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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F17CB9 it is the complementary color #0E8346. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F17CB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F17CB9 shade: #F67CB4, #FF8EC7, #FFA0DA, #FFB2ED and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F17CB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F17CB9 shade: #F17CB9, #E06AA6, #CF5893, #BE4680 and #AD346D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F17CB9 shade: #F17DBA, #F17D9A and #F17D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F17CB9 shade: #F17DBA, #F17DD9, #EA7DF1, #CB7DF1 and #AC7DF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F17CB9 shade matches the following richer shades: #F17DBA and #FC72BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F17CB9 shade: #F17DBA, #E589B9, #DA94B9, #CEA0B8 and #C3ABB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F17CB9 shade: #E97DF1, #F17DDA, #F17DBB, #F17D9C and #F17D7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F17CB9 shade: #E93392, #ED58A6, #F17DBA, #F5A3CD and #F9C8E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F17CB9 shade: #F17CB9, #F1CA7D and #7DE9F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F17CB9 shade: #F17CB9, #BBF17D and #7DBBF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F17CB9 shade: #F17CB9, #F1CA7D, #7DF1B3 and #7DA4F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F17CB9 shade: #F17CB9, #F1ED7D, #7DF1B3 and #7D81F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 23 / 5

HEX #F17CB9

RGB 241 124 185

HSL 328.72, 0.81%, 0.72%

LAB 66.99, 51.85, -11.43

 

Complementary color

CMYK 89 / 0 / 47 / 49

HEX #0E8346

RGB 14 131 70

HSL 148.72, 0.81%, 0.28%

LAB 47.97, -44.47, 24.69

 

CMYK 0 / 50 / 27 / 4

HEX #F67CB4

RGB 246 124 180

HSL 332.46, 0.87%, 0.73%

LAB 67.5, 52.78, -7.78

 

CMYK 0 / 44 / 22 / 0

HEX #FF8EC7

RGB 255 142 199

HSL 329.73, 1%, 0.78%

LAB 72.71, 49.42, -10.5

 

CMYK 0 / 37 / 15 / 0

HEX #FFA0DA

RGB 255 160 218

HSL 323.37, 1%, 0.81%

LAB 76.96, 43.12, -14.58

 

CMYK 0 / 30 / 7 / 0

HEX #FFB2ED

RGB 255 178 237

HSL 314.03, 1%, 0.85%

LAB 81.41, 36.86, -18.16

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 49 / 23 / 5

HEX #F17CB9

RGB 241 124 185

HSL 328.72, 0.81%, 0.72%

LAB 66.99, 51.85, -11.43

 

CMYK 0 / 53 / 26 / 12

HEX #E06AA6

RGB 224 106 166

HSL 329.49, 0.66%, 0.65%

LAB 60.7, 52.57, -10.28

 

CMYK 0 / 57 / 29 / 19

HEX #CF5893

RGB 207 88 147

HSL 330.25, 0.55%, 0.58%

LAB 54.4, 53.19, -8.91

 

CMYK 0 / 63 / 33 / 25

HEX #BE4680

RGB 190 70 128

HSL 331, 0.48%, 0.51%

LAB 48.12, 53.62, -7.24

 

CMYK 0 / 70 / 37 / 32

HEX #AD346D

RGB 173 52 109

HSL 331.74, 0.54%, 0.44%

LAB 41.91, 53.7, -5.14

 

CMYK 0 / 48 / 23 / 5

HEX #F17DBA

RGB 241 125 186

HSL 328.45, 0.81%, 0.72%

LAB 67.21, 51.5, -11.66

 

CMYK 0 / 48 / 36 / 5

HEX #F17D9A

RGB 241 125 154

HSL 345, 0.81%, 0.72%

LAB 66.29, 47.42, 5.06

 

CMYK 0 / 48 / 48 / 5

HEX #F17D7D

RGB 241 125 125

HSL 0, 0.81%, 0.72%

LAB 65.63, 44.4, 20.55

 

CMYK 0 / 48 / 23 / 5

HEX #F17DBA

RGB 241 125 186

HSL 328.45, 0.81%, 0.72%

LAB 67.21, 51.5, -11.66

 

CMYK 0 / 48 / 10 / 5

HEX #F17DD9

RGB 241 125 217

HSL 312.41, 0.81%, 0.72%

LAB 68.3, 56.15, -27.35

 

CMYK 3 / 48 / 0 / 5

HEX #EA7DF1

RGB 234 125 241

HSL 296.38, 0.81%, 0.72%

LAB 68.4, 58.23, -40.53

 

CMYK 16 / 48 / 0 / 5

HEX #CB7DF1

RGB 203 125 241

HSL 280.34, 0.81%, 0.72%

LAB 64.74, 49.73, -46.53

 

CMYK 29 / 48 / 0 / 5

HEX #AC7DF1

RGB 172 125 241

HSL 264.31, 0.81%, 0.72%

LAB 61.47, 41.46, -51.91

 

CMYK 0 / 48 / 23 / 5

HEX #F17DBA

RGB 241 125 186

HSL 328.45, 0.81%, 0.72%

LAB 67.21, 51.5, -11.66

 

CMYK 0 / 55 / 26 / 1

HEX #FC72BA

RGB 252 114 186

HSL 328.7, 0.96%, 0.72%

LAB 66.73, 60.13, -12.23

 

CMYK 0 / 48 / 23 / 5

HEX #F17DBA

RGB 241 125 186

HSL 328.45, 0.81%, 0.72%

LAB 67.21, 51.5, -11.66

 

