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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F17D3C it is the complementary color #0E82C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F17D3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F17D3C shade: #F67D37, #FF8F4A, #FFA15D, #FFB370 and #FFC583

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F17D3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F17D3C shade: #F17D3C, #E06B29, #CF5916, #BE4703 and #AD3500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F17D3C shade: #F17C3B, #F14B3B and #F13B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F17D3C shade: #F17C3B, #F1AD3B, #F1DE3B, #D2F13B and #A1F13B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F17D3C shade matches the following richer shades: #F17C3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F17D3C shade: #F17C3B, #E0814C, #CF865D, #BE8B6E and #AD8F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F17D3C shade: #F13B5C, #F14A3B, #F17B3B, #F1AB3B and #F1DC3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F17D3C shade: #CC520E, #EE6314, #F17C3B, #F49662 and #F6B088

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F17D3C shade: #F17D3C, #8DF13B and #3B44F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F17D3C shade: #F17D3C, #3BF17B and #7B3BF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F17D3C shade: #F17D3C, #8DF13B, #3BB1F1 and #9F3BF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F17D3C shade: #F17D3C, #56F13B, #3BB1F1 and #D63BF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 75 / 5

HEX #F17D3C

RGB 241 125 60

HSL 21.55, 0.87%, 0.59%

LAB 64.72, 40.1, 53.91

 

Complementary color

CMYK 93 / 33 / 0 / 24

HEX #0E82C3

RGB 14 130 195

HSL 201.55, 0.87%, 0.41%

LAB 51.84, -5.19, -41.88

 

CMYK 0 / 49 / 78 / 4

HEX #F67D37

RGB 246 125 55

HSL 21.99, 0.91%, 0.59%

LAB 65.39, 41.85, 57.06

 

CMYK 0 / 44 / 71 / 0

HEX #FF8F4A

RGB 255 143 74

HSL 22.87, 1%, 0.65%

LAB 70.45, 37.07, 53.94

 

CMYK 0 / 37 / 64 / 0

HEX #FFA15D

RGB 255 161 93

HSL 25.19, 1%, 0.68%

LAB 74.53, 28.84, 49.29

 

CMYK 0 / 30 / 56 / 0

HEX #FFB370

RGB 255 179 112

HSL 28.11, 1%, 0.72%

LAB 78.85, 20.76, 44.94

 

CMYK 0 / 23 / 49 / 0

HEX #FFC583

RGB 255 197 131

HSL 31.94, 1%, 0.76%

LAB 83.35, 12.95, 40.93

 

CMYK 0 / 48 / 75 / 5

HEX #F17D3C

RGB 241 125 60

HSL 21.55, 0.87%, 0.59%

LAB 64.72, 40.1, 53.91

 

CMYK 0 / 52 / 82 / 12

HEX #E06B29

RGB 224 107 41

HSL 21.64, 0.75%, 0.52%

LAB 58.53, 41.84, 55.48

 

CMYK 0 / 57 / 89 / 19

HEX #CF5916

RGB 207 89 22

HSL 21.73, 0.81%, 0.45%

LAB 52.36, 43.67, 56.42

 

CMYK 0 / 63 / 98 / 25

HEX #BE4703

RGB 190 71 3

HSL 21.82, 0.97%, 0.38%

LAB 46.26, 45.49, 56.1

 

CMYK 0 / 69 / 100 / 32

HEX #AD3500

RGB 173 53 0

HSL 18.38, 1%, 0.34%

LAB 40.3, 47.15, 52.18

 

CMYK 0 / 49 / 76 / 5

HEX #F17C3B

RGB 241 124 59

HSL 21.43, 0.87%, 0.59%

LAB 64.51, 40.57, 54.15

 

CMYK 0 / 69 / 76 / 5

HEX #F14B3B

RGB 241 75 59

HSL 5.27, 0.87%, 0.59%

LAB 56.14, 62.45, 45.44

 

CMYK 0 / 76 / 76 / 5

HEX #F13B3B

RGB 241 59 59

HSL 0, 0.87%, 0.59%

LAB 54.18, 67.86, 43.33

 

CMYK 0 / 49 / 76 / 5

HEX #F17C3B

RGB 241 124 59

HSL 21.43, 0.87%, 0.59%

LAB 64.51, 40.57, 54.15

 

CMYK 0 / 28 / 76 / 5

HEX #F1AD3B

RGB 241 173 59

HSL 37.58, 0.87%, 0.59%

LAB 75.39, 15.03, 64.89

 

CMYK 0 / 8 / 76 / 5

HEX #F1DE3B

RGB 241 222 59

HSL 53.74, 0.87%, 0.59%

LAB 87.61, -10.22, 76.36

 

CMYK 13 / 0 / 76 / 5

HEX #D2F13B

RGB 210 241 59

HSL 70.22, 0.87%, 0.59%

LAB 90.29, -32.04, 77.97

 

CMYK 33 / 0 / 76 / 5

HEX #A1F13B

RGB 161 241 59

HSL 86.37, 0.87%, 0.59%

LAB 87.39, -50.42, 74.21

 

CMYK 0 / 49 / 76 / 5

HEX #F17C3B

RGB 241 124 59

HSL 21.43, 0.87%, 0.59%

LAB 64.51, 40.57, 54.15

 

CMYK 0 / 49 / 76 / 5

HEX #F17C3B

RGB 241 124 59

HSL 21.43, 0.87%, 0.59%

LAB 64.51, 40.57, 54.15

 

CMYK 0 / 42 / 66 / 12

HEX #E0814C

RGB 224 129 76

HSL 21.49, 0.7%, 0.59%

LAB 63.4, 32.12, 43.96

 

