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Color name
HEX #F197AD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F197AD it is the complementary color #0E6852. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F197AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F197AD shade: #F697A8, #FFA9BB, #FFBBCE, #FFCDE1 and #FFDFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F197AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F197AD shade: #F197AD, #E0859A, #CF7387, #BE6174 and #AD4F61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F197AD shade: #F097AD and #F09797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F197AD shade: #F097AD, #F097C5, #F097DD, #EC97F0 and #D497F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F197AD shade matches the following richer shades: #F097AD and #FA8EA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F197AD shade: #F097AD, #E7A1B2, #DDAAB7, #D4B4BC and #CABDC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F197AD shade: #F097DD, #F097C5, #F097AE, #F09997 and #F0B197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F197AD shade: #E74F74, #EB7390, #F097AD, #F5BCCA and #FAE0E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F197AD shade: #F197AD, #F0EC97 and #97D1F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F197AD shade: #F197AD, #AEF097 and #97AEF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F197AD shade: #F197AD, #F0EC97, #97F0DA and #979CF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F197AD shade: #F197AD, #DAF097, #97F0DA and #AE97F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 28 / 5

HEX #F197AD

RGB 241 151 173

HSL 345.33, 0.76%, 0.77%

LAB 72.13, 36.5, 2.85

 

Complementary color

CMYK 87 / 0 / 21 / 59

HEX #0E6852

RGB 14 104 82

HSL 165.33, 0.76%, 0.23%

LAB 38.9, -30.58, 5.4

 

CMYK 0 / 39 / 32 / 4

HEX #F697A8

RGB 246 151 168

HSL 349.26, 0.84%, 0.78%

LAB 72.6, 37.63, 6.38

 

CMYK 0 / 34 / 27 / 0

HEX #FFA9BB

RGB 255 169 187

HSL 347.44, 1%, 0.83%

LAB 78.01, 33.95, 3.88

 

CMYK 0 / 27 / 19 / 0

HEX #FFBBCE

RGB 255 187 206

HSL 343.24, 1%, 0.87%

LAB 82.52, 27.22, 0.15

 

CMYK 0 / 20 / 12 / 0

HEX #FFCDE1

RGB 255 205 225

HSL 336, 1%, 0.9%

LAB 87.17, 20.72, -3.17

 

CMYK 0 / 13 / 4 / 0

HEX #FFDFF4

RGB 255 223 244

HSL 320.63, 1%, 0.94%

LAB 91.94, 14.49, -6.15

 

CMYK 0 / 37 / 28 / 5

HEX #F197AD

RGB 241 151 173

HSL 345.33, 0.76%, 0.77%

LAB 72.13, 36.5, 2.85

 

CMYK 0 / 41 / 31 / 12

HEX #E0859A

RGB 224 133 154

HSL 346.15, 0.59%, 0.7%

LAB 65.71, 37.37, 3.95

 

CMYK 0 / 44 / 35 / 19

HEX #CF7387

RGB 207 115 135

HSL 346.96, 0.49%, 0.63%

LAB 59.23, 38.29, 5.19

 

CMYK 0 / 49 / 39 / 25

HEX #BE6174

RGB 190 97 116

HSL 347.74, 0.42%, 0.56%

LAB 52.68, 39.25, 6.62

 

CMYK 0 / 54 / 44 / 32

HEX #AD4F61

RGB 173 79 97

HSL 348.51, 0.37%, 0.49%

LAB 46.1, 40.21, 8.33

 

CMYK 0 / 37 / 28 / 6

HEX #F097AD

RGB 240 151 173

HSL 345.17, 0.75%, 0.77%

LAB 72.01, 36.14, 2.67

 

CMYK 0 / 37 / 37 / 6

HEX #F09797

RGB 240 151 151

HSL 0, 0.75%, 0.77%

LAB 71.48, 33.4, 14.11

 

CMYK 0 / 37 / 28 / 6

HEX #F097AD

RGB 240 151 173

HSL 345.17, 0.75%, 0.77%

LAB 72.01, 36.14, 2.67

 

CMYK 0 / 37 / 18 / 6

HEX #F097C5

RGB 240 151 197

HSL 328.99, 0.75%, 0.77%

LAB 72.69, 39.57, -9.63

 

CMYK 0 / 37 / 8 / 6

HEX #F097DD

RGB 240 151 221

HSL 312.81, 0.75%, 0.77%

LAB 73.47, 43.41, -21.66

 

CMYK 2 / 37 / 0 / 6

HEX #EC97F0

RGB 236 151 240

HSL 297.3, 0.75%, 0.77%

LAB 73.71, 45.51, -31.71

 

CMYK 12 / 37 / 0 / 6

HEX #D497F0

RGB 212 151 240

HSL 281.12, 0.75%, 0.77%

LAB 71.16, 38.29, -35.87

 

CMYK 0 / 37 / 28 / 6

HEX #F097AD

RGB 240 151 173

HSL 345.17, 0.75%, 0.77%

LAB 72.01, 36.14, 2.67

 

CMYK 0 / 43 / 33 / 2

HEX #FA8EA8

RGB 250 142 168

HSL 345.56, 0.92%, 0.77%

LAB 71.21, 43.66, 4.45

 

CMYK 0 / 37 / 28 / 6

HEX #F097AD

RGB 240 151 173

HSL 345.17, 0.75%, 0.77%

LAB 72.01, 36.14, 2.67

 

CMYK 0 / 30 / 23 / 9

HEX #E7A1B2

RGB 231 161 178

HSL 345.43, 0.59%, 0.77%

LAB 73.35, 28.33, 1.72

 

