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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F197E6 it is the complementary color #0E6819. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F197E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F197E6 shade: #F697E1, #FFA9F4, #FFBBFF, #FFCDFF and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F197E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F197E6 shade: #F197E6, #E085D3, #CF73C0, #BE61AD and #AD4F9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F197E6 shade: #F097E6, #F097CD, #F097B5, #F0979D and #F09797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F197E6 shade: #F097E6, #E397F0, #CB97F0, #B397F0 and #9B97F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F197E6 shade matches the following richer shades: #F097E6 and #FA8EED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F197E6 shade: #F097E6, #E7A1DE, #DDAAD7, #D4B4D0 and #CABDC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F197E6 shade: #CB97F0, #E397F0, #F097E6, #F097CE and #F097B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F197E6 shade: #E74FD4, #EB73DD, #F097E6, #F5BCEE and #FAE0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F197E6 shade: #F197E6, #F0B497 and #97F0D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F197E6 shade: #F197E6, #E6F097 and #97E6F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F197E6 shade: #F197E6, #F0B497, #97F0A2 and #97D4F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F197E6 shade: #F197E6, #F0CE97, #97F0A2 and #97B9F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 5 / 5

HEX #F197E6

RGB 241 151 230

HSL 307.33, 0.76%, 0.77%

LAB 73.9, 45.26, -25.92

 

Complementary color

CMYK 87 / 0 / 76 / 59

HEX #0E6819

RGB 14 104 25

HSL 127.33, 0.76%, 0.23%

LAB 37.96, -41.47, 35.57

 

CMYK 0 / 39 / 9 / 4

HEX #F697E1

RGB 246 151 225

HSL 313.26, 0.84%, 0.78%

LAB 74.29, 45.98, -22.53

 

CMYK 0 / 34 / 4 / 0

HEX #FFA9F4

RGB 255 169 244

HSL 307.67, 1%, 0.83%

LAB 79.71, 42.74, -24.5

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 37 / 5 / 5

HEX #F197E6

RGB 241 151 230

HSL 307.33, 0.76%, 0.77%

LAB 73.9, 45.26, -25.92

 

CMYK 0 / 41 / 6 / 12

HEX #E085D3

RGB 224 133 211

HSL 308.57, 0.59%, 0.7%

LAB 67.52, 45.99, -25.39

 

CMYK 0 / 44 / 7 / 19

HEX #CF73C0

RGB 207 115 192

HSL 309.78, 0.49%, 0.63%

LAB 61.07, 46.73, -24.79

 

CMYK 0 / 49 / 9 / 25

HEX #BE61AD

RGB 190 97 173

HSL 310.97, 0.42%, 0.56%

LAB 54.57, 47.44, -24.08

 

CMYK 0 / 54 / 11 / 32

HEX #AD4F9A

RGB 173 79 154

HSL 312.13, 0.37%, 0.49%

LAB 48.02, 48.06, -23.22

 

CMYK 0 / 37 / 4 / 6

HEX #F097E6

RGB 240 151 230

HSL 306.74, 0.75%, 0.77%

LAB 73.79, 44.95, -26.1

 

CMYK 0 / 37 / 15 / 6

HEX #F097CD

RGB 240 151 205

HSL 323.6, 0.75%, 0.77%

LAB 72.94, 40.81, -13.67

 

CMYK 0 / 37 / 25 / 6

HEX #F097B5

RGB 240 151 181

HSL 339.78, 0.75%, 0.77%

LAB 72.22, 37.24, -1.46

 

CMYK 0 / 37 / 35 / 6

HEX #F0979D

RGB 240 151 157

HSL 355.96, 0.75%, 0.77%

LAB 71.62, 34.11, 10.98

 

CMYK 0 / 37 / 37 / 6

HEX #F09797

RGB 240 151 151

HSL 0, 0.75%, 0.77%

LAB 71.48, 33.4, 14.11

 

CMYK 0 / 37 / 4 / 6

HEX #F097E6

RGB 240 151 230

HSL 306.74, 0.75%, 0.77%

LAB 73.79, 44.95, -26.1

 

CMYK 5 / 37 / 0 / 6

HEX #E397F0

RGB 227 151 240

HSL 291.24, 0.75%, 0.77%

LAB 72.73, 42.79, -33.31

 

CMYK 15 / 37 / 0 / 6

HEX #CB97F0

RGB 203 151 240

HSL 275.06, 0.75%, 0.77%

LAB 70.26, 35.61, -37.33

 

CMYK 25 / 37 / 0 / 6

HEX #B397F0

RGB 179 151 240

HSL 258.88, 0.75%, 0.77%

LAB 68.03, 28.62, -40.99

 

CMYK 35 / 37 / 0 / 6

HEX #9B97F0

RGB 155 151 240

HSL 242.7, 0.75%, 0.77%

LAB 66.05, 21.99, -44.22

 

CMYK 0 / 37 / 4 / 6

HEX #F097E6

RGB 240 151 230

HSL 306.74, 0.75%, 0.77%

LAB 73.79, 44.95, -26.1

 

CMYK 0 / 43 / 5 / 2

HEX #FA8EED

RGB 250 142 237

HSL 307.22, 0.92%, 0.77%

LAB 73.41, 53.75, -30.41

 

CMYK 0 / 37 / 4 / 6

HEX #F097E6

RGB 240 151 230

HSL 306.74, 0.75%, 0.77%

LAB 73.79, 44.95, -26.1

 

CMYK 0 / 30 / 4 / 9

HEX #E7A1DE

RGB 231 161 222

HSL 307.71, 0.59%, 0.77%

LAB 74.67, 35.43, -20.48

 

