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Color name
HEX #F183E2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F183E2 it is the complementary color #0E7C1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F183E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F183E2 shade: #F683DD, #FF95F0, #FFA7FF, #FFB9FF and #FFCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F183E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F183E2 shade: #F183E2, #E071CF, #CF5FBC, #BE4DA9 and #AD3B96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F183E2 shade: #F183E2, #F183C4, #F183A6, #F18389 and #F18383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F183E2 shade: #F183E2, #E283F1, #C483F1, #A783F1 and #8983F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F183E2 shade matches the following richer shades: #F183E2 and #FC77EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F183E2 shade: #F183E2, #E68EDA, #DA99D2, #CFA4C9 and #C4AFC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F183E2 shade: #C583F1, #E283F1, #F183E2, #F183C5 and #F183A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F183E2 shade: #E838D0, #ED5DD9, #F183E2, #F5A8EA and #F9CDF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F183E2 shade: #F183E2, #F1A783 and #83F1D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F183E2 shade: #F183E2, #E2F183 and #83E2F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F183E2 shade: #F183E2, #F1A783, #83F191 and #83CCF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F183E2 shade: #F183E2, #F1C883, #83F191 and #83ABF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 6 / 5

HEX #F183E2

RGB 241 131 226

HSL 308.18, 0.8%, 0.73%

LAB 69.77, 54.69, -30.07

 

Complementary color

CMYK 89 / 0 / 77 / 51

HEX #0E7C1D

RGB 14 124 29

HSL 128.18, 0.8%, 0.27%

LAB 45.08, -47.76, 41.24

 

CMYK 0 / 47 / 10 / 4

HEX #F683DD

RGB 246 131 221

HSL 313.04, 0.86%, 0.74%

LAB 70.21, 55.35, -26.58

 

CMYK 0 / 42 / 6 / 0

HEX #FF95F0

RGB 255 149 240

HSL 308.49, 1%, 0.79%

LAB 75.48, 52.26, -28.81

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 46 / 6 / 5

HEX #F183E2

RGB 241 131 226

HSL 308.18, 0.8%, 0.73%

LAB 69.77, 54.69, -30.07

 

CMYK 0 / 50 / 8 / 12

HEX #E071CF

RGB 224 113 207

HSL 309.19, 0.64%, 0.66%

LAB 63.48, 55.34, -29.38

 

CMYK 0 / 54 / 9 / 19

HEX #CF5FBC

RGB 207 95 188

HSL 310.18, 0.54%, 0.59%

LAB 57.15, 55.91, -28.55

 

CMYK 0 / 59 / 11 / 25

HEX #BE4DA9

RGB 190 77 169

HSL 311.15, 0.47%, 0.52%

LAB 50.83, 56.31, -27.53

 

CMYK 0 / 66 / 13 / 32

HEX #AD3B96

RGB 173 59 150

HSL 312.11, 0.49%, 0.45%

LAB 44.54, 56.41, -26.22

 

CMYK 0 / 46 / 6 / 5

HEX #F183E2

RGB 241 131 226

HSL 308.18, 0.8%, 0.73%

LAB 69.77, 54.69, -30.07

 

CMYK 0 / 46 / 19 / 5

HEX #F183C4

RGB 241 131 196

HSL 324.55, 0.8%, 0.73%

LAB 68.69, 49.97, -15.05

 

CMYK 0 / 46 / 31 / 5

HEX #F183A6

RGB 241 131 166

HSL 340.91, 0.8%, 0.73%

LAB 67.79, 45.87, 0.45

 

CMYK 0 / 46 / 43 / 5

HEX #F18389

RGB 241 131 137

HSL 356.73, 0.8%, 0.73%

LAB 67.08, 42.56, 15.79

 

CMYK 0 / 46 / 46 / 5

HEX #F18383

RGB 241 131 131

HSL 0, 0.8%, 0.73%

LAB 66.95, 41.96, 18.98

 

CMYK 0 / 46 / 6 / 5

HEX #F183E2

RGB 241 131 226

HSL 308.18, 0.8%, 0.73%

LAB 69.77, 54.69, -30.07

 

CMYK 6 / 46 / 0 / 5

HEX #E283F1

RGB 226 131 241

HSL 291.82, 0.8%, 0.73%

LAB 68.57, 53.03, -40.33

 

CMYK 19 / 46 / 0 / 5

HEX #C483F1

RGB 196 131 241

HSL 275.45, 0.8%, 0.73%

LAB 65.22, 44.64, -45.83

 

CMYK 31 / 46 / 0 / 5

HEX #A783F1

RGB 167 131 241

HSL 259.64, 0.8%, 0.73%

LAB 62.34, 36.81, -50.57

 

CMYK 43 / 46 / 0 / 5

HEX #8983F1

RGB 137 131 241

HSL 243.27, 0.8%, 0.73%

LAB 59.8, 29.29, -54.75

 

CMYK 0 / 46 / 6 / 5

HEX #F183E2

RGB 241 131 226

HSL 308.18, 0.8%, 0.73%

LAB 69.77, 54.69, -30.07

 

CMYK 0 / 53 / 7 / 1

HEX #FC77EA

RGB 252 119 234

HSL 308.12, 0.96%, 0.73%

LAB 69.35, 64.8, -35.02

 

CMYK 0 / 46 / 6 / 5

HEX #F183E2

RGB 241 131 226

HSL 308.18, 0.8%, 0.73%

LAB 69.77, 54.69, -30.07

 

CMYK 0 / 38 / 5 / 10

HEX #E68EDA

RGB 230 142 218

HSL 308.18, 0.64%, 0.73%

LAB 70.34, 44.41, -24.89

 

