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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F117EA it is the complementary color #0EE815. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F117EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F117EA shade: #F617E5, #FF29F8, #FF3BFF, #FF4DFF and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F117EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F117EA shade: #F117EA, #E005D7, #CF00C4, #BE00B1 and #AD009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F117EA shade: #F117EA, #F117AF, #F11775, #F1173A and #F11717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F117EA shade: #F117EA, #BD17F1, #8317F1, #4817F1 and #1717F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F117EA shade matches the following richer shades: #F117EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F117EA shade: #F117EA, #DD2BD7, #C93FC5, #B653B2 and #A266A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F117EA shade: #8017F1, #BB17F1, #F117ED, #F117B3 and #F11779

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F117EA shade: #AC0AA7, #D30CCD, #F117EA, #F33EED and #F665F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F117EA shade: #F117EA, #F14617 and #17F19E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F117EA shade: #F117EA, #EDF117 and #17EDF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F117EA shade: #F117EA, #F14617, #17F11B and #17C2F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F117EA shade: #F117EA, #F18817, #17F11B and #1780F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 3 / 5

HEX #F117EA

RGB 241 23 234

HSL 301.93, 0.89%, 0.52%

LAB 57.32, 91.4, -54.06

 

Complementary color

CMYK 94 / 0 / 91 / 9

HEX #0EE815

RGB 14 232 21

HSL 121.93, 0.89%, 0.48%

LAB 80.66, -79.37, 75.41

 

CMYK 0 / 91 / 7 / 4

HEX #F617E5

RGB 246 23 229

HSL 304.57, 0.93%, 0.53%

LAB 57.91, 91.57, -50.26

 

CMYK 0 / 84 / 3 / 0

HEX #FF29F8

RGB 255 41 248

HSL 301.96, 1%, 0.58%

LAB 61.33, 93.16, -55.35

 

CMYK 0 / 77 / 0 / 0

HEX #FF3BFF

RGB 255 59 255

HSL 300, 1%, 0.62%

LAB 63.02, 90.35, -56.54

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 90 / 3 / 5

HEX #F117EA

RGB 241 23 234

HSL 301.93, 0.89%, 0.52%

LAB 57.32, 91.4, -54.06

 

CMYK 0 / 98 / 4 / 12

HEX #E005D7

RGB 224 5 215

HSL 302.47, 0.96%, 0.45%

LAB 52.8, 87.47, -50.68

 

CMYK 0 / 100 / 5 / 19

HEX #CF00C4

RGB 207 0 196

HSL 303.19, 1%, 0.41%

LAB 48.57, 82.4, -46.65

 

CMYK 0 / 100 / 7 / 25

HEX #BE00B1

RGB 190 0 177

HSL 304.11, 1%, 0.37%

LAB 44.41, 76.89, -42.34

 

CMYK 0 / 100 / 9 / 32

HEX #AD009E

RGB 173 0 158

HSL 305.2, 1%, 0.34%

LAB 40.17, 71.29, -37.91

 

CMYK 0 / 90 / 3 / 5

HEX #F117EA

RGB 241 23 234

HSL 301.93, 0.89%, 0.52%

LAB 57.32, 91.4, -54.06

 

CMYK 0 / 90 / 27 / 5

HEX #F117AF

RGB 241 23 175

HSL 318.17, 0.89%, 0.52%

LAB 54.46, 84.03, -24.74

 

CMYK 0 / 90 / 51 / 5

HEX #F11775

RGB 241 23 117

HSL 334.13, 0.89%, 0.52%

LAB 52.51, 78.76, 6.93

 

CMYK 0 / 90 / 76 / 5

HEX #F1173A

RGB 241 23 58

HSL 350.37, 0.89%, 0.52%

LAB 51.4, 75.68, 40.87

 

CMYK 0 / 90 / 90 / 5

HEX #F11717

RGB 241 23 23

HSL 0, 0.89%, 0.52%

LAB 51.12, 74.89, 58.03

 

CMYK 0 / 90 / 3 / 5

HEX #F117EA

RGB 241 23 234

HSL 301.93, 0.89%, 0.52%

LAB 57.32, 91.4, -54.06

 

CMYK 22 / 90 / 0 / 5

HEX #BD17F1

RGB 189 23 241

HSL 285.69, 0.89%, 0.52%

LAB 49.23, 84.47, -71.46

 

CMYK 46 / 90 / 0 / 5

HEX #8317F1

RGB 131 23 241

HSL 269.72, 0.89%, 0.52%

LAB 40.88, 77.5, -85.47

 

CMYK 70 / 90 / 0 / 5

HEX #4817F1

RGB 72 23 241

HSL 253.49, 0.89%, 0.52%

LAB 34.68, 73.15, -95.92

 

CMYK 90 / 90 / 0 / 5

HEX #1717F1

RGB 23 23 241

HSL 240, 0.89%, 0.52%

LAB 32.14, 71.65, -100.24

 

CMYK 0 / 90 / 3 / 5

HEX #F117EA

RGB 241 23 234

HSL 301.93, 0.89%, 0.52%

LAB 57.32, 91.4, -54.06

 

CMYK 0 / 90 / 3 / 5

HEX #F117EA

RGB 241 23 234

HSL 301.93, 0.89%, 0.52%

LAB 57.32, 91.4, -54.06

 

CMYK 0 / 81 / 3 / 13

HEX #DD2BD7

RGB 221 43 215

HSL 302.02, 0.72%, 0.52%

LAB 54.03, 81.81, -48.75

 

