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Color name
HEX #F0F01B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0F01B it is the complementary color #0F0FE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0F01B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0F01B shade: #F5F016, #FFFF29, #FFFF3C, #FFFF4F and #FFFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0F01B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0F01B shade: #F0F01B, #DFDE08, #CECC00, #BDBA00 and #ACA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0F01B shade: #F0F018, #F0B618, #F07C18, #F04218 and #F01818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0F01B shade: #F0F018, #B6F018, #7CF018, #42F018 and #18F029

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0F01B shade matches the following richer shades: #F0F018

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0F01B shade: #F0F018, #DCDC2C, #C8C840, #B4B454 and #A1A168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0F01B shade: #F07D18, #F0B618, #F0F018, #B6F018 and #7DF018

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0F01B shade: #ABAB0A, #D2D20D, #F0F018, #F2F23F and #F5F566

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0F01B shade: #F0F01B, #18F043 and #9A18F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0F01B shade: #F0F01B, #18F0F0 and #F018F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0F01B shade: #F0F01B, #18F043, #1818F0 and #F018C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0F01B shade: #F0F01B, #18F084, #1818F0 and #F01884

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 89 / 6

HEX #F0F01B

RGB 240 240 27

HSL 60, 0.88%, 0.52%

LAB 92.1, -20.3, 87.62

 

Complementary color

CMYK 93 / 93 / 0 / 11

HEX #0F0FE4

RGB 15 15 228

HSL 240, 0.88%, 0.48%

LAB 29.52, 70.15, -97.2

 

CMYK 0 / 2 / 91 / 4

HEX #F5F016

RGB 245 240 22

HSL 58.65, 0.92%, 0.52%

LAB 92.48, -18.31, 88.78

 

CMYK 0 / 0 / 84 / 0

HEX #FFFF29

RGB 255 255 41

HSL 60, 1%, 0.58%

LAB 97.2, -21.03, 89.73

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3C

RGB 255 255 60

HSL 60, 1%, 0.62%

LAB 97.27, -20.49, 85.23

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 89 / 6

HEX #F0F01B

RGB 240 240 27

HSL 60, 0.88%, 0.52%

LAB 92.1, -20.3, 87.62

 

CMYK 0 / 0 / 96 / 13

HEX #DFDE08

RGB 223 222 8

HSL 59.72, 0.93%, 0.45%

LAB 85.98, -18.92, 84.52

 

CMYK 0 / 1 / 100 / 19

HEX #CECC00

RGB 206 204 0

HSL 59.42, 1%, 0.4%

LAB 79.79, -17.36, 80.05

 

CMYK 0 / 2 / 100 / 26

HEX #BDBA00

RGB 189 186 0

HSL 59.05, 1%, 0.37%

LAB 73.5, -15.7, 74.83

 

CMYK 0 / 2 / 100 / 33

HEX #ACA800

RGB 172 168 0

HSL 58.6, 1%, 0.34%

LAB 67.11, -13.99, 69.52

 

CMYK 0 / 0 / 90 / 6

HEX #F0F018

RGB 240 240 24

HSL 60, 0.88%, 0.52%

LAB 92.09, -20.35, 88.04

 

CMYK 0 / 24 / 90 / 6

HEX #F0B618

RGB 240 182 24

HSL 43.89, 0.88%, 0.52%

LAB 77.31, 8.9, 76.67

 

CMYK 0 / 48 / 90 / 6

HEX #F07C18

RGB 240 124 24

HSL 27.78, 0.88%, 0.52%

LAB 64.17, 39.21, 66.83

 

CMYK 0 / 73 / 90 / 6

HEX #F04218

RGB 240 66 24

HSL 11.67, 0.88%, 0.52%

LAB 54.54, 64.44, 59.91

 

CMYK 0 / 90 / 90 / 6

HEX #F01818

RGB 240 24 24

HSL 0, 0.88%, 0.52%

LAB 50.97, 74.51, 57.45

 

CMYK 0 / 0 / 90 / 6

HEX #F0F018

RGB 240 240 24

HSL 60, 0.88%, 0.52%

LAB 92.09, -20.35, 88.04

 

CMYK 24 / 0 / 90 / 6

HEX #B6F018

RGB 182 240 24

HSL 76.11, 0.88%, 0.52%

LAB 88.13, -43.55, 83.22

 

CMYK 48 / 0 / 90 / 6

HEX #7CF018

RGB 124 240 24

HSL 92.22, 0.88%, 0.52%

LAB 85.34, -63.24, 79.79

 

CMYK 73 / 0 / 90 / 6

HEX #42F018

RGB 66 240 24

HSL 108.33, 0.88%, 0.52%

LAB 83.73, -76.42, 77.79

 

CMYK 90 / 0 / 83 / 6

HEX #18F029

RGB 24 240 41

HSL 124.72, 0.88%, 0.52%

LAB 83.27, -80.28, 73.92

 

CMYK 0 / 0 / 90 / 6

HEX #F0F018

RGB 240 240 24

HSL 60, 0.88%, 0.52%

LAB 92.09, -20.35, 88.04

 

CMYK 0 / 0 / 90 / 6

HEX #F0F018

RGB 240 240 24

HSL 60, 0.88%, 0.52%

LAB 92.09, -20.35, 88.04

 

CMYK 0 / 0 / 80 / 14

HEX #DCDC2C

RGB 220 220 44

HSL 60, 0.72%, 0.52%

LAB 85.29, -18.54, 77.95

 

