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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0E29D it is the complementary color #0F1D62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0E29D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0E29D shade: #F5E298, #FFF4AB, #FFFFBE, #FFFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0E29D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0E29D shade: #F0E29D, #DFD08A, #CEBE77, #BDAC64 and #AC9A51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0E29D shade: #EFE29D, #EFCB9D, #EFB59D, #EF9F9D and #EF9D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0E29D shade: #EFE29D, #E7EF9D, #D1EF9D, #BBEF9D and #A5EF9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0E29D shade matches the following richer shades: #EFE29D and #F8E894

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0E29D shade: #EFE29D, #E6DCA7, #DDD6B0, #D4CFB9 and #CBC9C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0E29D shade: #EFB59D, #EFCA9D, #EFE09D, #E9EF9D and #D3EF9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0E29D shade: #E4CC56, #EAD77A, #EFE29D, #F5ECC1 and #FAF7E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0E29D shade: #F0E29D, #9DEF9F and #C09DEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0E29D shade: #F0E29D, #9DEFE0 and #E09DEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0E29D shade: #F0E29D, #9DEF9F, #9DACEF and #EF9DEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0E29D shade: #F0E29D, #9DEFB7, #9DACEF and #EF9DD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 35 / 6

HEX #F0E29D

RGB 240 226 157

HSL 49.88, 0.73%, 0.78%

LAB 89.56, -5.15, 35.5

 

Complementary color

CMYK 85 / 70 / 0 / 62

HEX #0F1D62

RGB 15 29 98

HSL 229.88, 0.73%, 0.22%

LAB 14.75, 22.64, -42.25

 

CMYK 0 / 8 / 38 / 4

HEX #F5E298

RGB 245 226 152

HSL 47.74, 0.82%, 0.78%

LAB 89.89, -3.79, 38.54

 

CMYK 0 / 4 / 33 / 0

HEX #FFF4AB

RGB 255 244 171

HSL 52.14, 1%, 0.84%

LAB 95.54, -6.84, 36.56

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 6 / 35 / 6

HEX #F0E29D

RGB 240 226 157

HSL 49.88, 0.73%, 0.78%

LAB 89.56, -5.15, 35.5

 

CMYK 0 / 7 / 38 / 13

HEX #DFD08A

RGB 223 208 138

HSL 49.41, 0.57%, 0.71%

LAB 83.25, -4.74, 36.64

 

CMYK 0 / 8 / 42 / 19

HEX #CEBE77

RGB 206 190 119

HSL 48.97, 0.47%, 0.64%

LAB 76.85, -4.27, 37.84

 

CMYK 0 / 9 / 47 / 26

HEX #BDAC64

RGB 189 172 100

HSL 48.54, 0.4%, 0.57%

LAB 70.35, -3.71, 39.08

 

CMYK 0 / 10 / 53 / 33

HEX #AC9A51

RGB 172 154 81

HSL 48.13, 0.36%, 0.5%

LAB 63.73, -3.05, 40.35

 

CMYK 0 / 5 / 34 / 6

HEX #EFE29D

RGB 239 226 157

HSL 50.49, 0.72%, 0.78%

LAB 89.48, -5.53, 35.37

 

CMYK 0 / 15 / 34 / 6

HEX #EFCB9D

RGB 239 203 157

HSL 33.66, 0.72%, 0.78%

LAB 83.7, 6.28, 27.68

 

CMYK 0 / 24 / 34 / 6

HEX #EFB59D

RGB 239 181 157

HSL 17.56, 0.72%, 0.78%

LAB 78.36, 17.86, 20.39

 

CMYK 0 / 33 / 34 / 6

HEX #EF9F9D

RGB 239 159 157

HSL 1.46, 0.72%, 0.78%

LAB 73.27, 29.52, 13.3

 

CMYK 0 / 34 / 34 / 6

HEX #EF9D9D

RGB 239 157 157

HSL 0, 0.72%, 0.78%

LAB 72.83, 30.58, 12.67

 

CMYK 0 / 5 / 34 / 6

HEX #EFE29D

RGB 239 226 157

HSL 50.49, 0.72%, 0.78%

LAB 89.48, -5.53, 35.37

 

CMYK 3 / 0 / 34 / 6

HEX #E7EF9D

RGB 231 239 157

HSL 65.85, 0.72%, 0.78%

LAB 92.2, -15.05, 38.83

 

CMYK 13 / 0 / 34 / 6

HEX #D1EF9D

RGB 209 239 157

HSL 81.95, 0.72%, 0.78%

LAB 90.65, -23.19, 36.51

 

CMYK 22 / 0 / 34 / 6

HEX #BBEF9D

RGB 187 239 157

HSL 98.05, 0.72%, 0.78%

LAB 89.27, -31, 34.43

 

CMYK 31 / 0 / 34 / 6

HEX #A5EF9D

RGB 165 239 157

HSL 114.15, 0.72%, 0.78%

LAB 88.05, -38.32, 32.59

 

CMYK 0 / 5 / 34 / 6

HEX #EFE29D

RGB 239 226 157

HSL 50.49, 0.72%, 0.78%

LAB 89.48, -5.53, 35.37

 

CMYK 0 / 6 / 40 / 3

HEX #F8E894

RGB 248 232 148

HSL 50.4, 0.88%, 0.78%

LAB 91.6, -6.07, 42.78

 

CMYK 0 / 5 / 34 / 6

HEX #EFE29D

RGB 239 226 157

HSL 50.49, 0.72%, 0.78%

LAB 89.48, -5.53, 35.37

 