CMYK 0 / 69 / 2 / 21

HEX #C93FC5

RGB 201 63 197

HSL 301.74, 0.56%, 0.52%

LAB 51.84, 69.15, -42.11

 

CMYK 0 / 54 / 2 / 29

HEX #B653B2

RGB 182 83 178

HSL 302.42, 0.4%, 0.52%

LAB 51.09, 52.84, -32.47

 

CMYK 0 / 37 / 1 / 36

HEX #A266A0

RGB 162 102 160

HSL 302, 0.24%, 0.52%

LAB 51.52, 33.52, -21.49

 

CMYK 47 / 90 / 0 / 5

HEX #8017F1

RGB 128 23 241

HSL 268.9, 0.89%, 0.52%

LAB 40.5, 77.21, -86.11

 

CMYK 22 / 90 / 0 / 5

HEX #BB17F1

RGB 187 23 241

HSL 285.14, 0.89%, 0.52%

LAB 48.92, 84.19, -71.99

 

CMYK 0 / 90 / 2 / 5

HEX #F117ED

RGB 241 23 237

HSL 301.1, 0.89%, 0.52%

LAB 57.49, 91.83, -55.47

 

CMYK 0 / 90 / 26 / 5

HEX #F117B3

RGB 241 23 179

HSL 317.06, 0.89%, 0.52%

LAB 54.62, 84.47, -26.82

 

CMYK 0 / 90 / 50 / 5

HEX #F11779

RGB 241 23 121

HSL 333.03, 0.89%, 0.52%

LAB 52.61, 79.05, 4.66

 

CMYK 0 / 94 / 3 / 33

HEX #AC0AA7

RGB 172 10 167

HSL 301.85, 0.89%, 0.36%

LAB 40.86, 71.36, -42.23

 

CMYK 0 / 94 / 3 / 17

HEX #D30CCD

RGB 211 12 205

HSL 301.81, 0.89%, 0.44%

LAB 50.12, 83.39, -49.35

 

CMYK 0 / 90 / 3 / 5

HEX #F117EA

RGB 241 23 234

HSL 301.93, 0.89%, 0.52%

LAB 57.32, 91.4, -54.06

 

CMYK 0 / 74 / 2 / 5

HEX #F33EED

RGB 243 62 237

HSL 301.99, 0.88%, 0.6%

LAB 60.44, 84.56, -50.76

 

CMYK 0 / 59 / 2 / 4

HEX #F665F1

RGB 246 101 241

HSL 302.07, 0.89%, 0.68%

LAB 65.94, 72.2, -44.26

 

CMYK 0 / 90 / 3 / 5

HEX #F117EA

RGB 241 23 234

HSL 301.93, 0.89%, 0.52%

LAB 57.32, 91.4, -54.06

 

CMYK 0 / 71 / 90 / 5

HEX #F14617

RGB 241 70 23

HSL 12.94, 0.89%, 0.52%

LAB 55.22, 63.36, 60.8

 

CMYK 90 / 0 / 34 / 5

HEX #17F19E

RGB 23 241 158

HSL 157.16, 0.89%, 0.52%

LAB 84.77, -66.08, 27.01

 

CMYK 0 / 90 / 3 / 5

HEX #F117EA

RGB 241 23 234

HSL 301.93, 0.89%, 0.52%

LAB 57.32, 91.4, -54.06

 

CMYK 2 / 0 / 90 / 5

HEX #EDF117

RGB 237 241 23

HSL 61.1, 0.89%, 0.52%

LAB 92.12, -22.08, 88.1

 

CMYK 90 / 2 / 0 / 5

HEX #17EDF1

RGB 23 237 241

HSL 181.1, 0.89%, 0.52%

LAB 85.56, -43.72, -15.15

 

CMYK 0 / 90 / 3 / 5

HEX #F117EA

RGB 241 23 234

HSL 301.93, 0.89%, 0.52%

LAB 57.32, 91.4, -54.06

 

CMYK 0 / 71 / 90 / 5

HEX #F14617

RGB 241 70 23

HSL 12.94, 0.89%, 0.52%

LAB 55.22, 63.36, 60.8

 

CMYK 90 / 0 / 89 / 5

HEX #17F11B

RGB 23 241 27

HSL 121.1, 0.89%, 0.52%

LAB 83.53, -81.16, 76.95

 

CMYK 90 / 20 / 0 / 5

HEX #17C2F1

RGB 23 194 241

HSL 192.94, 0.89%, 0.52%

LAB 72.97, -23.33, -34.34

 

CMYK 0 / 90 / 3 / 5

HEX #F117EA

RGB 241 23 234

HSL 301.93, 0.89%, 0.52%

LAB 57.32, 91.4, -54.06

 

CMYK 0 / 44 / 90 / 5

HEX #F18817

RGB 241 136 23

HSL 31.1, 0.89%, 0.52%

LAB 66.8, 33.47, 69.07

 

CMYK 90 / 0 / 89 / 5

HEX #17F11B

RGB 23 241 27

HSL 121.1, 0.89%, 0.52%

LAB 83.53, -81.16, 76.95

 

CMYK 90 / 47 / 0 / 5

HEX #1780F1

RGB 23 128 241

HSL 211.1, 0.89%, 0.52%

LAB 54, 14.1, -64.33

 

Description

Color code: HEX #F117EA | qconv.com Color code: HEX #F117EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 23 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 23 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 3 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 3% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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