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Color name
HEX #F0E0A7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0E0A7 it is the complementary color #0F1F58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0E0A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0E0A7 shade: #F5E0A2, #FFF2B5, #FFFFC8, #FFFFDB and #FFFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0E0A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0E0A7 shade: #F0E0A7, #DFCE94, #CEBC81, #BDAA6E and #AC985B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0E0A7 shade: #F0E0A7, #F0CCA7, #F0B9A7 and #F0A7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0E0A7 shade: #F0E0A7, #ECF0A7, #D9F0A7, #C5F0A7 and #B1F0A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0E0A7 shade matches the following richer shades: #F0E0A7 and #F8E49F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0E0A7 shade: #F0E0A7, #E7DBB0, #DFD7B8, #D7D2C0 and #CFCDC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0E0A7 shade: #F0B8A7, #F0CCA7, #F0DFA7, #EDF0A7 and #DAF0A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0E0A7 shade: #E4C761, #EAD384, #F0E0A7, #F6ECCB and #FCF9EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0E0A7 shade: #F0E0A7, #AAF0A7 and #C2A7F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0E0A7 shade: #F0E0A7, #A7F0DF and #DFA7F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0E0A7 shade: #F0E0A7, #AAF0A7, #A7B8F0 and #EDA7F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0E0A7 shade: #F0E0A7, #A7F0BB, #A7B8F0 and #F0A7DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 30 / 6

HEX #F0E0A7

RGB 240 224 167

HSL 46.85, 0.71%, 0.8%

LAB 89.22, -2.93, 29.94

 

Complementary color

CMYK 83 / 65 / 0 / 65

HEX #0F1F58

RGB 15 31 88

HSL 226.85, 0.71%, 0.2%

LAB 14.32, 16.97, -36.26

 

CMYK 0 / 9 / 34 / 4

HEX #F5E0A2

RGB 245 224 162

HSL 44.82, 0.81%, 0.8%

LAB 89.55, -1.63, 33.02

 

CMYK 0 / 5 / 29 / 0

HEX #FFF2B5

RGB 255 242 181

HSL 49.46, 1%, 0.85%

LAB 95.2, -4.63, 31.08

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 0 / 7 / 30 / 6

HEX #F0E0A7

RGB 240 224 167

HSL 46.85, 0.71%, 0.8%

LAB 89.22, -2.93, 29.94

 

CMYK 0 / 8 / 34 / 13

HEX #DFCE94

RGB 223 206 148

HSL 46.4, 0.54%, 0.73%

LAB 82.9, -2.55, 31.04

 

CMYK 0 / 9 / 37 / 19

HEX #CEBC81

RGB 206 188 129

HSL 45.97, 0.44%, 0.66%

LAB 76.48, -2.12, 32.19

 

CMYK 0 / 10 / 42 / 26

HEX #BDAA6E

RGB 189 170 110

HSL 45.57, 0.37%, 0.59%

LAB 69.96, -1.61, 33.4

 

CMYK 0 / 12 / 47 / 33

HEX #AC985B

RGB 172 152 91

HSL 45.19, 0.33%, 0.52%

LAB 63.33, -1.01, 34.68

 

CMYK 0 / 7 / 30 / 6

HEX #F0E0A7

RGB 240 224 167

HSL 46.85, 0.71%, 0.8%

LAB 89.22, -2.93, 29.94

 

CMYK 0 / 15 / 30 / 6

HEX #F0CCA7

RGB 240 204 167

HSL 30.41, 0.71%, 0.8%

LAB 84.23, 7.38, 23.16

 

CMYK 0 / 23 / 30 / 6

HEX #F0B9A7

RGB 240 185 167

HSL 14.79, 0.71%, 0.8%

LAB 79.62, 17.37, 16.78

 

CMYK 0 / 30 / 30 / 6

HEX #F0A7A7

RGB 240 167 167

HSL 0, 0.71%, 0.8%

LAB 75.42, 26.92, 10.87

 

CMYK 0 / 7 / 30 / 6

HEX #F0E0A7

RGB 240 224 167

HSL 46.85, 0.71%, 0.8%

LAB 89.22, -2.93, 29.94

 

CMYK 2 / 0 / 30 / 6

HEX #ECF0A7

RGB 236 240 167

HSL 63.29, 0.71%, 0.8%

LAB 92.99, -12.46, 34.92

 

CMYK 10 / 0 / 30 / 6

HEX #D9F0A7

RGB 217 240 167

HSL 78.9, 0.71%, 0.8%

LAB 91.62, -19.46, 32.86

 

CMYK 18 / 0 / 30 / 6

HEX #C5F0A7

RGB 197 240 167

HSL 95.34, 0.71%, 0.8%

LAB 90.31, -26.58, 30.88

 

CMYK 26 / 0 / 30 / 6

HEX #B1F0A7

RGB 177 240 167

HSL 111.78, 0.71%, 0.8%

LAB 89.14, -33.35, 29.09

 

CMYK 0 / 7 / 30 / 6

HEX #F0E0A7

RGB 240 224 167

HSL 46.85, 0.71%, 0.8%

LAB 89.22, -2.93, 29.94

 

CMYK 0 / 8 / 36 / 3

HEX #F8E49F

RGB 248 228 159

HSL 46.52, 0.86%, 0.8%

LAB 90.76, -2.86, 36.18

 

CMYK 0 / 7 / 30 / 6

HEX #F0E0A7

RGB 240 224 167

HSL 46.85, 0.71%, 0.8%

LAB 89.22, -2.93, 29.94

 

CMYK 0 / 5 / 24 / 9

HEX #E7DBB0

RGB 231 219 176

HSL 46.91, 0.53%, 0.8%

LAB 87.38, -2.57, 22.67

 

