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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F112C1 it is the complementary color #0EED3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F112C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F112C1 shade: #F612BC, #FF24CF, #FF36E2, #FF48F5 and #FF5AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F112C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F112C1 shade: #F112C1, #E000AE, #CF009B, #BE0088 and #AD0075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F112C1 shade: #F112C1, #F11285, #F11249 and #F11212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F112C1 shade: #F112C1, #E512F1, #A912F1, #6D12F1 and #3112F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F112C1 shade matches the following richer shades: #F112C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F112C1 shade: #F112C1, #DD27B5, #C83BAA, #B44F9E and #A06393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F112C1 shade: #A712F1, #E212F1, #F112C4, #F11289 and #F1124E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F112C1 shade: #A70985, #CE0CA4, #F112C1, #F339CB and #F560D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F112C1 shade: #F112C1, #F16B12 and #12F1C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F112C1 shade: #F112C1, #C4F112 and #12C4F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F112C1 shade: #F112C1, #F16B12, #12F13F and #1298F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F112C1 shade: #F112C1, #F1AE12, #12F13F and #1255F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 20 / 5

HEX #F112C1

RGB 241 18 193

HSL 312.91, 0.89%, 0.51%

LAB 55.06, 86.62, -34.28

 

Complementary color

CMYK 94 / 0 / 74 / 7

HEX #0EED3E

RGB 14 237 62

HSL 132.91, 0.89%, 0.49%

LAB 82.38, -78.66, 67.07

 

CMYK 0 / 93 / 24 / 4

HEX #F612BC

RGB 246 18 188

HSL 315.26, 0.93%, 0.52%

LAB 55.74, 86.99, -30.25

 

CMYK 0 / 86 / 19 / 0

HEX #FF24CF

RGB 255 36 207

HSL 313.15, 1%, 0.57%

LAB 59, 88.62, -35.97

 

CMYK 0 / 79 / 11 / 0

HEX #FF36E2

RGB 255 54 226

HSL 308.66, 1%, 0.61%

LAB 61.12, 87.45, -43.39

 

CMYK 0 / 72 / 4 / 0

HEX #FF48F5

RGB 255 72 245

HSL 303.28, 1%, 0.64%

LAB 63.74, 85.29, -49.85

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 93 / 20 / 5

HEX #F112C1

RGB 241 18 193

HSL 312.91, 0.89%, 0.51%

LAB 55.06, 86.62, -34.28

 

CMYK 0 / 100 / 22 / 12

HEX #E000AE

RGB 224 0 174

HSL 313.39, 1%, 0.44%

LAB 50.57, 82.61, -30.42

 

CMYK 0 / 100 / 25 / 19

HEX #CF009B

RGB 207 0 155

HSL 315.07, 1%, 0.41%

LAB 46.49, 77.21, -25.73

 

CMYK 0 / 100 / 28 / 25

HEX #BE0088

RGB 190 0 136

HSL 317.05, 1%, 0.37%

LAB 42.35, 71.74, -20.88

 

CMYK 0 / 100 / 32 / 32

HEX #AD0075

RGB 173 0 117

HSL 319.42, 1%, 0.34%

LAB 38.14, 66.21, -15.83

 

CMYK 0 / 93 / 20 / 5

HEX #F112C1

RGB 241 18 193

HSL 312.91, 0.89%, 0.51%

LAB 55.06, 86.62, -34.28

 

CMYK 0 / 93 / 45 / 5

HEX #F11285

RGB 241 18 133

HSL 329.06, 0.89%, 0.51%

LAB 52.76, 80.57, -2.37

 

CMYK 0 / 93 / 70 / 5

HEX #F11249

RGB 241 18 73

HSL 345.2, 0.89%, 0.51%

LAB 51.4, 76.84, 32.08

 

CMYK 0 / 93 / 93 / 5

HEX #F11212

RGB 241 18 18

HSL 0, 0.89%, 0.51%

LAB 50.89, 75.43, 59.69

 

CMYK 0 / 93 / 20 / 5

HEX #F112C1

RGB 241 18 193

HSL 312.91, 0.89%, 0.51%

LAB 55.06, 86.62, -34.28

 

CMYK 5 / 93 / 0 / 5

HEX #E512F1

RGB 229 18 241

HSL 296.77, 0.89%, 0.51%

LAB 55.52, 91, -60.98

 

CMYK 30 / 93 / 0 / 5

HEX #A912F1

RGB 169 18 241

HSL 280.63, 0.89%, 0.51%

LAB 45.93, 82.53, -76.97

 

CMYK 55 / 93 / 0 / 5

HEX #6D12F1

RGB 109 18 241

HSL 264.48, 0.89%, 0.51%

LAB 37.9, 76.5, -90.47

 

CMYK 80 / 93 / 0 / 5

HEX #3112F1

RGB 49 18 241

HSL 248.34, 0.89%, 0.51%

LAB 32.78, 73.43, -99.14

 

CMYK 0 / 93 / 20 / 5

HEX #F112C1

RGB 241 18 193

HSL 312.91, 0.89%, 0.51%

LAB 55.06, 86.62, -34.28

 

CMYK 0 / 93 / 20 / 5

HEX #F112C1

RGB 241 18 193

HSL 312.91, 0.89%, 0.51%

LAB 55.06, 86.62, -34.28

 

CMYK 0 / 82 / 18 / 13

HEX #DD27B5

RGB 221 39 181

HSL 313.19, 0.73%, 0.51%

LAB 52.02, 78, -32.32

 

