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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0E0BB it is the complementary color #0F1F44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0E0BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0E0BB shade: #F5E0B6, #FFF2C9, #FFFFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0E0BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0E0BB shade: #F0E0BB, #DFCEA8, #CEBC95, #BDAA82 and #AC986F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0E0BB shade: #F0E0BC, #F0D2BC, #F0C4BC and #F0BCBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0E0BB shade: #F0E0BC, #F0EEBC, #E3F0BC, #D5F0BC and #C7F0BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0E0BB shade matches the following richer shades: #F0E0BC, #F6E3B5 and #FDE5AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0E0BB shade: #F0E0BC, #E9DDC2, #E3DBC9, #DCD8CF and #D5D6D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0E0BB shade: #F0C3BC, #F0D1BC, #F0DFBC, #F0EDBC and #E4F0BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0E0BB shade: #E1C178, #E8D19A, #F0E0BC and #F7EFDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0E0BB shade: #F0E0BB, #C2F0BC and #CABCF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0E0BB shade: #F0E0BB, #BCF0DF and #DFBCF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0E0BB shade: #F0E0BB, #C2F0BC, #BCCCF0 and #EABCF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0E0BB shade: #F0E0BB, #BCF0C5, #BCCCF0 and #F0BCE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 22 / 6

HEX #F0E0BB

RGB 240 224 187

HSL 41.89, 0.64%, 0.84%

LAB 89.59, -0.27, 20.11

 

Complementary color

CMYK 78 / 54 / 0 / 73

HEX #0F1F44

RGB 15 31 68

HSL 221.89, 0.64%, 0.16%

LAB 12.6, 8.25, -25.36

 

CMYK 0 / 9 / 26 / 4

HEX #F5E0B6

RGB 245 224 182

HSL 40, 0.76%, 0.84%

LAB 89.91, 0.89, 23.21

 

CMYK 0 / 5 / 21 / 0

HEX #FFF2C9

RGB 255 242 201

HSL 45.56, 1%, 0.89%

LAB 95.57, -1.98, 21.39

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 7 / 22 / 6

HEX #F0E0BB

RGB 240 224 187

HSL 41.89, 0.64%, 0.84%

LAB 89.59, -0.27, 20.11

 

CMYK 0 / 8 / 25 / 13

HEX #DFCEA8

RGB 223 206 168

HSL 41.45, 0.46%, 0.77%

LAB 83.26, 0.04, 21.07

 

CMYK 0 / 9 / 28 / 19

HEX #CEBC95

RGB 206 188 149

HSL 41.05, 0.37%, 0.7%

LAB 76.84, 0.39, 22.08

 

CMYK 0 / 10 / 31 / 26

HEX #BDAA82

RGB 189 170 130

HSL 40.68, 0.31%, 0.63%

LAB 70.3, 0.79, 23.16

 

CMYK 0 / 12 / 35 / 33

HEX #AC986F

RGB 172 152 111

HSL 40.33, 0.27%, 0.55%

LAB 63.65, 1.26, 24.31

 

CMYK 0 / 7 / 22 / 6

HEX #F0E0BC

RGB 240 224 188

HSL 41.54, 0.63%, 0.84%

LAB 89.61, -0.13, 19.62

 

CMYK 0 / 13 / 22 / 6

HEX #F0D2BC

RGB 240 210 188

HSL 25.38, 0.63%, 0.84%

LAB 86.13, 7.1, 14.75

 

CMYK 0 / 18 / 22 / 6

HEX #F0C4BC

RGB 240 196 188

HSL 9.23, 0.63%, 0.84%

LAB 82.72, 14.44, 9.91

 

CMYK 0 / 22 / 22 / 6

HEX #F0BCBC

RGB 240 188 188

HSL 0, 0.63%, 0.84%

LAB 80.81, 18.67, 7.17

 

CMYK 0 / 7 / 22 / 6

HEX #F0E0BC

RGB 240 224 188

HSL 41.54, 0.63%, 0.84%

LAB 89.61, -0.13, 19.62

 

CMYK 0 / 1 / 22 / 6

HEX #F0EEBC

RGB 240 238 188

HSL 57.69, 0.63%, 0.84%

LAB 93.15, -7.23, 24.52

 

CMYK 5 / 0 / 22 / 6

HEX #E3F0BC

RGB 227 240 188

HSL 75, 0.63%, 0.84%

LAB 92.7, -12.92, 23.75

 

CMYK 11 / 0 / 22 / 6

HEX #D5F0BC

RGB 213 240 188

HSL 91.15, 0.63%, 0.84%

LAB 91.73, -17.86, 22.25

 

CMYK 17 / 0 / 22 / 6

HEX #C7F0BC

RGB 199 240 188

HSL 107.31, 0.63%, 0.84%

LAB 90.82, -22.68, 20.86

 

CMYK 0 / 7 / 22 / 6

HEX #F0E0BC

RGB 240 224 188

HSL 41.54, 0.63%, 0.84%

LAB 89.61, -0.13, 19.62

 

CMYK 0 / 8 / 26 / 4

HEX #F6E3B5

RGB 246 227 181

HSL 42.46, 0.78%, 0.84%

LAB 90.72, -0.4, 24.86

 

CMYK 0 / 9 / 31 / 1

HEX #FDE5AE

RGB 253 229 174

HSL 41.77, 0.95%, 0.84%

LAB 91.67, 0.31, 29.85

 

CMYK 0 / 7 / 22 / 6

HEX #F0E0BC

RGB 240 224 188

HSL 41.54, 0.63%, 0.84%

LAB 89.61, -0.13, 19.62

 

