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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0EECB it is the complementary color #0F1134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0EECB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0EECB shade: #F5EEC6, #FFFFD9, #FFFFEC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0EECB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0EECB shade: #F0EECB, #DFDCB8, #CECAA5, #BDB892 and #ACA67F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0EECB shade: #F0EECB, #F0E4CB, #F0DACB, #F0D0CB and #F0CBCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0EECB shade: #F0EECB, #E8F0CB, #DEF0CB, #D4F0CB and #CBF0CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0EECB shade matches the following richer shades: #F0EECB, #F5F2C6 and #FAF7C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0EECB shade: #F0EECB, #EAE9D0, #E5E4D6, #DFDFDB and #DADAE1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0EECB shade: #F0DACB, #F0E3CB, #F0EDCB, #E8F0CB and #DFF0CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0EECB shade: #DDD98B, #E6E3AB, #F0EECB and #F9F8EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0EECB shade: #F0EECB, #CBF0D0 and #DFCBF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0EECB shade: #F0EECB, #CBF0ED and #EDCBF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0EECB shade: #F0EECB, #CBF0D0, #CBCEF0 and #F0CBEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0EECB shade: #F0EECB, #CBF0DB, #CBCEF0 and #F0CBE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 15 / 6

HEX #F0EECB

RGB 240 238 203

HSL 56.76, 0.55%, 0.87%

LAB 93.44, -5.05, 17.21

 

Complementary color

CMYK 71 / 67 / 0 / 80

HEX #0F1134

RGB 15 17 52

HSL 236.76, 0.55%, 0.13%

LAB 6.78, 12.01, -23.33

 

CMYK 0 / 3 / 19 / 4

HEX #F5EEC6

RGB 245 238 198

HSL 51.06, 0.7%, 0.87%

LAB 93.73, -4, 20.24

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 0 / 1 / 15 / 6

HEX #F0EECB

RGB 240 238 203

HSL 56.76, 0.55%, 0.87%

LAB 93.44, -5.05, 17.21

 

CMYK 0 / 1 / 17 / 13

HEX #DFDCB8

RGB 223 220 184

HSL 55.38, 0.38%, 0.8%

LAB 87.16, -4.88, 18.09

 

CMYK 0 / 2 / 20 / 19

HEX #CECAA5

RGB 206 202 165

HSL 54.15, 0.29%, 0.73%

LAB 80.78, -4.68, 19.01

 

CMYK 0 / 3 / 23 / 26

HEX #BDB892

RGB 189 184 146

HSL 53.02, 0.25%, 0.66%

LAB 74.3, -4.46, 19.98

 

CMYK 0 / 3 / 26 / 33

HEX #ACA67F

RGB 172 166 127

HSL 52, 0.21%, 0.59%

LAB 67.71, -4.2, 21.02

 

CMYK 0 / 1 / 15 / 6

HEX #F0EECB

RGB 240 238 203

HSL 56.76, 0.55%, 0.87%

LAB 93.44, -5.05, 17.21

 

CMYK 0 / 5 / 15 / 6

HEX #F0E4CB

RGB 240 228 203

HSL 40.54, 0.55%, 0.87%

LAB 90.93, 0.03, 13.66

 

CMYK 0 / 9 / 15 / 6

HEX #F0DACB

RGB 240 218 203

HSL 24.32, 0.55%, 0.87%

LAB 88.44, 5.18, 10.12

 

CMYK 0 / 13 / 15 / 6

HEX #F0D0CB

RGB 240 208 203

HSL 8.11, 0.55%, 0.87%

LAB 85.98, 10.39, 6.6

 

CMYK 0 / 15 / 15 / 6

HEX #F0CBCB

RGB 240 203 203

HSL 0, 0.55%, 0.87%

LAB 84.77, 13.01, 4.85

 

CMYK 0 / 1 / 15 / 6

HEX #F0EECB

RGB 240 238 203

HSL 56.76, 0.55%, 0.87%

LAB 93.44, -5.05, 17.21

 

CMYK 3 / 0 / 15 / 6

HEX #E8F0CB

RGB 232 240 203

HSL 72.97, 0.55%, 0.87%

LAB 93.36, -8.89, 17

 

CMYK 8 / 0 / 15 / 6

HEX #DEF0CB

RGB 222 240 203

HSL 89.19, 0.55%, 0.87%

LAB 92.65, -12.37, 15.9

 

CMYK 12 / 0 / 15 / 6

HEX #D4F0CB

RGB 212 240 203

HSL 105.41, 0.55%, 0.87%

LAB 91.97, -15.8, 14.84

 

CMYK 15 / 0 / 15 / 6

HEX #CBF0CC

RGB 203 240 204

HSL 121.62, 0.55%, 0.87%

LAB 91.4, -18.65, 13.45

 

CMYK 0 / 1 / 15 / 6

HEX #F0EECB

RGB 240 238 203

HSL 56.76, 0.55%, 0.87%

LAB 93.44, -5.05, 17.21

 

CMYK 0 / 1 / 19 / 4

HEX #F5F2C6

RGB 245 242 198

HSL 56.17, 0.7%, 0.87%

LAB 94.74, -6.01, 21.64

 

CMYK 0 / 1 / 23 / 2

HEX #FAF7C0

RGB 250 247 192

HSL 56.9, 0.85%, 0.87%

LAB 96.27, -7.53, 26.88

 

CMYK 0 / 1 / 15 / 6

HEX #F0EECB

RGB 240 238 203

HSL 56.76, 0.55%, 0.87%

LAB 93.44, -5.05, 17.21

 