CMYK 0 / 0 / 68 / 22

HEX #C8C840

RGB 200 200 64

HSL 60, 0.55%, 0.52%

LAB 78.44, -16.21, 64.66

 

CMYK 0 / 0 / 53 / 29

HEX #B4B454

RGB 180 180 84

HSL 60, 0.39%, 0.52%

LAB 71.55, -13.11, 48.23

 

CMYK 0 / 0 / 35 / 37

HEX #A1A168

RGB 161 161 104

HSL 60, 0.23%, 0.52%

LAB 65.02, -8.99, 29.72

 

CMYK 0 / 48 / 90 / 6

HEX #F07D18

RGB 240 125 24

HSL 28.06, 0.88%, 0.52%

LAB 64.37, 38.7, 66.97

 

CMYK 0 / 24 / 90 / 6

HEX #F0B618

RGB 240 182 24

HSL 43.89, 0.88%, 0.52%

LAB 77.31, 8.9, 76.67

 

CMYK 0 / 0 / 90 / 6

HEX #F0F018

RGB 240 240 24

HSL 60, 0.88%, 0.52%

LAB 92.09, -20.35, 88.04

 

CMYK 24 / 0 / 90 / 6

HEX #B6F018

RGB 182 240 24

HSL 76.11, 0.88%, 0.52%

LAB 88.13, -43.55, 83.22

 

CMYK 48 / 0 / 90 / 6

HEX #7DF018

RGB 125 240 24

HSL 91.94, 0.88%, 0.52%

LAB 85.38, -62.95, 79.84

 

CMYK 0 / 0 / 94 / 33

HEX #ABAB0A

RGB 171 171 10

HSL 60, 0.89%, 0.35%

LAB 67.88, -15.85, 68.81

 

CMYK 0 / 0 / 94 / 18

HEX #D2D20D

RGB 210 210 13

HSL 60, 0.88%, 0.44%

LAB 81.74, -18.49, 80.42

 

CMYK 0 / 0 / 90 / 6

HEX #F0F018

RGB 240 240 24

HSL 60, 0.88%, 0.52%

LAB 92.09, -20.35, 88.04

 

CMYK 0 / 0 / 74 / 5

HEX #F2F23F

RGB 242 242 63

HSL 60, 0.87%, 0.6%

LAB 92.9, -19.45, 80.02

 

CMYK 0 / 0 / 58 / 4

HEX #F5F566

RGB 245 245 102

HSL 60, 0.88%, 0.68%

LAB 94.17, -17.61, 67.04

 

CMYK 0 / 0 / 89 / 6

HEX #F0F01B

RGB 240 240 27

HSL 60, 0.88%, 0.52%

LAB 92.1, -20.3, 87.62

 

CMYK 90 / 0 / 72 / 6

HEX #18F043

RGB 24 240 67

HSL 131.94, 0.88%, 0.52%

LAB 83.4, -78.63, 66.42

 

CMYK 36 / 90 / 0 / 6

HEX #9A18F0

RGB 154 24 240

HSL 276.11, 0.88%, 0.52%

LAB 43.97, 79.6, -79.72

 

CMYK 0 / 0 / 89 / 6

HEX #F0F01B

RGB 240 240 27

HSL 60, 0.88%, 0.52%

LAB 92.1, -20.3, 87.62

 

CMYK 90 / 0 / 0 / 6

HEX #18F0F0

RGB 24 240 240

HSL 180, 0.88%, 0.52%

LAB 86.41, -45.28, -13.35

 

CMYK 0 / 90 / 0 / 6

HEX #F018F0

RGB 240 24 240

HSL 300, 0.88%, 0.52%

LAB 57.53, 91.97, -57.1

 

CMYK 0 / 0 / 89 / 6

HEX #F0F01B

RGB 240 240 27

HSL 60, 0.88%, 0.52%

LAB 92.1, -20.3, 87.62

 

CMYK 90 / 0 / 72 / 6

HEX #18F043

RGB 24 240 67

HSL 131.94, 0.88%, 0.52%

LAB 83.4, -78.63, 66.42

 

CMYK 90 / 90 / 0 / 6

HEX #1818F0

RGB 24 24 240

HSL 240, 0.88%, 0.52%

LAB 32.12, 71.12, -99.7

 

CMYK 0 / 90 / 18 / 6

HEX #F018C5

RGB 240 24 197

HSL 311.94, 0.88%, 0.52%

LAB 55.29, 86.25, -36.24

 

CMYK 0 / 0 / 89 / 6

HEX #F0F01B

RGB 240 240 27

HSL 60, 0.88%, 0.52%

LAB 92.1, -20.3, 87.62

 

CMYK 90 / 0 / 45 / 6

HEX #18F084

RGB 24 240 132

HSL 150, 0.88%, 0.52%

LAB 84.06, -70.53, 39.08

 

CMYK 90 / 90 / 0 / 6

HEX #1818F0

RGB 24 24 240

HSL 240, 0.88%, 0.52%

LAB 32.12, 71.12, -99.7

 

CMYK 0 / 90 / 45 / 6

HEX #F01884

RGB 240 24 132

HSL 330, 0.88%, 0.52%

LAB 52.78, 79.56, -1.76

 

Description

Color code: HEX #F0F01B | qconv.com Color code: HEX #F0F01B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 240 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 240 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 89 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 89% 6% C M Y K

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