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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0D5BB it is the complementary color #0F2A44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0D5BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0D5BB shade: #F5D5B6, #FFE7C9, #FFF9DC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0D5BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0D5BB shade: #F0D5BB, #DFC3A8, #CEB195, #BD9F82 and #AC8D6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0D5BB shade: #F0D5BC, #F0C7BC and #F0BCBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0D5BB shade: #F0D5BC, #F0E3BC, #EEF0BC, #E0F0BC and #D2F0BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0D5BB shade matches the following richer shades: #F0D5BC, #F6D5B5 and #FDD5AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0D5BB shade: #F0D5BC, #E9D5C2, #E3D5C9, #DCD6CF and #D5D6D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0D5BB shade: #F0BCBE, #F0C7BC, #F0D5BC, #F0E3BC and #EFF0BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0D5BB shade: #E1AB78, #E8C09A, #F0D5BC and #F7EADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0D5BB shade: #F0D5BB, #CCF0BC and #C0BCF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0D5BB shade: #F0D5BB, #BCF0D5 and #D5BCF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0D5BB shade: #F0D5BB, #CCF0BC, #BCD7F0 and #DFBCF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0D5BB shade: #F0D5BB, #BCF0BC, #BCD7F0 and #EFBCF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 22 / 6

HEX #F0D5BB

RGB 240 213 187

HSL 29.43, 0.64%, 0.84%

LAB 86.85, 5.4, 16.28

 

Complementary color

CMYK 78 / 38 / 0 / 73

HEX #0F2A44

RGB 15 42 68

HSL 209.43, 0.64%, 0.16%

LAB 16.38, 0.03, -19.34

 

CMYK 0 / 13 / 26 / 4

HEX #F5D5B6

RGB 245 213 182

HSL 29.52, 0.76%, 0.84%

LAB 87.18, 6.55, 19.44

 

CMYK 0 / 9 / 21 / 0

HEX #FFE7C9

RGB 255 231 201

HSL 33.33, 1%, 0.89%

LAB 92.85, 3.6, 17.59

 

CMYK 0 / 2 / 14 / 0

HEX #FFF9DC

RGB 255 249 220

HSL 49.71, 1%, 0.93%

LAB 97.7, -2.72, 14.64

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 11 / 22 / 6

HEX #F0D5BB

RGB 240 213 187

HSL 29.43, 0.64%, 0.84%

LAB 86.85, 5.4, 16.28

 

CMYK 0 / 13 / 25 / 13

HEX #DFC3A8

RGB 223 195 168

HSL 29.45, 0.46%, 0.77%

LAB 80.49, 5.8, 17.22

 

CMYK 0 / 14 / 28 / 19

HEX #CEB195

RGB 206 177 149

HSL 29.47, 0.37%, 0.7%

LAB 74.02, 6.24, 18.21

 

CMYK 0 / 16 / 31 / 26

HEX #BD9F82

RGB 189 159 130

HSL 29.49, 0.31%, 0.63%

LAB 67.45, 6.75, 19.27

 

CMYK 0 / 18 / 35 / 33

HEX #AC8D6F

RGB 172 141 111

HSL 29.51, 0.27%, 0.55%

LAB 60.75, 7.34, 20.41

 

CMYK 0 / 11 / 22 / 6

HEX #F0D5BC

RGB 240 213 188

HSL 28.85, 0.63%, 0.84%

LAB 86.87, 5.54, 15.79

 

CMYK 0 / 17 / 22 / 6

HEX #F0C7BC

RGB 240 199 188

HSL 12.69, 0.63%, 0.84%

LAB 83.44, 12.86, 10.94

 

CMYK 0 / 22 / 22 / 6

HEX #F0BCBC

RGB 240 188 188

HSL 0, 0.63%, 0.84%

LAB 80.81, 18.67, 7.17

 

CMYK 0 / 11 / 22 / 6

HEX #F0D5BC

RGB 240 213 188

HSL 28.85, 0.63%, 0.84%

LAB 86.87, 5.54, 15.79

 

CMYK 0 / 5 / 22 / 6

HEX #F0E3BC

RGB 240 227 188

HSL 45, 0.63%, 0.84%

LAB 90.36, -1.66, 20.67

 

CMYK 1 / 0 / 22 / 6

HEX #EEF0BC

RGB 238 240 188

HSL 62.31, 0.63%, 0.84%

LAB 93.51, -8.95, 24.98

 

CMYK 7 / 0 / 22 / 6

HEX #E0F0BC

RGB 224 240 188

HSL 78.46, 0.63%, 0.84%

LAB 92.49, -13.99, 23.42

 

CMYK 13 / 0 / 22 / 6

HEX #D2F0BC

RGB 210 240 188

HSL 94.62, 0.63%, 0.84%

LAB 91.53, -18.91, 21.95

 

CMYK 0 / 11 / 22 / 6

HEX #F0D5BC

RGB 240 213 188

HSL 28.85, 0.63%, 0.84%

LAB 86.87, 5.54, 15.79

 

CMYK 0 / 13 / 26 / 4

HEX #F6D5B5

RGB 246 213 181

HSL 29.54, 0.78%, 0.84%

LAB 87.25, 6.79, 20.07

 

CMYK 0 / 16 / 31 / 1

HEX #FDD5AE

RGB 253 213 174

HSL 29.62, 0.95%, 0.84%

LAB 87.74, 8.51, 24.5

 

CMYK 0 / 11 / 22 / 6

HEX #F0D5BC

RGB 240 213 188

HSL 28.85, 0.63%, 0.84%

LAB 86.87, 5.54, 15.79

 

