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Color name
HEX #F16FAC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F16FAC it is the complementary color #0E9053. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F16FAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F16FAC shade: #F66FA7, #FF81BA, #FF93CD, #FFA5E0 and #FFB7F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F16FAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F16FAC shade: #F16FAC, #E05D99, #CF4B86, #BE3973 and #AD2760

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F16FAC shade: #F06FAB, #F06F88 and #F06F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F16FAC shade: #F06FAB, #F06FCE, #EF6FF0, #CC6FF0 and #A96FF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F16FAC shade matches the following richer shades: #F06FAB and #FD62AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F16FAC shade: #F06FAB, #E37BAC, #D788AD, #CA95AE and #BDA2AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F16FAC shade: #EE6FF0, #F06FD0, #F06FAD, #F06F8B and #F0756F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F16FAC shade: #E92480, #ED4996, #F06FAB, #F494C1 and #F8BAD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F16FAC shade: #F16FAC, #F0CC6F and #6FE1F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F16FAC shade: #F16FAC, #ADF06F and #6FADF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F16FAC shade: #F16FAC, #F0CC6F, #6FF0B2 and #6F93F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F16FAC shade: #F16FAC, #EEF06F, #6FF0B2 and #716FF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 29 / 5

HEX #F16FAC

RGB 241 111 172

HSL 331.85, 0.82%, 0.69%

LAB 64.2, 56.33, -8.24

 

Complementary color

CMYK 90 / 0 / 42 / 44

HEX #0E9053

RGB 14 144 83

HSL 151.85, 0.82%, 0.31%

LAB 52.58, -46.77, 23.55

 

CMYK 0 / 55 / 32 / 4

HEX #F66FA7

RGB 246 111 167

HSL 335.11, 0.88%, 0.7%

LAB 64.77, 57.29, -4.47

 

CMYK 0 / 49 / 27 / 0

HEX #FF81BA

RGB 255 129 186

HSL 332.86, 1%, 0.75%

LAB 69.83, 54.04, -7.56

 

CMYK 0 / 42 / 20 / 0

HEX #FF93CD

RGB 255 147 205

HSL 327.78, 1%, 0.79%

LAB 73.89, 47.78, -12.05

 

CMYK 0 / 35 / 12 / 0

HEX #FFA5E0

RGB 255 165 224

HSL 320.67, 1%, 0.82%

LAB 78.2, 41.49, -15.98

 

CMYK 0 / 28 / 5 / 0

HEX #FFB7F3

RGB 255 183 243

HSL 310, 1%, 0.86%

LAB 82.7, 35.27, -19.43

 

CMYK 0 / 54 / 29 / 5

HEX #F16FAC

RGB 241 111 172

HSL 331.85, 0.82%, 0.69%

LAB 64.2, 56.33, -8.24

 

CMYK 0 / 58 / 32 / 12

HEX #E05D99

RGB 224 93 153

HSL 332.52, 0.68%, 0.62%

LAB 58.01, 56.93, -6.76

 

CMYK 0 / 64 / 35 / 19

HEX #CF4B86

RGB 207 75 134

HSL 333.18, 0.58%, 0.55%

LAB 51.86, 57.33, -4.98

 

CMYK 0 / 70 / 39 / 25

HEX #BE3973

RGB 190 57 115

HSL 333.83, 0.54%, 0.48%

LAB 45.79, 57.39, -2.78

 

CMYK 0 / 77 / 45 / 32

HEX #AD2760

RGB 173 39 96

HSL 334.48, 0.63%, 0.42%

LAB 39.88, 56.87, 0.02

 

CMYK 0 / 54 / 29 / 6

HEX #F06FAB

RGB 240 111 171

HSL 332.09, 0.81%, 0.69%

LAB 64.03, 55.9, -7.94

 

CMYK 0 / 54 / 43 / 6

HEX #F06F88

RGB 240 111 136

HSL 348.37, 0.81%, 0.69%

LAB 63.07, 51.92, 10.71

 

CMYK 0 / 54 / 54 / 6

HEX #F06F6F

RGB 240 111 111

HSL 0, 0.81%, 0.69%

LAB 62.54, 49.67, 24.28

 

CMYK 0 / 54 / 29 / 6

HEX #F06FAB

RGB 240 111 171

HSL 332.09, 0.81%, 0.69%

LAB 64.03, 55.9, -7.94

 

CMYK 0 / 54 / 14 / 6

HEX #F06FCE

RGB 240 111 206

HSL 315.81, 0.81%, 0.69%

LAB 65.24, 60.75, -25.92

 

CMYK 0 / 54 / 0 / 6

HEX #EF6FF0

RGB 239 111 240

HSL 299.53, 0.81%, 0.69%

LAB 66.53, 65.94, -42.86

 

CMYK 15 / 54 / 0 / 6

HEX #CC6FF0

RGB 204 111 240

HSL 283.26, 0.81%, 0.69%

LAB 62.08, 56.9, -50.17

 

CMYK 30 / 54 / 0 / 6

HEX #A96FF0

RGB 169 111 240

HSL 266.98, 0.81%, 0.69%

LAB 58.13, 48.1, -56.7

 

CMYK 0 / 54 / 29 / 6

HEX #F06FAB

RGB 240 111 171

HSL 332.09, 0.81%, 0.69%

LAB 64.03, 55.9, -7.94

 

CMYK 0 / 61 / 32 / 1

HEX #FD62AB

RGB 253 98 171

HSL 331.74, 0.97%, 0.69%

LAB 63.8, 65.56, -8.07

 

CMYK 0 / 54 / 29 / 6

HEX #F06FAB

RGB 240 111 171

HSL 332.09, 0.81%, 0.69%

LAB 64.03, 55.9, -7.94

 