CMYK 0 / 5 / 17 / 9

HEX #E9DDC2

RGB 233 221 194

HSL 41.54, 0.47%, 0.84%

LAB 88.42, -0.26, 14.73

 

CMYK 0 / 4 / 11 / 11

HEX #E3DBC9

RGB 227 219 201

HSL 41.54, 0.32%, 0.84%

LAB 87.59, -0.29, 9.82

 

CMYK 0 / 2 / 6 / 14

HEX #DCD8CF

RGB 220 216 207

HSL 41.54, 0.16%, 0.84%

LAB 86.42, -0.2, 4.9

 

CMYK 0 / 0 / 0 / 16

HEX #D5D6D6

RGB 213 214 214

HSL 180, 0.01%, 0.84%

LAB 85.55, -0.34, -0.13

 

CMYK 0 / 19 / 22 / 6

HEX #F0C3BC

RGB 240 195 188

HSL 8.08, 0.63%, 0.84%

LAB 82.48, 14.97, 9.56

 

CMYK 0 / 13 / 22 / 6

HEX #F0D1BC

RGB 240 209 188

HSL 24.23, 0.63%, 0.84%

LAB 85.88, 7.62, 14.4

 

CMYK 0 / 7 / 22 / 6

HEX #F0DFBC

RGB 240 223 188

HSL 40.38, 0.63%, 0.84%

LAB 89.36, 0.38, 19.27

 

CMYK 0 / 1 / 22 / 6

HEX #F0EDBC

RGB 240 237 188

HSL 56.54, 0.63%, 0.84%

LAB 92.89, -6.72, 24.17

 

CMYK 5 / 0 / 22 / 6

HEX #E4F0BC

RGB 228 240 188

HSL 73.85, 0.63%, 0.84%

LAB 92.77, -12.56, 23.86

 

CMYK 0 / 14 / 47 / 12

HEX #E1C178

RGB 225 193 120

HSL 41.71, 0.64%, 0.68%

LAB 79.33, 1.96, 40.82

 

CMYK 0 / 10 / 34 / 9

HEX #E8D19A

RGB 232 209 154

HSL 42.31, 0.63%, 0.76%

LAB 84.53, 0.11, 30.24

 

CMYK 0 / 7 / 22 / 6

HEX #F0E0BC

RGB 240 224 188

HSL 41.54, 0.63%, 0.84%

LAB 89.61, -0.13, 19.62

 

CMYK 0 / 3 / 11 / 3

HEX #F7EFDD

RGB 247 239 221

HSL 41.54, 0.62%, 0.92%

LAB 94.62, -0.3, 9.65

 

CMYK 0 / 7 / 22 / 6

HEX #F0E0BB

RGB 240 224 187

HSL 41.89, 0.64%, 0.84%

LAB 89.59, -0.27, 20.11

 

CMYK 19 / 0 / 22 / 6

HEX #C2F0BC

RGB 194 240 188

HSL 113.08, 0.63%, 0.84%

LAB 90.51, -24.35, 20.38

 

CMYK 16 / 22 / 0 / 6

HEX #CABCF0

RGB 202 188 240

HSL 256.15, 0.63%, 0.84%

LAB 78.93, 15.07, -23.99

 

CMYK 0 / 7 / 22 / 6

HEX #F0E0BB

RGB 240 224 187

HSL 41.89, 0.64%, 0.84%

LAB 89.59, -0.27, 20.11

 

CMYK 22 / 0 / 7 / 6

HEX #BCF0DF

RGB 188 240 223

HSL 160.38, 0.63%, 0.84%

LAB 90.93, -19.92, 2.78

 

CMYK 7 / 22 / 0 / 6

HEX #DFBCF0

RGB 223 188 240

HSL 280.38, 0.63%, 0.84%

LAB 80.71, 21.72, -21.13

 

CMYK 0 / 7 / 22 / 6

HEX #F0E0BB

RGB 240 224 187

HSL 41.89, 0.64%, 0.84%

LAB 89.59, -0.27, 20.11

 

CMYK 19 / 0 / 22 / 6

HEX #C2F0BC

RGB 194 240 188

HSL 113.08, 0.63%, 0.84%

LAB 90.51, -24.35, 20.38

 

CMYK 22 / 15 / 0 / 6

HEX #BCCCF0

RGB 188 204 240

HSL 221.54, 0.63%, 0.84%

LAB 81.93, 2.13, -19.54

 

CMYK 3 / 22 / 0 / 6

HEX #EABCF0

RGB 234 188 240

HSL 293.08, 0.63%, 0.84%

LAB 81.7, 25.28, -19.53

 

CMYK 0 / 7 / 22 / 6

HEX #F0E0BB

RGB 240 224 187

HSL 41.89, 0.64%, 0.84%

LAB 89.59, -0.27, 20.11

 

CMYK 22 / 0 / 18 / 6

HEX #BCF0C5

RGB 188 240 197

HSL 130.38, 0.63%, 0.84%

LAB 90.34, -24.79, 15.44

 

CMYK 22 / 15 / 0 / 6

HEX #BCCCF0

RGB 188 204 240

HSL 221.54, 0.63%, 0.84%

LAB 81.93, 2.13, -19.54

 

CMYK 0 / 22 / 4 / 6

HEX #F0BCE6

RGB 240 188 230

HSL 311.54, 0.63%, 0.84%

LAB 81.95, 25.44, -13.74

 

Description

Color code: HEX #F0E0BB | qconv.com Color code: HEX #F0E0BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 224 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 224 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 22 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 22% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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