CMYK 0 / 30 / 4 / 15

HEX #DA99D2

RGB 218 153 210

HSL 307.38, 0.47%, 0.73%

LAB 71.11, 33.32, -19.43

 

CMYK 0 / 21 / 3 / 19

HEX #CFA4C9

RGB 207 164 201

HSL 308.37, 0.31%, 0.73%

LAB 72.25, 22.02, -12.85

 

CMYK 0 / 11 / 2 / 23

HEX #C4AFC1

RGB 196 175 193

HSL 308.57, 0.15%, 0.73%

LAB 73.7, 10.74, -6.4

 

CMYK 18 / 46 / 0 / 5

HEX #C583F1

RGB 197 131 241

HSL 276, 0.8%, 0.73%

LAB 65.32, 44.92, -45.66

 

CMYK 6 / 46 / 0 / 5

HEX #E283F1

RGB 226 131 241

HSL 291.82, 0.8%, 0.73%

LAB 68.57, 53.03, -40.33

 

CMYK 0 / 46 / 6 / 5

HEX #F183E2

RGB 241 131 226

HSL 308.18, 0.8%, 0.73%

LAB 69.77, 54.69, -30.07

 

CMYK 0 / 46 / 18 / 5

HEX #F183C5

RGB 241 131 197

HSL 324, 0.8%, 0.73%

LAB 68.73, 50.12, -15.56

 

CMYK 0 / 46 / 31 / 5

HEX #F183A7

RGB 241 131 167

HSL 340.36, 0.8%, 0.73%

LAB 67.82, 46, -0.07

 

CMYK 0 / 76 / 10 / 9

HEX #E838D0

RGB 232 56 208

HSL 308.18, 0.79%, 0.56%

LAB 56.62, 79.76, -40.54

 

CMYK 0 / 61 / 8 / 7

HEX #ED5DD9

RGB 237 93 217

HSL 308.33, 0.8%, 0.65%

LAB 62.37, 69.44, -36.57

 

CMYK 0 / 46 / 6 / 5

HEX #F183E2

RGB 241 131 226

HSL 308.18, 0.8%, 0.73%

LAB 69.77, 54.69, -30.07

 

CMYK 0 / 31 / 4 / 4

HEX #F5A8EA

RGB 245 168 234

HSL 308.57, 0.79%, 0.81%

LAB 78.09, 38.36, -21.67

 

CMYK 0 / 18 / 2 / 2

HEX #F9CDF3

RGB 249 205 243

HSL 308.18, 0.79%, 0.89%

LAB 87.13, 21.73, -12.83

 

CMYK 0 / 46 / 6 / 5

HEX #F183E2

RGB 241 131 226

HSL 308.18, 0.8%, 0.73%

LAB 69.77, 54.69, -30.07

 

CMYK 0 / 31 / 46 / 5

HEX #F1A783

RGB 241 167 131

HSL 19.64, 0.8%, 0.73%

LAB 74.81, 23.18, 29.57

 

CMYK 46 / 0 / 12 / 5

HEX #83F1D3

RGB 131 241 211

HSL 163.64, 0.8%, 0.73%

LAB 88.18, -38.61, 4.7

 

CMYK 0 / 46 / 6 / 5

HEX #F183E2

RGB 241 131 226

HSL 308.18, 0.8%, 0.73%

LAB 69.77, 54.69, -30.07

 

CMYK 6 / 0 / 46 / 5

HEX #E2F183

RGB 226 241 131

HSL 68.18, 0.8%, 0.73%

LAB 92.01, -20.74, 51.16

 

CMYK 46 / 6 / 0 / 5

HEX #83E2F1

RGB 131 226 241

HSL 188.18, 0.8%, 0.73%

LAB 84.78, -24.31, -16.08

 

CMYK 0 / 46 / 6 / 5

HEX #F183E2

RGB 241 131 226

HSL 308.18, 0.8%, 0.73%

LAB 69.77, 54.69, -30.07

 

CMYK 0 / 31 / 46 / 5

HEX #F1A783

RGB 241 167 131

HSL 19.64, 0.8%, 0.73%

LAB 74.81, 23.18, 29.57

 

CMYK 46 / 0 / 40 / 5

HEX #83F191

RGB 131 241 145

HSL 127.64, 0.8%, 0.73%

LAB 86.89, -51.13, 36.79

 

CMYK 46 / 15 / 0 / 5

HEX #83CCF1

RGB 131 204 241

HSL 200.18, 0.8%, 0.73%

LAB 78.67, -13.16, -25.33

 

CMYK 0 / 46 / 6 / 5

HEX #F183E2

RGB 241 131 226

HSL 308.18, 0.8%, 0.73%

LAB 69.77, 54.69, -30.07

 

CMYK 0 / 17 / 46 / 5

HEX #F1C883

RGB 241 200 131

HSL 37.64, 0.8%, 0.73%

LAB 82.73, 5.81, 39.85

 

CMYK 46 / 0 / 40 / 5

HEX #83F191

RGB 131 241 145

HSL 127.64, 0.8%, 0.73%

LAB 86.89, -51.13, 36.79

 

CMYK 46 / 29 / 0 / 5

HEX #83ABF1

RGB 131 171 241

HSL 218.18, 0.8%, 0.73%

LAB 69.68, 4.74, -39.2

 

Description

Color code: HEX #F183E2 | qconv.com Color code: HEX #F183E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 131 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 131 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 6 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 6% 5% C M Y K

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Provide designers and agencies with accurate color values.

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