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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F183E6 it is the complementary color #0E7C19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F183E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F183E6 shade: #F683E1, #FF95F4, #FFA7FF, #FFB9FF and #FFCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F183E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F183E6 shade: #F183E6, #E071D3, #CF5FC0, #BE4DAD and #AD3B9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F183E6 shade: #F183E6, #F183C8, #F183AA, #F1838D and #F18383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F183E6 shade: #F183E6, #DE83F1, #C083F1, #A383F1 and #8583F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F183E6 shade matches the following richer shades: #F183E6 and #FC77EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F183E6 shade: #F183E6, #E68EDD, #DA99D4, #CFA4CB and #C4AFC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F183E6 shade: #C183F1, #DE83F1, #F183E6, #F183C8 and #F183AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F183E6 shade: #E838D7, #ED5DDE, #F183E6, #F5A8ED and #F9CDF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F183E6 shade: #F183E6, #F1A483 and #83F1D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F183E6 shade: #F183E6, #E6F183 and #83E6F1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F183E6 shade: #F183E6, #F1A483, #83F18E and #83D0F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F183E6 shade: #F183E6, #F1C583, #83F18E and #83AFF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

Complementary color

CMYK 89 / 0 / 80 / 51

HEX #0E7C19

RGB 14 124 25

HSL 126, 0.8%, 0.27%

LAB 45.05, -48.09, 42.69

 

CMYK 0 / 47 / 9 / 4

HEX #F683E1

RGB 246 131 225

HSL 310.96, 0.86%, 0.74%

LAB 70.36, 56, -28.56

 

CMYK 0 / 42 / 4 / 0

HEX #FF95F4

RGB 255 149 244

HSL 306.23, 1%, 0.79%

LAB 75.63, 52.93, -30.75

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

CMYK 0 / 50 / 6 / 12

HEX #E071D3

RGB 224 113 211

HSL 307.03, 0.64%, 0.66%

LAB 63.64, 56.01, -31.37

 

CMYK 0 / 54 / 7 / 19

HEX #CF5FC0

RGB 207 95 192

HSL 308.04, 0.54%, 0.59%

LAB 57.32, 56.57, -30.58

 

CMYK 0 / 59 / 9 / 25

HEX #BE4DAD

RGB 190 77 173

HSL 309.03, 0.47%, 0.52%

LAB 51, 56.95, -29.6

 

CMYK 0 / 66 / 11 / 32

HEX #AD3B9A

RGB 173 59 154

HSL 310, 0.49%, 0.45%

LAB 44.72, 57.03, -28.33

 

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

CMYK 0 / 46 / 17 / 5

HEX #F183C8

RGB 241 131 200

HSL 322.36, 0.8%, 0.73%

LAB 68.83, 50.56, -17.08

 

CMYK 0 / 46 / 29 / 5

HEX #F183AA

RGB 241 131 170

HSL 338.73, 0.8%, 0.73%

LAB 67.9, 46.38, -1.64

 

CMYK 0 / 46 / 41 / 5

HEX #F1838D

RGB 241 131 141

HSL 354.55, 0.8%, 0.73%

LAB 67.17, 42.97, 13.66

 

CMYK 0 / 46 / 46 / 5

HEX #F18383

RGB 241 131 131

HSL 0, 0.8%, 0.73%

LAB 66.95, 41.96, 18.98

 

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

CMYK 8 / 46 / 0 / 5

HEX #DE83F1

RGB 222 131 241

HSL 289.64, 0.8%, 0.73%

LAB 68.1, 51.9, -41.09

 

CMYK 20 / 46 / 0 / 5

HEX #C083F1

RGB 192 131 241

HSL 273.27, 0.8%, 0.73%

LAB 64.8, 43.54, -46.52

 

CMYK 32 / 46 / 0 / 5

HEX #A383F1

RGB 163 131 241

HSL 257.45, 0.8%, 0.73%

LAB 61.97, 35.77, -51.17

 

CMYK 45 / 46 / 0 / 5

HEX #8583F1

RGB 133 131 241

HSL 241.09, 0.8%, 0.73%

LAB 59.5, 28.35, -55.25

 

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

CMYK 0 / 53 / 5 / 1

HEX #FC77EF

RGB 252 119 239

HSL 305.86, 0.96%, 0.73%

LAB 69.56, 65.61, -37.45

 

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

CMYK 0 / 38 / 4 / 10

HEX #E68EDD

RGB 230 142 221

HSL 306.14, 0.64%, 0.73%

LAB 70.45, 44.94, -26.38

 

