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Color name
HEX #F0C219

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0C219 it is the complementary color #0F3DE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0C219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0C219 shade: #F5C214, #FFD427, #FFE63A, #FFF84D and #FFFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0C219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0C219 shade: #F0C219, #DFB006, #CE9E00, #BD8C00 and #AC7A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0C219 shade: #F0C218, #F08818, #F04E18 and #F01818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0C219 shade: #F0C218, #E4F018, #AAF018, #70F018 and #36F018

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0C219 shade matches the following richer shades: #F0C218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0C219 shade: #F0C218, #DCB62C, #C8AB40, #B4A054 and #A19468

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0C219 shade: #F04E18, #F08818, #F0C118, #E5F018 and #ACF018

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0C219 shade: #AB890A, #D2A80D, #F0C218, #F2CC3F and #F5D666

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0C219 shade: #F0C219, #1CF018 and #6B18F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0C219 shade: #F0C219, #18F0C1 and #C118F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0C219 shade: #F0C219, #1CF018, #1847F0 and #EC18F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0C219 shade: #F0C219, #18F055, #1847F0 and #F018B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 90 / 6

HEX #F0C219

RGB 240 194 25

HSL 47.16, 0.88%, 0.52%

LAB 80.28, 2.67, 78.76

 

Complementary color

CMYK 93 / 73 / 0 / 10

HEX #0F3DE6

RGB 15 61 230

HSL 227.16, 0.88%, 0.48%

LAB 36.28, 51.6, -87.11

 

CMYK 0 / 21 / 92 / 4

HEX #F5C214

RGB 245 194 20

HSL 46.4, 0.92%, 0.52%

LAB 80.76, 4.74, 80.18

 

CMYK 0 / 17 / 85 / 0

HEX #FFD427

RGB 255 212 39

HSL 48.06, 1%, 0.58%

LAB 86.25, 0.11, 81.2

 

CMYK 0 / 10 / 77 / 0

HEX #FFE63A

RGB 255 230 58

HSL 52.39, 1%, 0.61%

LAB 90.85, -8.39, 80.06

 

CMYK 0 / 3 / 70 / 0

HEX #FFF84D

RGB 255 248 77

HSL 57.64, 1%, 0.65%

LAB 95.55, -16.44, 78.31

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 19 / 90 / 6

HEX #F0C219

RGB 240 194 25

HSL 47.16, 0.88%, 0.52%

LAB 80.28, 2.67, 78.76

 

CMYK 0 / 21 / 97 / 13

HEX #DFB006

RGB 223 176 6

HSL 47, 0.95%, 0.45%

LAB 74.03, 4.47, 75.98

 

CMYK 0 / 23 / 100 / 19

HEX #CE9E00

RGB 206 158 0

HSL 46.02, 1%, 0.4%

LAB 67.71, 6.5, 71.45

 

CMYK 0 / 26 / 100 / 26

HEX #BD8C00

RGB 189 140 0

HSL 44.44, 1%, 0.37%

LAB 61.29, 8.68, 66.17

 

CMYK 0 / 29 / 100 / 33

HEX #AC7A00

RGB 172 122 0

HSL 42.56, 1%, 0.34%

LAB 54.75, 10.95, 60.81

 

CMYK 0 / 19 / 90 / 6

HEX #F0C218

RGB 240 194 24

HSL 47.22, 0.88%, 0.52%

LAB 80.28, 2.65, 78.94

 

CMYK 0 / 43 / 90 / 6

HEX #F08818

RGB 240 136 24

HSL 31.11, 0.88%, 0.52%

LAB 66.67, 33.08, 68.68

 

CMYK 0 / 68 / 90 / 6

HEX #F04E18

RGB 240 78 24

HSL 15, 0.88%, 0.52%

LAB 56.13, 60.09, 61.02

 

CMYK 0 / 90 / 90 / 6

HEX #F01818

RGB 240 24 24

HSL 0, 0.88%, 0.52%

LAB 50.97, 74.51, 57.45

 

CMYK 0 / 19 / 90 / 6

HEX #F0C218

RGB 240 194 24

HSL 47.22, 0.88%, 0.52%

LAB 80.28, 2.65, 78.94

 

CMYK 5 / 0 / 90 / 6

HEX #E4F018

RGB 228 240 24

HSL 63.33, 0.88%, 0.52%

LAB 91.18, -25.3, 86.94

 

CMYK 29 / 0 / 90 / 6

HEX #AAF018

RGB 170 240 24

HSL 79.44, 0.88%, 0.52%

LAB 87.45, -48.01, 82.39

 

CMYK 53 / 0 / 90 / 6

HEX #70F018

RGB 112 240 24

HSL 95.56, 0.88%, 0.52%

LAB 84.91, -66.59, 79.26

 

CMYK 78 / 0 / 90 / 6

HEX #36F018

RGB 54 240 24

HSL 111.67, 0.88%, 0.52%

LAB 83.53, -78.14, 77.55

 

CMYK 0 / 19 / 90 / 6

HEX #F0C218

RGB 240 194 24

HSL 47.22, 0.88%, 0.52%

LAB 80.28, 2.65, 78.94

 

CMYK 0 / 19 / 90 / 6

HEX #F0C218

RGB 240 194 24

HSL 47.22, 0.88%, 0.52%

LAB 80.28, 2.65, 78.94

 

CMYK 0 / 17 / 80 / 14

HEX #DCB62C

RGB 220 182 44

HSL 47.05, 0.72%, 0.52%

LAB 75.36, 0.75, 69.28

 