CMYK 0 / 35 / 55 / 19

HEX #CF865D

RGB 207 134 93

HSL 21.58, 0.54%, 0.59%

LAB 62.6, 23.76, 33.5

 

CMYK 0 / 27 / 42 / 25

HEX #BE8B6E

RGB 190 139 110

HSL 21.75, 0.38%, 0.59%

LAB 62.12, 15.71, 23.13

 

CMYK 0 / 17 / 27 / 32

HEX #AD8F7F

RGB 173 143 127

HSL 20.87, 0.22%, 0.59%

LAB 61.71, 8.81, 12.74

 

CMYK 0 / 76 / 62 / 5

HEX #F13B5C

RGB 241 59 92

HSL 349.12, 0.87%, 0.59%

LAB 54.66, 69.41, 24.91

 

CMYK 0 / 69 / 76 / 5

HEX #F14A3B

RGB 241 74 59

HSL 4.95, 0.87%, 0.59%

LAB 56, 62.82, 45.3

 

CMYK 0 / 49 / 76 / 5

HEX #F17B3B

RGB 241 123 59

HSL 21.1, 0.87%, 0.59%

LAB 64.31, 41.07, 53.95

 

CMYK 0 / 29 / 76 / 5

HEX #F1AB3B

RGB 241 171 59

HSL 36.92, 0.87%, 0.59%

LAB 74.91, 16.09, 64.43

 

CMYK 0 / 9 / 76 / 5

HEX #F1DC3B

RGB 241 220 59

HSL 53.08, 0.87%, 0.59%

LAB 87.1, -9.22, 75.89

 

CMYK 0 / 60 / 93 / 20

HEX #CC520E

RGB 204 82 14

HSL 21.47, 0.87%, 0.43%

LAB 50.57, 45.73, 57.28

 

CMYK 0 / 58 / 92 / 7

HEX #EE6314

RGB 238 99 20

HSL 21.74, 0.87%, 0.51%

LAB 59.11, 50.45, 64.13

 

CMYK 0 / 49 / 76 / 5

HEX #F17C3B

RGB 241 124 59

HSL 21.43, 0.87%, 0.59%

LAB 64.51, 40.57, 54.15

 

CMYK 0 / 39 / 60 / 4

HEX #F49662

RGB 244 150 98

HSL 21.37, 0.87%, 0.67%

LAB 70.82, 30.52, 42.02

 

CMYK 0 / 28 / 45 / 4

HEX #F6B088

RGB 246 176 136

HSL 21.82, 0.86%, 0.75%

LAB 77.53, 20.88, 30.61

 

CMYK 0 / 48 / 75 / 5

HEX #F17D3C

RGB 241 125 60

HSL 21.55, 0.87%, 0.59%

LAB 64.72, 40.1, 53.91

 

CMYK 41 / 0 / 76 / 5

HEX #8DF13B

RGB 141 241 59

HSL 92.97, 0.87%, 0.59%

LAB 86.45, -57.07, 72.99

 

CMYK 76 / 72 / 0 / 5

HEX #3B44F1

RGB 59 68 241

HSL 237.03, 0.87%, 0.59%

LAB 40.27, 53.59, -86.69

 

CMYK 0 / 48 / 75 / 5

HEX #F17D3C

RGB 241 125 60

HSL 21.55, 0.87%, 0.59%

LAB 64.72, 40.1, 53.91

 

CMYK 76 / 0 / 49 / 5

HEX #3BF17B

RGB 59 241 123

HSL 141.1, 0.87%, 0.59%

LAB 84.62, -69.18, 44.23

 

CMYK 49 / 76 / 0 / 5

HEX #7B3BF1

RGB 123 59 241

HSL 261.1, 0.87%, 0.59%

LAB 43.78, 65.25, -80.72

 

CMYK 0 / 48 / 75 / 5

HEX #F17D3C

RGB 241 125 60

HSL 21.55, 0.87%, 0.59%

LAB 64.72, 40.1, 53.91

 

CMYK 41 / 0 / 76 / 5

HEX #8DF13B

RGB 141 241 59

HSL 92.97, 0.87%, 0.59%

LAB 86.45, -57.07, 72.99

 

CMYK 76 / 27 / 0 / 5

HEX #3BB1F1

RGB 59 177 241

HSL 201.1, 0.87%, 0.59%

LAB 68.55, -11.6, -41.17

 

CMYK 34 / 76 / 0 / 5

HEX #9F3BF1

RGB 159 59 241

HSL 272.97, 0.87%, 0.59%

LAB 48.07, 70.72, -73.54

 

CMYK 0 / 48 / 75 / 5

HEX #F17D3C

RGB 241 125 60

HSL 21.55, 0.87%, 0.59%

LAB 64.72, 40.1, 53.91

 

CMYK 64 / 0 / 76 / 5

HEX #56F13B

RGB 86 241 59

HSL 111.1, 0.87%, 0.59%

LAB 84.59, -71.53, 70.55

 

CMYK 76 / 27 / 0 / 5

HEX #3BB1F1

RGB 59 177 241

HSL 201.1, 0.87%, 0.59%

LAB 68.55, -11.6, -41.17

 

CMYK 11 / 76 / 0 / 5

HEX #D63BF1

RGB 214 59 241

HSL 291.1, 0.87%, 0.59%

LAB 55.86, 80.45, -60.56

 

Description

Color code: HEX #F17D3C | qconv.com Color code: HEX #F17D3C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 125 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 125 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 75 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 75% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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