CMYK 0 / 46 / 24 / 11

HEX #E37BAC

RGB 227 123 172

HSL 331.73, 0.65%, 0.69%

LAB 64.54, 45.98, -7.93

 

CMYK 0 / 37 / 20 / 16

HEX #D788AD

RGB 215 136 173

HSL 331.9, 0.5%, 0.69%

LAB 65.81, 35.27, -6.78

 

CMYK 0 / 26 / 14 / 21

HEX #CA95AE

RGB 202 149 174

HSL 331.7, 0.33%, 0.69%

LAB 67.36, 23.78, -5.2

 

CMYK 0 / 14 / 7 / 26

HEX #BDA2AF

RGB 189 162 175

HSL 331.11, 0.17%, 0.69%

LAB 69.29, 12.11, -3.05

 

CMYK 1 / 54 / 0 / 6

HEX #EE6FF0

RGB 238 111 240

HSL 299.07, 0.81%, 0.69%

LAB 66.4, 65.69, -43.08

 

CMYK 0 / 54 / 13 / 6

HEX #F06FD0

RGB 240 111 208

HSL 314.88, 0.81%, 0.69%

LAB 65.32, 61.05, -26.92

 

CMYK 0 / 54 / 28 / 6

HEX #F06FAD

RGB 240 111 173

HSL 331.16, 0.81%, 0.69%

LAB 64.09, 56.15, -8.99

 

CMYK 0 / 54 / 42 / 6

HEX #F06F8B

RGB 240 111 139

HSL 346.98, 0.81%, 0.69%

LAB 63.14, 52.23, 9.09

 

CMYK 0 / 51 / 54 / 6

HEX #F0756F

RGB 240 117 111

HSL 2.79, 0.81%, 0.69%

LAB 63.67, 46.78, 25.77

 

CMYK 0 / 85 / 45 / 9

HEX #E92480

RGB 233 36 128

HSL 331.98, 0.82%, 0.53%

LAB 52, 75.67, -0.65

 

CMYK 0 / 69 / 37 / 7

HEX #ED4996

RGB 237 73 150

HSL 331.83, 0.82%, 0.61%

LAB 57.05, 68.42, -6.22

 

CMYK 0 / 54 / 29 / 6

HEX #F06FAB

RGB 240 111 171

HSL 332.09, 0.81%, 0.69%

LAB 64.03, 55.9, -7.94

 

CMYK 0 / 39 / 21 / 4

HEX #F494C1

RGB 244 148 193

HSL 331.88, 0.81%, 0.77%

LAB 72.4, 41.88, -7.79

 

CMYK 0 / 25 / 13 / 3

HEX #F8BAD7

RGB 248 186 215

HSL 331.94, 0.82%, 0.85%

LAB 81.83, 26.69, -5.78

 

CMYK 0 / 54 / 29 / 5

HEX #F16FAC

RGB 241 111 172

HSL 331.85, 0.82%, 0.69%

LAB 64.2, 56.33, -8.24

 

CMYK 0 / 15 / 54 / 6

HEX #F0CC6F

RGB 240 204 111

HSL 43.26, 0.81%, 0.69%

LAB 83.37, 1.55, 50.53

 

CMYK 54 / 6 / 0 / 6

HEX #6FE1F0

RGB 111 225 240

HSL 186.98, 0.81%, 0.69%

LAB 83.72, -28.32, -17.23

 

CMYK 0 / 54 / 29 / 5

HEX #F16FAC

RGB 241 111 172

HSL 331.85, 0.82%, 0.69%

LAB 64.2, 56.33, -8.24

 

CMYK 28 / 0 / 54 / 6

HEX #ADF06F

RGB 173 240 111

HSL 91.16, 0.81%, 0.69%

LAB 88.14, -41.87, 54.99

 

CMYK 54 / 28 / 0 / 6

HEX #6FADF0

RGB 111 173 240

HSL 211.16, 0.81%, 0.69%

LAB 69.15, -1.21, -39.56

 

CMYK 0 / 54 / 29 / 5

HEX #F16FAC

RGB 241 111 172

HSL 331.85, 0.82%, 0.69%

LAB 64.2, 56.33, -8.24

 

CMYK 0 / 15 / 54 / 6

HEX #F0CC6F

RGB 240 204 111

HSL 43.26, 0.81%, 0.69%

LAB 83.37, 1.55, 50.53

 

CMYK 54 / 0 / 26 / 6

HEX #6FF0B2

RGB 111 240 178

HSL 151.16, 0.81%, 0.69%

LAB 86.46, -49.79, 19.32

 

CMYK 54 / 39 / 0 / 6

HEX #6F93F0

RGB 111 147 240

HSL 223.26, 0.81%, 0.69%

LAB 62.12, 13.71, -50.63

 

CMYK 0 / 54 / 29 / 5

HEX #F16FAC

RGB 241 111 172

HSL 331.85, 0.82%, 0.69%

LAB 64.2, 56.33, -8.24

 

CMYK 1 / 0 / 54 / 6

HEX #EEF06F

RGB 238 240 111

HSL 60.93, 0.81%, 0.69%

LAB 92.42, -17.32, 61.05

 

CMYK 54 / 0 / 26 / 6

HEX #6FF0B2

RGB 111 240 178

HSL 151.16, 0.81%, 0.69%

LAB 86.46, -49.79, 19.32

 

CMYK 53 / 54 / 0 / 6

HEX #716FF0

RGB 113 111 240

HSL 240.93, 0.81%, 0.69%

LAB 53.14, 35.57, -64.98

 

Description

Color code: HEX #F16FAC | qconv.com Color code: HEX #F16FAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 111 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 111 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 29% 5% C M Y K

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Provide designers and agencies with accurate color values.

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