CMYK 0 / 15 / 68 / 22

HEX #C8AB40

RGB 200 171 64

HSL 47.21, 0.55%, 0.52%

LAB 70.72, -1.25, 56.81

 

CMYK 0 / 11 / 53 / 29

HEX #B4A054

RGB 180 160 84

HSL 47.5, 0.39%, 0.52%

LAB 66.12, -2.59, 41.87

 

CMYK 0 / 8 / 35 / 37

HEX #A19468

RGB 161 148 104

HSL 46.32, 0.23%, 0.52%

LAB 61.44, -1.96, 25.04

 

CMYK 0 / 68 / 90 / 6

HEX #F04E18

RGB 240 78 24

HSL 15, 0.88%, 0.52%

LAB 56.13, 60.09, 61.02

 

CMYK 0 / 43 / 90 / 6

HEX #F08818

RGB 240 136 24

HSL 31.11, 0.88%, 0.52%

LAB 66.67, 33.08, 68.68

 

CMYK 0 / 20 / 90 / 6

HEX #F0C118

RGB 240 193 24

HSL 46.94, 0.88%, 0.52%

LAB 80.03, 3.17, 78.75

 

CMYK 5 / 0 / 90 / 6

HEX #E5F018

RGB 229 240 24

HSL 63.06, 0.88%, 0.52%

LAB 91.25, -24.89, 87.03

 

CMYK 28 / 0 / 90 / 6

HEX #ACF018

RGB 172 240 24

HSL 78.89, 0.88%, 0.52%

LAB 87.56, -47.28, 82.53

 

CMYK 0 / 20 / 94 / 33

HEX #AB890A

RGB 171 137 10

HSL 47.33, 0.89%, 0.35%

LAB 58.58, 2.27, 61.78

 

CMYK 0 / 20 / 94 / 18

HEX #D2A80D

RGB 210 168 13

HSL 47.21, 0.88%, 0.44%

LAB 70.69, 3.07, 72.13

 

CMYK 0 / 19 / 90 / 6

HEX #F0C218

RGB 240 194 24

HSL 47.22, 0.88%, 0.52%

LAB 80.28, 2.65, 78.94

 

CMYK 0 / 16 / 74 / 5

HEX #F2CC3F

RGB 242 204 63

HSL 47.26, 0.87%, 0.6%

LAB 83.14, -0.53, 70.86

 

CMYK 0 / 13 / 58 / 4

HEX #F5D666

RGB 245 214 102

HSL 46.99, 0.88%, 0.68%

LAB 86.24, -2.21, 58.19

 

CMYK 0 / 19 / 90 / 6

HEX #F0C219

RGB 240 194 25

HSL 47.16, 0.88%, 0.52%

LAB 80.28, 2.67, 78.76

 

CMYK 88 / 0 / 90 / 6

HEX #1CF018

RGB 28 240 24

HSL 118.89, 0.88%, 0.52%

LAB 83.25, -80.67, 77.19

 

CMYK 55 / 90 / 0 / 6

HEX #6B18F0

RGB 107 24 240

HSL 263.06, 0.88%, 0.52%

LAB 37.97, 74.92, -89.81

 

CMYK 0 / 19 / 90 / 6

HEX #F0C219

RGB 240 194 25

HSL 47.16, 0.88%, 0.52%

LAB 80.28, 2.67, 78.76

 

CMYK 90 / 0 / 20 / 6

HEX #18F0C1

RGB 24 240 193

HSL 166.94, 0.88%, 0.52%

LAB 85.18, -57.84, 9.49

 

CMYK 20 / 90 / 0 / 6

HEX #C118F0

RGB 193 24 240

HSL 286.94, 0.88%, 0.52%

LAB 49.84, 84.72, -69.89

 

CMYK 0 / 19 / 90 / 6

HEX #F0C219

RGB 240 194 25

HSL 47.16, 0.88%, 0.52%

LAB 80.28, 2.67, 78.76

 

CMYK 88 / 0 / 90 / 6

HEX #1CF018

RGB 28 240 24

HSL 118.89, 0.88%, 0.52%

LAB 83.25, -80.67, 77.19

 

CMYK 90 / 70 / 0 / 6

HEX #1847F0

RGB 24 71 240

HSL 226.94, 0.88%, 0.52%

LAB 39.57, 49.51, -87.33

 

CMYK 2 / 90 / 0 / 6

HEX #EC18F0

RGB 236 24 240

HSL 298.89, 0.88%, 0.52%

LAB 56.86, 91.32, -58.21

 

CMYK 0 / 19 / 90 / 6

HEX #F0C219

RGB 240 194 25

HSL 47.16, 0.88%, 0.52%

LAB 80.28, 2.67, 78.76

 

CMYK 90 / 0 / 65 / 6

HEX #18F055

RGB 24 240 85

HSL 136.94, 0.88%, 0.52%

LAB 83.53, -76.97, 59.77

 

CMYK 90 / 70 / 0 / 6

HEX #1847F0

RGB 24 71 240

HSL 226.94, 0.88%, 0.52%

LAB 39.57, 49.51, -87.33

 

CMYK 0 / 90 / 25 / 6

HEX #F018B3

RGB 240 24 179

HSL 316.94, 0.88%, 0.52%

LAB 54.48, 84.14, -27.05

 

Description

Color code: HEX #F0C219 | qconv.com Color code: HEX #F0C219 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 194 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 194 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 90 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 90% 6% C M Y K

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