CMYK 0 / 0 / 11 / 8

HEX #EAE9D0

RGB 234 233 208

HSL 57.69, 0.38%, 0.87%

LAB 91.83, -3.87, 12.28

 

CMYK 0 / 0 / 7 / 10

HEX #E5E4D6

RGB 229 228 214

HSL 56, 0.22%, 0.87%

LAB 90.32, -2.08, 6.94

 

CMYK 0 / 0 / 2 / 13

HEX #DFDFDB

RGB 223 223 219

HSL 60, 0.06%, 0.87%

LAB 88.72, -0.71, 1.95

 

CMYK 3 / 3 / 0 / 12

HEX #DADAE1

RGB 218 218 225

HSL 240, 0.1%, 0.87%

LAB 87.23, 1.29, -3.44

 

CMYK 0 / 9 / 15 / 6

HEX #F0DACB

RGB 240 218 203

HSL 24.32, 0.55%, 0.87%

LAB 88.44, 5.18, 10.12

 

CMYK 0 / 5 / 15 / 6

HEX #F0E3CB

RGB 240 227 203

HSL 38.92, 0.55%, 0.87%

LAB 90.68, 0.54, 13.31

 

CMYK 0 / 1 / 15 / 6

HEX #F0EDCB

RGB 240 237 203

HSL 55.14, 0.55%, 0.87%

LAB 93.19, -4.55, 16.86

 

CMYK 3 / 0 / 15 / 6

HEX #E8F0CB

RGB 232 240 203

HSL 72.97, 0.55%, 0.87%

LAB 93.36, -8.89, 17

 

CMYK 7 / 0 / 15 / 6

HEX #DFF0CB

RGB 223 240 203

HSL 87.57, 0.55%, 0.87%

LAB 92.72, -12.03, 16.01

 

CMYK 0 / 2 / 37 / 13

HEX #DDD98B

RGB 221 217 139

HSL 57.07, 0.55%, 0.71%

LAB 85.43, -9.99, 38.93

 

CMYK 0 / 1 / 26 / 10

HEX #E6E3AB

RGB 230 227 171

HSL 56.95, 0.54%, 0.79%

LAB 89.25, -7.69, 27.8

 

CMYK 0 / 1 / 15 / 6

HEX #F0EECB

RGB 240 238 203

HSL 56.76, 0.55%, 0.87%

LAB 93.44, -5.05, 17.21

 

CMYK 0 / 0 / 6 / 2

HEX #F9F8EB

RGB 249 248 235

HSL 55.71, 0.54%, 0.95%

LAB 97.34, -1.89, 6.35

 

CMYK 0 / 1 / 15 / 6

HEX #F0EECB

RGB 240 238 203

HSL 56.76, 0.55%, 0.87%

LAB 93.44, -5.05, 17.21

 

CMYK 15 / 0 / 13 / 6

HEX #CBF0D0

RGB 203 240 208

HSL 128.11, 0.55%, 0.87%

LAB 91.49, -17.95, 11.5

 

CMYK 7 / 15 / 0 / 6

HEX #DFCBF0

RGB 223 203 240

HSL 272.43, 0.55%, 0.87%

LAB 84.32, 13.69, -15.67

 

CMYK 0 / 1 / 15 / 6

HEX #F0EECB

RGB 240 238 203

HSL 56.76, 0.55%, 0.87%

LAB 93.44, -5.05, 17.21

 

CMYK 15 / 0 / 1 / 6

HEX #CBF0ED

RGB 203 240 237

HSL 175.14, 0.55%, 0.87%

LAB 92.19, -12.5, -2.57

 

CMYK 1 / 15 / 0 / 6

HEX #EDCBF0

RGB 237 203 240

HSL 295.14, 0.55%, 0.87%

LAB 85.51, 18.28, -13.77

 

CMYK 0 / 1 / 15 / 6

HEX #F0EECB

RGB 240 238 203

HSL 56.76, 0.55%, 0.87%

LAB 93.44, -5.05, 17.21

 

CMYK 15 / 0 / 13 / 6

HEX #CBF0D0

RGB 203 240 208

HSL 128.11, 0.55%, 0.87%

LAB 91.49, -17.95, 11.5

 

CMYK 15 / 14 / 0 / 6

HEX #CBCEF0

RGB 203 206 240

HSL 235.14, 0.55%, 0.87%

LAB 83.51, 5.7, -17.05

 

CMYK 0 / 15 / 2 / 6

HEX #F0CBEB

RGB 240 203 235

HSL 308.11, 0.55%, 0.87%

LAB 85.62, 18.37, -10.92

 

CMYK 0 / 1 / 15 / 6

HEX #F0EECB

RGB 240 238 203

HSL 56.76, 0.55%, 0.87%

LAB 93.44, -5.05, 17.21

 

CMYK 15 / 0 / 9 / 6

HEX #CBF0DB

RGB 203 240 219

HSL 145.95, 0.55%, 0.87%

LAB 91.74, -15.96, 6.15

 

CMYK 15 / 14 / 0 / 6

HEX #CBCEF0

RGB 203 206 240

HSL 235.14, 0.55%, 0.87%

LAB 83.51, 5.7, -17.05

 

CMYK 0 / 15 / 7 / 6

HEX #F0CBE0

RGB 240 203 224

HSL 325.95, 0.55%, 0.87%

LAB 85.31, 16.45, -5.53

 

Description

Color code: HEX #F0EECB | qconv.com Color code: HEX #F0EECB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 238 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 238 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 15 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 15% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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