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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0FF5F it is the complementary color #0F00A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0FF5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0FF5F shade: #F5FF5A, #FFFF6D, #FFFF80, #FFFF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0FF5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0FF5F shade: #F0FF5F, #DFED4C, #CEDB39, #BDC926 and #ACB713

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0FF5F shade: #F0FF60, #FFE360, #FFB860, #FF8D60 and #FF6360

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0FF5F shade: #F0FF60, #C5FF60, #9AFF60, #70FF60 and #60FF7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0FF5F shade matches the following richer shades: #F0FF60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0FF5F shade: #F0FF60, #E5F26D, #DBE57A, #D0D887 and #C6CB94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0FF5F shade: #FFB760, #FFE260, #F1FF60, #C7FF60 and #9DFF60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0FF5F shade: #E8FF0E, #ECFF37, #F0FF60, #F4FF8A and #F7FFB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0FF5F shade: #F0FF5F, #60FF8D and #CC60FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0FF5F shade: #F0FF5F, #60F1FF and #FF60F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0FF5F shade: #F0FF5F, #60FF8D, #6E60FF and #FF60D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0FF5F shade: #F0FF5F, #60FFBD, #6E60FF and #FF60A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 63 / 0

HEX #F0FF5F

RGB 240 255 95

HSL 65.63, 1%, 0.69%

LAB 96.36, -24.82, 72.11

 

Complementary color

CMYK 91 / 100 / 0 / 37

HEX #0F00A0

RGB 15 0 160

HSL 245.63, 1%, 0.31%

LAB 18.54, 56.04, -75.36

 

CMYK 4 / 0 / 65 / 0

HEX #F5FF5A

RGB 245 255 90

HSL 63.64, 1%, 0.68%

LAB 96.69, -23.14, 74.49

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 6 / 0 / 63 / 0

HEX #F0FF5F

RGB 240 255 95

HSL 65.63, 1%, 0.69%

LAB 96.36, -24.82, 72.11

 

CMYK 6 / 0 / 68 / 7

HEX #DFED4C

RGB 223 237 76

HSL 65.22, 0.82%, 0.61%

LAB 90.22, -24.16, 72.59

 

CMYK 6 / 0 / 74 / 14

HEX #CEDB39

RGB 206 219 57

HSL 64.81, 0.69%, 0.54%

LAB 84.01, -23.38, 72.64

 

CMYK 6 / 0 / 81 / 21

HEX #BDC926

RGB 189 201 38

HSL 64.42, 0.68%, 0.47%

LAB 77.72, -22.44, 71.99

 

CMYK 6 / 0 / 90 / 28

HEX #ACB713

RGB 172 183 19

HSL 64.02, 0.81%, 0.4%

LAB 71.34, -21.31, 70.24

 

CMYK 6 / 0 / 62 / 0

HEX #F0FF60

RGB 240 255 96

HSL 65.66, 1%, 0.69%

LAB 96.36, -24.76, 71.72

 

CMYK 0 / 11 / 62 / 0

HEX #FFE360

RGB 255 227 96

HSL 49.43, 1%, 0.69%

LAB 90.34, -5.08, 65.63

 

CMYK 0 / 28 / 62 / 0

HEX #FFB860

RGB 255 184 96

HSL 33.21, 1%, 0.69%

LAB 79.83, 17.01, 53.94

 

CMYK 0 / 45 / 62 / 0

HEX #FF8D60

RGB 255 141 96

HSL 16.98, 1%, 0.69%

LAB 70.28, 39.31, 42.74

 

CMYK 0 / 61 / 62 / 0

HEX #FF6360

RGB 255 99 96

HSL 1.13, 1%, 0.69%

LAB 62.53, 59.16, 33.18

 

CMYK 6 / 0 / 62 / 0

HEX #F0FF60

RGB 240 255 96

HSL 65.66, 1%, 0.69%

LAB 96.36, -24.76, 71.72

 

CMYK 23 / 0 / 62 / 0

HEX #C5FF60

RGB 197 255 96

HSL 81.89, 1%, 0.69%

LAB 93.55, -41.16, 67.88

 

CMYK 40 / 0 / 62 / 0

HEX #9AFF60

RGB 154 255 96

HSL 98.11, 1%, 0.69%

LAB 91.34, -55.85, 64.83

 

CMYK 56 / 0 / 62 / 0

HEX #70FF60

RGB 112 255 96

HSL 113.96, 1%, 0.69%

LAB 89.77, -67.5, 62.65

 

CMYK 62 / 0 / 51 / 0

HEX #60FF7C

RGB 96 255 124

HSL 130.57, 1%, 0.69%

LAB 89.61, -67.77, 50.08

 

CMYK 6 / 0 / 62 / 0

HEX #F0FF60

RGB 240 255 96

HSL 65.66, 1%, 0.69%

LAB 96.36, -24.76, 71.72

 

CMYK 6 / 0 / 62 / 0

HEX #F0FF60

RGB 240 255 96

HSL 65.66, 1%, 0.69%

LAB 96.36, -24.76, 71.72

 

CMYK 5 / 0 / 55 / 5

HEX #E5F26D

RGB 229 242 109

HSL 65.86, 0.84%, 0.69%

LAB 92.25, -21.99, 61.56

 