CMYK 0 / 30 / 3 / 15

HEX #DA99D4

RGB 218 153 212

HSL 305.54, 0.47%, 0.73%

LAB 71.17, 33.68, -20.43

 

CMYK 0 / 21 / 2 / 19

HEX #CFA4CB

RGB 207 164 203

HSL 305.58, 0.31%, 0.73%

LAB 72.31, 22.39, -13.85

 

CMYK 0 / 11 / 1 / 23

HEX #C4AFC2

RGB 196 175 194

HSL 305.71, 0.15%, 0.73%

LAB 73.73, 10.92, -6.9

 

CMYK 20 / 46 / 0 / 5

HEX #C183F1

RGB 193 131 241

HSL 273.82, 0.8%, 0.73%

LAB 64.9, 43.82, -46.35

 

CMYK 8 / 46 / 0 / 5

HEX #DE83F1

RGB 222 131 241

HSL 289.64, 0.8%, 0.73%

LAB 68.1, 51.9, -41.09

 

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

CMYK 0 / 46 / 17 / 5

HEX #F183C8

RGB 241 131 200

HSL 322.36, 0.8%, 0.73%

LAB 68.83, 50.56, -17.08

 

CMYK 0 / 46 / 29 / 5

HEX #F183AB

RGB 241 131 171

HSL 338.18, 0.8%, 0.73%

LAB 67.93, 46.51, -2.16

 

CMYK 0 / 76 / 7 / 9

HEX #E838D7

RGB 232 56 215

HSL 305.8, 0.79%, 0.56%

LAB 56.97, 80.75, -43.98

 

CMYK 0 / 61 / 6 / 7

HEX #ED5DDE

RGB 237 93 222

HSL 306.25, 0.8%, 0.65%

LAB 62.6, 70.22, -39.03

 

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

CMYK 0 / 31 / 3 / 4

HEX #F5A8ED

RGB 245 168 237

HSL 306.23, 0.79%, 0.81%

LAB 78.19, 38.88, -23.14

 

CMYK 0 / 18 / 2 / 2

HEX #F9CDF5

RGB 249 205 245

HSL 305.45, 0.79%, 0.89%

LAB 87.19, 22.09, -13.79

 

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

CMYK 0 / 32 / 46 / 5

HEX #F1A483

RGB 241 164 131

HSL 18, 0.8%, 0.73%

LAB 74.12, 24.77, 28.66

 

CMYK 46 / 0 / 14 / 5

HEX #83F1D0

RGB 131 241 208

HSL 162, 0.8%, 0.73%

LAB 88.11, -39.28, 6.16

 

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

CMYK 5 / 0 / 46 / 5

HEX #E6F183

RGB 230 241 131

HSL 66, 0.8%, 0.73%

LAB 92.3, -19.2, 51.59

 

CMYK 46 / 5 / 0 / 5

HEX #83E6F1

RGB 131 230 241

HSL 186, 0.8%, 0.73%

LAB 85.89, -26.26, -14.41

 

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

CMYK 0 / 32 / 46 / 5

HEX #F1A483

RGB 241 164 131

HSL 18, 0.8%, 0.73%

LAB 74.12, 24.77, 28.66

 

CMYK 46 / 0 / 41 / 5

HEX #83F18E

RGB 131 241 142

HSL 126, 0.8%, 0.73%

LAB 86.84, -51.59, 38.21

 

CMYK 46 / 14 / 0 / 5

HEX #83D0F1

RGB 131 208 241

HSL 198, 0.8%, 0.73%

LAB 79.78, -15.23, -23.65

 

CMYK 0 / 46 / 5 / 5

HEX #F183E6

RGB 241 131 230

HSL 306, 0.8%, 0.73%

LAB 69.93, 55.36, -32.03

 

CMYK 0 / 18 / 46 / 5

HEX #F1C583

RGB 241 197 131

HSL 36, 0.8%, 0.73%

LAB 81.99, 7.37, 38.91

 

CMYK 46 / 0 / 41 / 5

HEX #83F18E

RGB 131 241 142

HSL 126, 0.8%, 0.73%

LAB 86.84, -51.59, 38.21

 

CMYK 46 / 27 / 0 / 5

HEX #83AFF1

RGB 131 175 241

HSL 216, 0.8%, 0.73%

LAB 70.76, 2.5, -37.53

 

Description

Color code: HEX #F183E6 | qconv.com Color code: HEX #F183E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 131 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 131 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 5 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 5% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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