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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F130F6 it is the complementary color #0ECF09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F130F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F130F6 shade: #F630F1, #FF42FF, #FF54FF, #FF66FF and #FF78FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F130F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F130F6 shade: #F130F6, #E01EE3, #CF0CD0, #BE00BD and #AD00AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F130F6 shade: #F131F6, #F631C6, #F63191, #F6315B and #F63131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F130F6 shade: #F131F6, #BC31F6, #8731F6, #5231F6 and #3131F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F130F6 shade matches the following richer shades: #F131F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F130F6 shade: #F131F6, #E042E5, #D054D3, #C065C2 and #AF76B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F130F6 shade: #8631F6, #BB31F6, #EF31F6, #F631C8 and #F63193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F130F6 shade: #C708CC, #EE0AF4, #F131F6, #F458F8 and #F680F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F130F6 shade: #F130F6, #F65231 and #31F6A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F130F6 shade: #F130F6, #F6EF31 and #31F6EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F130F6 shade: #F130F6, #F65231, #37F631 and #31D5F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F130F6 shade: #F130F6, #F68D31, #37F631 and #319AF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 80 / 0 / 4

HEX #F130F6

RGB 241 48 246

HSL 298.48, 0.92%, 0.58%

LAB 59.41, 89.01, -57.44

 

Complementary color

CMYK 93 / 0 / 96 / 19

HEX #0ECF09

RGB 14 207 9

HSL 118.48, 0.92%, 0.42%

LAB 72.72, -72.91, 70.24

 

CMYK 0 / 80 / 2 / 4

HEX #F630F1

RGB 246 48 241

HSL 301.52, 0.92%, 0.58%

LAB 59.94, 89.17, -53.75

 

CMYK 0 / 74 / 0 / 0

HEX #FF42FF

RGB 255 66 255

HSL 300, 1%, 0.63%

LAB 63.65, 88.52, -55.53

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 2 / 80 / 0 / 4

HEX #F130F6

RGB 241 48 246

HSL 298.48, 0.92%, 0.58%

LAB 59.41, 89.01, -57.44

 

CMYK 1 / 87 / 0 / 11

HEX #E01EE3

RGB 224 30 227

HSL 299.09, 0.78%, 0.5%

LAB 54.37, 86.59, -55

 

CMYK 0 / 94 / 0 / 18

HEX #CF0CD0

RGB 207 12 208

HSL 299.69, 0.89%, 0.43%

LAB 49.6, 83.16, -51.96

 

CMYK 0 / 100 / 1 / 25

HEX #BE00BD

RGB 190 0 189

HSL 300.32, 1%, 0.37%

LAB 45.11, 78.61, -48.28

 

CMYK 0 / 100 / 2 / 32

HEX #AD00AA

RGB 173 0 170

HSL 301.04, 1%, 0.34%

LAB 40.87, 73.01, -43.99

 

CMYK 2 / 80 / 0 / 4

HEX #F131F6

RGB 241 49 246

HSL 298.48, 0.92%, 0.58%

LAB 59.48, 88.79, -57.32

 

CMYK 0 / 80 / 20 / 4

HEX #F631C6

RGB 246 49 198

HSL 314.62, 0.92%, 0.58%

LAB 57.91, 83.15, -32.64

 

CMYK 0 / 80 / 41 / 4

HEX #F63191

RGB 246 49 145

HSL 330.76, 0.92%, 0.58%

LAB 55.92, 77.41, -4.76

 

CMYK 0 / 80 / 63 / 4

HEX #F6315B

RGB 246 49 91

HSL 347.21, 0.92%, 0.58%

LAB 54.6, 73.46, 25.6

 

CMYK 0 / 80 / 80 / 4

HEX #F63131

RGB 246 49 49

HSL 0, 0.92%, 0.58%

LAB 54.04, 71.73, 48.83

 

CMYK 2 / 80 / 0 / 4

HEX #F131F6

RGB 241 49 246

HSL 298.48, 0.92%, 0.58%

LAB 59.48, 88.79, -57.32

 

CMYK 24 / 80 / 0 / 4

HEX #BC31F6

RGB 188 49 246

HSL 282.34, 0.92%, 0.58%

LAB 51.32, 79.71, -70.89

 

CMYK 45 / 80 / 0 / 4

HEX #8731F6

RGB 135 49 246

HSL 266.19, 0.92%, 0.58%

LAB 44.23, 71.97, -82.75

 

CMYK 67 / 80 / 0 / 4

HEX #5231F6

RGB 82 49 246

HSL 250.05, 0.92%, 0.58%

LAB 38.97, 66.33, -91.6

 

CMYK 80 / 80 / 0 / 4

HEX #3131F6

RGB 49 49 246

HSL 240, 0.92%, 0.58%

LAB 36.94, 64.18, -95.04

 

CMYK 2 / 80 / 0 / 4

HEX #F131F6

RGB 241 49 246

HSL 298.48, 0.92%, 0.58%

LAB 59.48, 88.79, -57.32

 

CMYK 2 / 80 / 0 / 4

HEX #F131F6

RGB 241 49 246

HSL 298.48, 0.92%, 0.58%

LAB 59.48, 88.79, -57.32

 

CMYK 2 / 71 / 0 / 10

HEX #E042E5

RGB 224 66 229

HSL 298.16, 0.76%, 0.58%

LAB 57.46, 78.26, -51.19

 