CMYK 0 / 23 / 17 / 13

HEX #DDAAB7

RGB 221 170 183

HSL 344.71, 0.43%, 0.77%

LAB 74.53, 20.64, 0.57

 

CMYK 0 / 15 / 11 / 17

HEX #D4B4BC

RGB 212 180 188

HSL 345, 0.27%, 0.77%

LAB 76.23, 12.81, 0.22

 

CMYK 0 / 6 / 5 / 21

HEX #CABDC0

RGB 202 189 192

HSL 346.15, 0.11%, 0.77%

LAB 77.73, 5.1, 0.13

 

CMYK 0 / 37 / 8 / 6

HEX #F097DD

RGB 240 151 221

HSL 312.81, 0.75%, 0.77%

LAB 73.47, 43.41, -21.66

 

CMYK 0 / 37 / 18 / 6

HEX #F097C5

RGB 240 151 197

HSL 328.99, 0.75%, 0.77%

LAB 72.69, 39.57, -9.63

 

CMYK 0 / 37 / 28 / 6

HEX #F097AE

RGB 240 151 174

HSL 344.49, 0.75%, 0.77%

LAB 72.04, 36.28, 2.15

 

CMYK 0 / 36 / 37 / 6

HEX #F09997

RGB 240 153 151

HSL 1.35, 0.75%, 0.77%

LAB 71.92, 32.35, 14.72

 

CMYK 0 / 26 / 37 / 6

HEX #F0B197

RGB 240 177 151

HSL 17.53, 0.75%, 0.77%

LAB 77.4, 19.65, 22.31

 

CMYK 0 / 66 / 50 / 9

HEX #E74F74

RGB 231 79 116

HSL 345.39, 0.76%, 0.61%

LAB 55.93, 61.2, 12.11

 

CMYK 0 / 51 / 39 / 8

HEX #EB7390

RGB 235 115 144

HSL 345.5, 0.75%, 0.69%

LAB 63.29, 49.15, 6.34

 

CMYK 0 / 37 / 28 / 6

HEX #F097AD

RGB 240 151 173

HSL 345.17, 0.75%, 0.77%

LAB 72.01, 36.14, 2.67

 

CMYK 0 / 23 / 18 / 4

HEX #F5BCCA

RGB 245 188 202

HSL 345.26, 0.74%, 0.85%

LAB 81.64, 22.55, 0.91

 

CMYK 0 / 10 / 8 / 2

HEX #FAE0E6

RGB 250 224 230

HSL 346.15, 0.72%, 0.93%

LAB 91.39, 9.9, 0.32

 

CMYK 0 / 37 / 28 / 5

HEX #F197AD

RGB 241 151 173

HSL 345.33, 0.76%, 0.77%

LAB 72.13, 36.5, 2.85

 

CMYK 0 / 2 / 37 / 6

HEX #F0EC97

RGB 240 236 151

HSL 57.3, 0.75%, 0.77%

LAB 92.02, -10.83, 41.71

 

CMYK 37 / 13 / 0 / 6

HEX #97D1F0

RGB 151 209 240

HSL 200.9, 0.75%, 0.77%

LAB 81, -11.03, -21.16

 

CMYK 0 / 37 / 28 / 5

HEX #F197AD

RGB 241 151 173

HSL 345.33, 0.76%, 0.77%

LAB 72.13, 36.5, 2.85

 

CMYK 28 / 0 / 37 / 6

HEX #AEF097

RGB 174 240 151

HSL 104.49, 0.75%, 0.77%

LAB 88.71, -36.71, 36.56

 

CMYK 37 / 28 / 0 / 6

HEX #97AEF0

RGB 151 174 240

HSL 224.49, 0.75%, 0.77%

LAB 71.65, 7.88, -35.5

 

CMYK 0 / 37 / 28 / 5

HEX #F197AD

RGB 241 151 173

HSL 345.33, 0.76%, 0.77%

LAB 72.13, 36.5, 2.85

 

CMYK 0 / 2 / 37 / 6

HEX #F0EC97

RGB 240 236 151

HSL 57.3, 0.75%, 0.77%

LAB 92.02, -10.83, 41.71

 

CMYK 37 / 0 / 9 / 6

HEX #97F0DA

RGB 151 240 218

HSL 165.17, 0.75%, 0.77%

LAB 88.9, -31.57, 2.2

 

CMYK 37 / 35 / 0 / 6

HEX #979CF0

RGB 151 156 240

HSL 236.63, 0.75%, 0.77%

LAB 67.01, 18.07, -42.74

 

CMYK 0 / 37 / 28 / 5

HEX #F197AD

RGB 241 151 173

HSL 345.33, 0.76%, 0.77%

LAB 72.13, 36.5, 2.85

 

CMYK 9 / 0 / 37 / 6

HEX #DAF097

RGB 218 240 151

HSL 74.83, 0.75%, 0.77%

LAB 91.44, -21.11, 40.64

 

CMYK 37 / 0 / 9 / 6

HEX #97F0DA

RGB 151 240 218

HSL 165.17, 0.75%, 0.77%

LAB 88.9, -31.57, 2.2

 

CMYK 28 / 37 / 0 / 6

HEX #AE97F0

RGB 174 151 240

HSL 255.51, 0.75%, 0.77%

LAB 67.59, 27.21, -41.7

 

Description

Color code: HEX #F197AD | qconv.com Color code: HEX #F197AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 151 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 151 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 28 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 28% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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