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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0D2C1 it is the complementary color #0F2D3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0D2C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0D2C1 shade: #F5D2BC, #FFE4CF, #FFF6E2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0D2C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0D2C1 shade: #F0D2C1, #DFC0AE, #CEAE9B, #BD9C88 and #AC8A75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0D2C1 shade: #F0D2C1, #F0C5C1 and #F0C1C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0D2C1 shade: #F0D2C1, #F0DEC1, #F0EBC1, #E8F0C1 and #DBF0C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0D2C1 shade matches the following richer shades: #F0D2C1, #F6D0BB and #FCCEB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0D2C1 shade: #F0D2C1, #E9D4C7, #E3D5CD, #DDD7D3 and #D7D9DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0D2C1 shade: #F0C1C9, #F0C5C1, #F0D1C1, #F0DEC1 and #F0EAC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0D2C1 shade: #DFA27E, #E8BAA0, #F0D2C1 and #F8EAE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0D2C1 shade: #F0D2C1, #D6F0C1 and #C1C3F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0D2C1 shade: #F0D2C1, #C1F0D1 and #D1C1F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0D2C1 shade: #F0D2C1, #D6F0C1, #C1DFF0 and #DBC1F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0D2C1 shade: #F0D2C1, #C8F0C1, #C1DFF0 and #E9C1F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 20 / 6

HEX #F0D2C1

RGB 240 210 193

HSL 21.7, 0.61%, 0.85%

LAB 86.24, 7.83, 12.26

 

Complementary color

CMYK 76 / 27 / 0 / 76

HEX #0F2D3E

RGB 15 45 62

HSL 201.7, 0.61%, 0.15%

LAB 17.11, -4.58, -14.05

 

CMYK 0 / 14 / 23 / 4

HEX #F5D2BC

RGB 245 210 188

HSL 23.16, 0.74%, 0.85%

LAB 86.57, 8.94, 15.43

 

CMYK 0 / 11 / 19 / 0

HEX #FFE4CF

RGB 255 228 207

HSL 26.25, 1%, 0.91%

LAB 92.24, 6, 13.62

 

CMYK 0 / 4 / 11 / 0

HEX #FFF6E2

RGB 255 246 226

HSL 41.38, 1%, 0.94%

LAB 97.09, -0.28, 10.68

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 13 / 20 / 6

HEX #F0D2C1

RGB 240 210 193

HSL 21.7, 0.61%, 0.85%

LAB 86.24, 7.83, 12.26

 

CMYK 0 / 14 / 22 / 13

HEX #DFC0AE

RGB 223 192 174

HSL 22.04, 0.43%, 0.78%

LAB 79.87, 8.24, 13.13

 

CMYK 0 / 16 / 25 / 19

HEX #CEAE9B

RGB 206 174 155

HSL 22.35, 0.34%, 0.71%

LAB 73.39, 8.7, 14.06

 

CMYK 0 / 17 / 28 / 26

HEX #BD9C88

RGB 189 156 136

HSL 22.64, 0.29%, 0.64%

LAB 66.8, 9.21, 15.06

 

CMYK 0 / 20 / 32 / 33

HEX #AC8A75

RGB 172 138 117

HSL 22.91, 0.25%, 0.57%

LAB 60.1, 9.8, 16.14

 

CMYK 0 / 13 / 20 / 6

HEX #F0D2C1

RGB 240 210 193

HSL 21.7, 0.61%, 0.85%

LAB 86.24, 7.83, 12.26

 

CMYK 0 / 18 / 20 / 6

HEX #F0C5C1

RGB 240 197 193

HSL 5.11, 0.61%, 0.85%

LAB 83.08, 14.65, 7.75

 

CMYK 0 / 20 / 20 / 6

HEX #F0C1C1

RGB 240 193 193

HSL 0, 0.61%, 0.85%

LAB 82.12, 16.76, 6.37

 

CMYK 0 / 13 / 20 / 6

HEX #F0D2C1

RGB 240 210 193

HSL 21.7, 0.61%, 0.85%

LAB 86.24, 7.83, 12.26

 

CMYK 0 / 8 / 20 / 6

HEX #F0DEC1

RGB 240 222 193

HSL 37.02, 0.61%, 0.85%

LAB 89.21, 1.61, 16.46

 

CMYK 0 / 2 / 20 / 6

HEX #F0EBC1

RGB 240 235 193

HSL 53.62, 0.61%, 0.85%

LAB 92.48, -5.01, 21.03

 

CMYK 3 / 0 / 20 / 6

HEX #E8F0C1

RGB 232 240 193

HSL 70.21, 0.61%, 0.85%

LAB 93.16, -10.4, 21.87

 

CMYK 9 / 0 / 20 / 6

HEX #DBF0C1

RGB 219 240 193

HSL 86.81, 0.61%, 0.85%

LAB 92.23, -15, 20.45

 

CMYK 0 / 13 / 20 / 6

HEX #F0D2C1

RGB 240 210 193

HSL 21.7, 0.61%, 0.85%

LAB 86.24, 7.83, 12.26

 

CMYK 0 / 15 / 24 / 4

HEX #F6D0BB

RGB 246 208 187

HSL 21.36, 0.77%, 0.85%

LAB 86.15, 10.21, 15.38

 

CMYK 0 / 18 / 28 / 1

HEX #FCCEB5

RGB 252 206 181

HSL 21.13, 0.92%, 0.85%

LAB 86.09, 12.67, 18.54

 

CMYK 0 / 13 / 20 / 6

HEX #F0D2C1

RGB 240 210 193

HSL 21.7, 0.61%, 0.85%

LAB 86.24, 7.83, 12.26

 