CMYK 1 / 60 / 0 / 17

HEX #D054D3

RGB 208 84 211

HSL 298.58, 0.59%, 0.58%

LAB 56.54, 64.94, -42.63

 

CMYK 1 / 48 / 0 / 24

HEX #C065C2

RGB 192 101 194

HSL 298.71, 0.43%, 0.58%

LAB 56.49, 49.72, -33.17

 

CMYK 1 / 33 / 0 / 31

HEX #AF76B1

RGB 175 118 177

HSL 297.97, 0.27%, 0.58%

LAB 57.31, 32.17, -22.33

 

CMYK 46 / 80 / 0 / 4

HEX #8631F6

RGB 134 49 246

HSL 265.89, 0.92%, 0.58%

LAB 44.12, 71.84, -82.95

 

CMYK 24 / 80 / 0 / 4

HEX #BB31F6

RGB 187 49 246

HSL 282.03, 0.92%, 0.58%

LAB 51.17, 79.55, -71.13

 

CMYK 3 / 80 / 0 / 4

HEX #EF31F6

RGB 239 49 246

HSL 297.87, 0.92%, 0.58%

LAB 59.16, 88.43, -57.85

 

CMYK 0 / 80 / 19 / 4

HEX #F631C8

RGB 246 49 200

HSL 314.01, 0.92%, 0.58%

LAB 58, 83.4, -33.65

 

CMYK 0 / 80 / 40 / 4

HEX #F63193

RGB 246 49 147

HSL 330.15, 0.92%, 0.58%

LAB 55.98, 77.6, -5.85

 

CMYK 2 / 96 / 0 / 20

HEX #C708CC

RGB 199 8 204

HSL 298.47, 0.92%, 0.42%

LAB 47.85, 81.59, -52.53

 

CMYK 2 / 96 / 0 / 4

HEX #EE0AF4

RGB 238 10 244

HSL 298.46, 0.92%, 0.5%

LAB 57, 93.48, -60.2

 

CMYK 2 / 80 / 0 / 4

HEX #F131F6

RGB 241 49 246

HSL 298.48, 0.92%, 0.58%

LAB 59.48, 88.79, -57.32

 

CMYK 2 / 65 / 0 / 3

HEX #F458F8

RGB 244 88 248

HSL 298.5, 0.92%, 0.66%

LAB 64.15, 77.98, -50.97

 

CMYK 1 / 49 / 0 / 2

HEX #F680F9

RGB 246 128 249

HSL 298.51, 0.91%, 0.74%

LAB 70.78, 61.49, -41.08

 

CMYK 2 / 80 / 0 / 4

HEX #F130F6

RGB 241 48 246

HSL 298.48, 0.92%, 0.58%

LAB 59.41, 89.01, -57.44

 

CMYK 0 / 67 / 80 / 4

HEX #F65231

RGB 246 82 49

HSL 10.05, 0.92%, 0.58%

LAB 57.89, 61.05, 52.57

 

CMYK 80 / 0 / 35 / 4

HEX #31F6A1

RGB 49 246 161

HSL 154.11, 0.92%, 0.58%

LAB 86.57, -65.39, 27.96

 

CMYK 2 / 80 / 0 / 4

HEX #F130F6

RGB 241 48 246

HSL 298.48, 0.92%, 0.58%

LAB 59.41, 89.01, -57.44

 

CMYK 0 / 3 / 80 / 4

HEX #F6EF31

RGB 246 239 49

HSL 57.87, 0.92%, 0.58%

LAB 92.37, -16.84, 83.59

 

CMYK 80 / 0 / 3 / 4

HEX #31F6EF

RGB 49 246 239

HSL 177.87, 0.92%, 0.58%

LAB 88.35, -46.69, -9.9

 

CMYK 2 / 80 / 0 / 4

HEX #F130F6

RGB 241 48 246

HSL 298.48, 0.92%, 0.58%

LAB 59.41, 89.01, -57.44

 

CMYK 0 / 67 / 80 / 4

HEX #F65231

RGB 246 82 49

HSL 10.05, 0.92%, 0.58%

LAB 57.89, 61.05, 52.57

 

CMYK 78 / 0 / 80 / 4

HEX #37F631

RGB 55 246 49

HSL 118.17, 0.92%, 0.58%

LAB 85.48, -78.72, 74.07

 

CMYK 80 / 13 / 0 / 4

HEX #31D5F6

RGB 49 213 246

HSL 190.05, 0.92%, 0.58%

LAB 78.98, -29.49, -27.74

 

CMYK 2 / 80 / 0 / 4

HEX #F130F6

RGB 241 48 246

HSL 298.48, 0.92%, 0.58%

LAB 59.41, 89.01, -57.44

 

CMYK 0 / 43 / 80 / 4

HEX #F68D31

RGB 246 141 49

HSL 28.02, 0.92%, 0.58%

LAB 68.65, 33.52, 62.63

 

CMYK 78 / 0 / 80 / 4

HEX #37F631

RGB 55 246 49

HSL 118.17, 0.92%, 0.58%

LAB 85.48, -78.72, 74.07

 

CMYK 80 / 37 / 0 / 4

HEX #319AF6

RGB 49 154 246

HSL 208.02, 0.92%, 0.58%

LAB 62.01, 2.1, -54.23

 

Description

Color code: HEX #F130F6 | qconv.com Color code: HEX #F130F6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 48 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 48 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 80 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 80% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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