CMYK 0 / 4 / 27 / 10

HEX #E6DCA7

RGB 230 220 167

HSL 50.48, 0.56%, 0.78%

LAB 87.39, -4.67, 27.33

 

CMYK 0 / 3 / 20 / 13

HEX #DDD6B0

RGB 221 214 176

HSL 50.67, 0.4%, 0.78%

LAB 85.3, -3.71, 19.66

 

CMYK 0 / 2 / 13 / 17

HEX #D4CFB9

RGB 212 207 185

HSL 48.89, 0.24%, 0.78%

LAB 82.98, -2, 11.55

 

CMYK 0 / 1 / 4 / 20

HEX #CBC9C2

RGB 203 201 194

HSL 46.67, 0.08%, 0.78%

LAB 80.94, -0.56, 3.73

 

CMYK 0 / 24 / 34 / 6

HEX #EFB59D

RGB 239 181 157

HSL 17.56, 0.72%, 0.78%

LAB 78.36, 17.86, 20.39

 

CMYK 0 / 15 / 34 / 6

HEX #EFCA9D

RGB 239 202 157

HSL 32.93, 0.72%, 0.78%

LAB 83.46, 6.81, 27.34

 

CMYK 0 / 6 / 34 / 6

HEX #EFE09D

RGB 239 224 157

HSL 49.02, 0.72%, 0.78%

LAB 88.97, -4.52, 34.7

 

CMYK 3 / 0 / 34 / 6

HEX #E9EF9D

RGB 233 239 157

HSL 64.39, 0.72%, 0.78%

LAB 92.35, -14.3, 39.05

 

CMYK 12 / 0 / 34 / 6

HEX #D3EF9D

RGB 211 239 157

HSL 80.49, 0.72%, 0.78%

LAB 90.79, -22.46, 36.71

 

CMYK 0 / 11 / 62 / 11

HEX #E4CC56

RGB 228 204 86

HSL 49.86, 0.72%, 0.62%

LAB 82.03, -5.21, 60.19

 

CMYK 0 / 8 / 48 / 8

HEX #EAD77A

RGB 234 215 122

HSL 49.82, 0.73%, 0.7%

LAB 85.76, -5.56, 47.97

 

CMYK 0 / 5 / 34 / 6

HEX #EFE29D

RGB 239 226 157

HSL 50.49, 0.72%, 0.78%

LAB 89.48, -5.53, 35.37

 

CMYK 0 / 4 / 21 / 4

HEX #F5ECC1

RGB 245 236 193

HSL 49.62, 0.72%, 0.86%

LAB 93.13, -3.7, 21.98

 

CMYK 0 / 1 / 8 / 2

HEX #FAF7E5

RGB 250 247 229

HSL 51.43, 0.68%, 0.94%

LAB 97.03, -2.03, 8.99

 

CMYK 0 / 6 / 35 / 6

HEX #F0E29D

RGB 240 226 157

HSL 49.88, 0.73%, 0.78%

LAB 89.56, -5.15, 35.5

 

CMYK 34 / 0 / 33 / 6

HEX #9DEF9F

RGB 157 239 159

HSL 121.46, 0.72%, 0.78%

LAB 87.68, -40.52, 31.02

 

CMYK 20 / 34 / 0 / 6

HEX #C09DEF

RGB 192 157 239

HSL 265.61, 0.72%, 0.78%

LAB 70.56, 28.83, -36.4

 

CMYK 0 / 6 / 35 / 6

HEX #F0E29D

RGB 240 226 157

HSL 49.88, 0.73%, 0.78%

LAB 89.56, -5.15, 35.5

 

CMYK 34 / 0 / 6 / 6

HEX #9DEFE0

RGB 157 239 224

HSL 169.02, 0.72%, 0.78%

LAB 89.06, -28.18, -0.68

 

CMYK 6 / 34 / 0 / 6

HEX #E09DEF

RGB 224 157 239

HSL 289.02, 0.72%, 0.78%

LAB 73.67, 38.5, -31.34

 

CMYK 0 / 6 / 35 / 6

HEX #F0E29D

RGB 240 226 157

HSL 49.88, 0.73%, 0.78%

LAB 89.56, -5.15, 35.5

 

CMYK 34 / 0 / 33 / 6

HEX #9DEF9F

RGB 157 239 159

HSL 121.46, 0.72%, 0.78%

LAB 87.68, -40.52, 31.02

 

CMYK 34 / 28 / 0 / 6

HEX #9DACEF

RGB 157 172 239

HSL 229.02, 0.72%, 0.78%

LAB 71.49, 10.37, -35.18

 

CMYK 0 / 34 / 0 / 6

HEX #EF9DEE

RGB 239 157 238

HSL 300.73, 0.72%, 0.78%

LAB 75.23, 42.94, -28.27

 

CMYK 0 / 6 / 35 / 6

HEX #F0E29D

RGB 240 226 157

HSL 49.88, 0.73%, 0.78%

LAB 89.56, -5.15, 35.5

 

CMYK 34 / 0 / 23 / 6

HEX #9DEFB7

RGB 157 239 183

HSL 139.02, 0.72%, 0.78%

LAB 88.12, -36.44, 19.33

 

CMYK 34 / 28 / 0 / 6

HEX #9DACEF

RGB 157 172 239

HSL 229.02, 0.72%, 0.78%

LAB 71.49, 10.37, -35.18

 

CMYK 0 / 34 / 11 / 6

HEX #EF9DD5

RGB 239 157 213

HSL 319.02, 0.72%, 0.78%

LAB 74.36, 38.63, -15.93

 

Description

Color code: HEX #F0E29D | qconv.com Color code: HEX #F0E29D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 226 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 226 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 35 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 35% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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