CMYK 0 / 9 / 15 / 9

HEX #E9D4C7

RGB 233 212 199

HSL 22.94, 0.44%, 0.85%

LAB 86.27, 5.17, 9.06

 

CMYK 0 / 6 / 10 / 11

HEX #E3D5CD

RGB 227 213 205

HSL 21.82, 0.28%, 0.85%

LAB 86.17, 3.47, 5.67

 

CMYK 0 / 3 / 5 / 13

HEX #DDD7D3

RGB 221 215 211

HSL 24, 0.13%, 0.85%

LAB 86.34, 1.35, 2.69

 

CMYK 1 / 0 / 0 / 15

HEX #D7D9DA

RGB 215 217 218

HSL 200, 0.04%, 0.85%

LAB 86.57, -0.49, -0.74

 

CMYK 0 / 20 / 16 / 6

HEX #F0C1C9

RGB 240 193 201

HSL 349.79, 0.61%, 0.85%

LAB 82.32, 17.98, 2.36

 

CMYK 0 / 18 / 20 / 6

HEX #F0C5C1

RGB 240 197 193

HSL 5.11, 0.61%, 0.85%

LAB 83.08, 14.65, 7.75

 

CMYK 0 / 13 / 20 / 6

HEX #F0D1C1

RGB 240 209 193

HSL 20.43, 0.61%, 0.85%

LAB 85.99, 8.35, 11.91

 

CMYK 0 / 8 / 20 / 6

HEX #F0DEC1

RGB 240 222 193

HSL 37.02, 0.61%, 0.85%

LAB 89.21, 1.61, 16.46

 

CMYK 0 / 3 / 20 / 6

HEX #F0EAC1

RGB 240 234 193

HSL 52.34, 0.61%, 0.85%

LAB 92.23, -4.5, 20.68

 

CMYK 0 / 27 / 43 / 13

HEX #DFA27E

RGB 223 162 126

HSL 22.27, 0.6%, 0.68%

LAB 71.58, 18.22, 27.62

 

CMYK 0 / 20 / 31 / 9

HEX #E8BAA0

RGB 232 186 160

HSL 21.67, 0.61%, 0.77%

LAB 78.93, 12.9, 19.46

 

CMYK 0 / 13 / 20 / 6

HEX #F0D2C1

RGB 240 210 193

HSL 21.7, 0.61%, 0.85%

LAB 86.24, 7.83, 12.26

 

CMYK 0 / 6 / 9 / 3

HEX #F8EAE2

RGB 248 234 226

HSL 21.82, 0.61%, 0.93%

LAB 93.58, 3.4, 5.56

 

CMYK 0 / 13 / 20 / 6

HEX #F0D2C1

RGB 240 210 193

HSL 21.7, 0.61%, 0.85%

LAB 86.24, 7.83, 12.26

 

CMYK 11 / 0 / 20 / 6

HEX #D6F0C1

RGB 214 240 193

HSL 93.19, 0.61%, 0.85%

LAB 91.89, -16.74, 19.92

 

CMYK 20 / 19 / 0 / 6

HEX #C1C3F0

RGB 193 195 240

HSL 237.45, 0.61%, 0.85%

LAB 79.99, 8.49, -22.45

 

CMYK 0 / 13 / 20 / 6

HEX #F0D2C1

RGB 240 210 193

HSL 21.7, 0.61%, 0.85%

LAB 86.24, 7.83, 12.26

 

CMYK 20 / 0 / 13 / 6

HEX #C1F0D1

RGB 193 240 209

HSL 140.43, 0.61%, 0.85%

LAB 90.9, -21.02, 10.05

 

CMYK 13 / 20 / 0 / 6

HEX #D1C1F0

RGB 209 193 240

HSL 260.43, 0.61%, 0.85%

LAB 80.73, 14.56, -21.2

 

CMYK 0 / 13 / 20 / 6

HEX #F0D2C1

RGB 240 210 193

HSL 21.7, 0.61%, 0.85%

LAB 86.24, 7.83, 12.26

 

CMYK 11 / 0 / 20 / 6

HEX #D6F0C1

RGB 214 240 193

HSL 93.19, 0.61%, 0.85%

LAB 91.89, -16.74, 19.92

 

CMYK 20 / 7 / 0 / 6

HEX #C1DFF0

RGB 193 223 240

HSL 201.7, 0.61%, 0.85%

LAB 87.19, -6.31, -11.6

 

CMYK 9 / 20 / 0 / 6

HEX #DBC1F0

RGB 219 193 240

HSL 273.19, 0.61%, 0.85%

LAB 81.56, 17.75, -19.87

 

CMYK 0 / 13 / 20 / 6

HEX #F0D2C1

RGB 240 210 193

HSL 21.7, 0.61%, 0.85%

LAB 86.24, 7.83, 12.26

 

CMYK 17 / 0 / 20 / 6

HEX #C8F0C1

RGB 200 240 193

HSL 111.06, 0.61%, 0.85%

LAB 90.98, -21.52, 18.52

 

CMYK 20 / 7 / 0 / 6

HEX #C1DFF0

RGB 193 223 240

HSL 201.7, 0.61%, 0.85%

LAB 87.19, -6.31, -11.6

 

CMYK 3 / 20 / 0 / 6

HEX #E9C1F0

RGB 233 193 240

HSL 291.06, 0.61%, 0.85%

LAB 82.78, 22.28, -17.9

 

Description

Color code: HEX #F0D2C1 | qconv.com Color code: HEX #F0D2C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 210 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 210 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 20 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 20% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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