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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F154DC it is the complementary color #0EAB23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F154DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F154DC shade: #F654D7, #FF66EA, #FF78FD, #FF8AFF and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F154DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F154DC shade: #F154DC, #E042C9, #CF30B6, #BE1EA3 and #AD0C90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F154DC shade: #F155DC, #F155B2, #F15588, #F1555E and #F15555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F154DC shade: #F155DC, #DC55F1, #B155F1, #8755F1 and #5D55F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F154DC shade matches the following richer shades: #F155DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F154DC shade: #F155DC, #E264D1, #D372C6, #C481BB and #B590B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F154DC shade: #B255F1, #DC55F1, #F155DC, #F155B2 and #F15589

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F154DC shade: #E112C5, #EE2FD4, #F155DC, #F47BE4 and #F7A1EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F154DC shade: #F154DC, #F18955 and #55F1C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F154DC shade: #F154DC, #DCF155 and #55DCF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F154DC shade: #F154DC, #F18955, #55F169 and #55BDF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F154DC shade: #F154DC, #F1B855, #55F169 and #558EF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 9 / 5

HEX #F154DC

RGB 241 84 220

HSL 308.03, 0.85%, 0.64%

LAB 61.83, 74.4, -39.06

 

Complementary color

CMYK 92 / 0 / 80 / 33

HEX #0EAB23

RGB 14 171 35

HSL 128.03, 0.85%, 0.36%

LAB 61.08, -61.76, 54.89

 

CMYK 0 / 66 / 13 / 4

HEX #F654D7

RGB 246 84 215

HSL 311.48, 0.9%, 0.65%

LAB 62.37, 74.87, -35.35

 

CMYK 0 / 60 / 8 / 0

HEX #FF66EA

RGB 255 102 234

HSL 308.24, 1%, 0.7%

LAB 67.05, 72.93, -38.56

 

CMYK 0 / 53 / 1 / 0

HEX #FF78FD

RGB 255 120 253

HSL 300.89, 1%, 0.74%

LAB 70.72, 68.26, -43.27

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 65 / 9 / 5

HEX #F154DC

RGB 241 84 220

HSL 308.03, 0.85%, 0.64%

LAB 61.83, 74.4, -39.06

 

CMYK 0 / 71 / 10 / 12

HEX #E042C9

RGB 224 66 201

HSL 308.73, 0.72%, 0.57%

LAB 56.05, 73.97, -37.54

 

CMYK 0 / 77 / 12 / 19

HEX #CF30B6

RGB 207 48 182

HSL 309.43, 0.62%, 0.5%

LAB 50.4, 72.96, -35.61

 

CMYK 0 / 84 / 14 / 25

HEX #BE1EA3

RGB 190 30 163

HSL 310.13, 0.73%, 0.43%

LAB 44.97, 71.12, -33.13

 

CMYK 0 / 93 / 17 / 32

HEX #AD0C90

RGB 173 12 144

HSL 310.81, 0.87%, 0.36%

LAB 39.85, 68.11, -29.91

 

CMYK 0 / 65 / 9 / 5

HEX #F155DC

RGB 241 85 220

HSL 308.08, 0.85%, 0.64%

LAB 61.97, 74.03, -38.85

 

CMYK 0 / 65 / 26 / 5

HEX #F155B2

RGB 241 85 178

HSL 324.23, 0.85%, 0.64%

LAB 60.26, 68.25, -17.6

 

CMYK 0 / 65 / 44 / 5

HEX #F15588

RGB 241 85 136

HSL 340.38, 0.85%, 0.64%

LAB 58.95, 63.63, 4.86

 

CMYK 0 / 65 / 61 / 5

HEX #F1555E

RGB 241 85 94

HSL 356.54, 0.85%, 0.64%

LAB 58.04, 60.31, 28.13

 

CMYK 0 / 65 / 65 / 5

HEX #F15555

RGB 241 85 85

HSL 0, 0.85%, 0.64%

LAB 57.9, 59.77, 33.1

 

CMYK 0 / 65 / 9 / 5

HEX #F155DC

RGB 241 85 220

HSL 308.08, 0.85%, 0.64%

LAB 61.97, 74.03, -38.85

 

CMYK 9 / 65 / 0 / 5

HEX #DC55F1

RGB 220 85 241

HSL 291.92, 0.85%, 0.64%

LAB 59.95, 72.58, -53.98

 

CMYK 27 / 65 / 0 / 5

HEX #B155F1

RGB 177 85 241

HSL 275.38, 0.85%, 0.64%

LAB 54.23, 63.2, -63.45

 

CMYK 44 / 65 / 0 / 5

HEX #8755F1

RGB 135 85 241

HSL 259.23, 0.85%, 0.64%

LAB 49.49, 54.76, -71.35

 

CMYK 61 / 65 / 0 / 5

HEX #5D55F1

RGB 93 85 241

HSL 243.08, 0.85%, 0.64%

LAB 45.87, 47.75, -77.41

 

CMYK 0 / 65 / 9 / 5

HEX #F155DC

RGB 241 85 220

HSL 308.08, 0.85%, 0.64%

LAB 61.97, 74.03, -38.85

 

CMYK 0 / 65 / 9 / 5

HEX #F155DC

RGB 241 85 220

HSL 308.08, 0.85%, 0.64%

LAB 61.97, 74.03, -38.85

 

CMYK 0 / 56 / 8 / 11

HEX #E264D1

RGB 226 100 209

HSL 308.1, 0.68%, 0.64%

LAB 61.56, 62.3, -33.46

 