CMYK 0 / 23 / 3 / 13

HEX #DDAAD7

RGB 221 170 215

HSL 307.06, 0.43%, 0.77%

LAB 75.47, 26.05, -15.55

 

CMYK 0 / 15 / 2 / 17

HEX #D4B4D0

RGB 212 180 208

HSL 307.5, 0.27%, 0.77%

LAB 76.8, 16.31, -9.83

 

CMYK 0 / 6 / 0 / 21

HEX #CABDC9

RGB 202 189 201

HSL 304.62, 0.11%, 0.77%

LAB 77.97, 6.73, -4.39

 

CMYK 15 / 37 / 0 / 6

HEX #CB97F0

RGB 203 151 240

HSL 275.06, 0.75%, 0.77%

LAB 70.26, 35.61, -37.33

 

CMYK 5 / 37 / 0 / 6

HEX #E397F0

RGB 227 151 240

HSL 291.24, 0.75%, 0.77%

LAB 72.73, 42.79, -33.31

 

CMYK 0 / 37 / 4 / 6

HEX #F097E6

RGB 240 151 230

HSL 306.74, 0.75%, 0.77%

LAB 73.79, 44.95, -26.1

 

CMYK 0 / 37 / 14 / 6

HEX #F097CE

RGB 240 151 206

HSL 322.92, 0.75%, 0.77%

LAB 72.97, 40.96, -14.17

 

CMYK 0 / 37 / 24 / 6

HEX #F097B6

RGB 240 151 182

HSL 339.1, 0.75%, 0.77%

LAB 72.25, 37.38, -1.97

 

CMYK 0 / 66 / 8 / 9

HEX #E74FD4

RGB 231 79 212

HSL 307.5, 0.76%, 0.61%

LAB 59.28, 72.67, -38.65

 

CMYK 0 / 51 / 6 / 8

HEX #EB73DD

RGB 235 115 221

HSL 307, 0.75%, 0.69%

LAB 65.86, 59.84, -33.4

 

CMYK 0 / 37 / 4 / 6

HEX #F097E6

RGB 240 151 230

HSL 306.74, 0.75%, 0.77%

LAB 73.79, 44.95, -26.1

 

CMYK 0 / 23 / 3 / 4

HEX #F5BCEE

RGB 245 188 238

HSL 307.37, 0.74%, 0.85%

LAB 82.67, 28.51, -16.89

 

CMYK 0 / 10 / 1 / 2

HEX #FAE0F7

RGB 250 224 247

HSL 306.92, 0.72%, 0.93%

LAB 91.84, 12.83, -7.91

 

CMYK 0 / 37 / 5 / 5

HEX #F197E6

RGB 241 151 230

HSL 307.33, 0.76%, 0.77%

LAB 73.9, 45.26, -25.92

 

CMYK 0 / 25 / 37 / 6

HEX #F0B497

RGB 240 180 151

HSL 19.55, 0.75%, 0.77%

LAB 78.11, 18.06, 23.28

 

CMYK 37 / 0 / 10 / 6

HEX #97F0D7

RGB 151 240 215

HSL 163.15, 0.75%, 0.77%

LAB 88.83, -32.22, 3.66

 

CMYK 0 / 37 / 5 / 5

HEX #F197E6

RGB 241 151 230

HSL 307.33, 0.76%, 0.77%

LAB 73.9, 45.26, -25.92

 

CMYK 4 / 0 / 37 / 6

HEX #E6F097

RGB 230 240 151

HSL 66.74, 0.75%, 0.77%

LAB 92.3, -16.61, 41.91

 

CMYK 37 / 4 / 0 / 6

HEX #97E6F0

RGB 151 230 240

HSL 186.74, 0.75%, 0.77%

LAB 86.73, -21.69, -12.53

 

CMYK 0 / 37 / 5 / 5

HEX #F197E6

RGB 241 151 230

HSL 307.33, 0.76%, 0.77%

LAB 73.9, 45.26, -25.92

 

CMYK 0 / 25 / 37 / 6

HEX #F0B497

RGB 240 180 151

HSL 19.55, 0.75%, 0.77%

LAB 78.11, 18.06, 23.28

 

CMYK 37 / 0 / 33 / 6

HEX #97F0A2

RGB 151 240 162

HSL 127.42, 0.75%, 0.77%

LAB 87.73, -42.3, 29.51

 

CMYK 37 / 12 / 0 / 6

HEX #97D4F0

RGB 151 212 240

HSL 198.88, 0.75%, 0.77%

LAB 81.82, -12.59, -19.93

 

CMYK 0 / 37 / 5 / 5

HEX #F197E6

RGB 241 151 230

HSL 307.33, 0.76%, 0.77%

LAB 73.9, 45.26, -25.92

 

CMYK 0 / 14 / 37 / 6

HEX #F0CE97

RGB 240 206 151

HSL 37.08, 0.75%, 0.77%

LAB 84.43, 4.41, 31.79

 

CMYK 37 / 0 / 33 / 6

HEX #97F0A2

RGB 151 240 162

HSL 127.42, 0.75%, 0.77%

LAB 87.73, -42.3, 29.51

 

CMYK 37 / 23 / 0 / 6

HEX #97B9F0

RGB 151 185 240

HSL 217.08, 0.75%, 0.77%

LAB 74.55, 1.8, -31.02

 

Description

Color code: HEX #F197E6 | qconv.com Color code: HEX #F197E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 151 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 151 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 5 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 5% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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