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Color name
HEX #F1A26D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1A26D it is the complementary color #0E5D92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1A26D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1A26D shade: #F6A268, #FFB47B, #FFC68E, #FFD8A1 and #FFEAB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1A26D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1A26D shade: #F1A26D, #E0905A, #CF7E47, #BE6C34 and #AD5A21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1A26D shade: #F1A36E, #F17F6E and #F16E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1A26D shade: #F1A36E, #F1C66E, #F1E96E, #D5F16E and #B2F16E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1A26D shade matches the following richer shades: #F1A36E and #FEA061

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1A26D shade: #F1A36E, #E4A57B, #D7A887, #CBAA94 and #BEADA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1A26D shade: #F16E7F, #F17F6E, #F1A26E, #F1C56E and #F1E86E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1A26D shade: #EA7322, #EE8B48, #F1A36E, #F5BB94 and #F8D3B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1A26D shade: #F1A26D, #A2F16E and #6E6EF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1A26D shade: #F1A26D, #6EF1A2 and #A26EF1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1A26D shade: #F1A26D, #A2F16E, #6EBDF1 and #BD6EF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1A26D shade: #F1A26D, #7BF16E, #6EBDF1 and #E46EF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 55 / 5

HEX #F1A26D

RGB 241 162 109

HSL 24.09, 0.83%, 0.69%

LAB 73.31, 23.85, 39.29

 

Complementary color

CMYK 90 / 36 / 0 / 43

HEX #0E5D92

RGB 14 93 146

HSL 204.09, 0.83%, 0.31%

LAB 37.84, -1.79, -35.31

 

CMYK 0 / 34 / 58 / 4

HEX #F6A268

RGB 246 162 104

HSL 24.51, 0.89%, 0.69%

LAB 73.83, 25.46, 42.63

 

CMYK 0 / 29 / 52 / 0

HEX #FFB47B

RGB 255 180 123

HSL 25.91, 1%, 0.74%

LAB 79.23, 21.12, 39.8

 

CMYK 0 / 22 / 44 / 0

HEX #FFC68E

RGB 255 198 142

HSL 29.73, 1%, 0.78%

LAB 83.76, 13.48, 35.82

 

CMYK 0 / 15 / 37 / 0

HEX #FFD8A1

RGB 255 216 161

HSL 35.11, 1%, 0.82%

LAB 88.42, 6.18, 32.18

 

CMYK 0 / 8 / 29 / 0

HEX #FFEAB4

RGB 255 234 180

HSL 43.2, 1%, 0.85%

LAB 93.19, -0.73, 28.86

 

CMYK 0 / 33 / 55 / 5

HEX #F1A26D

RGB 241 162 109

HSL 24.09, 0.83%, 0.69%

LAB 73.31, 23.85, 39.29

 

CMYK 0 / 36 / 60 / 12

HEX #E0905A

RGB 224 144 90

HSL 24.18, 0.68%, 0.62%

LAB 66.92, 25.09, 40.88

 

CMYK 0 / 39 / 66 / 19

HEX #CF7E47

RGB 207 126 71

HSL 24.26, 0.59%, 0.55%

LAB 60.46, 26.49, 42.57

 

CMYK 0 / 43 / 73 / 25

HEX #BE6C34

RGB 190 108 52

HSL 24.35, 0.57%, 0.47%

LAB 53.94, 28.09, 44.29

 

CMYK 0 / 48 / 81 / 32

HEX #AD5A21

RGB 173 90 33

HSL 24.43, 0.68%, 0.4%

LAB 47.37, 29.89, 45.85

 

CMYK 0 / 32 / 54 / 5

HEX #F1A36E

RGB 241 163 110

HSL 24.27, 0.82%, 0.69%

LAB 73.56, 23.4, 39.07

 

CMYK 0 / 47 / 54 / 5

HEX #F17F6E

RGB 241 127 110

HSL 7.79, 0.82%, 0.69%

LAB 65.75, 42.1, 29.1

 

CMYK 0 / 54 / 54 / 5

HEX #F16E6E

RGB 241 110 110

HSL 0, 0.82%, 0.69%

LAB 62.49, 50.41, 24.8

 

CMYK 0 / 32 / 54 / 5

HEX #F1A36E

RGB 241 163 110

HSL 24.27, 0.82%, 0.69%

LAB 73.56, 23.4, 39.07

 

CMYK 0 / 18 / 54 / 5

HEX #F1C66E

RGB 241 198 110

HSL 40.31, 0.82%, 0.69%

LAB 81.95, 4.99, 49.35

 

CMYK 0 / 3 / 54 / 5

HEX #F1E96E

RGB 241 233 110

HSL 56.34, 0.82%, 0.69%

LAB 90.83, -12.77, 59.74

 

CMYK 12 / 0 / 54 / 5

HEX #D5F16E

RGB 213 241 110

HSL 72.82, 0.82%, 0.69%

LAB 90.86, -27.66, 59.24

 

CMYK 26 / 0 / 54 / 5

HEX #B2F16E

RGB 178 241 110

HSL 88.85, 0.82%, 0.69%

LAB 88.69, -40.65, 56.15

 

CMYK 0 / 32 / 54 / 5

HEX #F1A36E

RGB 241 163 110

HSL 24.27, 0.82%, 0.69%

LAB 73.56, 23.4, 39.07

 

CMYK 0 / 37 / 62 / 0

HEX #FEA061

RGB 254 160 97

HSL 24.08, 0.99%, 0.69%

LAB 74.24, 29.21, 46.91

 

CMYK 0 / 32 / 54 / 5

HEX #F1A36E

RGB 241 163 110

HSL 24.27, 0.82%, 0.69%

LAB 73.56, 23.4, 39.07

 