CMYK 0 / 71 / 15 / 22

HEX #C83BAA

RGB 200 59 170

HSL 312.77, 0.56%, 0.51%

LAB 49.87, 66.22, -29.49

 

CMYK 0 / 56 / 12 / 29

HEX #B44F9E

RGB 180 79 158

HSL 313.07, 0.4%, 0.51%

LAB 49.21, 50.79, -23.67

 

CMYK 0 / 38 / 8 / 37

HEX #A06393

RGB 160 99 147

HSL 312.79, 0.24%, 0.51%

LAB 50.1, 32.1, -16.03

 

CMYK 31 / 93 / 0 / 5

HEX #A712F1

RGB 167 18 241

HSL 280.09, 0.89%, 0.51%

LAB 45.63, 82.28, -77.48

 

CMYK 6 / 93 / 0 / 5

HEX #E212F1

RGB 226 18 241

HSL 295.96, 0.89%, 0.51%

LAB 55.02, 90.53, -61.81

 

CMYK 0 / 93 / 19 / 5

HEX #F112C4

RGB 241 18 196

HSL 312.11, 0.89%, 0.51%

LAB 55.19, 86.98, -35.79

 

CMYK 0 / 93 / 43 / 5

HEX #F11289

RGB 241 18 137

HSL 327.98, 0.89%, 0.51%

LAB 52.88, 80.9, -4.59

 

CMYK 0 / 93 / 68 / 5

HEX #F1124E

RGB 241 18 78

HSL 343.86, 0.89%, 0.51%

LAB 51.48, 77.06, 29.18

 

CMYK 0 / 95 / 20 / 35

HEX #A70985

RGB 167 9 133

HSL 312.91, 0.9%, 0.35%

LAB 38.03, 65.83, -26.08

 

CMYK 0 / 94 / 20 / 19

HEX #CE0CA4

RGB 206 12 164

HSL 312.99, 0.89%, 0.43%

LAB 47.06, 77.06, -30.24

 

CMYK 0 / 93 / 20 / 5

HEX #F112C1

RGB 241 18 193

HSL 312.91, 0.89%, 0.51%

LAB 55.06, 86.62, -34.28

 

CMYK 0 / 77 / 16 / 5

HEX #F339CB

RGB 243 57 203

HSL 312.9, 0.89%, 0.59%

LAB 58.31, 81.16, -34.91

 

CMYK 0 / 61 / 13 / 4

HEX #F560D5

RGB 245 96 213

HSL 312.89, 0.88%, 0.67%

LAB 63.82, 69.67, -31.98

 

CMYK 0 / 93 / 20 / 5

HEX #F112C1

RGB 241 18 193

HSL 312.91, 0.89%, 0.51%

LAB 55.06, 86.62, -34.28

 

CMYK 0 / 56 / 93 / 5

HEX #F16B12

RGB 241 107 18

HSL 23.95, 0.89%, 0.51%

LAB 61.01, 47.81, 66.15

 

CMYK 93 / 0 / 19 / 5

HEX #12F1C4

RGB 18 241 196

HSL 167.89, 0.89%, 0.51%

LAB 85.52, -57.74, 8.4

 

CMYK 0 / 93 / 20 / 5

HEX #F112C1

RGB 241 18 193

HSL 312.91, 0.89%, 0.51%

LAB 55.06, 86.62, -34.28

 

CMYK 19 / 0 / 93 / 5

HEX #C4F112

RGB 196 241 18

HSL 72.11, 0.89%, 0.51%

LAB 89.25, -38.7, 85.24

 

CMYK 93 / 19 / 0 / 5

HEX #12C4F1

RGB 18 196 241

HSL 192.11, 0.89%, 0.51%

LAB 73.52, -24.54, -33.49

 

CMYK 0 / 93 / 20 / 5

HEX #F112C1

RGB 241 18 193

HSL 312.91, 0.89%, 0.51%

LAB 55.06, 86.62, -34.28

 

CMYK 0 / 56 / 93 / 5

HEX #F16B12

RGB 241 107 18

HSL 23.95, 0.89%, 0.51%

LAB 61.01, 47.81, 66.15

 

CMYK 93 / 0 / 74 / 5

HEX #12F13F

RGB 18 241 63

HSL 132.11, 0.89%, 0.51%

LAB 83.65, -79.53, 68.01

 

CMYK 93 / 37 / 0 / 5

HEX #1298F1

RGB 18 152 241

HSL 203.95, 0.89%, 0.51%

LAB 60.73, -0.59, -53.56

 

CMYK 0 / 93 / 20 / 5

HEX #F112C1

RGB 241 18 193

HSL 312.91, 0.89%, 0.51%

LAB 55.06, 86.62, -34.28

 

CMYK 0 / 28 / 93 / 5

HEX #F1AE12

RGB 241 174 18

HSL 41.97, 0.89%, 0.51%

LAB 75.46, 13.45, 76.38

 

CMYK 93 / 0 / 74 / 5

HEX #12F13F

RGB 18 241 63

HSL 132.11, 0.89%, 0.51%

LAB 83.65, -79.53, 68.01

 

CMYK 93 / 65 / 0 / 5

HEX #1255F1

RGB 18 85 241

HSL 221.97, 0.89%, 0.51%

LAB 42.73, 41.13, -82.68

 

Description

Color code: HEX #F112C1 | qconv.com Color code: HEX #F112C1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 18 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 18 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 20 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 20% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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