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Color name
HEX #F16476

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F16476 it is the complementary color #0E9B89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F16476. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F16476 shade: #F66471, #FF7684, #FF8897, #FF9AAA and #FFACBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F16476. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F16476 shade: #F16476, #E05263, #CF4050, #BE2E3D and #AD1C2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F16476 shade: #F06576 and #F06565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F16476 shade: #F06576, #F0659C, #F065C2, #F065E7 and #D365F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F16476 shade matches the following richer shades: #F06576 and #FE576C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F16476 shade: #F06576, #E37280, #D5808B, #C78D95 and #BA9B9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F16476 shade: #F065C2, #F0659C, #F06577, #F07765 and #F09C65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F16476 shade: #E91934, #ED3F55, #F06576, #F48A98 and #F7B0B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F16476 shade: #F16476, #E7F065 and #65AFF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F16476 shade: #F16476, #77F065 and #6577F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F16476 shade: #F16476, #E7F065, #65F0DE and #6E65F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F16476 shade: #F16476, #BDF065, #65F0DE and #9865F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 51 / 5

HEX #F16476

RGB 241 100 118

HSL 352.34, 0.83%, 0.67%

LAB 60.89, 55.67, 18.06

 

Complementary color

CMYK 91 / 0 / 12 / 39

HEX #0E9B89

RGB 14 155 137

HSL 172.34, 0.83%, 0.33%

LAB 57.41, -37.95, -0.15

 

CMYK 0 / 59 / 54 / 4

HEX #F66471

RGB 246 100 113

HSL 354.66, 0.89%, 0.68%

LAB 61.57, 56.92, 21.99

 

CMYK 0 / 54 / 48 / 0

HEX #FF7684

RGB 255 118 132

HSL 353.87, 1%, 0.73%

LAB 66.43, 53.33, 18.01

 

CMYK 0 / 47 / 41 / 0

HEX #FF8897

RGB 255 136 151

HSL 352.44, 1%, 0.77%

LAB 70.25, 46.48, 12.65

 

CMYK 0 / 40 / 33 / 0

HEX #FF9AAA

RGB 255 154 170

HSL 350.5, 1%, 0.8%

LAB 74.36, 39.54, 7.95

 

CMYK 0 / 33 / 26 / 0

HEX #FFACBD

RGB 255 172 189

HSL 347.71, 1%, 0.84%

LAB 78.72, 32.65, 3.82

 

CMYK 0 / 59 / 51 / 5

HEX #F16476

RGB 241 100 118

HSL 352.34, 0.83%, 0.67%

LAB 60.89, 55.67, 18.06

 

CMYK 0 / 63 / 56 / 12

HEX #E05263

RGB 224 82 99

HSL 352.82, 0.7%, 0.6%

LAB 54.85, 56.42, 20.48

 

CMYK 0 / 69 / 61 / 19

HEX #CF4050

RGB 207 64 80

HSL 353.29, 0.6%, 0.53%

LAB 48.9, 56.93, 23.37

 

CMYK 0 / 76 / 68 / 25

HEX #BE2E3D

RGB 190 46 61

HSL 353.75, 0.61%, 0.46%

LAB 43.12, 57, 26.87

 

CMYK 0 / 84 / 76 / 32

HEX #AD1C2A

RGB 173 28 42

HSL 354.21, 0.72%, 0.39%

LAB 37.63, 56.32, 31.1

 

CMYK 0 / 58 / 51 / 6

HEX #F06576

RGB 240 101 118

HSL 352.66, 0.82%, 0.67%

LAB 60.91, 54.89, 18.06

 

CMYK 0 / 58 / 58 / 6

HEX #F06565

RGB 240 101 101

HSL 0, 0.82%, 0.67%

LAB 60.58, 53.57, 27.38

 

CMYK 0 / 58 / 51 / 6

HEX #F06576

RGB 240 101 118

HSL 352.66, 0.82%, 0.67%

LAB 60.91, 54.89, 18.06

 

CMYK 0 / 58 / 35 / 6

HEX #F0659C

RGB 240 101 156

HSL 336.26, 0.82%, 0.67%

LAB 61.85, 58.65, -2.55

 

CMYK 0 / 58 / 19 / 6

HEX #F065C2

RGB 240 101 194

HSL 319.86, 0.82%, 0.67%

LAB 63.12, 63.48, -22.4

 

CMYK 0 / 58 / 4 / 6

HEX #F065E7

RGB 240 101 231

HSL 303.88, 0.82%, 0.67%

LAB 64.65, 69.08, -40.81

 

CMYK 12 / 58 / 0 / 6

HEX #D365F0

RGB 211 101 240

HSL 287.48, 0.82%, 0.67%

LAB 61.17, 63.43, -51.55

 

CMYK 0 / 58 / 51 / 6

HEX #F06576

RGB 240 101 118

HSL 352.66, 0.82%, 0.67%

LAB 60.91, 54.89, 18.06

 

CMYK 0 / 66 / 57 / 0

HEX #FE576C

RGB 254 87 108

HSL 352.46, 0.99%, 0.67%

LAB 60.76, 64.51, 24.01

 

CMYK 0 / 58 / 51 / 6

HEX #F06576

RGB 240 101 118

HSL 352.66, 0.82%, 0.67%

LAB 60.91, 54.89, 18.06

 

CMYK 0 / 50 / 44 / 11

HEX #E37280

RGB 227 114 128

HSL 352.57, 0.67%, 0.67%

LAB 61.59, 45.17, 12.95

 

