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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0F882 it is the complementary color #0F077D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0F882. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0F882 shade: #F5F87D, #FFFF90, #FFFFA3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0F882. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0F882 shade: #F0F882, #DFE66F, #CED45C, #BDC249 and #ACB036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0F882 shade: #EFF781, #F7DF81, #F7C081, #F7A081 and #F78181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0F882 shade: #EFF781, #CFF781, #B0F781, #90F781 and #81F792

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0F882 shade matches the following richer shades: #EFF781

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0F882 shade: #EFF781, #E6EC8C, #DDE297, #D3D7A1 and #CACCAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0F882 shade: #F7C081, #F7E081, #EFF781, #D0F781 and #B0F781

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0F882 shade: #E6F333, #EAF55A, #EFF781, #F4F9A8 and #F9FCCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0F882 shade: #F0F882, #81F7A1 and #D081F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0F882 shade: #F0F882, #81EFF7 and #F781EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0F882 shade: #F0F882, #81F7A1, #8981F7 and #F781D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0F882 shade: #F0F882, #81F7C4, #8981F7 and #F781B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 48 / 3

HEX #F0F882

RGB 240 248 130

HSL 64.07, 0.89%, 0.74%

LAB 94.85, -18.81, 55.32

 

Complementary color

CMYK 88 / 94 / 0 / 51

HEX #0F077D

RGB 15 7 125

HSL 244.07, 0.89%, 0.26%

LAB 14.03, 44.13, -61.02

 

CMYK 1 / 0 / 50 / 3

HEX #F5F87D

RGB 245 248 125

HSL 61.46, 0.9%, 0.73%

LAB 95.17, -17.31, 58.09

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 3 / 0 / 48 / 3

HEX #F0F882

RGB 240 248 130

HSL 64.07, 0.89%, 0.74%

LAB 94.85, -18.81, 55.32

 

CMYK 3 / 0 / 52 / 10

HEX #DFE66F

RGB 223 230 111

HSL 63.53, 0.7%, 0.67%

LAB 88.65, -18.4, 56.41

 

CMYK 3 / 0 / 57 / 17

HEX #CED45C

RGB 206 212 92

HSL 63, 0.58%, 0.6%

LAB 82.37, -17.89, 57.43

 

CMYK 3 / 0 / 62 / 24

HEX #BDC249

RGB 189 194 73

HSL 62.48, 0.5%, 0.52%

LAB 76, -17.28, 58.29

 

CMYK 2 / 0 / 69 / 31

HEX #ACB036

RGB 172 176 54

HSL 61.97, 0.53%, 0.45%

LAB 69.53, -16.53, 58.83

 

CMYK 3 / 0 / 48 / 3

HEX #EFF781

RGB 239 247 129

HSL 64.07, 0.88%, 0.74%

LAB 94.51, -18.81, 55.35

 

CMYK 0 / 10 / 48 / 3

HEX #F7DF81

RGB 247 223 129

HSL 47.8, 0.88%, 0.74%

LAB 88.99, -3.79, 48.79

 

CMYK 0 / 22 / 48 / 3

HEX #F7C081

RGB 247 192 129

HSL 32.03, 0.88%, 0.74%

LAB 81.32, 12.19, 39.2

 

CMYK 0 / 35 / 48 / 3

HEX #F7A081

RGB 247 160 129

HSL 15.76, 0.88%, 0.74%

LAB 73.87, 29.01, 29.53

 

CMYK 0 / 48 / 48 / 3

HEX #F78181

RGB 247 129 129

HSL 0, 0.88%, 0.74%

LAB 67.32, 44.94, 20.74

 

CMYK 3 / 0 / 48 / 3

HEX #EFF781

RGB 239 247 129

HSL 64.07, 0.88%, 0.74%

LAB 94.51, -18.81, 55.35

 

CMYK 16 / 0 / 48 / 3

HEX #CFF781

RGB 207 247 129

HSL 80.34, 0.88%, 0.74%

LAB 92.3, -30.95, 52.16

 

CMYK 29 / 0 / 48 / 3

HEX #B0F781

RGB 176 247 129

HSL 96.1, 0.88%, 0.74%

LAB 90.48, -41.97, 49.52

 

CMYK 42 / 0 / 48 / 3

HEX #90F781

RGB 144 247 129

HSL 112.37, 0.88%, 0.74%

LAB 88.94, -52.16, 47.28

 

CMYK 48 / 0 / 41 / 3

HEX #81F792

RGB 129 247 146

HSL 128.64, 0.88%, 0.74%

LAB 88.57, -53.96, 38.47

 

CMYK 3 / 0 / 48 / 3

HEX #EFF781

RGB 239 247 129

HSL 64.07, 0.88%, 0.74%

LAB 94.51, -18.81, 55.35

 

CMYK 3 / 0 / 48 / 3

HEX #EFF781

RGB 239 247 129

HSL 64.07, 0.88%, 0.74%

LAB 94.51, -18.81, 55.35

 

CMYK 3 / 0 / 41 / 7

HEX #E6EC8C

RGB 230 236 140

HSL 63.75, 0.72%, 0.74%

LAB 91.1, -15.86, 45.78

 

CMYK 2 / 0 / 33 / 11

HEX #DDE297

RGB 221 226 151

HSL 64, 0.56%, 0.74%

LAB 87.97, -13.11, 36.16

 

