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Color name
HEX #F18464

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F18464 it is the complementary color #0E7B9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F18464. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F18464 shade: #F6845F, #FF9672, #FFA885, #FFBA98 and #FFCCAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F18464. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F18464 shade: #F18464, #E07251, #CF603E, #BE4E2B and #AD3C18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F18464 shade: #F08465 and #F06565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F18464 shade: #F08465, #F0AA65, #F0D065, #EBF065 and #C5F065

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F18464 shade matches the following richer shades: #F08465 and #FE7D57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F18464 shade: #F08465, #E38C72, #D59380, #C79B8D and #BAA29B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F18464 shade: #F06591, #F0656B, #F08365, #F0A865 and #F0CD65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F18464 shade: #E94819, #ED663F, #F08465, #F4A28A and #F7C0B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F18464 shade: #F18464, #B6F065 and #657EF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F18464 shade: #F18464, #65F083 and #8365F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F18464 shade: #F18464, #B6F065, #65D2F0 and #9F65F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F18464 shade: #F18464, #8CF065, #65D2F0 and #C965F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 59 / 5

HEX #F18464

RGB 241 132 100

HSL 13.62, 0.83%, 0.67%

LAB 66.61, 38.81, 35.68

 

Complementary color

CMYK 91 / 21 / 0 / 39

HEX #0E7B9B

RGB 14 123 155

HSL 193.62, 0.83%, 0.33%

LAB 47.79, -16.13, -25.08

 

CMYK 0 / 46 / 61 / 4

HEX #F6845F

RGB 246 132 95

HSL 14.7, 0.89%, 0.67%

LAB 67.22, 40.36, 39.26

 

CMYK 0 / 41 / 55 / 0

HEX #FF9672

RGB 255 150 114

HSL 15.32, 1%, 0.72%

LAB 72.42, 36, 35.88

 

CMYK 0 / 34 / 48 / 0

HEX #FFA885

RGB 255 168 133

HSL 17.21, 1%, 0.76%

LAB 76.65, 28.3, 31.23

 

CMYK 0 / 27 / 40 / 0

HEX #FFBA98

RGB 255 186 152

HSL 19.81, 1%, 0.8%

LAB 81.1, 20.79, 27.06

 

CMYK 0 / 20 / 33 / 0

HEX #FFCCAB

RGB 255 204 171

HSL 23.57, 1%, 0.84%

LAB 85.7, 13.57, 23.3

 

CMYK 0 / 45 / 59 / 5

HEX #F18464

RGB 241 132 100

HSL 13.62, 0.83%, 0.67%

LAB 66.61, 38.81, 35.68

 

CMYK 0 / 49 / 64 / 12

HEX #E07251

RGB 224 114 81

HSL 13.85, 0.7%, 0.6%

LAB 60.32, 40.18, 37.69

 

CMYK 0 / 54 / 70 / 19

HEX #CF603E

RGB 207 96 62

HSL 14.07, 0.6%, 0.53%

LAB 54, 41.63, 39.91

 

CMYK 0 / 59 / 77 / 25

HEX #BE4E2B

RGB 190 78 43

HSL 14.29, 0.63%, 0.46%

LAB 47.71, 43.13, 42.29

 

CMYK 0 / 65 / 86 / 32

HEX #AD3C18

RGB 173 60 24

HSL 14.5, 0.76%, 0.39%

LAB 41.5, 44.57, 44.56

 

CMYK 0 / 45 / 58 / 6

HEX #F08465

RGB 240 132 101

HSL 13.38, 0.82%, 0.67%

LAB 66.49, 38.5, 34.96

 

CMYK 0 / 58 / 58 / 6

HEX #F06565

RGB 240 101 101

HSL 0, 0.82%, 0.67%

LAB 60.58, 53.57, 27.38

 

CMYK 0 / 45 / 58 / 6

HEX #F08465

RGB 240 132 101

HSL 13.38, 0.82%, 0.67%

LAB 66.49, 38.5, 34.96

 

CMYK 0 / 29 / 58 / 6

HEX #F0AA65

RGB 240 170 101

HSL 29.78, 0.82%, 0.67%

LAB 74.96, 18.59, 45.37

 

CMYK 0 / 13 / 58 / 6

HEX #F0D065

RGB 240 208 101

HSL 46.19, 0.82%, 0.67%

LAB 84.27, -1.27, 56.28

 

CMYK 2 / 0 / 58 / 6

HEX #EBF065

RGB 235 240 101

HSL 62.16, 0.82%, 0.67%

LAB 92.1, -19.25, 64.96

 

CMYK 18 / 0 / 58 / 6

HEX #C5F065

RGB 197 240 101

HSL 78.56, 0.82%, 0.67%

LAB 89.45, -34.05, 61.28

 

CMYK 0 / 45 / 58 / 6

HEX #F08465

RGB 240 132 101

HSL 13.38, 0.82%, 0.67%

LAB 66.49, 38.5, 34.96

 

CMYK 0 / 51 / 66 / 0

HEX #FE7D57

RGB 254 125 87

HSL 13.65, 0.99%, 0.67%

LAB 66.84, 46.34, 43.31

 

CMYK 0 / 45 / 58 / 6

HEX #F08465

RGB 240 132 101

HSL 13.38, 0.82%, 0.67%

LAB 66.49, 38.5, 34.96

 

CMYK 0 / 38 / 50 / 11

HEX #E38C72

RGB 227 140 114

HSL 13.81, 0.67%, 0.67%

LAB 66.75, 30.38, 27.85

 