CMYK 0 / 40 / 35 / 16

HEX #D5808B

RGB 213 128 139

HSL 352.24, 0.5%, 0.67%

LAB 62.88, 34.11, 8.23

 

CMYK 0 / 29 / 25 / 22

HEX #C78D95

RGB 199 141 149

HSL 351.72, 0.34%, 0.67%

LAB 64.45, 23.18, 4.58

 

CMYK 0 / 17 / 15 / 27

HEX #BA9B9F

RGB 186 155 159

HSL 352.26, 0.18%, 0.67%

LAB 66.81, 12.13, 2.21

 

CMYK 0 / 58 / 19 / 6

HEX #F065C2

RGB 240 101 194

HSL 319.86, 0.82%, 0.67%

LAB 63.12, 63.48, -22.4

 

CMYK 0 / 58 / 35 / 6

HEX #F0659C

RGB 240 101 156

HSL 336.26, 0.82%, 0.67%

LAB 61.85, 58.65, -2.55

 

CMYK 0 / 58 / 50 / 6

HEX #F06577

RGB 240 101 119

HSL 352.23, 0.82%, 0.67%

LAB 60.93, 54.97, 17.51

 

CMYK 0 / 50 / 58 / 6

HEX #F07765

RGB 240 119 101

HSL 7.77, 0.82%, 0.67%

LAB 63.88, 45.03, 31.64

 

CMYK 0 / 35 / 58 / 6

HEX #F09C65

RGB 240 156 101

HSL 23.74, 0.82%, 0.67%

LAB 71.72, 25.99, 41.44

 

CMYK 0 / 89 / 78 / 9

HEX #E91934

RGB 233 25 52

HSL 352.21, 0.83%, 0.51%

LAB 49.82, 73.22, 42.09

 

CMYK 0 / 73 / 64 / 7

HEX #ED3F55

RGB 237 63 85

HSL 352.41, 0.83%, 0.59%

LAB 54.25, 66.62, 28.37

 

CMYK 0 / 58 / 51 / 6

HEX #F06576

RGB 240 101 118

HSL 352.66, 0.82%, 0.67%

LAB 60.91, 54.89, 18.06

 

CMYK 0 / 43 / 38 / 4

HEX #F48A98

RGB 244 138 152

HSL 352.08, 0.83%, 0.75%

LAB 69.24, 41.7, 10.46

 

CMYK 0 / 29 / 25 / 3

HEX #F7B0B9

RGB 247 176 185

HSL 352.39, 0.82%, 0.83%

LAB 78.65, 27.13, 5.78

 

CMYK 0 / 59 / 51 / 5

HEX #F16476

RGB 241 100 118

HSL 352.34, 0.83%, 0.67%

LAB 60.89, 55.67, 18.06

 

CMYK 4 / 0 / 58 / 6

HEX #E7F065

RGB 231 240 101

HSL 63.88, 0.82%, 0.67%

LAB 91.8, -20.84, 64.54

 

CMYK 58 / 27 / 0 / 6

HEX #65AFF0

RGB 101 175 240

HSL 208.06, 0.82%, 0.67%

LAB 69.27, -4.35, -39.41

 

CMYK 0 / 59 / 51 / 5

HEX #F16476

RGB 241 100 118

HSL 352.34, 0.83%, 0.67%

LAB 60.89, 55.67, 18.06

 

CMYK 50 / 0 / 58 / 6

HEX #77F065

RGB 119 240 101

HSL 112.23, 0.82%, 0.67%

LAB 85.6, -59.76, 55.86

 

CMYK 58 / 50 / 0 / 6

HEX #6577F0

RGB 101 119 240

HSL 232.23, 0.82%, 0.67%

LAB 54.29, 28.48, -63.16

 

CMYK 0 / 59 / 51 / 5

HEX #F16476

RGB 241 100 118

HSL 352.34, 0.83%, 0.67%

LAB 60.89, 55.67, 18.06

 

CMYK 4 / 0 / 58 / 6

HEX #E7F065

RGB 231 240 101

HSL 63.88, 0.82%, 0.67%

LAB 91.8, -20.84, 64.54

 

CMYK 58 / 0 / 8 / 6

HEX #65F0DE

RGB 101 240 222

HSL 172.23, 0.82%, 0.67%

LAB 87.17, -41.86, -2.64

 

CMYK 54 / 58 / 0 / 6

HEX #6E65F0

RGB 110 101 240

HSL 243.88, 0.82%, 0.67%

LAB 50.59, 40.91, -69.12

 

CMYK 0 / 59 / 51 / 5

HEX #F16476

RGB 241 100 118

HSL 352.34, 0.83%, 0.67%

LAB 60.89, 55.67, 18.06

 

CMYK 21 / 0 / 58 / 6

HEX #BDF065

RGB 189 240 101

HSL 82.01, 0.82%, 0.67%

LAB 88.96, -37.03, 60.59

 

CMYK 58 / 0 / 8 / 6

HEX #65F0DE

RGB 101 240 222

HSL 172.23, 0.82%, 0.67%

LAB 87.17, -41.86, -2.64

 

CMYK 37 / 58 / 0 / 6

HEX #9865F0

RGB 152 101 240

HSL 262.01, 0.82%, 0.67%

LAB 54.32, 49.5, -62.91

 

Description

Color code: HEX #F16476 | qconv.com Color code: HEX #F16476 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 100 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 100 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 51 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 51% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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