CMYK 4 / 0 / 47 / 10

HEX #DBE57A

RGB 219 229 122

HSL 65.61, 0.67%, 0.69%

LAB 88.21, -18.5, 50.69

 

CMYK 4 / 0 / 38 / 15

HEX #D0D887

RGB 208 216 135

HSL 65.93, 0.51%, 0.69%

LAB 84.11, -14.99, 39.03

 

CMYK 2 / 0 / 27 / 20

HEX #C6CB94

RGB 198 203 148

HSL 65.45, 0.35%, 0.69%

LAB 80.1, -10.62, 26.94

 

CMYK 0 / 28 / 62 / 0

HEX #FFB760

RGB 255 183 96

HSL 32.83, 1%, 0.69%

LAB 79.6, 17.54, 53.67

 

CMYK 0 / 11 / 62 / 0

HEX #FFE260

RGB 255 226 96

HSL 49.06, 1%, 0.69%

LAB 90.09, -4.58, 65.35

 

CMYK 5 / 0 / 62 / 0

HEX #F1FF60

RGB 241 255 96

HSL 65.28, 1%, 0.69%

LAB 96.44, -24.36, 71.82

 

CMYK 22 / 0 / 62 / 0

HEX #C7FF60

RGB 199 255 96

HSL 81.13, 1%, 0.69%

LAB 93.67, -40.43, 68.04

 

CMYK 38 / 0 / 62 / 0

HEX #9DFF60

RGB 157 255 96

HSL 96.98, 1%, 0.69%

LAB 91.47, -54.9, 65.01

 

CMYK 9 / 0 / 95 / 0

HEX #E8FF0E

RGB 232 255 14

HSL 65.73, 1%, 0.53%

LAB 95.46, -30.79, 91.48

 

CMYK 7 / 0 / 78 / 0

HEX #ECFF37

RGB 236 255 55

HSL 65.7, 1%, 0.61%

LAB 95.84, -28.32, 84.78

 

CMYK 6 / 0 / 62 / 0

HEX #F0FF60

RGB 240 255 96

HSL 65.66, 1%, 0.69%

LAB 96.36, -24.76, 71.72

 

CMYK 4 / 0 / 46 / 0

HEX #F4FF8A

RGB 244 255 138

HSL 65.64, 1%, 0.77%

LAB 97.06, -19.9, 54.34

 

CMYK 3 / 0 / 30 / 0

HEX #F7FFB3

RGB 247 255 179

HSL 66.32, 1%, 0.85%

LAB 97.85, -14.27, 35.52

 

CMYK 6 / 0 / 63 / 0

HEX #F0FF5F

RGB 240 255 95

HSL 65.63, 1%, 0.69%

LAB 96.36, -24.82, 72.11

 

CMYK 62 / 0 / 45 / 0

HEX #60FF8D

RGB 96 255 141

HSL 136.98, 1%, 0.69%

LAB 89.83, -65.32, 42.32

 

CMYK 20 / 62 / 0 / 0

HEX #CC60FF

RGB 204 96 255

HSL 280.75, 1%, 0.69%

LAB 60.27, 67.02, -61.35

 

CMYK 6 / 0 / 63 / 0

HEX #F0FF5F

RGB 240 255 95

HSL 65.63, 1%, 0.69%

LAB 96.36, -24.82, 72.11

 

CMYK 62 / 5 / 0 / 0

HEX #60F1FF

RGB 96 241 255

HSL 185.28, 1%, 0.69%

LAB 88.26, -34.46, -18.3

 

CMYK 0 / 62 / 5 / 0

HEX #FF60F1

RGB 255 96 241

HSL 305.28, 1%, 0.69%

LAB 66.5, 76.38, -43.29

 

CMYK 6 / 0 / 63 / 0

HEX #F0FF5F

RGB 240 255 95

HSL 65.63, 1%, 0.69%

LAB 96.36, -24.82, 72.11

 

CMYK 62 / 0 / 45 / 0

HEX #60FF8D

RGB 96 255 141

HSL 136.98, 1%, 0.69%

LAB 89.83, -65.32, 42.32

 

CMYK 57 / 62 / 0 / 0

HEX #6E60FF

RGB 110 96 255

HSL 245.28, 1%, 0.69%

LAB 50.57, 48.36, -77.5

 

CMYK 0 / 62 / 18 / 0

HEX #FF60D2

RGB 255 96 210

HSL 316.98, 1%, 0.69%

LAB 65.18, 71.86, -28.07

 

CMYK 6 / 0 / 63 / 0

HEX #F0FF5F

RGB 240 255 95

HSL 65.63, 1%, 0.69%

LAB 96.36, -24.82, 72.11

 

CMYK 62 / 0 / 26 / 0

HEX #60FFBD

RGB 96 255 189

HSL 155.09, 1%, 0.69%

LAB 90.63, -56.62, 19.42

 

CMYK 57 / 62 / 0 / 0

HEX #6E60FF

RGB 110 96 255

HSL 245.28, 1%, 0.69%

LAB 50.57, 48.36, -77.5

 

CMYK 0 / 62 / 36 / 0

HEX #FF60A2

RGB 255 96 162

HSL 335.09, 1%, 0.69%

LAB 63.54, 65.97, -3.27

 

Description

Color code: HEX #F0FF5F | qconv.com Color code: HEX #F0FF5F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 255 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 255 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 63 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 63% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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