58, 44.48

 

CMYK 0 / 50 / 60 / 6

HEX #F07760

RGB 240 119 96

HSL 9.58, 0.83%, 0.66%

LAB 63.81, 44.67, 34.31

 

CMYK 0 / 60 / 60 / 6

HEX #F06060

RGB 240 96 96

HSL 0, 0.83%, 0.66%

LAB 59.65, 55.46, 29.02

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 0 / 2 / 60 / 6

HEX #F0EC60

RGB 240 236 96

HSL 58.33, 0.83%, 0.66%

LAB 91.4, -15.64, 66.41

 

CMYK 15 / 0 / 60 / 6

HEX #CDF060

RGB 205 240 96

HSL 74.58, 0.83%, 0.66%

LAB 89.93, -31.39, 64.07

 

CMYK 31 / 0 / 60 / 6

HEX #A6F060

RGB 166 240 96

HSL 90.83, 0.83%, 0.66%

LAB 87.62, -45.71, 60.86

 

CMYK 47 / 0 / 60 / 6

HEX #80F060

RGB 128 240 96

HSL 106.67, 0.83%, 0.66%

LAB 85.88, -57.79, 58.44

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 0 / 20 / 68 / 0

HEX #FECA52

RGB 254 202 82

HSL 41.86, 0.99%, 0.66%

LAB 83.92, 6.43, 64.65

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 0 / 15 / 51 / 11

HEX #E2BF6E

RGB 226 191 110

HSL 41.9, 0.67%, 0.66%

LAB 78.78, 2.49, 45.18

 

CMYK 0 / 13 / 42 / 17

HEX #D4B97C

RGB 212 185 124

HSL 41.59, 0.51%, 0.66%

LAB 76.16, 1.31, 34.48

 

CMYK 0 / 9 / 30 / 22

HEX #C6B48A

RGB 198 180 138

HSL 42, 0.34%, 0.66%

LAB 73.86, 0.05, 23.8

 

CMYK 0 / 5 / 17 / 28

HEX #B8AE98

RGB 184 174 152

HSL 41.25, 0.18%, 0.66%

LAB 71.37, -0.13, 12.58

 

CMYK 0 / 50 / 60 / 6

HEX #F07860

RGB 240 120 96

HSL 10, 0.83%, 0.66%

LAB 64, 44.18, 34.55

 

CMYK 0 / 34 / 60 / 6

HEX #F09E60

RGB 240 158 96

HSL 25.83, 0.83%, 0.66%

LAB 72.11, 24.58, 44.48

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 0 / 2 / 60 / 6

HEX #F0EB60

RGB 240 235 96

HSL 57.92, 0.83%, 0.66%

LAB 91.14, -15.15, 66.12

 

CMYK 14 / 0 / 60 / 6

HEX #CEF060

RGB 206 240 96

HSL 74.17, 0.83%, 0.66%

LAB 89.99, -31, 64.16

 

CMYK 0 / 27 / 91 / 9

HEX #E8A915

RGB 232 169 21

HSL 42.09, 0.83%, 0.5%

LAB 73.28, 12.26, 73.81

 

CMYK 0 / 22 / 75 / 7

HEX #ECB73A

RGB 236 183 58

HSL 42.13, 0.82%, 0.58%

LAB 77.28, 7.61, 66.89

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 0 / 13 / 45 / 5

HEX #F3D386

RGB 243 211 134

HSL 42.39, 0.82%, 0.74%

LAB 85.69, 1.21, 42.14

 

CMYK 0 / 9 / 31 / 3

HEX #F7E0AB

RGB 247 224 171

HSL 41.84, 0.83%, 0.82%

LAB 89.87, 0.22, 28.87

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 54 / 0 / 60 / 6

HEX #6EF060

RGB 110 240 96

HSL 114.17, 0.83%, 0.66%

LAB 85.24, -62.62, 57.54

 

CMYK 42 / 60 / 0 / 6

HEX #8B60F0

RGB 139 96 240

HSL 257.92, 0.83%, 0.66%

LAB 52, 49.42, -66.7

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 60 / 0 / 18 / 6

HEX #60F0C5

RGB 96 240 197

HSL 162.08, 0.83%, 0.66%

LAB 86.42, -48.74, 9.34

 

CMYK 18 / 60 / 0 / 6

HEX #C560F0

RGB 197 96 240

HSL 282.08, 0.83%, 0.66%

LAB 58.53, 62.38, -55.86

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 54 / 0 / 60 / 6

HEX #6EF060

RGB 110 240 96

HSL 114.17, 0.83%, 0.66%

LAB 85.24, -62.62, 57.54

 

CMYK 60 / 42 / 0 / 6

HEX #608BF0

RGB 96 139 240

HSL 222.08, 0.83%, 0.66%

LAB 59.2, 15.48, -55.31

 

CMYK 6 / 60 / 0 / 6

HEX #E160F0

RGB 225 96 240

HSL 293.75, 0.83%, 0.66%

LAB 62.22, 69.03, -49.77

 

CMYK 0 / 18 / 60 / 6

HEX #F0C560

RGB 240 197 96

HSL 42.08, 0.83%, 0.66%

LAB 81.46, 4.05, 55.38

 

CMYK 60 / 0 / 48 / 6

HEX #60F07D

RGB 96 240 125

HSL 132.08, 0.83%, 0.66%

LAB 85.14, -62.25, 44.09

 

CMYK 60 / 42 / 0 / 6

HEX #608BF0

RGB 96 139 240

HSL 222.08, 0.83%, 0.66%

LAB 59.2, 15.48, -55.31

 

CMYK 0 / 60 / 12 / 6

HEX #F060D3

RGB 240 96 211

HSL 312.08, 0.83%, 0.66%

LAB 63.01, 68.07, -32.18

 

Description

Color code: HEX #F0C560 | qconv.com Color code: HEX #F0C560 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 197 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 197 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 60 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 60% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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