CMYK 0 / 46 / 6 / 17

HEX #D372C6

RGB 211 114 198

HSL 308.04, 0.52%, 0.64%

LAB 61.62, 49.49, -27.3

 

CMYK 0 / 34 / 5 / 23

HEX #C481BB

RGB 196 129 187

HSL 308.06, 0.36%, 0.64%

LAB 62.53, 34.91, -19.84

 

CMYK 0 / 20 / 3 / 29

HEX #B590B0

RGB 181 144 176

HSL 308.11, 0.2%, 0.64%

LAB 64.08, 19.45, -11.43

 

CMYK 26 / 65 / 0 / 5

HEX #B255F1

RGB 178 85 241

HSL 275.77, 0.85%, 0.64%

LAB 54.36, 63.41, -63.25

 

CMYK 9 / 65 / 0 / 5

HEX #DC55F1

RGB 220 85 241

HSL 291.92, 0.85%, 0.64%

LAB 59.95, 72.58, -53.98

 

CMYK 0 / 65 / 9 / 5

HEX #F155DC

RGB 241 85 220

HSL 308.08, 0.85%, 0.64%

LAB 61.97, 74.03, -38.85

 

CMYK 0 / 65 / 26 / 5

HEX #F155B2

RGB 241 85 178

HSL 324.23, 0.85%, 0.64%

LAB 60.26, 68.25, -17.6

 

CMYK 0 / 65 / 43 / 5

HEX #F15589

RGB 241 85 137

HSL 340, 0.85%, 0.64%

LAB 58.98, 63.72, 4.31

 

CMYK 0 / 92 / 12 / 12

HEX #E112C5

RGB 225 18 197

HSL 308.12, 0.85%, 0.48%

LAB 52.37, 84.17, -41.02

 

CMYK 0 / 80 / 11 / 7

HEX #EE2FD4

RGB 238 47 212

HSL 308.17, 0.85%, 0.56%

LAB 57.04, 83.79, -42.1

 

CMYK 0 / 65 / 9 / 5

HEX #F155DC

RGB 241 85 220

HSL 308.08, 0.85%, 0.64%

LAB 61.97, 74.03, -38.85

 

CMYK 0 / 50 / 7 / 4

HEX #F47BE4

RGB 244 123 228

HSL 307.93, 0.85%, 0.72%

LAB 68.75, 59.75, -32.71

 

CMYK 0 / 35 / 5 / 3

HEX #F7A1EB

RGB 247 161 235

HSL 308.37, 0.84%, 0.8%

LAB 76.84, 42.82, -24.1

 

CMYK 0 / 65 / 9 / 5

HEX #F154DC

RGB 241 84 220

HSL 308.03, 0.85%, 0.64%

LAB 61.83, 74.4, -39.06

 

CMYK 0 / 43 / 65 / 5

HEX #F18955

RGB 241 137 85

HSL 20, 0.85%, 0.64%

LAB 67.46, 35.24, 44.63

 

CMYK 65 / 0 / 17 / 5

HEX #55F1C7

RGB 85 241 199

HSL 163.85, 0.85%, 0.64%

LAB 86.49, -50.59, 8.35

 

CMYK 0 / 65 / 9 / 5

HEX #F154DC

RGB 241 84 220

HSL 308.03, 0.85%, 0.64%

LAB 61.83, 74.4, -39.06

 

CMYK 9 / 0 / 65 / 5

HEX #DCF155

RGB 220 241 85

HSL 68.08, 0.85%, 0.64%

LAB 91.14, -26.74, 70.09

 

CMYK 65 / 9 / 0 / 5

HEX #55DCF1

RGB 85 220 241

HSL 188.08, 0.85%, 0.64%

LAB 81.55, -30.15, -21.11

 

CMYK 0 / 65 / 9 / 5

HEX #F154DC

RGB 241 84 220

HSL 308.03, 0.85%, 0.64%

LAB 61.83, 74.4, -39.06

 

CMYK 0 / 43 / 65 / 5

HEX #F18955

RGB 241 137 85

HSL 20, 0.85%, 0.64%

LAB 67.46, 35.24, 44.63

 

CMYK 65 / 0 / 56 / 5

HEX #55F169

RGB 85 241 105

HSL 127.69, 0.85%, 0.64%

LAB 84.93, -67.49, 53.05

 

CMYK 65 / 22 / 0 / 5

HEX #55BDF1

RGB 85 189 241

HSL 200, 0.85%, 0.64%

LAB 72.68, -14.47, -34.7

 

CMYK 0 / 65 / 9 / 5

HEX #F154DC

RGB 241 84 220

HSL 308.03, 0.85%, 0.64%

LAB 61.83, 74.4, -39.06

 

CMYK 0 / 24 / 65 / 5

HEX #F1B855

RGB 241 184 85

HSL 38.08, 0.85%, 0.64%

LAB 78.25, 10.55, 56.86

 

CMYK 65 / 0 / 56 / 5

HEX #55F169

RGB 85 241 105

HSL 127.69, 0.85%, 0.64%

LAB 84.93, -67.49, 53.05

 

CMYK 65 / 41 / 0 / 5

HEX #558EF1

RGB 85 142 241

HSL 218.08, 0.85%, 0.64%

LAB 59.55, 12.1, -55.33

 

Description

Color code: HEX #F154DC | qconv.com Color code: HEX #F154DC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 84 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 84 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 9 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 9% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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