CMYK 0 / 31 / 40 / 16

HEX #D59380

RGB 213 147 128

HSL 13.41, 0.5%, 0.67%

LAB 66.95, 22.58, 20.1

 

CMYK 0 / 22 / 29 / 22

HEX #C79B8D

RGB 199 155 141

HSL 14.48, 0.34%, 0.67%

LAB 67.66, 14.36, 13.62

 

CMYK 0 / 13 / 17 / 27

HEX #BAA29B

RGB 186 162 155

HSL 13.55, 0.18%, 0.67%

LAB 68.49, 7.62, 6.86

 

CMYK 0 / 58 / 40 / 6

HEX #F06591

RGB 240 101 145

HSL 341.01, 0.82%, 0.67%

LAB 61.55, 57.45, 3.35

 

CMYK 0 / 58 / 55 / 6

HEX #F0656B

RGB 240 101 107

HSL 357.41, 0.82%, 0.67%

LAB 60.69, 54.01, 24.09

 

CMYK 0 / 45 / 58 / 6

HEX #F08365

RGB 240 131 101

HSL 12.95, 0.82%, 0.67%

LAB 66.29, 39.01, 34.7

 

CMYK 0 / 30 / 58 / 6

HEX #F0A865

RGB 240 168 101

HSL 28.92, 0.82%, 0.67%

LAB 74.49, 19.65, 44.81

 

CMYK 0 / 15 / 58 / 6

HEX #F0CD65

RGB 240 205 101

HSL 44.89, 0.82%, 0.67%

LAB 83.51, 0.27, 55.42

 

CMYK 0 / 69 / 89 / 9

HEX #E94819

RGB 233 72 25

HSL 13.56, 0.83%, 0.51%

LAB 54.06, 60.12, 58.63

 

CMYK 0 / 57 / 73 / 7

HEX #ED663F

RGB 237 102 63

HSL 13.45, 0.83%, 0.59%

LAB 59.77, 49.89, 47.07

 

CMYK 0 / 45 / 58 / 6

HEX #F08465

RGB 240 132 101

HSL 13.38, 0.82%, 0.67%

LAB 66.49, 38.5, 34.96

 

CMYK 0 / 34 / 43 / 4

HEX #F4A28A

RGB 244 162 138

HSL 13.58, 0.83%, 0.75%

LAB 74.13, 27.69, 24.95

 

CMYK 0 / 22 / 29 / 3

HEX #F7C0B0

RGB 247 192 176

HSL 13.52, 0.82%, 0.83%

LAB 82.17, 17.48, 15.63

 

CMYK 0 / 45 / 59 / 5

HEX #F18464

RGB 241 132 100

HSL 13.62, 0.83%, 0.67%

LAB 66.61, 38.81, 35.68

 

CMYK 24 / 0 / 58 / 6

HEX #B6F065

RGB 182 240 101

HSL 85.04, 0.82%, 0.67%

LAB 88.55, -39.6, 60.01

 

CMYK 58 / 48 / 0 / 6

HEX #657EF0

RGB 101 126 240

HSL 229.21, 0.82%, 0.67%

LAB 56.07, 24.24, -60.31

 

CMYK 0 / 45 / 59 / 5

HEX #F18464

RGB 241 132 100

HSL 13.62, 0.83%, 0.67%

LAB 66.61, 38.81, 35.68

 

CMYK 58 / 0 / 45 / 6

HEX #65F083

RGB 101 240 131

HSL 132.95, 0.82%, 0.67%

LAB 85.37, -60.29, 41.5

 

CMYK 45 / 58 / 0 / 6

HEX #8365F0

RGB 131 101 240

HSL 252.95, 0.82%, 0.67%

LAB 52.31, 45, -66.24

 

CMYK 0 / 45 / 59 / 5

HEX #F18464

RGB 241 132 100

HSL 13.62, 0.83%, 0.67%

LAB 66.61, 38.81, 35.68

 

CMYK 24 / 0 / 58 / 6

HEX #B6F065

RGB 182 240 101

HSL 85.04, 0.82%, 0.67%

LAB 88.55, -39.6, 60.01

 

CMYK 58 / 13 / 0 / 6

HEX #65D2F0

RGB 101 210 240

HSL 192.95, 0.82%, 0.67%

LAB 79.13, -22.83, -24.21

 

CMYK 34 / 58 / 0 / 6

HEX #9F65F0

RGB 159 101 240

HSL 265.04, 0.82%, 0.67%

LAB 55.04, 51.08, -61.7

 

CMYK 0 / 45 / 59 / 5

HEX #F18464

RGB 241 132 100

HSL 13.62, 0.83%, 0.67%

LAB 66.61, 38.81, 35.68

 

CMYK 42 / 0 / 58 / 6

HEX #8CF065

RGB 140 240 101

HSL 103.17, 0.82%, 0.67%

LAB 86.42, -53.74, 57.03

 

CMYK 58 / 13 / 0 / 6

HEX #65D2F0

RGB 101 210 240

HSL 192.95, 0.82%, 0.67%

LAB 79.13, -22.83, -24.21

 

CMYK 16 / 58 / 0 / 6

HEX #C965F0

RGB 201 101 240

HSL 283.17, 0.82%, 0.67%

LAB 59.9, 60.99, -53.65

 

Description

Color code: HEX #F18464 | qconv.com Color code: HEX #F18464 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 132 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 132 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 59 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 59% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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