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Color name
HEX #F1B96E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1B96E it is the complementary color #0E4691. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1B96E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F1B96E shade: #F6B969, #FFCB7C, #FFDD8F, #FFEFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1B96E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F1B96E shade: #F1B96E, #E0A75B, #CF9548, #BE8335 and #AD7122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F1B96E shade: #F0B96F, #F0966F, #F0736F and #F06F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F1B96E shade: #F0B96F, #F0DC6F, #E2F06F, #BFF06F and #9CF06F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F1B96E shade matches the following richer shades: #F0B96F and #FDBB62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F1B96E shade: #F0B96F, #E3B77B, #D7B588, #CAB395 and #BDB1A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F1B96E shade: #F0736F, #F0966F, #F0B86F, #F0DB6F and #E3F06F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F1B96E shade: #E99424, #EDA749, #F0B96F, #F4CB94 and #F8DDBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F1B96E shade: #F1B96E, #8DF06F and #846FF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F1B96E shade: #F1B96E, #6FF0B8 and #B86FF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F1B96E shade: #F1B96E, #8DF06F, #6FA7F0 and #D26FF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F1B96E shade: #F1B96E, #6FF077, #6FA7F0 and #F06FE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 54 / 5

HEX #F1B96E

RGB 241 185 110

HSL 34.35, 0.82%, 0.69%

LAB 78.77, 11.78, 45.5

 

Complementary color

CMYK 90 / 52 / 0 / 43

HEX #0E4691

RGB 14 70 145

HSL 214.35, 0.82%, 0.31%

LAB 30.68, 13.07, -46.16

 

CMYK 0 / 25 / 57 / 4

HEX #F6B969

RGB 246 185 105

HSL 34.04, 0.89%, 0.69%

LAB 79.22, 13.44, 48.64

 

CMYK 0 / 20 / 51 / 0

HEX #FFCB7C

RGB 255 203 124

HSL 36.18, 1%, 0.74%

LAB 84.7, 9.22, 46.13

 

CMYK 0 / 13 / 44 / 0

HEX #FFDD8F

RGB 255 221 143

HSL 41.79, 1%, 0.78%

LAB 89.37, 1.72, 42.54

 

CMYK 0 / 6 / 36 / 0

HEX #FFEFA2

RGB 255 239 162

HSL 49.68, 1%, 0.82%

LAB 94.14, -5.38, 39.22

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 23 / 54 / 5

HEX #F1B96E

RGB 241 185 110

HSL 34.35, 0.82%, 0.69%

LAB 78.77, 11.78, 45.5

 

CMYK 0 / 25 / 59 / 12

HEX #E0A75B

RGB 224 167 91

HSL 34.29, 0.68%, 0.62%

LAB 72.39, 12.85, 46.88

 

CMYK 0 / 28 / 65 / 19

HEX #CF9548

RGB 207 149 72

HSL 34.22, 0.58%, 0.55%

LAB 65.93, 14.08, 48.26

 

CMYK 0 / 31 / 72 / 25

HEX #BE8335

RGB 190 131 53

HSL 34.16, 0.56%, 0.48%

LAB 59.38, 15.51, 49.52

 

CMYK 0 / 35 / 80 / 32

HEX #AD7122

RGB 173 113 34

HSL 34.1, 0.67%, 0.41%

LAB 52.74, 17.2, 50.44

 

CMYK 0 / 23 / 54 / 6

HEX #F0B96F

RGB 240 185 111

HSL 34.42, 0.81%, 0.69%

LAB 78.68, 11.46, 44.87

 

CMYK 0 / 38 / 54 / 6

HEX #F0966F

RGB 240 150 111

HSL 18.14, 0.81%, 0.69%

LAB 70.51, 29.94, 34.67

 

CMYK 0 / 52 / 54 / 6

HEX #F0736F

RGB 240 115 111

HSL 1.86, 0.81%, 0.69%

LAB 63.29, 47.75, 25.27

 

CMYK 0 / 54 / 54 / 6

HEX #F06F6F

RGB 240 111 111

HSL 0, 0.81%, 0.69%

LAB 62.54, 49.67, 24.28

 

CMYK 0 / 23 / 54 / 6

HEX #F0B96F

RGB 240 185 111

HSL 34.42, 0.81%, 0.69%

LAB 78.68, 11.46, 44.87

 

CMYK 0 / 8 / 54 / 6

HEX #F0DC6F

RGB 240 220 111

HSL 50.7, 0.81%, 0.69%

LAB 87.42, -6.61, 55.31

 

CMYK 6 / 0 / 54 / 6

HEX #E2F06F

RGB 226 240 111

HSL 66.51, 0.81%, 0.69%

LAB 91.52, -22.05, 59.79

 

CMYK 20 / 0 / 54 / 6

HEX #BFF06F

RGB 191 240 111

HSL 82.79, 0.81%, 0.69%

LAB 89.18, -35.4, 56.47

 

CMYK 35 / 0 / 54 / 6

HEX #9CF06F

RGB 156 240 111

HSL 99.07, 0.81%, 0.69%

LAB 87.26, -47.63, 53.73

 

CMYK 0 / 23 / 54 / 6

HEX #F0B96F

RGB 240 185 111

HSL 34.42, 0.81%, 0.69%

LAB 78.68, 11.46, 44.87

 

CMYK 0 / 26 / 61 / 1

HEX #FDBB62

RGB 253 187 98

HSL 34.45, 0.97%, 0.69%

LAB 80.35, 14.76, 53.53

 

CMYK 0 / 23 / 54 / 6

HEX #F0B96F

RGB 240 185 111

HSL 34.42, 0.81%, 0.69%

LAB 78.68, 11.46, 44.87

 