CMYK 0 / 4 / 17 / 13

HEX #DFD7B8

RGB 223 215 184

HSL 47.69, 0.38%, 0.8%

LAB 85.88, -2.31, 16.3

 

CMYK 0 / 2 / 11 / 16

HEX #D7D2C0

RGB 215 210 192

HSL 46.96, 0.22%, 0.8%

LAB 84.15, -1.35, 9.52

 

CMYK 0 / 1 / 3 / 19

HEX #CFCDC8

RGB 207 205 200

HSL 42.86, 0.07%, 0.8%

LAB 82.43, -0.2, 2.72

 

CMYK 0 / 23 / 30 / 6

HEX #F0B8A7

RGB 240 184 167

HSL 13.97, 0.71%, 0.8%

LAB 79.38, 17.9, 16.45

 

CMYK 0 / 15 / 30 / 6

HEX #F0CCA7

RGB 240 204 167

HSL 30.41, 0.71%, 0.8%

LAB 84.23, 7.38, 23.16

 

CMYK 0 / 7 / 30 / 6

HEX #F0DFA7

RGB 240 223 167

HSL 46.03, 0.71%, 0.8%

LAB 88.97, -2.42, 29.6

 

CMYK 1 / 0 / 30 / 6

HEX #EDF0A7

RGB 237 240 167

HSL 62.47, 0.71%, 0.8%

LAB 93.06, -12.09, 35.04

 

CMYK 9 / 0 / 30 / 6

HEX #DAF0A7

RGB 218 240 167

HSL 78.08, 0.71%, 0.8%

LAB 91.69, -19.09, 32.97

 

CMYK 0 / 13 / 57 / 11

HEX #E4C761

RGB 228 199 97

HSL 46.72, 0.71%, 0.64%

LAB 80.85, -1.88, 53.93

 

CMYK 0 / 10 / 44 / 8

HEX #EAD384

RGB 234 211 132

HSL 46.47, 0.71%, 0.72%

LAB 84.87, -2.57, 41.94

 

CMYK 0 / 7 / 30 / 6

HEX #F0E0A7

RGB 240 224 167

HSL 46.85, 0.71%, 0.8%

LAB 89.22, -2.93, 29.94

 

CMYK 0 / 4 / 17 / 4

HEX #F6ECCB

RGB 246 236 203

HSL 46.05, 0.7%, 0.88%

LAB 93.41, -1.9, 17.22

 

CMYK 0 / 1 / 6 / 1

HEX #FCF9EE

RGB 252 249 238

HSL 47.14, 0.7%, 0.96%

LAB 97.88, -0.88, 5.61

 

CMYK 0 / 7 / 30 / 6

HEX #F0E0A7

RGB 240 224 167

HSL 46.85, 0.71%, 0.8%

LAB 89.22, -2.93, 29.94

 

CMYK 29 / 0 / 30 / 6

HEX #AAF0A7

RGB 170 240 167

HSL 117.53, 0.71%, 0.8%

LAB 88.76, -35.62, 28.52

 

CMYK 19 / 30 / 0 / 6

HEX #C2A7F0

RGB 194 167 240

HSL 262.19, 0.71%, 0.8%

LAB 73.15, 24.12, -32.92

 

CMYK 0 / 7 / 30 / 6

HEX #F0E0A7

RGB 240 224 167

HSL 46.85, 0.71%, 0.8%

LAB 89.22, -2.93, 29.94

 

CMYK 30 / 0 / 7 / 6

HEX #A7F0DF

RGB 167 240 223

HSL 166.03, 0.71%, 0.8%

LAB 89.8, -26.11, 0.99

 

CMYK 7 / 30 / 0 / 6

HEX #DFA7F0

RGB 223 167 240

HSL 286.03, 0.71%, 0.8%

LAB 75.83, 33.03, -28.56

 

CMYK 0 / 7 / 30 / 6

HEX #F0E0A7

RGB 240 224 167

HSL 46.85, 0.71%, 0.8%

LAB 89.22, -2.93, 29.94

 

CMYK 29 / 0 / 30 / 6

HEX #AAF0A7

RGB 170 240 167

HSL 117.53, 0.71%, 0.8%

LAB 88.76, -35.62, 28.52

 

CMYK 30 / 23 / 0 / 6

HEX #A7B8F0

RGB 167 184 240

HSL 226.03, 0.71%, 0.8%

LAB 75.32, 6.77, -29.75

 

CMYK 1 / 30 / 0 / 6

HEX #EDA7F0

RGB 237 167 240

HSL 297.53, 0.71%, 0.8%

LAB 77.24, 37.42, -26.28

 

CMYK 0 / 7 / 30 / 6

HEX #F0E0A7

RGB 240 224 167

HSL 46.85, 0.71%, 0.8%

LAB 89.22, -2.93, 29.94

 

CMYK 30 / 0 / 22 / 6

HEX #A7F0BB

RGB 167 240 187

HSL 136.44, 0.71%, 0.8%

LAB 88.98, -33.17, 18.54

 

CMYK 30 / 23 / 0 / 6

HEX #A7B8F0

RGB 167 184 240

HSL 226.03, 0.71%, 0.8%

LAB 75.32, 6.77, -29.75

 

CMYK 0 / 30 / 8 / 6

HEX #F0A7DC

RGB 240 167 220

HSL 316.44, 0.71%, 0.8%

LAB 76.88, 34.85, -15.95

 

Description

Color code: HEX #F0E0A7 | qconv.com Color code: HEX #F0E0A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 224 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 224 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 30 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 30% 6% C M Y K

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Provide designers and agencies with accurate color values.

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