CMYK 2 / 0 / 25 / 16

HEX #D3D7A1

RGB 211 215 161

HSL 64.44, 0.4%, 0.74%

LAB 84.5, -10.06, 26.27

 

CMYK 1 / 0 / 16 / 20

HEX #CACCAC

RGB 202 204 172

HSL 63.75, 0.24%, 0.74%

LAB 81.14, -6.13, 15.74

 

CMYK 0 / 22 / 48 / 3

HEX #F7C081

RGB 247 192 129

HSL 32.03, 0.88%, 0.74%

LAB 81.32, 12.19, 39.2

 

CMYK 0 / 9 / 48 / 3

HEX #F7E081

RGB 247 224 129

HSL 48.31, 0.88%, 0.74%

LAB 89.24, -4.29, 49.11

 

CMYK 3 / 0 / 48 / 3

HEX #EFF781

RGB 239 247 129

HSL 64.07, 0.88%, 0.74%

LAB 94.51, -18.81, 55.35

 

CMYK 16 / 0 / 48 / 3

HEX #D0F781

RGB 208 247 129

HSL 79.83, 0.88%, 0.74%

LAB 92.36, -30.58, 52.26

 

CMYK 29 / 0 / 48 / 3

HEX #B0F781

RGB 176 247 129

HSL 96.1, 0.88%, 0.74%

LAB 90.48, -41.97, 49.52

 

CMYK 5 / 0 / 79 / 5

HEX #E6F333

RGB 230 243 51

HSL 64.06, 0.89%, 0.58%

LAB 92.2, -25.25, 82.45

 

CMYK 4 / 0 / 63 / 4

HEX #EAF55A

RGB 234 245 90

HSL 64.26, 0.89%, 0.66%

LAB 93.25, -22.77, 70.66

 

CMYK 3 / 0 / 48 / 3

HEX #EFF781

RGB 239 247 129

HSL 64.07, 0.88%, 0.74%

LAB 94.51, -18.81, 55.35

 

CMYK 2 / 0 / 33 / 2

HEX #F4F9A8

RGB 244 249 168

HSL 63.7, 0.87%, 0.82%

LAB 95.92, -13.79, 38.4

 

CMYK 1 / 0 / 18 / 1

HEX #F9FCCF

RGB 249 252 207

HSL 64, 0.88%, 0.9%

LAB 97.74, -8.27, 21.26

 

CMYK 3 / 0 / 48 / 3

HEX #F0F882

RGB 240 248 130

HSL 64.07, 0.89%, 0.74%

LAB 94.85, -18.81, 55.32

 

CMYK 48 / 0 / 35 / 3

HEX #81F7A1

RGB 129 247 161

HSL 136.27, 0.88%, 0.74%

LAB 88.81, -51.54, 31.31

 

CMYK 16 / 48 / 0 / 3

HEX #D081F7

RGB 208 129 247

HSL 280.17, 0.88%, 0.74%

LAB 66.39, 50.26, -47.2

 

CMYK 3 / 0 / 48 / 3

HEX #F0F882

RGB 240 248 130

HSL 64.07, 0.89%, 0.74%

LAB 94.85, -18.81, 55.32

 

CMYK 48 / 3 / 0 / 3

HEX #81EFF7

RGB 129 239 247

HSL 184.07, 0.88%, 0.74%

LAB 88.5, -29.52, -13.66

 

CMYK 0 / 48 / 3 / 3

HEX #F781EF

RGB 247 129 239

HSL 304.07, 0.88%, 0.74%

LAB 70.67, 59.57, -35.77

 

CMYK 3 / 0 / 48 / 3

HEX #F0F882

RGB 240 248 130

HSL 64.07, 0.89%, 0.74%

LAB 94.85, -18.81, 55.32

 

CMYK 48 / 0 / 35 / 3

HEX #81F7A1

RGB 129 247 161

HSL 136.27, 0.88%, 0.74%

LAB 88.81, -51.54, 31.31

 

CMYK 45 / 48 / 0 / 3

HEX #8981F7

RGB 137 129 247

HSL 244.07, 0.88%, 0.74%

LAB 59.65, 32.16, -58.31

 

CMYK 0 / 48 / 13 / 3

HEX #F781D8

RGB 247 129 216

HSL 315.76, 0.88%, 0.74%

LAB 69.78, 55.84, -24.46

 

CMYK 3 / 0 / 48 / 3

HEX #F0F882

RGB 240 248 130

HSL 64.07, 0.89%, 0.74%

LAB 94.85, -18.81, 55.32

 

CMYK 48 / 0 / 21 / 3

HEX #81F7C4

RGB 129 247 196

HSL 154.07, 0.88%, 0.74%

LAB 89.47, -44.97, 14.34

 

CMYK 45 / 48 / 0 / 3

HEX #8981F7

RGB 137 129 247

HSL 244.07, 0.88%, 0.74%

LAB 59.65, 32.16, -58.31

 

CMYK 0 / 48 / 27 / 3

HEX #F781B4

RGB 247 129 180

HSL 334.07, 0.88%, 0.74%

LAB 68.58, 50.67, -6.16

 

Description

Color code: HEX #F0F882 | qconv.com Color code: HEX #F0F882 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 248 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 248 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 48 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 48% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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