CMYK 0 / 19 / 46 / 11

HEX #E3B77B

RGB 227 183 123

HSL 34.62, 0.65%, 0.69%

LAB 77.06, 8.32, 36.44

 

CMYK 0 / 16 / 37 / 16

HEX #D7B588

RGB 215 181 136

HSL 34.18, 0.5%, 0.69%

LAB 75.62, 5.98, 27.51

 

CMYK 0 / 11 / 26 / 21

HEX #CAB395

RGB 202 179 149

HSL 33.96, 0.33%, 0.69%

LAB 74.17, 3.63, 18.35

 

CMYK 0 / 6 / 14 / 26

HEX #BDB1A2

RGB 189 177 162

HSL 33.33, 0.17%, 0.69%

LAB 72.81, 1.73, 9.21

 

CMYK 0 / 52 / 54 / 6

HEX #F0736F

RGB 240 115 111

HSL 1.86, 0.81%, 0.69%

LAB 63.29, 47.75, 25.27

 

CMYK 0 / 38 / 54 / 6

HEX #F0966F

RGB 240 150 111

HSL 18.14, 0.81%, 0.69%

LAB 70.51, 29.94, 34.67

 

CMYK 0 / 23 / 54 / 6

HEX #F0B86F

RGB 240 184 111

HSL 33.95, 0.81%, 0.69%

LAB 78.43, 11.98, 44.57

 

CMYK 0 / 9 / 54 / 6

HEX #F0DB6F

RGB 240 219 111

HSL 50.23, 0.81%, 0.69%

LAB 87.16, -6.11, 55.01

 

CMYK 5 / 0 / 54 / 6

HEX #E3F06F

RGB 227 240 111

HSL 66.05, 0.81%, 0.69%

LAB 91.59, -21.66, 59.89

 

CMYK 0 / 36 / 85 / 9

HEX #E99424

RGB 233 148 36

HSL 34.11, 0.82%, 0.53%

LAB 68.48, 24.14, 66.39

 

CMYK 0 / 30 / 69 / 7

HEX #EDA749

RGB 237 167 73

HSL 34.39, 0.82%, 0.61%

LAB 73.63, 17.17, 57.13

 

CMYK 0 / 23 / 54 / 6

HEX #F0B96F

RGB 240 185 111

HSL 34.42, 0.81%, 0.69%

LAB 78.68, 11.46, 44.87

 

CMYK 0 / 17 / 39 / 4

HEX #F4CB94

RGB 244 203 148

HSL 34.38, 0.81%, 0.77%

LAB 84.01, 7.19, 32.85

 

CMYK 0 / 11 / 25 / 3

HEX #F8DDBA

RGB 248 221 186

HSL 33.87, 0.82%, 0.85%

LAB 89.49, 4.08, 20.6

 

CMYK 0 / 23 / 54 / 5

HEX #F1B96E

RGB 241 185 110

HSL 34.35, 0.82%, 0.69%

LAB 78.77, 11.78, 45.5

 

CMYK 41 / 0 / 54 / 6

HEX #8DF06F

RGB 141 240 111

HSL 106.05, 0.81%, 0.69%

LAB 86.57, -52.37, 52.75

 

CMYK 45 / 54 / 0 / 6

HEX #846FF0

RGB 132 111 240

HSL 249.77, 0.81%, 0.69%

LAB 54.62, 39.5, -62.51

 

CMYK 0 / 23 / 54 / 5

HEX #F1B96E

RGB 241 185 110

HSL 34.35, 0.82%, 0.69%

LAB 78.77, 11.78, 45.5

 

CMYK 54 / 0 / 23 / 6

HEX #6FF0B8

RGB 111 240 184

HSL 153.95, 0.81%, 0.69%

LAB 86.58, -48.56, 16.39

 

CMYK 23 / 54 / 0 / 6

HEX #B86FF0

RGB 184 111 240

HSL 273.95, 0.81%, 0.69%

LAB 59.75, 51.82, -54.01

 

CMYK 0 / 23 / 54 / 5

HEX #F1B96E

RGB 241 185 110

HSL 34.35, 0.82%, 0.69%

LAB 78.77, 11.78, 45.5

 

CMYK 41 / 0 / 54 / 6

HEX #8DF06F

RGB 141 240 111

HSL 106.05, 0.81%, 0.69%

LAB 86.57, -52.37, 52.75

 

CMYK 54 / 30 / 0 / 6

HEX #6FA7F0

RGB 111 167 240

HSL 213.95, 0.81%, 0.69%

LAB 67.51, 2.16, -42.13

 

CMYK 13 / 54 / 0 / 6

HEX #D26FF0

RGB 210 111 240

HSL 286.05, 0.81%, 0.69%

LAB 62.81, 58.44, -48.96

 

CMYK 0 / 23 / 54 / 5

HEX #F1B96E

RGB 241 185 110

HSL 34.35, 0.82%, 0.69%

LAB 78.77, 11.78, 45.5

 

CMYK 54 / 0 / 50 / 6

HEX #6FF077

RGB 111 240 119

HSL 123.72, 0.81%, 0.69%

LAB 85.52, -59.66, 47.51

 

CMYK 54 / 30 / 0 / 6

HEX #6FA7F0

RGB 111 167 240

HSL 213.95, 0.81%, 0.69%

LAB 67.51, 2.16, -42.13

 

CMYK 0 / 54 / 3 / 6

HEX #F06FE8

RGB 240 111 232

HSL 303.72, 0.81%, 0.69%

LAB 66.31, 64.86, -38.77

 

Description

Color code: HEX #F1B96E | qconv.com Color code: HEX #F1B96E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 185 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 185 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 54 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 54% 5% C M Y K

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