CMYK 0 / 40 / 19 / 10

HEX #E589B9

RGB 229 137 185

HSL 328.7, 0.64%, 0.72%

LAB 68.06, 41.35, -9.99

 

CMYK 0 / 32 / 15 / 15

HEX #DA94B9

RGB 218 148 185

HSL 328.29, 0.49%, 0.72%

LAB 69.18, 31.76, -8.47

 

CMYK 0 / 22 / 11 / 19

HEX #CEA0B8

RGB 206 160 184

HSL 328.7, 0.32%, 0.72%

LAB 70.68, 20.86, -5.81

 

CMYK 0 / 12 / 6 / 24

HEX #C3ABB8

RGB 195 171 184

HSL 327.5, 0.17%, 0.72%

LAB 72.35, 10.93, -3.46

 

CMYK 3 / 48 / 0 / 5

HEX #E97DF1

RGB 233 125 241

HSL 295.86, 0.81%, 0.72%

LAB 68.27, 57.95, -40.74

 

CMYK 0 / 48 / 10 / 5

HEX #F17DDA

RGB 241 125 218

HSL 311.9, 0.81%, 0.72%

LAB 68.34, 56.31, -27.85

 

CMYK 0 / 48 / 22 / 5

HEX #F17DBB

RGB 241 125 187

HSL 327.93, 0.81%, 0.72%

LAB 67.24, 51.64, -12.18

 

CMYK 0 / 48 / 35 / 5

HEX #F17D9C

RGB 241 125 156

HSL 343.97, 0.81%, 0.72%

LAB 66.34, 47.65, 4

 

CMYK 0 / 48 / 48 / 5

HEX #F17D7D

RGB 241 125 125

HSL 0, 0.81%, 0.72%

LAB 65.63, 44.4, 20.55

 

CMYK 0 / 78 / 37 / 9

HEX #E93392

RGB 233 51 146

HSL 328.68, 0.81%, 0.56%

LAB 53.78, 73.85, -8.8

 

CMYK 0 / 63 / 30 / 7

HEX #ED58A6

RGB 237 88 166

HSL 328.59, 0.81%, 0.64%

LAB 59.65, 64.48, -11.66

 

CMYK 0 / 48 / 23 / 5

HEX #F17DBA

RGB 241 125 186

HSL 328.45, 0.81%, 0.72%

LAB 67.21, 51.5, -11.66

 

CMYK 0 / 33 / 16 / 4

HEX #F5A3CD

RGB 245 163 205

HSL 329.27, 0.8%, 0.8%

LAB 76.08, 36.21, -8.91

 

CMYK 0 / 20 / 10 / 2

HEX #F9C8E1

RGB 249 200 225

HSL 329.39, 0.8%, 0.88%

LAB 85.45, 21.28, -5.77

 

CMYK 0 / 49 / 23 / 5

HEX #F17CB9

RGB 241 124 185

HSL 328.72, 0.81%, 0.72%

LAB 66.99, 51.85, -11.43

 

CMYK 0 / 16 / 48 / 5

HEX #F1CA7D

RGB 241 202 125

HSL 39.83, 0.81%, 0.72%

LAB 83.14, 4.2, 43.4

 

CMYK 48 / 3 / 0 / 5

HEX #7DE9F1

RGB 125 233 241

HSL 184.14, 0.81%, 0.72%

LAB 86.5, -29.04, -13.52

 

CMYK 0 / 49 / 23 / 5

HEX #F17CB9

RGB 241 124 185

HSL 328.72, 0.81%, 0.72%

LAB 66.99, 51.85, -11.43

 

CMYK 22 / 0 / 48 / 5

HEX #BBF17D

RGB 187 241 125

HSL 87.93, 0.81%, 0.72%

LAB 89.37, -35.9, 50.19

 

CMYK 48 / 22 / 0 / 5

HEX #7DBBF1

RGB 125 187 241

HSL 207.93, 0.81%, 0.72%

LAB 73.71, -5.52, -32.98

 

CMYK 0 / 49 / 23 / 5

HEX #F17CB9

RGB 241 124 185

HSL 328.72, 0.81%, 0.72%

LAB 66.99, 51.85, -11.43

 

CMYK 0 / 16 / 48 / 5

HEX #F1CA7D

RGB 241 202 125

HSL 39.83, 0.81%, 0.72%

LAB 83.14, 4.2, 43.4

 

CMYK 48 / 0 / 26 / 5

HEX #7DF1B3

RGB 125 241 179

HSL 147.93, 0.81%, 0.72%

LAB 87.25, -46.75, 19.98

 

CMYK 48 / 32 / 0 / 5

HEX #7DA4F1

RGB 125 164 241

HSL 219.83, 0.81%, 0.72%

LAB 67.47, 7.28, -42.68

 

CMYK 0 / 49 / 23 / 5

HEX #F17CB9

RGB 241 124 185

HSL 328.72, 0.81%, 0.72%

LAB 66.99, 51.85, -11.43

 

CMYK 0 / 2 / 48 / 5

HEX #F1ED7D

RGB 241 237 125

HSL 57.93, 0.81%, 0.72%

LAB 92.02, -13.51, 54.27

 

CMYK 48 / 0 / 26 / 5

HEX #7DF1B3

RGB 125 241 179

HSL 147.93, 0.81%, 0.72%

LAB 87.25, -46.75, 19.98

 

CMYK 48 / 46 / 0 / 5

HEX #7D81F1

RGB 125 129 241

HSL 237.93, 0.81%, 0.72%

LAB 58.43, 27.7, -57

 

Description

Color code: HEX #F17CB9 | qconv.com Color code: HEX #F17CB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 124 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 124 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 23 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 23% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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