CMYK 0 / 28 / 46 / 11

HEX #E4A57B

RGB 228 165 123

HSL 24, 0.66%, 0.69%

LAB 72.78, 18.3, 30.92

 

CMYK 0 / 22 / 37 / 16

HEX #D7A887

RGB 215 168 135

HSL 24.75, 0.5%, 0.69%

LAB 72.36, 12.82, 23.66

 

CMYK 0 / 16 / 27 / 20

HEX #CBAA94

RGB 203 170 148

HSL 24, 0.35%, 0.69%

LAB 71.95, 8.72, 15.83

 

CMYK 0 / 9 / 15 / 25

HEX #BEADA1

RGB 190 173 161

HSL 24.83, 0.18%, 0.69%

LAB 71.83, 4.1, 8.37

 

CMYK 0 / 54 / 47 / 5

HEX #F16E7F

RGB 241 110 127

HSL 352.21, 0.82%, 0.69%

LAB 62.83, 51.87, 15.56

 

CMYK 0 / 47 / 54 / 5

HEX #F17F6E

RGB 241 127 110

HSL 7.79, 0.82%, 0.69%

LAB 65.75, 42.1, 29.1

 

CMYK 0 / 33 / 54 / 5

HEX #F1A26E

RGB 241 162 110

HSL 23.82, 0.82%, 0.69%

LAB 73.33, 23.93, 38.78

 

CMYK 0 / 18 / 54 / 5

HEX #F1C56E

RGB 241 197 110

HSL 39.85, 0.82%, 0.69%

LAB 81.71, 5.51, 49.05

 

CMYK 0 / 4 / 54 / 5

HEX #F1E86E

RGB 241 232 110

HSL 55.88, 0.82%, 0.69%

LAB 90.57, -12.28, 59.44

 

CMYK 0 / 51 / 85 / 8

HEX #EA7322

RGB 234 115 34

HSL 24.3, 0.83%, 0.53%

LAB 61.54, 41.56, 61.35

 

CMYK 0 / 42 / 70 / 7

HEX #EE8B48

RGB 238 139 72

HSL 24.22, 0.83%, 0.61%

LAB 67.36, 32.29, 50.89

 

CMYK 0 / 32 / 54 / 5

HEX #F1A36E

RGB 241 163 110

HSL 24.27, 0.82%, 0.69%

LAB 73.56, 23.4, 39.07

 

CMYK 0 / 24 / 40 / 4

HEX #F5BB94

RGB 245 187 148

HSL 24.12, 0.83%, 0.77%

LAB 80.23, 15.96, 27.83

 

CMYK 0 / 15 / 25 / 3

HEX #F8D3B9

RGB 248 211 185

HSL 24.76, 0.82%, 0.85%

LAB 87.02, 9.11, 17.68

 

CMYK 0 / 33 / 55 / 5

HEX #F1A26D

RGB 241 162 109

HSL 24.09, 0.83%, 0.69%

LAB 73.31, 23.85, 39.29

 

CMYK 33 / 0 / 54 / 5

HEX #A2F16E

RGB 162 241 110

HSL 96.18, 0.82%, 0.69%

LAB 87.83, -46.17, 54.94

 

CMYK 54 / 54 / 0 / 5

HEX #6E6EF1

RGB 110 110 241

HSL 240, 0.82%, 0.69%

LAB 52.75, 35.9, -66.17

 

CMYK 0 / 33 / 55 / 5

HEX #F1A26D

RGB 241 162 109

HSL 24.09, 0.83%, 0.69%

LAB 73.31, 23.85, 39.29

 

CMYK 54 / 0 / 33 / 5

HEX #6EF1A2

RGB 110 241 162

HSL 143.82, 0.82%, 0.69%

LAB 86.42, -53.49, 27.47

 

CMYK 33 / 54 / 0 / 5

HEX #A26EF1

RGB 162 110 241

HSL 263.82, 0.82%, 0.69%

LAB 57.25, 47.19, -58.69

 

CMYK 0 / 33 / 55 / 5

HEX #F1A26D

RGB 241 162 109

HSL 24.09, 0.83%, 0.69%

LAB 73.31, 23.85, 39.29

 

CMYK 33 / 0 / 54 / 5

HEX #A2F16E

RGB 162 241 110

HSL 96.18, 0.82%, 0.69%

LAB 87.83, -46.17, 54.94

 

CMYK 54 / 22 / 0 / 5

HEX #6EBDF1

RGB 110 189 241

HSL 203.82, 0.82%, 0.69%

LAB 73.59, -9.88, -33.22

 

CMYK 22 / 54 / 0 / 5

HEX #BD6EF1

RGB 189 110 241

HSL 276.18, 0.82%, 0.69%

LAB 60.18, 53.81, -53.85

 

CMYK 0 / 33 / 55 / 5

HEX #F1A26D

RGB 241 162 109

HSL 24.09, 0.83%, 0.69%

LAB 73.31, 23.85, 39.29

 

CMYK 49 / 0 / 54 / 5

HEX #7BF16E

RGB 123 241 110

HSL 114.05, 0.82%, 0.69%

LAB 86.13, -58.06, 52.5

 

CMYK 54 / 22 / 0 / 5

HEX #6EBDF1

RGB 110 189 241

HSL 203.82, 0.82%, 0.69%

LAB 73.59, -9.88, -33.22

 

CMYK 5 / 54 / 0 / 5

HEX #E46EF1

RGB 228 110 241

HSL 294.05, 0.82%, 0.69%

LAB 64.96, 63.73, -45.98

 

Description

Color code: HEX #F1A26D | qconv.com Color code: HEX #F1A26D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 162 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 162 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 55 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 55% 5% C M Y K

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Provide designers and agencies with accurate color values.

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