CMYK 0 / 9 / 17 / 9

HEX #E9D5C2

RGB 233 213 194

HSL 29.23, 0.47%, 0.84%

LAB 86.41, 3.87, 11.89

 

CMYK 0 / 6 / 11 / 11

HEX #E3D5C9

RGB 227 213 201

HSL 27.69, 0.32%, 0.84%

LAB 86.07, 2.82, 7.65

 

CMYK 0 / 3 / 6 / 14

HEX #DCD6CF

RGB 220 214 207

HSL 32.31, 0.16%, 0.84%

LAB 85.91, 0.84, 4.17

 

CMYK 0 / 0 / 0 / 16

HEX #D5D6D6

RGB 213 214 214

HSL 180, 0.01%, 0.84%

LAB 85.55, -0.34, -0.13

 

CMYK 0 / 22 / 21 / 6

HEX #F0BCBE

RGB 240 188 190

HSL 357.69, 0.63%, 0.84%

LAB 80.86, 18.96, 6.16

 

CMYK 0 / 17 / 22 / 6

HEX #F0C7BC

RGB 240 199 188

HSL 12.69, 0.63%, 0.84%

LAB 83.44, 12.86, 10.94

 

CMYK 0 / 11 / 22 / 6

HEX #F0D5BC

RGB 240 213 188

HSL 28.85, 0.63%, 0.84%

LAB 86.87, 5.54, 15.79

 

CMYK 0 / 5 / 22 / 6

HEX #F0E3BC

RGB 240 227 188

HSL 45, 0.63%, 0.84%

LAB 90.36, -1.66, 20.67

 

CMYK 0 / 0 / 22 / 6

HEX #EFF0BC

RGB 239 240 188

HSL 61.15, 0.63%, 0.84%

LAB 93.58, -8.59, 25.1

 

CMYK 0 / 24 / 47 / 12

HEX #E1AB78

RGB 225 171 120

HSL 29.14, 0.64%, 0.68%

LAB 73.86, 13.59, 33.85

 

CMYK 0 / 17 / 34 / 9

HEX #E8C09A

RGB 232 192 154

HSL 29.23, 0.63%, 0.76%

LAB 80.29, 8.98, 24.52

 

CMYK 0 / 11 / 22 / 6

HEX #F0D5BC

RGB 240 213 188

HSL 28.85, 0.63%, 0.84%

LAB 86.87, 5.54, 15.79

 

CMYK 0 / 5 / 11 / 3

HEX #F7EADD

RGB 247 234 221

HSL 30, 0.62%, 0.92%

LAB 93.38, 2.25, 7.87

 

CMYK 0 / 11 / 22 / 6

HEX #F0D5BB

RGB 240 213 187

HSL 29.43, 0.64%, 0.84%

LAB 86.85, 5.4, 16.28

 

CMYK 15 / 0 / 22 / 6

HEX #CCF0BC

RGB 204 240 188

HSL 101.54, 0.63%, 0.84%

LAB 91.14, -20.97, 21.35

 

CMYK 20 / 22 / 0 / 6

HEX #C0BCF0

RGB 192 188 240

HSL 244.62, 0.63%, 0.84%

LAB 78.15, 11.98, -25.26

 

CMYK 0 / 11 / 22 / 6

HEX #F0D5BB

RGB 240 213 187

HSL 29.43, 0.64%, 0.84%

LAB 86.85, 5.4, 16.28

 

CMYK 22 / 0 / 11 / 6

HEX #BCF0D5

RGB 188 240 213

HSL 148.85, 0.63%, 0.84%

LAB 90.7, -21.86, 7.64

 

CMYK 11 / 22 / 0 / 6

HEX #D5BCF0

RGB 213 188 240

HSL 268.85, 0.63%, 0.84%

LAB 79.84, 18.53, -22.52

 

CMYK 0 / 11 / 22 / 6

HEX #F0D5BB

RGB 240 213 187

HSL 29.43, 0.64%, 0.84%

LAB 86.85, 5.4, 16.28

 

CMYK 15 / 0 / 22 / 6

HEX #CCF0BC

RGB 204 240 188

HSL 101.54, 0.63%, 0.84%

LAB 91.14, -20.97, 21.35

 

CMYK 22 / 10 / 0 / 6

HEX #BCD7F0

RGB 188 215 240

HSL 208.85, 0.63%, 0.84%

LAB 84.78, -3.67, -15.24

 

CMYK 7 / 22 / 0 / 6

HEX #DFBCF0

RGB 223 188 240

HSL 280.38, 0.63%, 0.84%

LAB 80.71, 21.72, -21.13

 

CMYK 0 / 11 / 22 / 6

HEX #F0D5BB

RGB 240 213 187

HSL 29.43, 0.64%, 0.84%

LAB 86.85, 5.4, 16.28

 

CMYK 22 / 0 / 22 / 6

HEX #BCF0BC

RGB 188 240 188

HSL 120, 0.63%, 0.84%

LAB 90.16, -26.34, 19.83

 

CMYK 22 / 10 / 0 / 6

HEX #BCD7F0

RGB 188 215 240

HSL 208.85, 0.63%, 0.84%

LAB 84.78, -3.67, -15.24

 

CMYK 0 / 22 / 0 / 6

HEX #EFBCF0

RGB 239 188 240

HSL 298.85, 0.63%, 0.84%

LAB 82.17, 26.9, -18.78

 

Description

Color code: HEX #F0D5BB | qconv.com Color code: HEX #F0D5BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 213 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 213 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 22 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 22% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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